Dear all,
I am pleased to announce the release of the Fall 2023 issue of
American Art (vol. 37, no. 3).
TABLE OF CONTENTS
Commentaries: Copyright and Creative Practice
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An Introduction, by Anne Collins Goodyear
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Many Hands Make Light-Fingered Work: Intellectual Property, the Pictorial Press, and Civil War Reportage, by Baird Jarman
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A Means of Protection or Destruction? Copyright Notifications on Paintings in the United States, 1870–1911, by Katherine Mintie
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Anisalaga’s Claim to the “Seattle Pole”: At.óow and Tlingit Property Law, by Emily L. Moore
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Marcel Duchamp, Copyright, and the Emergence of Art as Idea, by Anne Collins Goodyear
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Image Rights, Proprietorship, and Precedent in Cedric Dover’s
American Negro Art (1960), by Rebecca VanDiver
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An Addendum to Pop: The Trademarks of Robert Watts, by Colby Chamberlain
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Parodying the Biotech Industry: Judy Malloy’s
OK Genetic Engineering as a Critique of Intellectual Property, by Megan Hines
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Can Animals Own Copyright? Animal-Generated Photography from George Shiras to the
Monkey Selfie, by Jessica Landau
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Conclusion: A Coda, by Anne Collins Goodyear
Feature Articles
For submissions guidelines, see:
journals.uchicago.edu/journals/amart/instruct.
Robin Veder
[VEE-der] (she/her)
Executive Editor,
American Art
Smithsonian American Art Museum and Renwick Gallery
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