Liverpool University Press is pleased to inform you of the latest content in SCULPTURE JOURNAL<https://www.liverpooluniversitypress.co.uk/journal/sj>, a highly regarded publication that is essential reading for those working in and researching sculpture in all its aspects from prehistory to the present across the globe.

Volume 32.4 is a Special Issue titled 'Valuing sculpture: art, craft and industry, 1660–1860'. Contributions reconsider the significance of the interrelationships between art, craft & industry from the seventeenth to the nineteenth centuries.

This Special Issue is a response to the discussions that arose from the ‘Valuing Sculpture: Art, Craft and Industry, 1660–1860’ conference held in July 2021. The conference would not have been possible without the generous support of WRoCAH and the Henry Moore Institute.


Browse all articles > <https://liverpooluniversitypress.co.uk/toc/sj/32/4>

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Table of contents



INTRODUCTION



VALUING SCULPTURE: ART, CRAFT AND INDUSTRY, 1660–1860<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.01>

SAMANTHA LUKIC-SCOTT AND CHARLOTTE DAVIS



MATERIALITY AND TECHNOLOGY



VALUING SCULPTURE IN THE LONG EIGHTEENTH CENTURY: MATERIALS AND TECHNOLOGY<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.02>

M. G. SULLIVAN



‘PECULIARLY FIT FOR STATUES’: THE CONTRIBUTION OF COADE’S FIRED ARTIFICIAL STONE TO SCULPTURE IN THE EIGHTEENTH CENTURY<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.03>

CAROLINE STANFORD



REPRODUCTION AND RECEPTION



THE YOUNG NATURALIST BY HENRY WEEKES: INTERMEDIALITY, INDUSTRY AND INTERNATIONAL EXHIBITIONS<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.04>

REBECCA WADE



‘WIDER THAN THE REALM OF ENGLAND’: THE HOSACK FAMILY HERITAGE, ATLANTIC SLAVERY AND CASTING MARY, QUEEN OF SCOTS FOR THE NATION<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.05>

LIBERTY PATERSON



ORNAMENT AND DECORATION



VALUING ORNAMENT: JEAN-BAPTISTE PLANTAR (1790–1879) BETWEEN ART, CRAFT AND INDUSTRY<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.06>

JUSTINE GAIN



THE ART OF STUCCO IN SOUTHERN PORTUGAL: MORPHOLOGIES, VALUE JUDGEMENTS AND THE PREJUDICE OF CONSERVATION<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.07>

PATRICIA MONTEIRO



ILLUSION AND WONDER



FABRICATING ENCHANTMENT: ANTOINE BENOIST’S WAX COURTIERS IN LOUIS XIV’S PARIS<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.08>

DAVID MARK MITCHELL



REVIEW

REVIEW<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.09>

JENNIFER DUDLEY



NOTES ON CONTRIBUTORS

CONTRIBUTORS<https://liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.4.10>




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