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From:
"Bikkul, Natasha" <[log in to unmask]>
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Museum discussion list <[log in to unmask]>
Date:
Tue, 16 Apr 2024 13:00:00 +0000
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Liverpool University Press is pleased to inform you of the latest content in SCULPTURE JOURNAL<https://www.liverpooluniversitypress.co.uk/journal/sj>, a highly regarded publication that is essential reading for those working in and researching sculpture in all its aspects from prehistory to the present across the globe.

Volume 33, Issue 1 is a Special Issue titled 'Tender Hands, Rough Stone', contributions discuss myths and fictions of sculptural making and materials from a longue-durée perspective, linking case studies on women sculptors with broader questions about the history of sculpture.

It aims to provide a fresh view of the interrelationship between the materials and making of sculpture, and the conception of 'the sculptor' (male and female) in art literature.


Browse all articles > <https://www.liverpooluniversitypress.co.uk/toc/sj/33/1>

Read a free issue ><https://www.liverpooluniversitypress.co.uk/toc/sj/30/1>


To access content in Sculpture Journal please recommend the journal to your librarian<https://www.liverpooluniversitypress.co.uk/action/recommendation?doi=10.3828/sj>.

Sign up to our mailing list <https://www.liverpooluniversitypress.co.uk/pages/mailing_list/> | Follow us on Twitter<https://twitter.com/LivUniPress>


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Table of contents



INTRODUCTION



INTRODUCTION: TENDER HANDS AND ROUGH STONE: SCULPTURE'S STEREOTYPES OF GENDER AND MAKING<https://www.liverpooluniversitypress.co.uk/doi/10.3828/sj.2024.33.1.01>

ANNA FRASCA-RATH



RESEARCH ARTICLES

IMAGINING WOMEN WORKING STONE: THE ANCIENT SCULPTOR MARCIA IN BOCCACCIO'S DE MULIERIBUS AND RESPONSES IN FIFTEENTH- AND SIXTEENTH-CENTURY ART LITERATURE<https://www.liverpooluniversitypress.co.uk/doi/10.3828/sj.2024.33.1.02>

ANNA FRASCA-RATH



'ANYBODY CAN DO SCULPTURE, IT IS PURELY MECHANICAL': HARRIET G. HOSMER AND THE RELATION BETWEEN SCULPTURE, REPRODUCTION AND MACHINE INVENTION<https://www.liverpooluniversitypress.co.uk/doi/10.3828/sj.2024.33.1.03>

BUKET ALTINOBA



'DEATH, LIKE A SCULPTOR': ARCHAEOLOGY, MATERIALS AND TEXT IN HARRIET HOSMER'S POMPEIAN SENTINEL<https://www.liverpooluniversitypress.co.uk/doi/10.3828/sj.2024.33.1.04>

MELISSA L. GUSTIN



ELASTICITY IN TWENTIETH-CENTURY SCULPTURE<https://www.liverpooluniversitypress.co.uk/doi/10.3828/sj.2024.33.1.05>

URSULA STRÖBELE



REVIEWS

REVIEWS<https://www.liverpooluniversitypress.co.uk/doi/10.3828/sj.2024.33.1.06>



Simone Leigh Institute of Contemporary Art, Boston, 6 April-4 September 2023 Eva Respini (ed.), Simone Leigh (exh. cat.) New York and Boston, Delmonico Books/Institute of Contemporary Art, 2023, ISBN 978-1-63681-078-2, by Lexington Davis.



Escala: Escultura 1945-2000 Fundación Juan March, Madrid, 31 March-2 July 2023 P. Curtis, M. F. del Junco and I. Vallejo (eds), Escala: Escultura 1945-2000 (exh. cat.) Fundación Juan March, Madrid, 2023, ISBN 978-84-7075-684-9, by Stefaan Vervoort.



Emmanuel Lamouche, Les fondeurs de bronze dans la Rome des papes (1585-1630) Rome, École Française de Rome, 2022, ISBN 978-2-72831-515-4, by Evonne Levy.



Ylva Haidenthaller, The Medal in Early Modern Sweden. Significances and Practices Mediehistorisk arkiv 52, Lund, Föreningen Mediehistorisk arkiv, 2021, ISBN 978-91-985800-4-4 (print), 978-91-985800-5-1 (pdf), by Aleksandra Lipinska.





NOTES ON CONTRIBUTORS

CONTRIBUTORS<https://www.liverpooluniversitypress.co.uk/doi/10.3828/sj.2024.33.1.07>


Best wishes,
On behalf of Liverpool University Press

Natasha Bikkul (she/her/hers)
[log in to unmask]<mailto:[log in to unmask]>
Journals Marketing Manager

L I V E R P O O L  U N I V E R S I T Y  P R E S S   |   F O U N D E D  1 8 9 9
4 Cambridge Street, Liverpool, L69 7ZU
Sign up to our mailing list<https://liverpooluniversitypress.us13.list-manage.com/subscribe?u=732690bacf42e27ac3362f7f2&id=1dd40de4d9> | Browse our SS24 catalogue<https://www.liverpooluniversitypress.co.uk/pb-assets/files/SS24%20Catalogue-1709890370.pdf>

This message is confidential to the intended recipient. If you have received it by mistake, please notify the sender. Any attachment has been virus-checked, but no responsibility is accepted for any virus unintentionally transmitted. The contents of this email are not legally binding. Liverpool University Press 2004 Limited, Company Number 05113671, is a wholly-owned subsidiary of the University of Liverpool.


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