This sounds like it is more a matter of music licensing which varies by
venue type and size. The rates for licensing vary depending on what
performing rights organization (like BMI, ASCAP, etc. here in the US). who
represent songwriters and composers collect. There are different licenses
too - fees for CD use is different from Radio and is different than live
performances. The rates and licences also vary from country to country. So
what applies here in the USA will be different for Germany, etc. Your music
producer should know this.

Cheers!
Dave

David Harvey
Senior Conservator and Museum Consultant
Los Angeles CA USA
www.cityofangelsconservation.weebly.com
On Sep 19, 2014 11:19 AM, "Guillaume Evrard" <
[log in to unmask]> wrote:

> Hello,
>
> Asking on behalf of an independent music producer who's building a
> partnership with a museum.
>
> The music label is offering to the museum 1 hour of music recording to be
> used on interactive screens in an exhibition (visitors are charged an
> entrance fee to the exhibition).
>
> The music producer would like to have an idea of the amount that would
> usually be charged for such a service, if this wasn't sponsored by the
> music label.
>
> Is this amount based on the duration of the exhibition? On the expected
> number of visitors?
>
> What sort of amount would you expect to be charged?
>
> Would anyone be happy to share the wording of a template agreement for
> such an arrangement?
>
> Thank you very much in advance for your answers.
>
> Dr Guillaume Evrard
> https://edinburgh.academia.edu/GuillaumeEvrard
> http://uk.linkedin.com/in/guillaumeevrard
> @WorldExpos
>
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