Dear all,
I am pleased to announce the release of the Fall 2023 issue of American Art<https://americanart.si.edu/research/journal> (vol. 37, no. 3).
TABLE OF CONTENTS
Commentaries: Copyright and Creative Practice
* An Introduction<https://www.journals.uchicago.edu/doi/10.1086/727539>, by Anne Collins Goodyear
* Many Hands Make Light-Fingered Work: Intellectual Property, the Pictorial Press, and Civil War Reportage<https://www.journals.uchicago.edu/doi/10.1086/727540>, by Baird Jarman
* A Means of Protection or Destruction? Copyright Notifications on Paintings in the United States, 1870-1911<https://www.journals.uchicago.edu/doi/10.1086/727541>, by Katherine Mintie
* Anisalaga's Claim to the "Seattle Pole": At.óow and Tlingit Property Law<https://www.journals.uchicago.edu/doi/10.1086/727542>, by Emily L. Moore
* Marcel Duchamp, Copyright, and the Emergence of Art as Idea<https://www.journals.uchicago.edu/doi/10.1086/727543>, by Anne Collins Goodyear
* Image Rights, Proprietorship, and Precedent in Cedric Dover's American Negro Art (1960)<https://www.journals.uchicago.edu/doi/10.1086/727544>, by Rebecca VanDiver
* An Addendum to Pop: The Trademarks of Robert Watts<https://www.journals.uchicago.edu/doi/10.1086/727545>, by Colby Chamberlain
* Parodying the Biotech Industry: Judy Malloy's OK Genetic Engineering as a Critique of Intellectual Property<https://www.journals.uchicago.edu/doi/10.1086/727546>, by Megan Hines
* Can Animals Own Copyright? Animal-Generated Photography from George Shiras to the Monkey Selfie<https://www.journals.uchicago.edu/doi/10.1086/727547>, by Jessica Landau
* Conclusion: A Coda<https://www.journals.uchicago.edu/doi/10.1086/727548>, by Anne Collins Goodyear
Feature Articles
* Monumental Absence: Augusta Savage's Unbuilt Monuments, 1931-1943<https://www.journals.uchicago.edu/doi/10.1086/727549>, by Tess Korobkin
* Islam and the Middle East in the United States: Claire Beckett's Simulating Iraq and The Converts<https://www.journals.uchicago.edu/doi/10.1086/727550>, by Chad Elias
* Drawing in the Daily News: Politics and Temporality in Robert Rauschenberg's Early Solvent Transfers<https://www.journals.uchicago.edu/doi/10.1086/727551>, by Ed Krèma
For submissions guidelines, see: journals.uchicago.edu/journals/amart/instruct<https://www.journals.uchicago.edu/journals/amart/instruct>.
Robin Veder [VEE-der] (she/her)
Executive Editor, American Art
Smithsonian American Art Museum and Renwick Gallery
[log in to unmask]<mailto:[log in to unmask]> | (202) 633-8335
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