Dear Members,



Volume 23, Number 2 / 2014 of Sculpture Journal is now available on the liverpool.metapress.com website at http://liverpool.metapress.com/content/tl71868153m4/.



Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. You can keep up to date with the journal by clicking here<https://liverpool.metapress.com/content/121632/toc-alert> to sign up to new issue alerts, and can learn more about the title at its website page here<http://www.liverpooluniversitypress.co.uk/index.php?option=com_content&view=article&id=56%3Asculpture-journal&catid=8&Itemid=21>.



This issue contains:

Editorial<http://liverpool.metapress.com/content/034062283g5784m2/>

p. 123

Jon Wood, Peter Dent, Catherine Moriarty

DOI: 10.3828/sj.2014.12<http://liverpool.metapress.com/content/034062283g5784m2/>



Introduction: Displaying Victorian Sculpture<http://liverpool.metapress.com/content/8468871r55234168/>

p. 127

Michael Hatt, Jason Edwards

DOI: 10.3828/sj.2014.13<http://liverpool.metapress.com/content/8468871r55234168/>



Italian tricks for London shows: Raffaele Monti at the Royal Panopticon<http://liverpool.metapress.com/content/0g01jt51t6g4805u/>

p. 131

Gabriel Williams

DOI: 10.3828/sj.2014.14<http://liverpool.metapress.com/content/0g01jt51t6g4805u/>



A creative engagement with historic and modern sculpture: Waldo Story's Fallen Angel<http://liverpool.metapress.com/content/h387g662m37865qx/>

p. 145

Claire Jones

DOI: 10.3828/sj.2014.15<http://liverpool.metapress.com/content/h387g662m37865qx/>



Chryselephantine and polychrome: Richard Cockle Lucas and the effect of coloured ivories in mid-Victorian Britain<http://liverpool.metapress.com/content/90776851q4q3tv77/>

p. 159

Désirée de Chair

DOI: 10.3828/sj.2014.16<http://liverpool.metapress.com/content/90776851q4q3tv77/>



Luca della Robbia: South Kensington and the Victorian revival of a Florentine sculptor<http://liverpool.metapress.com/content/q2716061154p2258/>

p. 171

Charlotte Drew

DOI: 10.3828/sj.2014.17<http://liverpool.metapress.com/content/q2716061154p2258/>



Transparent forms: tinting, whiteness and John Gibson's Venus<http://liverpool.metapress.com/content/127g411083p7x45v/>

p. 185

Michael Hatt

DOI: 10.3828/sj.2014.18<http://liverpool.metapress.com/content/127g411083p7x45v/>



Framing Victoria: royal portraiture and architectural sculpture in Victorian Britain<http://liverpool.metapress.com/content/hm8n042pl9023024/>

p. 197

Eoin Martin

DOI: 10.3828/sj.2014.19<http://liverpool.metapress.com/content/hm8n042pl9023024/>



Postcards from the edge? Thomas Woolner's Captain Cook for Sydney<http://liverpool.metapress.com/content/b327180633w1081n/>

p. 209

Jason Edwards

DOI: 10.3828/sj.2014.20<http://liverpool.metapress.com/content/b327180633w1081n/>



On re-displaying Victorian sculpture<http://liverpool.metapress.com/content/bh6808r084081ug6/>

p. 221

Jon Wood, Martina Droth

DOI: 10.3828/sj.2014.21<http://liverpool.metapress.com/content/bh6808r084081ug6/>



Encountering Victorian sculpture: recollections of objects, people and publications<http://liverpool.metapress.com/content/l1h88r77v407342t/>

p. 231

Rebecca Wade, Ben Read

DOI: 10.3828/sj.2014.22<http://liverpool.metapress.com/content/l1h88r77v407342t/>



George Frampton's homes and studios in St John's Wood: a sculptor's architectural ideal realized<http://liverpool.metapress.com/content/c87851052096636t/>

p. 239

Philip Ward-Jackson

DOI: 10.3828/sj.2014.23<http://liverpool.metapress.com/content/c87851052096636t/>



The production and display of Domenico Brucciani's plaster cast of Hubert Le Sueur's equestrian statue of Charles I<http://liverpool.metapress.com/content/c017521746731v45/>

p. 250

Rebecca Wade

DOI: 10.3828/sj.2014.24<http://liverpool.metapress.com/content/c017521746731v45/>



Reviews<http://liverpool.metapress.com/content/m85347868u37q73m/>

p. 257

Charles Avery, Mark Stocker, Marin Sullivan, et al.

DOI: 10.3828/sj.2014.25<http://liverpool.metapress.com/content/m85347868u37q73m/>



Contributors<http://liverpool.metapress.com/content/67457217276v507x/>

p. 267

DOI: 10.3828/sj.2014.26<http://liverpool.metapress.com/content/67457217276v507x/>

Thank you,

Chantel



Chantel Baldry | Journals Publishing Assistant
Liverpool University Press | 4 Cambridge Street, Liverpool L69 7ZU
T: +44 (0)151 794 3131 | W: www.liverpooluniversitypress.co.uk<http://www.liverpooluniversitypress.co.uk/>

twitter<https://twitter.com/LivUniPress> | catalogue<http://www.liverpooluniversitypress.co.uk/images/stories/documents/lupautumn2014.pdf> | ebooks<http://liverpool.universitypressscholarship.com/>


'LUP's ambitious and agile approach to publishing ensures it goes from strength to strength even in the rapidly evolving scholarly publishing landscape we have today.'
Audrey McCulloch, Chief Executive, the Association of Learned and Professional Society Publishers

Shortlisted IPG Academic and Professional Publisher of the Year 2012, 2013, 2014
Shortlisted Independent Academic, Educational & Professional Publisher of the Year 2014, The Bookseller Industry Awards


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