I feel I have to say a few words about the posting of Emmanuel Ortiz' poem/political statement, a piece with overall sentiments I share. It is, though, not possible to see the pointed omission in the piece of the oppression and deaths of innocent Israelis who have died at the hands of terrorists backed by a variety of governments and groups. And it is certainly not possible to see the very glaring omission of those oppressed and killed during the Holocaust when 6,000,000 Jews were murdered, as were Gypsies, homosexuals, people with disabilities, and many many more who were not deemed "pure" enough to live.
I understand that the piece posted was written by Oritz but without a note in the posting referring to his omissions, the posting becomes--whether intended or not--a strong political statement that I do not believe has a place on this listserv.
Robin Berenholz
Education Program Manager
Conservation Center for Art and Historic Artifacts
264 South 23rd Street
Philadelphia, PA 19103
Phone: 215.545.0613
Fax: 215.735.9313
E-Mail: [log in to unmask]
www.ccaha.org
-----Original Message-----
From: Museum discussion list [mailto:[log in to unmask]] On Behalf Of MUSEUM-L automatic digest system
Sent: Wednesday, September 12, 2007 12:00 AM
To: [log in to unmask]
Subject: MUSEUM-L Digest - 10 Sep 2007 to 11 Sep 2007 (#2007-247)
There are 31 messages totalling 4729 lines in this issue.
Topics of the day:
1. AMM Conference Registration Reminder
2. Fwd: DangbergpPesticide Use
3. compliment to Anna
4. Job Opportunity- Special Events Coordinator, Oriental Institute, Univ of
Chicago
5. A Moment of Silence (8)
6. Curator of Paleo job opening
7. Looking for GREAT stories from the turn-of-the-20th-century!
8. Mackinac airports
9. Ticketing Software
10. FW: call for papers
11. IMLS Calls for 2008 Museums for America Grant Applications
12. Job Announcement-Ohio Historical Society
13. Museum List Help - my apologies
14. How to save money and still attend the NEMA Conference!
15. Georgia O'Keeffe Museum Research Center Scholar Program
16. CCAHA Program on AV Preservation
17. SAFE announces two new tours at the Met
18. Vacancy at Oando Plc. APPLY NOW.
19. IMLS Funds Native American and Native Hawaiian Library and Museum Programs
20. exhibit design training?
21. Food and Drink Exhibits
22. seeking engineering experts
23. architecture and engineering experts
24. funding for traveling exhibits
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Date: Tue, 11 Sep 2007 00:56:55 -0400
From: Brian Bray <[log in to unmask]>
Subject: Re: AMM Conference Registration Reminder
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Hi Rebecca,
Unfortunately, there was not enough interest in a shuttle from Detroit and we are not able to offer this service.? It would have been convenient, but it was cost prohibitive with the small group who indicated an interest in this service.
Brian
Brian Bray
Executive Director
Association of Midwest Museums
PO Box 11940
St. Louis, MO 63112
P: 314-746-4557
F: 314-746-4569
www.midwestmuseums.org
Make plans now to join us for a fabulous conference at the Grand Hotel on Mackinac Island, MI. The conference, No Museum is an Island, is scheduled for September 25-28, 2007.
http://www.grandhotel.com/
http://www.mackinac.com/
http://www.mackinacisland.org/
-----Original Message-----
From: b glasby <[log in to unmask]>
To: [log in to unmask]
Sent: Mon, 10 Sep 2007 9:54 am
Subject: Re: [MUSEUM-L] AMM Conference Registration Reminder
Brian,
? When will you know about the shuttle from Detroit airport to Mackinac??? THat would be greatly appreciated since a rental car woudl be costly to just have it sit off the island for 4 days.
Thanks!
Rebecca Glasby
Assistant Director
Historical Electronics Museum
On 9/6/07, Brian Bray <[log in to unmask] > wrote:
Dear Colleagues,
?
As a courtesy, I am forwarding this friendly reminder?that the deadline to register in advance for the 2007 AMM/MMA Conference, No Museum is an Island , at the magnificent Grand Hotel on Mackinac Island, Michigan is September 15, 2007.? After this date, AMM will only accept onsite registrations.? Please note that there is a $20 onsite registration fee. ? A registration form is available on the AMM Web site at <www.midwestmuseums.org> or at the MMA Web site at < www.michiganmuseums.org>.
?
You can mail your registration to AMM at:
?
AMM
PO Box 11940
St. Louis, MO? 63112
?
Or fax your registration to AMM at:
?
Fax:? 314-746-4569
?
If you have any questions, feel free to contact Summer Little at 314-746-4557.? As you know, this will be a unique and wonderful conference and I hope you plan to join us.
?
Sincerely,
?
Brian
Brian Bray
Executive Director
Association of Midwest Museums
PO Box 11940
St. Louis, MO 63112
P: 314-746-4557
F: 314-746-4569
www.midwestmuseums.org
Make plans now to join us for a fabulous conference at the Grand Hotel on Mackinac Island, MI. The conference, No Museum is an Island, is scheduled for September 25-28, 2007.
http://www.grandhotel.com/
http://www.mackinac.com/
http://www.mackinacisland.org/
Email and AIM finally together. You've gotta check out free AOL Mail!
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<div>Hi Rebecca,</div>
<div> </div>
<div>Unfortunately, there was not enough interest in a shuttle from Detroit and we are not able to offer this service. It would have been convenient, but it was cost prohibitive with the small group who indicated an interest in this service.<br>
<br>
Brian<br>
<br>
</div>
<div style="CLEAR: both">Brian Bray<br>
Executive Director<br>
Association of Midwest Museums<br>
PO Box 11940<br>
St. Louis, MO 63112<br>
P: 314-746-4557<br>
F: 314-746-4569<br>
www.midwestmuseums.org<br>
<br>
Make plans now to join us for a fabulous conference at the Grand Hotel on Mackinac Island, MI. The conference, No Museum is an Island, is scheduled for September 25-28, 2007.<br>
<br>
http://www.grandhotel.com/<br>
http://www.mackinac.com/<br>
http://www.mackinacisland.org/<br>
</div>
<br>
<br>
-----Original Message-----<br>
From: b glasby <[log in to unmask]><br>
To: [log in to unmask]<br>
Sent: Mon, 10 Sep 2007 9:54 am<br>
Subject: Re: [MUSEUM-L] AMM Conference Registration Reminder<br>
<br>
<div id=AOLMsgPart_2_ea3cd437-7d2c-4f4b-86af-846ab286b02f>Brian,<br>
<br>
When will you know about the shuttle from Detroit airport to Mackinac? THat would be greatly appreciated since a rental car woudl be costly to just have it sit off the island for 4 days.<br>
<br>
Thanks!<br>
<br>
Rebecca Glasby<br>
Assistant Director <br>
Historical Electronics Museum<br>
<br>
<div><SPAN class=gmail_quote>On 9/6/07, <B class=gmail_sendername>Brian Bray</B> <<A href="mailto:[log in to unmask]">[log in to unmask] </A>> wrote:</SPAN>
<BLOCKQUOTE class=gmail_quote style="PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif">Dear Colleagues,</FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif"> </FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif">As a courtesy, I am forwarding this friendly reminder that the deadline to register in advance for the 2007 AMM/MMA Conference, <I>No Museum is an Island </I>, at the magnificent Grand Hotel on Mackinac Island, Michigan is <B>September 15, 2007</B>.<SPAN> </SPAN>After this date, AMM will only accept onsite registrations.<SPAN> </SPAN>Please note that there is a $20 onsite registration fee. <SPAN> </SPAN>A registration form is available on the AMM Web site at <<A href="http://www.midwestmuseums.org/" target=_blank>www.midwestmuseums.org</A>> or at the MMA Web site at < <A href="http://www.michiganmuseums.org/" target=_blank>www.michiganmuseums.org</A>>. </FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif"> </FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif">You can mail your registration to AMM at:</FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif"> </FONT></div>
<div style="MARGIN: 0in 0in 0pt 0.25in"><FONT face="Verdana, Arial, Helvetica, sans-serif">AMM</FONT></div>
<div style="MARGIN: 0in 0in 0pt 0.25in"><FONT face="Verdana, Arial, Helvetica, sans-serif">PO Box 11940</FONT></div>
<div style="MARGIN: 0in 0in 0pt 0.25in"><FONT face="Verdana, Arial, Helvetica, sans-serif">St. Louis, MO<SPAN> </SPAN>63112</FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif"> </FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif">Or fax your registration to AMM at:</FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif"> </FONT></div>
<div style="MARGIN: 0in 0in 0pt 0.25in"><FONT face="Verdana, Arial, Helvetica, sans-serif">Fax:<SPAN> </SPAN>314-746-4569</FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif"> </FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif">If you have any questions, feel free to contact Summer Little at 314-746-4557.<SPAN> </SPAN>As you know, this will be a unique and wonderful conference and I hope you plan to join us. </FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif"> </FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif">Sincerely,</FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif"> </FONT></div>
<div style="MARGIN: 0in 0in 0pt"><FONT face="Verdana, Arial, Helvetica, sans-serif">Brian</FONT></div>
<br>
<div style="CLEAR: both">Brian Bray<br>
Executive Director<br>
Association of Midwest Museums<br>
PO Box 11940<br>
St. Louis, MO 63112<br>
P: 314-746-4557<br>
F: 314-746-4569<br>
<A href="http://www.midwestmuseums.org/" target=_blank>www.midwestmuseums.org</A><br>
<br>
Make plans now to join us for a fabulous conference at the Grand Hotel on Mackinac Island, MI. The conference, No Museum is an Island, is scheduled for September 25-28, 2007.<br>
<br>
<A href="http://www.grandhotel.com/" target=_blank>http://www.grandhotel.com/</A><br>
<A href="http://www.mackinac.com/" target=_blank>http://www.mackinac.com/</A><br>
<A href="http://www.mackinacisland.org/" target=_blank>http://www.mackinacisland.org/</A><br>
</div>
<div>
<HR style="MARGIN-TOP: 10px">
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------------------------------
Date: Mon, 10 Sep 2007 22:08:40 -0700
From: Jerrie Clarke <[log in to unmask]>
Subject: Fwd: DangbergpPesticide Use
Below is the e-mail that I just received from an
historic ranch near Carson City, Nevada, where I did
some contract work last year. I'll check AIC, but is
there anyone who has had experience with either of
these products? I'm not so concerned about what they
use on the grounds, but I too am a little concerned
about the furniture. Most of it is over
100-years-old. The sofa and chairs were
re-upholstered in the 1960s. I've treated for
powderpost beetles but fleas is a new one to me.
> Yes, it's me again with a question. We are having a
severe problem
> with fleas at the Ranch. The pest service wants to
use two forms
> of control. Indoors on the upholstered furniture
and the rugs,
> they want to use Precore 2000 (foam). On the floors
and wooden
> areas, Suspend SC (dust). They will also use the
Suspend SC around
> the outside (3 acre area). I have downloaded the
MSDS & labels for
> both an attached them to this email.
> >
> I am concerned about the effect that these chemicals
might have on
> the artifacts. I could not find a place to find out
what is
> acceptable for insect control.
> >
> If you know of a site where I can get this info, I
would appreciate
> the direction. If not, can either of you help me?
We need to know
> soon as this may be done within the next few days.
>
Thank you,
Jerrie
Jerrie Clarke
Former Contract Collection Manger
Current Museum Director
Sheldon Museum
Haines, Alaska
<sheldonmuseum.org>
Jerrie Clarke
Director
Sheldon Museum
PO Box 269
Haines, AK 99827
(907) 766-2366
fax: (907) 766-2368
www.sheldonmuseum.org
____________________________________________________________________________________
Sick sense of humor? Visit Yahoo! TV's
Comedy with an Edge to see what's on, when.
http://tv.yahoo.com/collections/222
Jerrie Clarke
Director
Sheldon Museum
PO Box 269
Haines, AK 99827
(907) 766-2366
fax: (907) 766-2368
www.sheldonmuseum.org
____________________________________________________________________________________
Got a little couch potato?
Check out fun summer activities for kids.
http://search.yahoo.com/search?fr=oni_on_mail&p=summer+activities+for+kids&cs=bz
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------------------------------
Date: Tue, 11 Sep 2007 10:31:09 +0200
From: Mario Bucolo <[log in to unmask]>
Subject: compliment to Anna
------=_Part_805_32166962.1189499469859
Content-Type: text/plain; charset=ISO-8859-1
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Anna McAlpine who has been the media relations manager at AAM, left AAM last
week to begin as Director of Public Relations and Marketing at Thomas
Jefferson's Poplar Forest outside of Lynchburg, VA.
many compliment to Anna for this new relevant position, I hope she will
attend, as every year, to the AAM annual event.
Mario Bucolo
museumland.net
--
-------------------
Mario Bucolo (experience designer)
ABIS MultiCom & Museumland CEO
Mario Bucolo Experience Design Workshop
Via Milano 61 - 95127 Catania - Italy
www.abis.it
www.museumland.net
www.mariobucolo.com
Skype: mariobucolo
=========================================================
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<span class="Apple-style-span" style="font-family: Arial; ">Anna McAlpine who has been the media relations manager at AAM, left AAM last week to begin as Director of Public Relations and Marketing at Thomas Jefferson's Poplar Forest outside of Lynchburg, VA.
</span><div><br class="webkit-block-placeholder"></div><div>many compliment to Anna for this new relevant position, I hope she will attend, as every year, to the AAM annual event.</div><div><br class="webkit-block-placeholder">
</div><div>Mario Bucolo</div><div><a href="http://museumland.net">museumland.net</a></div><div><br>-- <br>-------------------<br>Mario Bucolo (experience designer)<br>ABIS MultiCom & Museumland CEO<br>Mario Bucolo Experience Design Workshop
<br>Via Milano 61 - 95127 Catania - Italy<br><br><a href="http://www.abis.it">www.abis.it</a><br><a href="http://www.museumland.net">www.museumland.net</a><br><a href="http://www.mariobucolo.com">www.mariobucolo.com</a><br>
<br>Skype: mariobucolo
</div>
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------------------------------
Date: Tue, 11 Sep 2007 08:04:21 -0500
From: Sarah Sapperstein <[log in to unmask]>
Subject: Job Opportunity- Special Events Coordinator, Oriental Institute, Univ of Chicago
*JOB OPPORTUNITY:
Special Events Coordinator, the Oriental Institute of the University of=20
Chicago* **
The Oriental Institute of the University of Chicago is a research=20
institute devoted to the study of ancient civilizations and cultures of=20
the Near East (present day Egypt, Iran, Iraq, Israel, Sudan, Syria and=20
Turkey). The Institute=92s Museum is a world-renowned showcase of for the=
=20
history, art and archaeology of the ancient Near East.
*Summary of Position:*
The Special Events Coordinator develops, plans and coordinates a wide=20
range of Oriental Institute events, such as conferences, guest lectures=20
and fundraising events both at the Oriental Institute and at offsite=20
venues. Assists in the development of donor relationships through=20
effective management of event programs and outcomes. Assists with the=20
coordination of public relations and media outreach as related to event=20
themes and outcomes.
*Qualifications:*
Bachelor=92s degree required; a minimum of two years event-related=20
experience required; event experience in not for profit or academic=20
environment preferred; experience in donor relations preferred; ability=20
to work evenings and weekends required.
*Work location:* University of Chicago Campus in the Hyde Park=20
neighborhood of Chicago
*Work schedule:* Full time (Monday- Friday 9:00 am -5:00 pm, plus some=20
evening and weekend hours)
*Pay** Range**:* Depends on Qualifications
*To apply, please visit the University of Chicago=92s employment website:=
=20
*https://jobopportunities.uchicago.edu/applicants/jsp/shared/frameset/Fra=
meset.jsp?time=3D1188934059116=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
Important Subscriber Information:
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------------------------------
Date: Tue, 11 Sep 2007 09:16:33 -0400
From: L Dewey <[log in to unmask]>
Subject: A Moment of Silence
A Moment of Silence for 9/11
By Emmanuel Ortiz, 9/11/02
Before I start this poem, I'd like to ask you to
join me in a moment of silence in honor of those who
died in the World Trade Center and the Pentagon last
September 11th.
I would also like to ask you to offer up a moment of
silence for all of those who have been harassed,
imprisoned, disappeared, tortured, raped, or killed in
retaliation for those strikes, for the victims in both
Afghanistan and the U.S.
And if I could just add one more thing...
A full day of silence for the tens of thousands of
Palestinians who have died at the hands of
U.S.-backed Israeli forces over decades of occupation.
Six months of silence for the million-and-a-half Iraqi
people, mostly
children, who have died of malnourishment or
starvation as a result of
an 11-year U.S. embargo against the country.
Before I begin this poem, two months of silence
for the Blacks under Apartheid in South Africa,
where homeland security made them aliens in their own
country.
Nine months of silence for the dead in Hiroshima and
Nagasaki, where death rained down and peeled back
every layer of concrete, steel, earth, and skin and
the survivors went on as if alive.
A year of silence for the millions of dead in Viet Nam
- a people, not a war - for those who know a thing or
two about the scent of burning fuel, their relatives'
bones buried in it, their babies born of it.
A year of silence for the dead in Cambodia and Laos,
victims of a secret war ... ssssshhhhh ... Say nothing
... we don't want them to learn that they are dead.
Two months of silence for the decades of dead in
Colombia, whose names, like the corpses they once
represented, have piled up and slipped off our
tongues.
Before I begin this poem, an hour of silence for El
Salvador ...
An afternoon of silence for Nicaragua ...
Two days of silence for the Guetmaltecos ... None of
whom ever knew a moment of peace in their living
years.
45 seconds of silence for the 45 dead at Acteal,
Chiapas.
25 years of silence for the hundred million Africans
who found their graves far deeper in the ocean than
any building could poke into the sky.
There will be no DNA testing or dental records to
identify their remains.
And for those who were strung and swung from the
heights of sycamore trees in the south, the north, the
east, the west ... 100 years of silence ...
For the hundreds of millions of indigenous peoples
from this half of right here,whose land and lives were
stolen, in postcard-perfect plots like Pine Ridge,
Wounded Knee, Sand Creek, Fallen Timbers, or the Trail
of Tears.
Names now reduced to innocuous magnetic poetry on the
refrigerator of our unconsciousness ...
So you want a moment of silence?
And we are all left speechless
Our tongues snatched from our mouths
Our eyes stapled shut
A moment of silence
And the poets have all been laid to rest
The drums disintegrating into dust
Before I begin this poem,
You want a moment of silence
You mourn now as if the world will never be the same
And the rest of us hope to hell it won't be.
Not like it always has been.
Because this is not a 9/11 poem
This is a 9/10 poem,
It is a 99 poem,
A 9/8 poem,
A 9/7 poem
This is a 1492 poem.
This is a poem about what causes poems like this to be
written.
And if this is a 9/11 poem,
Then this is a September 11th poem for Chile, 1971
This is a September 12th poem for Steven Biko in South
Africa, 1977
This is a September 13th poem for the brothers at
Attica Prison, New
York, 1971.
This is a September 14th poem for Somalia, 1992.
This is a poem for every date
that falls to the ground in ashes.
This is a poem for every date
that falls to the ground in ashes.
This is a poem for the 110 stories
that were never told.
The 110 stories that history
chose not to write in textbooks.
The 110 stories that
CNN, BBC, The New York Times, and Newsweek ignored.
This is a poem for interrupting this program.
And still you want a moment of silence for your dead?
We could give you lifetimes of empty:
The unmarked graves
The lost languages
The uprooted trees and histories
The dead stares on the faces of nameless children.
Before I start this poem
we could be silent forever
Or just long enough to hunger,
For the dust to bury us.
And you would still ask us
For more of our silence.
If you want a moment of silence
Then stop the oil pumps
Turn off the engines and the televisions
Sink the cruise ships
Crash the stock markets
Unplug the marquee lights,
Delete the instant messages,
Derail the trains, the light rail transit.
If you want a moment of silence,
Put a brick through the window of Taco Bell,
And pay the workers for wages lost.
Tear down the liquor stores,
The townhouses, the White Houses, the jailhouses,
The Penthouses, and the Playboys.
If you want a moment of silence,
Then take it on Super Bowl Sunday,
The Fourth of July
During Dayton's 13 hour sale
Or the next time your white guilt fills the room
where MY beautiful people have gathered.
You want a moment of silence
Then take it now,
Before this poem begins.
Here, in the echo of my voice,
In the pause between goosesteps of the second hand,
In the space between bodies in embrace,
Here is your silence
Take it.
But take it all.
Don't cut in line.
Let your silence begin at the beginning of crime.
But we, Tonight
We will keep right on singing
For our dead.
by Emmanuel Ortiz 9.11.02
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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------------------------------
Date: Tue, 11 Sep 2007 09:45:35 -0400
From: Frances Hayden <[log in to unmask]>
Subject: Re: A Moment of Silence
I did not complete reading your email. I could not. I read enough to see
that the email had nothing to do with museums. I should just completely
ignore it. However, since it has been brought up, I would like to say:
There have been unjust wars since very near the beginning of time.
Countless innocent people have died in atrocities through the centuries.
War is never pretty but will always be, at least until the end of time as we
know it. Innocent people will die throughout that same timeframe. That
does not mean that we should not pay respect to specific peoples who die
tragically nor does it mean we should not honor those who sacrifice or
endanger their lives to try to help others. That said, I believe this
should stop right here as, again, it has nothing to do with museums and it
is an inappropriate place for such a discussion.
Frances Hayden
USMC retired
----- Original Message -----
From: "L Dewey" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, September 11, 2007 9:16 AM
Subject: [MUSEUM-L] A Moment of Silence
>A Moment of Silence for 9/11
>
> By Emmanuel Ortiz, 9/11/02
>
> Before I start this poem, I'd like to ask you to
> join me in a moment of silence in honor of those who
> died in the World Trade Center and the Pentagon last
> September 11th.
>
> I would also like to ask you to offer up a moment of
> silence for all of those who have been harassed,
> imprisoned, disappeared, tortured, raped, or killed in
> retaliation for those strikes, for the victims in both
> Afghanistan and the U.S.
>
> And if I could just add one more thing...
>
> A full day of silence for the tens of thousands of
> Palestinians who have died at the hands of
> U.S.-backed Israeli forces over decades of occupation.
>
>
> Six months of silence for the million-and-a-half Iraqi
> people, mostly
> children, who have died of malnourishment or
> starvation as a result of
> an 11-year U.S. embargo against the country.
>
> Before I begin this poem, two months of silence
> for the Blacks under Apartheid in South Africa,
> where homeland security made them aliens in their own
> country.
>
> Nine months of silence for the dead in Hiroshima and
> Nagasaki, where death rained down and peeled back
> every layer of concrete, steel, earth, and skin and
> the survivors went on as if alive.
>
> A year of silence for the millions of dead in Viet Nam
> - a people, not a war - for those who know a thing or
> two about the scent of burning fuel, their relatives'
> bones buried in it, their babies born of it.
>
> A year of silence for the dead in Cambodia and Laos,
> victims of a secret war ... ssssshhhhh ... Say nothing
> ... we don't want them to learn that they are dead.
>
> Two months of silence for the decades of dead in
> Colombia, whose names, like the corpses they once
> represented, have piled up and slipped off our
> tongues.
>
> Before I begin this poem, an hour of silence for El
> Salvador ...
> An afternoon of silence for Nicaragua ...
> Two days of silence for the Guetmaltecos ... None of
> whom ever knew a moment of peace in their living
> years.
>
> 45 seconds of silence for the 45 dead at Acteal,
> Chiapas.
>
> 25 years of silence for the hundred million Africans
> who found their graves far deeper in the ocean than
> any building could poke into the sky.
> There will be no DNA testing or dental records to
> identify their remains.
>
> And for those who were strung and swung from the
> heights of sycamore trees in the south, the north, the
> east, the west ... 100 years of silence ...
>
> For the hundreds of millions of indigenous peoples
> from this half of right here,whose land and lives were
> stolen, in postcard-perfect plots like Pine Ridge,
> Wounded Knee, Sand Creek, Fallen Timbers, or the Trail
>
> of Tears.
>
> Names now reduced to innocuous magnetic poetry on the
> refrigerator of our unconsciousness ...
> So you want a moment of silence?
>
> And we are all left speechless
> Our tongues snatched from our mouths
> Our eyes stapled shut
> A moment of silence
>
> And the poets have all been laid to rest
> The drums disintegrating into dust
>
> Before I begin this poem,
> You want a moment of silence
> You mourn now as if the world will never be the same
> And the rest of us hope to hell it won't be.
>
> Not like it always has been.
>
> Because this is not a 9/11 poem
> This is a 9/10 poem,
> It is a 99 poem,
> A 9/8 poem,
> A 9/7 poem
> This is a 1492 poem.
>
> This is a poem about what causes poems like this to be
> written.
> And if this is a 9/11 poem,
> Then this is a September 11th poem for Chile, 1971
> This is a September 12th poem for Steven Biko in South
> Africa, 1977
> This is a September 13th poem for the brothers at
> Attica Prison, New
> York, 1971.
> This is a September 14th poem for Somalia, 1992.
>
> This is a poem for every date
> that falls to the ground in ashes.
>
> This is a poem for every date
> that falls to the ground in ashes.
>
> This is a poem for the 110 stories
> that were never told.
> The 110 stories that history
> chose not to write in textbooks.
> The 110 stories that
> CNN, BBC, The New York Times, and Newsweek ignored.
>
> This is a poem for interrupting this program.
> And still you want a moment of silence for your dead?
> We could give you lifetimes of empty:
> The unmarked graves
> The lost languages
> The uprooted trees and histories
> The dead stares on the faces of nameless children.
> Before I start this poem
> we could be silent forever
> Or just long enough to hunger,
> For the dust to bury us.
> And you would still ask us
> For more of our silence.
>
> If you want a moment of silence
> Then stop the oil pumps
> Turn off the engines and the televisions
> Sink the cruise ships
> Crash the stock markets
> Unplug the marquee lights,
> Delete the instant messages,
> Derail the trains, the light rail transit.
> If you want a moment of silence,
> Put a brick through the window of Taco Bell,
> And pay the workers for wages lost.
> Tear down the liquor stores,
> The townhouses, the White Houses, the jailhouses,
> The Penthouses, and the Playboys.
> If you want a moment of silence,
> Then take it on Super Bowl Sunday,
> The Fourth of July
> During Dayton's 13 hour sale
>
>
> Or the next time your white guilt fills the room
> where MY beautiful people have gathered.
> You want a moment of silence
> Then take it now,
> Before this poem begins.
>
> Here, in the echo of my voice,
> In the pause between goosesteps of the second hand,
> In the space between bodies in embrace,
> Here is your silence
> Take it.
>
> But take it all.
> Don't cut in line.
> Let your silence begin at the beginning of crime.
> But we, Tonight
> We will keep right on singing
> For our dead.
>
> by Emmanuel Ortiz 9.11.02
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
------------------------------
Date: Tue, 11 Sep 2007 09:17:19 -0500
From: Mary Bade <[log in to unmask]>
Subject: Curator of Paleo job opening
This is a multi-part message in MIME format.
------=_NextPart_000_0003_01C7F454.8D712060
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
The University of Alabama Museums would like to announce an opening for =
a Curator of Paleontology. The position closes on September 23. For =
further information and to apply for the position, please go to the =
following address and click on "Search Postings" in the upper left hand =
corner of the screen:
https://jobs.ua.edu/applicants/jsp/shared/frameset/Frameset.jsp?time=3D11=
89519223262
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
------=_NextPart_000_0003_01C7F454.8D712060
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3157" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>The University of Alabama Museums would =
like to=20
announce an opening for a Curator of Paleontology. The position =
closes on=20
September 23. For further information and to apply for the =
position,=20
please go to the following address and click on "Search Postings" =
in the=20
upper left hand corner of the screen:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"https://jobs.ua.edu/applicants/jsp/shared/frameset/Frameset.jsp?t=
ime=3D1189519223262">https://jobs.ua.edu/applicants/jsp/shared/frameset/F=
rameset.jsp?time=3D1189519223262</A></FONT></DIV></BODY></HTML>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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<p>
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<p>
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------------------------------
Date: Tue, 11 Sep 2007 10:28:02 -0400
From: Lenora Henson <[log in to unmask]>
Subject: Looking for GREAT stories from the turn-of-the-20th-century!
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LS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tLQ0K
------------------------------
Date: Tue, 11 Sep 2007 09:59:52 -0400
From: "Anne M. Nagrant" <[log in to unmask]>
Subject: Re: Mackinac airports
This is a multi-part message in MIME format.
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The drive from Metro airport to Mackinac is at least 4 hours, possibly =
more.
=20
There are airports closer to Mackinac. See list below (I've never used =
these, before, and therefore I'm not endorsing one over another). This =
comes off the Mackinac Parks travel links website. It looks like =
Pellston has a Mackinaw Shuttle.
Pellston Michigan Regional Airport
Northwest Airlink (Pellston)
Great Lakes Air Inc.
Mackinac Island Airport
http://www.mackinacparks.org/parks/travel-links_141/
=20
I think the most common place to fly in is Pellston.
=20
Good luck! and enjoy Mackinaw City and Mackinac Island... don't forget =
to buy some fudge!
=20
-Anne
----------------------------------------------------------------
PLEASE NOTE - All City of Troy email suffixes have changed
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Update all contact information by replacing
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with
@troymi.gov
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16525" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2>The=20
drive from Metro airport to Mackinac is at least 4 hours, possibly=20
more.</FONT></SPAN></DIV>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2></FONT></SPAN> </DIV>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2>There=20
are airports closer to Mackinac. See list below (I've never used these, =
before,=20
and therefore I'm not endorsing one over another). This comes off the =
Mackinac=20
Parks travel links website. It looks like Pellston has a Mackinaw=20
Shuttle.</FONT></SPAN></DIV>
<DIV><SPAN class=3D375195213-11092007> <FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Pellston Michigan Regional =
Airport</FONT></SPAN></DIV>
<DIV><SPAN class=3D375195213-11092007> <FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Northwest Airlink =
(Pellston)</FONT></SPAN></DIV>
<DIV><SPAN class=3D375195213-11092007> <FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Great Lakes Air Inc.</FONT></SPAN></DIV>
<DIV><SPAN class=3D375195213-11092007> <FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Mackinac Island Airport</FONT></SPAN></DIV>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2><A=20
href=3D"http://www.mackinacparks.org/parks/travel-links_141/">http://www.=
mackinacparks.org/parks/travel-links_141/</A></FONT></SPAN></DIV>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2></FONT></SPAN> </DIV>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2>I=20
think the most common place to fly in is Pellston.</FONT></SPAN></DIV>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2></FONT></SPAN> </DIV>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2>Good=20
luck! and enjoy Mackinaw City and Mackinac Island... don't forget to buy =
some=20
fudge!</FONT></SPAN></DIV>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2></FONT></SPAN> </DIV>
<DIV><SPAN class=3D375195213-11092007><FONT face=3DArial color=3D#0000ff =
size=3D2>-Anne</FONT></SPAN></DIV></BODY></HTML>
<p>
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Update all contact information by replacing<br>
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<br>
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------------------------------
Date: Tue, 11 Sep 2007 08:30:32 -0400
From: Mary Ames Sheret <[log in to unmask]>
Subject: Re: Ticketing Software
Oh, I agree. The problem is searching the archives. You have to use the=20=
correct search words. I tried using "tickets" and "ticket software" and g=
ot hits=20
from 1996. That's too old in the software industry. I always check the=20=
archives first before posting any question!
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
------------------------------
Date: Tue, 11 Sep 2007 10:16:00 +0100
From: [log in to unmask]
Subject: FW: call for papers
Apologies for any cross-posting
-----Original Message-----
From: Chastnyk [mailto:[log in to unmask]]=20
Sent: 11 September 2007 09:19
To: Ian Johnson (absimj)
Subject: call for papers
Please mail response to
mailto:[log in to unmask]
Ministry of Culture and Arts of Ukraine
Kharkiv State Academy of Culture
Academy of Arts of Ukraine
International Scientific Conference 2007
November 22-23, 2007
Education, Culture and the Arts
in the Period of Globalization
Call for Papers
Themes of the Conference:
Conceptual Foundations of Modern Education in Culture and the Arts in
the Period of Globalization
* Culturological Problems of Modern Civilization Transformations
* Social, Cultural and Economic Aspects of management Culture
* Modernization of Education and the Prospects of a New Education
Paradigm
* Historical and Theoretical Problems of Today's Music Studies
* Contemporary Trends in the Development of Theatre, Cinema and
Television Art
* Library As a Social Phenomenon in the Period of the Global
Information Space
* Information Technology in Education, Culture, Art
Please send abstracts to:
Svetlana Syshchenko, secretary
Organizing Committee of the Conference 2007
Kharkiv State Academy of Culture
Bursatski uzviz 4
61003, Kharkiv, Ukraine,
or by email to:=20
Svetlana Syshchenko, [log in to unmask]
Tel. (+38 057) 712 87 94
http://www.ic.ac.kharkov.ua=20
Submission deadline for abstracts (2 pages) and early registration:
October 1, 2007
Please indicate the title of the paper (Times New Roman, 16 pt, bold),
author(s) name, institution name and location.=20
The abstracts will be published before the beginning of the conference.
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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------------------------------
Date: Tue, 11 Sep 2007 10:33:20 -0400
From: Jeannine Mjoseth <[log in to unmask]>
Subject: IMLS Calls for 2008 Museums for America Grant Applications
The following is a text-only press release from the federal Institute of
Museum and Library Services (IMLS). An HTML version of this release can
be read on the agency's Web site at www.imls.gov/news/2007/091107a.shtm.
FOR IMMEDIATE RELEASE
September 11, 2007
Press Contacts
202-653-4632
Jeannine Mjoseth, [log in to unmask]
Mamie Bittner, [log in to unmask]
IMLS Calls for 2008 Museums for America Grant Applications
Application Deadline: November 1, 2007
Washington, DC-The Institute of Museum and Library Services is accepting
grant applications for the agency's FY 2008 Museums for America (MFA)
program. Through the MFA program, the Institute provides support for
essential and worthy projects that help museums further their missions,
achieve their goals, and provide value to their communities. Museums for
America grants benefit museums of all sizes and types, in all parts of
the country.
This year's guidelines have been modified to make the application
process quicker and more user-friendly. The grant categories have been
clarified to underscore the goal of the program: to build the capacity
of museums to serve the public. The three categories of Museums for
America activities include:
1. Engaging Communities (Education, Exhibition, and Interpretation)
2. Building Institutional Capacity (Management, Policy and Training)
3. Collections Stewardship
Through these new, broad categories, the grants will provide funds for
the full range of museum programs and activities, including
digitization, staff training, research, exhibitions, educational
programs, community partnerships and collections management.
Applicants are required to demonstrate that proposed grant activities
are clearly linked to the institution's strategic plan and enhance the
museum's ties and value to its community. Although we invite proposals
for specific projects, we ask that applicants show that the activities
are an investment in the museum's long-term capacity.
Application guidelines and instructions are available at
www.imls.gov/applicants/grants/forAmerica.shtm. Please note that the
Institute will only accept applications submitted through Grants.gov,
the federal government's online application system. All applicants who
are using Grants.gov must register with Grants.gov before submitting
their application. Applicants who are not already registered should
allow at least two weeks to complete this one-time process. For more
information on registration, visit
www.imls.gov/applicants/grantsgov/checklist.shtm. Please direct any
questions about the MFA program to Sandra Narva, Senior Program Officer,
202/653-4634, [log in to unmask] or Steve Shwartzman, Senior Program
Officer, 202/653-4641, [log in to unmask]
About the Institute of Museum and Library Services=20
The Institute of Museum and Library Services is the primary source of
federal support for the nation's 122,000 libraries and 17,500 museums.
The Institute's mission is to create strong libraries and museums that
connect people to information and ideas. The Institute works at the
national level and in coordination with state and local organizations to
sustain heritage, culture, and knowledge; enhance learning and
innovation; and support professional development. To learn more about
the Institute, please visit www.imls.gov.
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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------------------------------
Date: Tue, 11 Sep 2007 09:06:48 -0600
From: John Martinson <[log in to unmask]>
Subject: Re: A Moment of Silence
--_a64e6b05-5b29-4d1d-8135-0fac615468a2_
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Museum folks are part of the world, and death is part of our jobs, and our
museums...and nothing at all wrong tp honor "all" who died on this
Museum-List. =20
=20
How many "War" museums do we have out there...and those related to=20
the Civil War, Slavery, Holocaust, Native American Indians, WWI?=20
Korean War? etc. Plus, there are those who want such death, wars=20
and useless killing -- to be no more. =20
=20
A very nice poem. Thank you for sharing! =20
Peace!
John=20
RM3, U.S. Navy 1965-1969
RM3, U.S. Coast Guard, 1974-1977
SP4, U. S. Army Reserve (Active)
SP4, Oregon Air National Guard Reserves
SP4, Oregon National Guard
RM3, U. S. Navy Reserves (1971-1974)
RM3, U. S. Coast Guard Reserves
=20
Boise, ID=20
> Date: Tue, 11 Sep 2007 09:45:35 -0400> From: [log in to unmask]> S=
ubject: Re: [MUSEUM-L] A Moment of Silence> To: [log in to unmask]
M> > I did not complete reading your email. I could not. I read enough to s=
ee > that the email had nothing to do with museums. I should just completel=
y > ignore it. However, since it has been brought up, I would like to say: =
> There have been unjust wars since very near the beginning of time. > Coun=
tless innocent people have died in atrocities through the centuries. > War =
is never pretty but will always be, at least until the end of time as we > =
know it. Innocent people will die throughout that same timeframe. That > do=
es not mean that we should not pay respect to specific peoples who die > tr=
agically nor does it mean we should not honor those who sacrifice or > enda=
nger their lives to try to help others. That said, I believe this > should =
stop right here as, again, it has nothing to do with museums and it > is an=
inappropriate place for such a discussion.> > Frances Hayden> USMC retired=
> > > ----- Original Message ----- > From: "L Dewey" <[log in to unmask]
>> To: <[log in to unmask]>> Sent: Tuesday, September 11, 2007 9:=
16 AM> Subject: [MUSEUM-L] A Moment of Silence> > > >A Moment of Silence fo=
r 9/11> >> > By Emmanuel Ortiz, 9/11/02> >> > Before I start this poem, I'd=
like to ask you to> > join me in a moment of silence in honor of those who=
> > died in the World Trade Center and the Pentagon last> > September 11th.=
> >> > I would also like to ask you to offer up a moment of> > silence for =
all of those who have been harassed,> > imprisoned, disappeared, tortured, =
raped, or killed in> > retaliation for those strikes, for the victims in bo=
th> > Afghanistan and the U.S.> >> > And if I could just add one more thing=
...> >> > A full day of silence for the tens of thousands of> > Palestinian=
s who have died at the hands of> > U.S.-backed Israeli forces over decades =
of occupation.> >> >> > Six months of silence for the million-and-a-half Ir=
aqi> > people, mostly> > children, who have died of malnourishment or> > st=
arvation as a result of> > an 11-year U.S. embargo against the country.> >>=
> Before I begin this poem, two months of silence> > for the Blacks under =
Apartheid in South Africa,> > where homeland security made them aliens in t=
heir own> > country.> >> > Nine months of silence for the dead in Hiroshima=
and> > Nagasaki, where death rained down and peeled back> > every layer of=
concrete, steel, earth, and skin and> > the survivors went on as if alive.=
> >> > A year of silence for the millions of dead in Viet Nam> > - a people=
, not a war - for those who know a thing or> > two about the scent of burni=
ng fuel, their relatives'> > bones buried in it, their babies born of it.> =
>> > A year of silence for the dead in Cambodia and Laos,> > victims of a s=
ecret war ... ssssshhhhh ... Say nothing> > ... we don't want them to learn=
that they are dead.> >> > Two months of silence for the decades of dead in=
> > Colombia, whose names, like the corpses they once> > represented, have =
piled up and slipped off our> > tongues.> >> > Before I begin this poem, an=
hour of silence for El> > Salvador ...> > An afternoon of silence for Nica=
ragua ...> > Two days of silence for the Guetmaltecos ... None of> > whom e=
ver knew a moment of peace in their living> > years.> >> > 45 seconds of si=
lence for the 45 dead at Acteal,> > Chiapas.> >> > 25 years of silence for =
the hundred million Africans> > who found their graves far deeper in the oc=
ean than> > any building could poke into the sky.> > There will be no DNA t=
esting or dental records to> > identify their remains.> >> > And for those =
who were strung and swung from the> > heights of sycamore trees in the sout=
h, the north, the> > east, the west ... 100 years of silence ...> >> > For =
the hundreds of millions of indigenous peoples> > from this half of right h=
ere,whose land and lives were> > stolen, in postcard-perfect plots like Pin=
e Ridge,> > Wounded Knee, Sand Creek, Fallen Timbers, or the Trail> >> > of=
Tears.> >> > Names now reduced to innocuous magnetic poetry on the> > refr=
igerator of our unconsciousness ...> > So you want a moment of silence?> >>=
> And we are all left speechless> > Our tongues snatched from our mouths> =
> Our eyes stapled shut> > A moment of silence> >> > And the poets have all=
been laid to rest> > The drums disintegrating into dust> >> > Before I beg=
in this poem,> > You want a moment of silence> > You mourn now as if the wo=
rld will never be the same> > And the rest of us hope to hell it won't be.>=
>> > Not like it always has been.> >> > Because this is not a 9/11 poem> >=
This is a 9/10 poem,> > It is a 99 poem,> > A 9/8 poem,> > A 9/7 poem> > T=
his is a 1492 poem.> >> > This is a poem about what causes poems like this =
to be> > written.> > And if this is a 9/11 poem,> > Then this is a Septembe=
r 11th poem for Chile, 1971> > This is a September 12th poem for Steven Bik=
o in South> > Africa, 1977> > This is a September 13th poem for the brother=
s at> > Attica Prison, New> > York, 1971.> > This is a September 14th poem =
for Somalia, 1992.> >> > This is a poem for every date> > that falls to the=
ground in ashes.> >> > This is a poem for every date> > that falls to the =
ground in ashes.> >> > This is a poem for the 110 stories> > that were neve=
r told.> > The 110 stories that history> > chose not to write in textbooks.=
> > The 110 stories that> > CNN, BBC, The New York Times, and Newsweek igno=
red.> >> > This is a poem for interrupting this program.> > And still you w=
ant a moment of silence for your dead?> > We could give you lifetimes of em=
pty:> > The unmarked graves> > The lost languages> > The uprooted trees and=
histories> > The dead stares on the faces of nameless children.> > Before =
I start this poem> > we could be silent forever> > Or just long enough to h=
unger,> > For the dust to bury us.> > And you would still ask us> > For mor=
e of our silence.> >> > If you want a moment of silence> > Then stop the oi=
l pumps> > Turn off the engines and the televisions> > Sink the cruise ship=
s> > Crash the stock markets> > Unplug the marquee lights,> > Delete the in=
stant messages,> > Derail the trains, the light rail transit.> > If you wan=
t a moment of silence,> > Put a brick through the window of Taco Bell,> > A=
nd pay the workers for wages lost.> > Tear down the liquor stores,> > The t=
ownhouses, the White Houses, the jailhouses,> > The Penthouses, and the Pla=
yboys.> > If you want a moment of silence,> > Then take it on Super Bowl Su=
nday,> > The Fourth of July> > During Dayton's 13 hour sale> >> >> > Or the=
next time your white guilt fills the room> > where MY beautiful people hav=
e gathered.> > You want a moment of silence> > Then take it now,> > Before =
this poem begins.> >> > Here, in the echo of my voice,> > In the pause betw=
een goosesteps of the second hand,> > In the space between bodies in embrac=
e,> > Here is your silence> > Take it.> >> > But take it all.> > Don't cut =
in line.> > Let your silence begin at the beginning of crime.> > But we, To=
night> > We will keep right on singing> > For our dead.> >> > by Emmanuel O=
rtiz 9.11.02> >> > =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D> > Important Subscriber Informat=
ion:> >> > The Museum-L FAQ file is located at > > http://www.finalchapter.=
com/museum-l-faq/ . You may obtain detailed > > information about the lists=
erv commands by sending a one line e-mail > > message to [log in to unmask]
.lsoft.com . The body of the message should > > read "help" (without the qu=
otes).> >> > If you decide to leave Museum-L, please send a one line e-mail=
message to > > [log in to unmask] . The body of the message shou=
ld read > > "Signoff Museum-L" (without the quotes).> > > > =3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D> Important Subscriber Information:> > The Museum-L FAQ file is locat=
ed at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed i=
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<body class=3D'hmmessage'>Museum folks are part of the world, and death is =
part of our jobs, and our<BR>
museums...and nothing at all wrong tp honor "all" who died on this<BR>
Museum-List. <BR>
<BR>
How many "War" museums do we have out there...and those related to <BR=
>
the Civil War, Slavery, Holocaust, Native American Indians, WWI? <BR>
Korean War? etc. Plus, there are those who want such death, wars <BR>
and useless killing -- to be no more. <BR>
<BR>
A very nice poem. Thank you for sharing! <BR><BR>
Peace!<BR>
<BR>John <BR>
RM3, U.S. Navy 1965-1969<BR>
RM3, U.S. Coast Guard, 1974-1977<BR>
SP4, U. S. Army Reserve (Active)<BR>
SP4, Oregon Air National Guard Reserves<BR>
SP4, Oregon National Guard<BR>
RM3, U. S. Navy Reserves (1971-1974)<BR>
RM3, U. S. Coast Guard Reserves<BR>
<BR>
Boise, ID <BR><BR><BR>
<HR id=3DstopSpelling>
<BR>
> Date: Tue, 11 Sep 2007 09:45:35 -0400<BR>> From: ncmm.registrar@NCM=
AIL.NET<BR>> Subject: Re: [MUSEUM-L] A Moment of Silence<BR>> To: MUS=
[log in to unmask]<BR>> <BR>> I did not complete reading your =
email. I could not. I read enough to see <BR>> that the email had nothin=
g to do with museums. I should just completely <BR>> ignore it. However,=
since it has been brought up, I would like to say: <BR>> There have bee=
n unjust wars since very near the beginning of time. <BR>> Countless inn=
ocent people have died in atrocities through the centuries. <BR>> War is=
never pretty but will always be, at least until the end of time as we <BR>=
> know it. Innocent people will die throughout that same timeframe. That=
<BR>> does not mean that we should not pay respect to specific peoples =
who die <BR>> tragically nor does it mean we should not honor those who =
sacrifice or <BR>> endanger their lives to try to help others. That said=
, I believe this <BR>> should stop right here as, again, it has nothing =
to do with museums and it <BR>> is an inappropriate place for such a dis=
cussion.<BR>> <BR>> Frances Hayden<BR>> USMC retired<BR>> <BR>&=
gt; <BR>> ----- Original Message ----- <BR>> From: "L Dewey" <ldew=
[log in to unmask]><BR>> To: <[log in to unmask]><BR>&=
gt; Sent: Tuesday, September 11, 2007 9:16 AM<BR>> Subject: [MUSEUM-L] A=
Moment of Silence<BR>> <BR>> <BR>> >A Moment of Silence for 9/=
11<BR>> ><BR>> > By Emmanuel Ortiz, 9/11/02<BR>> ><BR>>=
; > Before I start this poem, I'd like to ask you to<BR>> > join m=
e in a moment of silence in honor of those who<BR>> > died in the Wor=
ld Trade Center and the Pentagon last<BR>> > September 11th.<BR>> =
><BR>> > I would also like to ask you to offer up a moment of<BR>&=
gt; > silence for all of those who have been harassed,<BR>> > impr=
isoned, disappeared, tortured, raped, or killed in<BR>> > retaliation=
for those strikes, for the victims in both<BR>> > Afghanistan and th=
e U.S.<BR>> ><BR>> > And if I could just add one more thing...<=
BR>> ><BR>> > A full day of silence for the tens of thousands o=
f<BR>> > Palestinians who have died at the hands of<BR>> > U.S.=
-backed Israeli forces over decades of occupation.<BR>> ><BR>> >=
;<BR>> > Six months of silence for the million-and-a-half Iraqi<BR>&g=
t; > people, mostly<BR>> > children, who have died of malnourishme=
nt or<BR>> > starvation as a result of<BR>> > an 11-year U.S. e=
mbargo against the country.<BR>> ><BR>> > Before I begin this p=
oem, two months of silence<BR>> > for the Blacks under Apartheid in S=
outh Africa,<BR>> > where homeland security made them aliens in their=
own<BR>> > country.<BR>> ><BR>> > Nine months of silence=
for the dead in Hiroshima and<BR>> > Nagasaki, where death rained do=
wn and peeled back<BR>> > every layer of concrete, steel, earth, and =
skin and<BR>> > the survivors went on as if alive.<BR>> ><BR>&g=
t; > A year of silence for the millions of dead in Viet Nam<BR>> >=
- a people, not a war - for those who know a thing or<BR>> > two abo=
ut the scent of burning fuel, their relatives'<BR>> > bones buried in=
it, their babies born of it.<BR>> ><BR>> > A year of silence f=
or the dead in Cambodia and Laos,<BR>> > victims of a secret war ... =
ssssshhhhh ... Say nothing<BR>> > ... we don't want them to learn tha=
t they are dead.<BR>> ><BR>> > Two months of silence for the de=
cades of dead in<BR>> > Colombia, whose names, like the corpses they =
once<BR>> > represented, have piled up and slipped off our<BR>> &g=
t; tongues.<BR>> ><BR>> > Before I begin this poem, an hour of =
silence for El<BR>> > Salvador ...<BR>> > An afternoon of silen=
ce for Nicaragua ...<BR>> > Two days of silence for the Guetmaltecos =
... None of<BR>> > whom ever knew a moment of peace in their living<B=
R>> > years.<BR>> ><BR>> > 45 seconds of silence for the =
45 dead at Acteal,<BR>> > Chiapas.<BR>> ><BR>> > 25 years=
of silence for the hundred million Africans<BR>> > who found their g=
raves far deeper in the ocean than<BR>> > any building could poke int=
o the sky.<BR>> > There will be no DNA testing or dental records to<B=
R>> > identify their remains.<BR>> ><BR>> > And for those=
who were strung and swung from the<BR>> > heights of sycamore trees =
in the south, the north, the<BR>> > east, the west ... 100 years of s=
ilence ...<BR>> ><BR>> > For the hundreds of millions of indige=
nous peoples<BR>> > from this half of right here,whose land and lives=
were<BR>> > stolen, in postcard-perfect plots like Pine Ridge,<BR>&g=
t; > Wounded Knee, Sand Creek, Fallen Timbers, or the Trail<BR>> >=
<BR>> > of Tears.<BR>> ><BR>> > Names now reduced to inno=
cuous magnetic poetry on the<BR>> > refrigerator of our unconsciousne=
ss ...<BR>> > So you want a moment of silence?<BR>> ><BR>> &=
gt; And we are all left speechless<BR>> > Our tongues snatched from o=
ur mouths<BR>> > Our eyes stapled shut<BR>> > A moment of silen=
ce<BR>> ><BR>> > And the poets have all been laid to rest<BR>&g=
t; > The drums disintegrating into dust<BR>> ><BR>> > Before=
I begin this poem,<BR>> > You want a moment of silence<BR>> > =
You mourn now as if the world will never be the same<BR>> > And the r=
est of us hope to hell it won't be.<BR>> ><BR>> > Not like it a=
lways has been.<BR>> ><BR>> > Because this is not a 9/11 poem<B=
R>> > This is a 9/10 poem,<BR>> > It is a 99 poem,<BR>> >=
A 9/8 poem,<BR>> > A 9/7 poem<BR>> > This is a 1492 poem.<BR>&=
gt; ><BR>> > This is a poem about what causes poems like this to b=
e<BR>> > written.<BR>> > And if this is a 9/11 poem,<BR>> &g=
t; Then this is a September 11th poem for Chile, 1971<BR>> > This is =
a September 12th poem for Steven Biko in South<BR>> > Africa, 1977<BR=
>> > This is a September 13th poem for the brothers at<BR>> > A=
ttica Prison, New<BR>> > York, 1971.<BR>> > This is a September=
14th poem for Somalia, 1992.<BR>> ><BR>> > This is a poem for =
every date<BR>> > that falls to the ground in ashes.<BR>> ><BR>=
> > This is a poem for every date<BR>> > that falls to the grou=
nd in ashes.<BR>> ><BR>> > This is a poem for the 110 stories<B=
R>> > that were never told.<BR>> > The 110 stories that history=
<BR>> > chose not to write in textbooks.<BR>> > The 110 stories=
that<BR>> > CNN, BBC, The New York Times, and Newsweek ignored.<BR>&=
gt; ><BR>> > This is a poem for interrupting this program.<BR>>=
> And still you want a moment of silence for your dead?<BR>> > We=
could give you lifetimes of empty:<BR>> > The unmarked graves<BR>>=
; > The lost languages<BR>> > The uprooted trees and histories<BR>=
> > The dead stares on the faces of nameless children.<BR>> > B=
efore I start this poem<BR>> > we could be silent forever<BR>> >=
; Or just long enough to hunger,<BR>> > For the dust to bury us.<BR>&=
gt; > And you would still ask us<BR>> > For more of our silence.<B=
R>> ><BR>> > If you want a moment of silence<BR>> > Then =
stop the oil pumps<BR>> > Turn off the engines and the televisions<BR=
>> > Sink the cruise ships<BR>> > Crash the stock markets<BR>&g=
t; > Unplug the marquee lights,<BR>> > Delete the instant messages=
,<BR>> > Derail the trains, the light rail transit.<BR>> > If y=
ou want a moment of silence,<BR>> > Put a brick through the window of=
Taco Bell,<BR>> > And pay the workers for wages lost.<BR>> > T=
ear down the liquor stores,<BR>> > The townhouses, the White Houses, =
the jailhouses,<BR>> > The Penthouses, and the Playboys.<BR>> >=
If you want a moment of silence,<BR>> > Then take it on Super Bowl S=
unday,<BR>> > The Fourth of July<BR>> > During Dayton's 13 hour=
sale<BR>> ><BR>> ><BR>> > Or the next time your white gu=
ilt fills the room<BR>> > where MY beautiful people have gathered.<BR=
>> > You want a moment of silence<BR>> > Then take it now,<BR>&=
gt; > Before this poem begins.<BR>> ><BR>> > Here, in the ec=
ho of my voice,<BR>> > In the pause between goosesteps of the second =
hand,<BR>> > In the space between bodies in embrace,<BR>> > Her=
e is your silence<BR>> > Take it.<BR>> ><BR>> > But take =
it all.<BR>> > Don't cut in line.<BR>> > Let your silence begin=
at the beginning of crime.<BR>> > But we, Tonight<BR>> > We wi=
ll keep right on singing<BR>> > For our dead.<BR>> ><BR>> &g=
t; by Emmanuel Ortiz 9.11.02<BR>> ><BR>> > =3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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=3D<BR>> > Important Subscriber Information:<BR>> ><BR>> >=
; The Museum-L FAQ file is located at <BR>> > http://www.finalchapter=
.com/museum-l-faq/ . You may obtain detailed <BR>> > information abou=
t the listserv commands by sending a one line e-mail <BR>> > message =
to [log in to unmask] . The body of the message should <BR>> &=
gt; read "help" (without the quotes).<BR>> ><BR>> > If you deci=
de to leave Museum-L, please send a one line e-mail message to <BR>> >=
; [log in to unmask] . The body of the message should read <BR>&g=
t; > "Signoff Museum-L" (without the quotes).<BR>> > <BR>> <BR>=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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------------------------------
Date: Tue, 11 Sep 2007 11:10:03 -0400
From: James Tichgelaar <[log in to unmask]>
Subject: Job Announcement-Ohio Historical Society
This is a multi-part message in MIME format.
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Curator I=20
Summary:=20
The Ohio Historical Society (OHS) seeks a dynamic and creative
individual to serve as a project curator in the Outreach Projects
Department. The Project Curator will be based at the Ohio Historical
Society and be under the direct supervision of the Outreach Projects
Manager. This position works directly with K-16 faculty in western Ohio
and will be responsible for implementing OHS responsibilities in a
number of collaborative professional development programs.=20
Essential Duties and Responsibilities:=20
* This position will organize workshops and seminars on various
topics in local, state and national history; work directly with partners
(i.e. university faculty, teachers, school administrators, local history
organizations and their staff, evaluators); conduct research in the OHS
archival and object collections to identify materials that related to
the project themes and the Ohio Social Studies Academic Content
Standards for; and develop creative activities and resources (e.g.
CD-ROMS, podcasts, etc.) that engage faculty with collections materials.
* The ideal candidate is a self-starter, creative yet practical,
flexible, able to work well within a fast-paced team-oriented
environmemt, and must possess excellent verbal and written communication
skills.
* Successful candidates must also be able to establish creative
partnerships and a strong presence in the Ohio communities they serve.
* Candidates must have a passion for state and local history, a
compelling vision fo rcreating engaging and informative experiences, and
a thorough understanding of methods for developing exceptional history
resources and programs for a variety of audiences.
Supervisory Responsibilities:=20
N/A=20
Qualifications:=20
To perform this job successfully, an individual must be able to perform
each essential duty satisfactorily. The requirements listed below are
representative of the knowledge, skill, and/or ability required.
Reasonable accommodations may be made to enable individuals with
disabilities to perform the essential functions.=20
Education and/or Experience:=20
Applicants should possess a graduate degree in history/museum
studies/humanities; a strong working knowledge of history research
methods; an appreciation for local history; excellent written and verbal
communication skills; strong organization skills; experience managing
budgets; the ability to juggle multiple small projects at one time; the
ability to work with partner institutions and individuals; experience
with education standards (pedagogy, state academic standards, etc.);
comfort speaking in front of and directing groups of 20-50 people; a
willingness to travel within the state. Position compensation starts at
$28,000 and will be commensurate with education and experience. Serious
consideration will only be given to those applicants who submit a cover
letter, resume, SALARY REQUIREMENTS and three professional references.=20
Language Skills:=20
Technical Skills:=20
Reasoning Ability:=20
Physical Demands:=20
Work Environment:=20
Job Code:=20
Posting Date: 9/11/2007=20
Created Date: 7/8/2006=20
FLSA Status: Exempt=20
Revision Date:=20
Salary Grade: 6=20
Market Research Date: 7/8/2006=20
________________________________
The Ohio Historical Society=20
Human Resources Department=20
1982 Velma Avenue=20
Columbus, OH 43211-2497=20
Fax: 614/297-2293=20
E-mail: [log in to unmask]
=20
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=3D=3D=3D=3D=3D=3D=3D Important
Subscriber Information:=20
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information about the listserv commands by sending a one line e-mail
message to [log in to unmask] . The body of the message should
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<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Curator I</span></font></b> <br>
<br>
<b><span style=3D'font-weight:bold'>Summary:</span></b> <br>
The Ohio Historical Society (OHS) seeks a dynamic and creative =
individual to
serve as a project curator in the Outreach Projects Department. The =
Project
Curator will be based at the Ohio Historical Society and be under the =
direct
supervision of the Outreach Projects Manager. This position works =
directly with
K-16 faculty in western <st1:State w:st=3D"on"><st1:place =
w:st=3D"on">Ohio</st1:place></st1:State>
and will be responsible for implementing OHS responsibilities in a =
number of
collaborative professional development programs. <br>
<br>
<b><span style=3D'font-weight:bold'>Essential Duties and =
Responsibilities:</span></b>
<o:p></o:p></p>
<ul type=3Ddisc>
<li class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
mso-list:l0 level1 lfo1'><font size=3D3 face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt'>This position will organize workshops =
and
seminars on various topics in local, state and national history; =
work
directly with partners (i.e. university faculty, teachers, school
administrators, local history organizations and their staff, =
evaluators);
conduct research in the OHS archival and object collections to =
identify
materials that related to the project themes and the Ohio Social =
Studies
Academic Content Standards for; and develop creative activities and
resources (e.g. CD-ROMS, podcasts, etc.) that engage faculty with
collections materials.<o:p></o:p></span></font></li>
<li class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
mso-list:l0 level1 lfo1'><font size=3D3 face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt'>The ideal candidate is a self-starter, =
creative
yet practical, flexible, able to work well within a fast-paced
team-oriented environmemt, and must possess excellent verbal and =
written
communication skills.<o:p></o:p></span></font></li>
<li class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
mso-list:l0 level1 lfo1'><font size=3D3 face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt'>Successful candidates must also be able =
to
establish creative partnerships and a strong presence in the =
<st1:State
w:st=3D"on"><st1:place w:st=3D"on">Ohio</st1:place></st1:State> =
communities
they serve.<o:p></o:p></span></font></li>
<li class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
mso-list:l0 level1 lfo1'><font size=3D3 face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt'>Candidates must have a passion for state =
and
local history, a compelling vision fo rcreating engaging and =
informative
experiences, and a thorough understanding of methods for developing
exceptional history resources and programs for a variety of =
audiences.<o:p></o:p></span></font></li>
</ul>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Supervisory Responsibilities:</span></font></b> <br>
N/A <o:p></o:p></p>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Qualifications:</span></font></b> <br>
To perform this job successfully, an individual must be able to perform =
each
essential duty satisfactorily. The requirements listed below are =
representative
of the knowledge, skill, and/or ability required. Reasonable =
accommodations may
be made to enable individuals with disabilities to perform the essential
functions. <o:p></o:p></p>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Education and/or Experience:</span></font></b> <br>
Applicants should possess a graduate degree in history/museum
studies/humanities; a strong working knowledge of history research =
methods; an
appreciation for local history; excellent written and verbal =
communication
skills; strong organization skills; experience managing budgets; the =
ability to
juggle multiple small projects at one time; the ability to work with =
partner
institutions and individuals; experience with education standards =
(pedagogy,
state academic standards, etc.); comfort speaking in front of and =
directing
groups of 20-50 people; a willingness to travel within the state. =
Position
compensation starts at $28,000 and will be commensurate with education =
and
experience. Serious consideration will only be given to those applicants =
who
submit a cover letter, resume, SALARY REQUIREMENTS and three =
professional
references. <o:p></o:p></p>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Language Skills:</span></font></b> <o:p></o:p></p>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Technical Skills:</span></font></b> <o:p></o:p></p>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Reasoning Ability:</span></font></b> <o:p></o:p></p>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Physical Demands:</span></font></b> <o:p></o:p></p>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Work Environment:</span></font></b> <o:p></o:p></p>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>Job Code:</span></font></b> <br>
<b><span style=3D'font-weight:bold'>Posting Date:</span></b> 9/11/2007 =
<br>
<b><span style=3D'font-weight:bold'>Created Date:</span></b> 7/8/2006 =
<br>
<b><span style=3D'font-weight:bold'>FLSA Status:</span></b> Exempt <br>
<b><span style=3D'font-weight:bold'>Revision Date:</span></b> <br>
<b><span style=3D'font-weight:bold'>Salary Grade:</span></b> 6 <br>
<b><span style=3D'font-weight:bold'>Market Research Date:</span></b> =
7/8/2006 <o:p></o:p></p>
<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>
<hr size=3D2 width=3D"100%" align=3Dcenter>
</span></font></div>
<p><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
font-weight:bold'>The Ohio Historical Society</span></font></b> <br>
Human Resources Department <br>
1982 <st1:address w:st=3D"on"><st1:Street w:st=3D"on">Velma =
Avenue</st1:Street> <br>
<st1:City w:st=3D"on">Columbus</st1:City>, <st1:State =
w:st=3D"on">OH</st1:State> <st1:PostalCode
w:st=3D"on">43211-2497</st1:PostalCode></st1:address> <br>
Fax: 614/297-2293 <br>
E-mail: <a =
href=3D"mailto:[log in to unmask]">[log in to unmask]</a>
<o:p></o:p></p>
<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D2 =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'><o:p> </o:p></span></f=
ont></p>
</div>
</body>
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------_=_NextPart_001_01C7F485.D4C5F32B--
------------------------------
Date: Tue, 11 Sep 2007 08:29:47 -0700
From: Dawn Distasio <[log in to unmask]>
Subject: Museum List Help - my apologies
I wholeheartedly apologize in advance for sending this out =
--0-1771683100-1189524587=:32266
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Dear List,=0A=0AI wholeheartedly apologize in advance for sending this out =
to the list - but I don't know what else to do. I am trying to switch to t=
he DIGEST option. Per the FAQ instructions I sent the "SET Museum-L DIGEST=
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ed the following email in return:=0A =0A> =C9=D5=D4=D9=F0=F6=0A>Unknown com=
mand - "=C9=D5=D4=D9=D0=D6". Try HELP.=0A=0A=0AI rechecked the FAQ on the H=
ELP page and do not understand how to fix this problem (I even have the 5 p=
age REF Card!). I have tried emailing the maintainer of the list and have =
heard nothing. Getting 20+ emails a day is killing my inbox! Any help/sugg=
estions would be deeply appreciated. =0A=0AAgain, I apologize for flooding =
everyones inbox - please excuse the intrusion!=0A =0AYours truly,=0ADawn=0A=
=0A=0A =0A___________________________________________________________=
_________________________=0ABuilding a website is a piece of cake. Yahoo! S=
mall Business gives you all the tools to get online.=0Ahttp://smallbusiness=
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman=
, new york, times, serif">=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: ti=
mes new roman, new york, times, serif">Dear List,</DIV>=0A<DIV style=3D"FON=
T-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"> <=
/DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new yo=
rk, times, serif">I wholeheartedly apologize in advance for sending this ou=
t to the list - but I don't know what else to do. I am trying to swit=
ch to the DIGEST option. Per the FAQ instructions I sent th=
e "SET Museum-L DIGEST" command to the listserve address (<A href=3D"m=
ailto:[log in to unmask]" target=3D_blank rel=3Dnofollow><FONT co=
lor=3D#0000ff>[log in to unmask]</FONT></A>). I recieved the foll=
owing email in return:</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: =
times new roman, new york, times, serif"> </DIV>=0A<DIV style=3D"FONT-=
SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif">> =
;=C9=D5=D4=D9=F0=F6<BR>>Unknown command - "=C9=D5=D4=D9=D0=D6". Try HELP=
.<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, =
new york, times, serif"> </DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-=
FAMILY: times new roman, new york, times, serif">I rechecked the FAQ o=
n the HELP page and do not understand how to fix this problem (I even =
have the 5 page REF Card!). I have tried emailing the maintainer=
of the list and have heard nothing. Getting 20+ emails a day is kill=
ing my inbox! Any help/suggestions would be deeply appreciated.&n=
bsp;</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, n=
ew york, times, serif"> </DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-F=
AMILY: times new roman, new york, times, serif">Again, I apologize for floo=
ding everyones inbox - please excuse the intrusion!</DIV>=0A<DIV style=3D"F=
ONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"> =
;</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new =
york, times, serif">Yours truly,</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FON=
T-FAMILY: times new roman, new york, times, serif">Dawn </DIV></DIV><=
/div><br>=0A <hr size=3D1>Looking for a deal? <a href=3D"http://us.rd.=
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ces on flights and hotels</a> with Yahoo! FareChase.</body></html>
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<p>
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--0-1771683100-1189524587=:32266--
------------------------------
Date: Tue, 11 Sep 2007 12:01:02 -0400
From: Lee Drake <[log in to unmask]>
Subject: Re: A Moment of Silence
--_1f0c7bc1-a592-4de8-8764-20c4f9b497d8_
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I have just been reminded about what drives me crazy about so many in the M=
useum profession, the need to drive home a liberal political view. This pos=
t had a distinct political message.=20
Just remember how many died protecting the rights of other's and liberating=
them from tyranny and oppression. No we are not perfect. We remember speci=
fic events from the past and honor the people involved ( if not all of them=
at first, we do so overtime.) It is essential to telling the story of who =
a people and culture are,where they came from and how they see themselves i=
n the future.
In many countries a poem such as this one would have been banned, the autho=
r jailed and opinion squashed. Many have sacrificed in order for such poems=
to be written.=20
I for one will always remember that. And yes I have honored those who died =
today six years ago.
Lee Drake, Retired Museum Director
> Date: Tue, 11 Sep 2007 09:16:33 -0400
> From: [log in to unmask]
> Subject: A Moment of Silence
> To: [log in to unmask]
>=20
> A Moment of Silence for 9/11
>=20
> By Emmanuel Ortiz, 9/11/02
>=20
> Before I start this poem, I'd like to ask you to
> join me in a moment of silence in honor of those who
> died in the World Trade Center and the Pentagon last
> September 11th.
>=20
> I would also like to ask you to offer up a moment of
> silence for all of those who have been harassed,
> imprisoned, disappeared, tortured, raped, or killed in
> retaliation for those strikes, for the victims in both
> Afghanistan and the U.S.
>=20
> And if I could just add one more thing...
>=20
> A full day of silence for the tens of thousands of
> Palestinians who have died at the hands of
> U.S.-backed Israeli forces over decades of occupation.
>=20
>=20
> Six months of silence for the million-and-a-half Iraqi
> people, mostly
> children, who have died of malnourishment or
> starvation as a result of
> an 11-year U.S. embargo against the country.
>=20
> Before I begin this poem, two months of silence
> for the Blacks under Apartheid in South Africa,
> where homeland security made them aliens in their own
> country.
>=20
> Nine months of silence for the dead in Hiroshima and
> Nagasaki, where death rained down and peeled back
> every layer of concrete, steel, earth, and skin and
> the survivors went on as if alive.
>=20
> A year of silence for the millions of dead in Viet Nam
> - a people, not a war - for those who know a thing or
> two about the scent of burning fuel, their relatives'
> bones buried in it, their babies born of it.
>=20
> A year of silence for the dead in Cambodia and Laos,
> victims of a secret war ... ssssshhhhh ... Say nothing
> ... we don't want them to learn that they are dead.
>=20
> Two months of silence for the decades of dead in
> Colombia, whose names, like the corpses they once
> represented, have piled up and slipped off our
> tongues.
>=20
> Before I begin this poem, an hour of silence for El
> Salvador ...
> An afternoon of silence for Nicaragua ...
> Two days of silence for the Guetmaltecos ... None of
> whom ever knew a moment of peace in their living
> years.
>=20
> 45 seconds of silence for the 45 dead at Acteal,
> Chiapas.
>=20
> 25 years of silence for the hundred million Africans
> who found their graves far deeper in the ocean than
> any building could poke into the sky.
> There will be no DNA testing or dental records to
> identify their remains.
>=20
> And for those who were strung and swung from the
> heights of sycamore trees in the south, the north, the
> east, the west ... 100 years of silence ...
>=20
> For the hundreds of millions of indigenous peoples
> from this half of right here,whose land and lives were
> stolen, in postcard-perfect plots like Pine Ridge,
> Wounded Knee, Sand Creek, Fallen Timbers, or the Trail
>=20
> of Tears.
>=20
> Names now reduced to innocuous magnetic poetry on the
> refrigerator of our unconsciousness ...
> So you want a moment of silence?
>=20
> And we are all left speechless
> Our tongues snatched from our mouths
> Our eyes stapled shut
> A moment of silence
>=20
> And the poets have all been laid to rest
> The drums disintegrating into dust
>=20
> Before I begin this poem,
> You want a moment of silence
> You mourn now as if the world will never be the same
> And the rest of us hope to hell it won't be.
>=20
> Not like it always has been.
>=20
> Because this is not a 9/11 poem
> This is a 9/10 poem,
> It is a 99 poem,
> A 9/8 poem,
> A 9/7 poem
> This is a 1492 poem.
>=20
> This is a poem about what causes poems like this to be
> written.
> And if this is a 9/11 poem,
> Then this is a September 11th poem for Chile, 1971
> This is a September 12th poem for Steven Biko in South
> Africa, 1977
> This is a September 13th poem for the brothers at
> Attica Prison, New
> York, 1971.
> This is a September 14th poem for Somalia, 1992.
>=20
> This is a poem for every date
> that falls to the ground in ashes.
>=20
> This is a poem for every date
> that falls to the ground in ashes.
>=20
> This is a poem for the 110 stories
> that were never told.
> The 110 stories that history
> chose not to write in textbooks.
> The 110 stories that
> CNN, BBC, The New York Times, and Newsweek ignored.
>=20
> This is a poem for interrupting this program.
> And still you want a moment of silence for your dead?
> We could give you lifetimes of empty:
> The unmarked graves
> The lost languages
> The uprooted trees and histories
> The dead stares on the faces of nameless children.
> Before I start this poem
> we could be silent forever
> Or just long enough to hunger,
> For the dust to bury us.
> And you would still ask us
> For more of our silence.
>=20
> If you want a moment of silence
> Then stop the oil pumps
> Turn off the engines and the televisions
> Sink the cruise ships
> Crash the stock markets
> Unplug the marquee lights,
> Delete the instant messages,
> Derail the trains, the light rail transit.
> If you want a moment of silence,
> Put a brick through the window of Taco Bell,
> And pay the workers for wages lost.
> Tear down the liquor stores,
> The townhouses, the White Houses, the jailhouses,
> The Penthouses, and the Playboys.
> If you want a moment of silence,
> Then take it on Super Bowl Sunday,
> The Fourth of July
> During Dayton's 13 hour sale
>=20
>=20
> Or the next time your white guilt fills the room
> where MY beautiful people have gathered.
> You want a moment of silence
> Then take it now,
> Before this poem begins.
>=20
> Here, in the echo of my voice,
> In the pause between goosesteps of the second hand,
> In the space between bodies in embrace,
> Here is your silence
> Take it.
>=20
> But take it all.
> Don't cut in line.
> Let your silence begin at the beginning of crime.
> But we, Tonight
> We will keep right on singing
> For our dead.
>=20
> by Emmanuel Ortiz 9.11.02
>=20
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>=20
> The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-=
faq/ . You may obtain detailed information about the listserv commands by s=
ending a one line e-mail message to [log in to unmask] . The body=
of the message should read "help" (without the quotes).
>=20
> If you decide to leave Museum-L, please send a one line e-mail message to=
[log in to unmask] . The body of the message should read "Signof=
f Museum-L" (without the quotes).
_________________________________________________________________
Can you find the hidden words?=A0 Take a break and play Seekadoo!
http://club.live.com/seekadoo.aspx?icid=3Dseek_wlmailtextlink=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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<body class=3D'hmmessage'>
I have just been reminded about what drives me crazy about so many in the M=
useum profession, the need to drive home a liberal political view. This pos=
t had a distinct political message. <br><br>Just remember how many died pro=
tecting the rights of other's and liberating them from tyranny and oppressi=
on. No we are not perfect. We remember specific events from the past and ho=
nor the people involved ( if not all of them at first, we do so overtime.) =
It is essential to telling the story of who a people and culture are,where =
they came from and how they see themselves in the future.<br><br>In many co=
untries a poem such as this one would have been banned, the author jailed a=
nd opinion squashed. Many have sacrificed in order for such poems to be wri=
tten. <br><br>I for one will always remember that. And yes I have honored t=
hose who died today six years ago.<br><br><br>Lee Drake, Retired Museum Dir=
ector<br><br><br>> Date: Tue, 11 Sep 2007 09:16:33 -0400<br>> From: l=
[log in to unmask]<br>> Subject: A Moment of Silence<br>> To: MUSEU=
[log in to unmask]<br>> <br>> A Moment of Silence for 9/11<br>&g=
t; <br>> By Emmanuel Ortiz, 9/11/02<br>> <br>> Before I start this=
poem, I'd like to ask you to<br>> join me in a moment of silence in hon=
or of those who<br>> died in the World Trade Center and the Pentagon las=
t<br>> September 11th.<br>> <br>> I would also like to ask you to =
offer up a moment of<br>> silence for all of those who have been harasse=
d,<br>> imprisoned, disappeared, tortured, raped, or killed in<br>> r=
etaliation for those strikes, for the victims in both<br>> Afghanistan a=
nd the U.S.<br>> <br>> And if I could just add one more thing...<br>&=
gt; <br>> A full day of silence for the tens of thousands of<br>> Pal=
estinians who have died at the hands of<br>> U.S.-backed Israeli forces =
over decades of occupation.<br>> <br>> <br>> Six months of silence=
for the million-and-a-half Iraqi<br>> people, mostly<br>> children, =
who have died of malnourishment or<br>> starvation as a result of<br>>=
; an 11-year U.S. embargo against the country.<br>> <br>> Before I be=
gin this poem, two months of silence<br>> for the Blacks under Apartheid=
in South Africa,<br>> where homeland security made them aliens in their=
own<br>> country.<br>> <br>> Nine months of silence for the dead =
in Hiroshima and<br>> Nagasaki, where death rained down and peeled back<=
br>> every layer of concrete, steel, earth, and skin and<br>> the sur=
vivors went on as if alive.<br>> <br>> A year of silence for the mill=
ions of dead in Viet Nam<br>> - a people, not a war - for those who know=
a thing or<br>> two about the scent of burning fuel, their relatives'<b=
r>> bones buried in it, their babies born of it.<br>> <br>> A year=
of silence for the dead in Cambodia and Laos,<br>> victims of a secret =
war ... ssssshhhhh ... Say nothing<br>> ... we don't want them to learn =
that they are dead.<br>> <br>> Two months of silence for the decades =
of dead in<br>> Colombia, whose names, like the corpses they once<br>>=
; represented, have piled up and slipped off our<br>> tongues.<br>> <=
br>> Before I begin this poem, an hour of silence for El<br>> Salvado=
r ...<br>> An afternoon of silence for Nicaragua ...<br>> Two days of=
silence for the Guetmaltecos ... None of<br>> whom ever knew a moment o=
f peace in their living<br>> years.<br>> <br>> 45 seconds of silen=
ce for the 45 dead at Acteal,<br>> Chiapas.<br>> <br>> 25 years of=
silence for the hundred million Africans<br>> who found their graves fa=
r deeper in the ocean than<br>> any building could poke into the sky.<br=
>> There will be no DNA testing or dental records to<br>> identify th=
eir remains.<br>> <br>> And for those who were strung and swung from =
the<br>> heights of sycamore trees in the south, the north, the<br>> =
east, the west ... 100 years of silence ...<br>> <br>> For the hundre=
ds of millions of indigenous peoples<br>> from this half of right here,w=
hose land and lives were<br>> stolen, in postcard-perfect plots like Pin=
e Ridge,<br>> Wounded Knee, Sand Creek, Fallen Timbers, or the Trail<br>=
> <br>> of Tears.<br>> <br>> Names now reduced to innocuous mag=
netic poetry on the<br>> refrigerator of our unconsciousness ...<br>>=
So you want a moment of silence?<br>> <br>> And we are all left spee=
chless<br>> Our tongues snatched from our mouths<br>> Our eyes staple=
d shut<br>> A moment of silence<br>> <br>> And the poets have all =
been laid to rest<br>> The drums disintegrating into dust<br>> <br>&g=
t; Before I begin this poem,<br>> You want a moment of silence<br>> Y=
ou mourn now as if the world will never be the same<br>> And the rest of=
us hope to hell it won't be.<br>> <br>> Not like it always has been.=
<br>> <br>> Because this is not a 9/11 poem<br>> This is a 9/10 po=
em,<br>> It is a 99 poem,<br>> A 9/8 poem,<br>> A 9/7 poem<br>>=
This is a 1492 poem.<br>> <br>> This is a poem about what causes poe=
ms like this to be<br>> written.<br>> And if this is a 9/11 poem,<br>=
> Then this is a September 11th poem for Chile, 1971<br>> This is a S=
eptember 12th poem for Steven Biko in South<br>> Africa, 1977<br>> Th=
is is a September 13th poem for the brothers at<br>> Attica Prison, New<=
br>> York, 1971.<br>> This is a September 14th poem for Somalia, 1992=
.<br>> <br>> This is a poem for every date<br>> that falls to the =
ground in ashes.<br>> <br>> This is a poem for every date<br>> tha=
t falls to the ground in ashes.<br>> <br>> This is a poem for the 110=
stories<br>> that were never told.<br>> The 110 stories that history=
<br>> chose not to write in textbooks.<br>> The 110 stories that<br>&=
gt; CNN, BBC, The New York Times, and Newsweek ignored.<br>> <br>> Th=
is is a poem for interrupting this program.<br>> And still you want a mo=
ment of silence for your dead?<br>> We could give you lifetimes of empty=
:<br>> The unmarked graves<br>> The lost languages<br>> The uproot=
ed trees and histories<br>> The dead stares on the faces of nameless chi=
ldren.<br>> Before I start this poem<br>> we could be silent forever<=
br>> Or just long enough to hunger,<br>> For the dust to bury us.<br>=
> And you would still ask us<br>> For more of our silence.<br>> <b=
r>> If you want a moment of silence<br>> Then stop the oil pumps<br>&=
gt; Turn off the engines and the televisions<br>> Sink the cruise ships<=
br>> Crash the stock markets<br>> Unplug the marquee lights,<br>> =
Delete the instant messages,<br>> Derail the trains, the light rail tran=
sit.<br>> If you want a moment of silence,<br>> Put a brick through t=
he window of Taco Bell,<br>> And pay the workers for wages lost.<br>>=
Tear down the liquor stores,<br>> The townhouses, the White Houses, the=
jailhouses,<br>> The Penthouses, and the Playboys.<br>> If you want =
a moment of silence,<br>> Then take it on Super Bowl Sunday,<br>> The=
Fourth of July<br>> During Dayton's 13 hour sale<br>> <br>> <br>&=
gt; Or the next time your white guilt fills the room<br>> where MY beaut=
iful people have gathered.<br>> You want a moment of silence<br>> The=
n take it now,<br>> Before this poem begins.<br>> <br>> Here, in t=
he echo of my voice,<br>> In the pause between goosesteps of the second =
hand,<br>> In the space between bodies in embrace,<br>> Here is your =
silence<br>> Take it.<br>> <br>> But take it all.<br>> Don't cu=
t in line.<br>> Let your silence begin at the beginning of crime.<br>>=
; But we, Tonight<br>> We will keep right on singing<br>> For our dea=
d.<br>> <br>> by Emmanuel Ortiz 9.11.02<br>> <br>> =3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br>> Important Subscriber Information:<br>> <br>> The Mu=
seum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . Y=
ou may obtain detailed information about the listserv commands by sending a=
one line e-mail message to [log in to unmask] . The body of the =
message should read "help" (without the quotes).<br>> <br>> If you de=
cide to leave Museum-L, please send a one line e-mail message to listserv@h=
ome.ease.lsoft.com . The body of the message should read "Signoff Museum-L"=
(without the quotes).<br><br /><hr />Can you find the hidden words?=A0 Tak=
e a break and play Seekadoo! <a href=3D'http://club.live.com/seekadoo.aspx?=
icid=3Dseek_wlmailtextlink' target=3D'_new'>Play now!</a></body>
</html>=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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<p>
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
<p>
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--_1f0c7bc1-a592-4de8-8764-20c4f9b497d8_--
------------------------------
Date: Tue, 11 Sep 2007 16:43:27 +0000
From: BJ Larson <[log in to unmask]>
Subject: How to save money and still attend the NEMA Conference!
--NextPart_Webmail_9m3u9jl4l_17272_1189529007_0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit
Please excuse the cross posting.
Join us at the NEMA Annual Conference, What Makes the Museum, November 7-9, 2007 in Portland, ME. NEMA works hard to keep Conference Registration affordable for its members: Full Registration is $200 (3-days) and One-day Registration is $110 by the early-by-mail deadline, October 5, 2007; and there are more ways that you can save!
Scholarships!
Don't miss the opportunity to receive a scholarship to attend the Annual. Scholarship funds are available in four categories and it is easy to apply. For more information and application guidelines, please visit: www.nemanet.org/conf07/scholarships.htm. The deadline for all scholarship programs is September 14, 2007. Applicants will be considered for all scholarships for which they are eligible.
Volunteer!
We also have volunteer opportunities available. Volunteers assist us throughout the conference by staffing the registration desk, checking meeting rooms between sessions, supervising off-site travel arrangements and more. Volunteers who work one shift can attend the rest of that day for free. For working three shifts, volunteers receive a complimentary registration for the whole meeting. Call the NEMA office (781-641-0013) for more information.
Don't forget: The Early-by-Mail Deadline is October 5, 2007
For more detailed information, visit www.nemanet.org/conf07.
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
--NextPart_Webmail_9m3u9jl4l_17272_1189529007_0
Content-Type: text/html
Content-Transfer-Encoding: 8bit
<html><body>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt"><FONT size=2><FONT face=Arial><?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p>Please excuse the cross posting. </o:p></FONT></FONT></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt"><FONT size=2><FONT face=Arial><o:p></o:p></FONT></FONT> </P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><FONT face=Arial size=2>Join us at the NEMA Annual Conference, <I>What Makes the Museum</I>, November 7-9, 2007 in Portland, ME. NEMA works hard to keep Conference Registration affordable for its members: Full Registration is $200 (3-days) and One-day Registration is $110 by the early-by-mail deadline, October 5, 2007; and there are more ways that you can save!</FONT></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><U><FONT size=2><FONT face=Arial> <o:p></o:p></FONT></FONT></U></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><U><FONT size=2><FONT face=Arial>Scholarships!<o:p></o:p></FONT></FONT></U></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><FONT size=2><FONT face=Arial>Don't miss the opportunity to receive a scholarship to attend the Annual. Scholarship funds are available in four categories and it is easy to apply. For more information and application guidelines, please visit: www.nemanet.org/conf07/scholarships.htm. <SPAN style="COLOR: black; mso-bidi-font-size: 9.0pt">The deadline for all scholarship programs is September 14, 2007. Applicants will be considered for all scholarships for which they are eligible.</SPAN><SPAN style="mso-fareast-font-family: 'Arial Unicode MS'"><o:p></o:p></SPAN></FONT></FONT></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><FONT size=2><FONT face=Arial> <o:p></o:p></FONT></FONT></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><U><FONT size=2><FONT face=Arial>Volunteer!<o:p></o:p></FONT></FONT></U></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><FONT face=Arial size=2>We also have volunteer opportunities available. Volunteers assist us throughout the conference by staffing the registration desk, checking meeting rooms between sessions, supervising off-site travel arrangements and more. Volunteers who work one shift can attend the rest of that day for free. For working three shifts, volunteers receive a complimentary registration for the whole meeting. Call the NEMA office (781-641-0013) for more information. </FONT></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><FONT size=2><FONT face=Arial> <o:p></o:p></FONT></FONT></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><FONT face=Arial size=2>Don't forget:<SPAN style="mso-spacerun: yes"> </SPAN>The Early-by-Mail Deadline is October 5, 2007</FONT></P>
<P class=MsoBodyText style="MARGIN: 0in 0in 0pt; tab-stops: 2.0in"><FONT face=Arial size=2>For more detailed information, visit </FONT><A href="http://www.nemanet.org/conf07"><FONT face=Arial size=2>www.nemanet.org/conf07</FONT></A><FONT face=Arial size=2>.</FONT></P>
<P> </P></body></html>
=========================================================
Important Subscriber Information:
<p>
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
<p>
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--NextPart_Webmail_9m3u9jl4l_17272_1189529007_0--
------------------------------
Date: Tue, 11 Sep 2007 13:26:12 -0400
From: nicholas burlakoff <[log in to unmask]>
Subject: Re: A Moment of Silence
<head><style>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:=
9pt;background-color: #ffffff;color: black;}</style></head><body id=3D"comp=
Text">In the United States there are over 300 war and military museums.&nbs=
p; This number does not include the hundreds of military artifacts that are=
displayed in front of VFW posts and in public spaces (perhaps one of the m=
ore curious ones is the German V-I rocket in Greenfield, Indiana), and loca=
l collections that are found in almost every town and village museum. There=
is currently only one functioning Peace Museum in the US. In contras=
t, Germany has more than half-dozen peace museums. Considering =
that since 1776 the US has been at war with someone for 178 years it is not=
inappropriate to have someone remind us of the human costs of war. As a Qu=
aker I can flatly state that all wars are unjust because they only beget vi=
olence, misery and lawlessness and accomplish nothing. So, thank you for th=
e poem.<br>Peace, Nick<br>US Army 1969-1971<br>US Army Reserve 1971-1977<br=
><br><br><blockquote style=3D"border-left: 2px solid rgb(0, 0, 255); paddin=
g-left: 5px; margin-left: 0px;">-----Original Message-----
<br>From: John Martinson <[log in to unmask]>
<br>Sent: Sep 11, 2007 11:06 AM
<br>To: [log in to unmask]
<br>Subject: Re: [MUSEUM-L] A Moment of Silence
<br><br><zzzhtml>
<zzzhead>
</zzzhead>
<zzzbody class=3D"hmmessage">Museum folks are part of the world, and death =
is part of our jobs, and our<br>
museums...and nothing at all wrong tp honor "all" who died on this<br>
Museum-List. <br>
<br>
How many "War" museums do we have out there...and those related to <br=
>
the Civil War, Slavery, Holocaust, Native American Indians, WWI? <br>
Korean War? etc. Plus, there are those who want such death, wars <br>
and useless killing -- to be no more. <br>
<br>
A very nice poem. Thank you for sharing! <br><br>
Peace!<br>
<br>John <br>
RM3, U.S. Navy 1965-1969<br>
RM3, U.S. Coast Guard, 1974-1977<br>
SP4, U. S. Army Reserve (Active)<br>
SP4, Oregon Air National Guard Reserves<br>
SP4, Oregon National Guard<br>
RM3, U. S. Navy Reserves (1971-1974)<br>
RM3, U. S. Coast Guard Reserves<br>
<br>
Boise, ID <br><br><br>
</zzzbody></zzzhtml><[log in to unmask]><hr id=3D"stopSpelling">
<br>
> Date: Tue, 11 Sep 2007 09:45:35 -0400<br>> From: ncmm.registrar@NCM=
AIL.NET<br>> Subject: Re: [MUSEUM-L] A Moment of Silence<br>> To: MUS=
[log in to unmask]<br>> <br>> I did not complete reading your =
email. I could not. I read enough to see <br>> that the email had nothin=
g to do with museums. I should just completely <br>> ignore it. However,=
since it has been brought up, I would like to say: <br>> There have bee=
n unjust wars since very near the beginning of time. <br>> Countless inn=
ocent people have died in atrocities through the centuries. <br>> War is=
never pretty but will always be, at least until the end of time as we <br>=
> know it. Innocent people will die throughout that same timeframe. That=
<br>> does not mean that we should not pay respect to specific peoples =
who die <br>> tragically nor does it mean we should not honor those who =
sacrifice or <br>> endanger their lives to try to help others. That said=
, I believe this <br>> should stop right here as, again, it has nothing =
to do with museums and it <br>> is an inappropriate place for such a dis=
cussion.<br>> <br>> Frances Hayden<br>> USMC retired<br>> <br>&=
gt; <br>> ----- Original Message ----- <br>> From: "L Dewey" <ldew=
[log in to unmask]><br>> To: <[log in to unmask]><br>&=
gt; Sent: Tuesday, September 11, 2007 9:16 AM<br>> Subject: [MUSEUM-L] A=
Moment of Silence<br>> <br>> <br>> >A Moment of Silence for 9/=
11<br>> ><br>> > By Emmanuel Ortiz, 9/11/02<br>> ><br>>=
; > Before I start this poem, I'd like to ask you to<br>> > join m=
e in a moment of silence in honor of those who<br>> > died in the Wor=
ld Trade Center and the Pentagon last<br>> > September 11th.<br>> =
><br>> > I would also like to ask you to offer up a moment of<br>&=
gt; > silence for all of those who have been harassed,<br>> > impr=
isoned, disappeared, tortured, raped, or killed in<br>> > retaliation=
for those strikes, for the victims in both<br>> > Afghanistan and th=
e U.S.<br>> ><br>> > And if I could just add one more thing...<=
br>> ><br>> > A full day of silence for the tens of thousands o=
f<br>> > Palestinians who have died at the hands of<br>> > U.S.=
-backed Israeli forces over decades of occupation.<br>> ><br>> >=
;<br>> > Six months of silence for the million-and-a-half Iraqi<br>&g=
t; > people, mostly<br>> > children, who have died of malnourishme=
nt or<br>> > starvation as a result of<br>> > an 11-year U.S. e=
mbargo against the country.<br>> ><br>> > Before I begin this p=
oem, two months of silence<br>> > for the Blacks under Apartheid in S=
outh Africa,<br>> > where homeland security made them aliens in their=
own<br>> > country.<br>> ><br>> > Nine months of silence=
for the dead in Hiroshima and<br>> > Nagasaki, where death rained do=
wn and peeled back<br>> > every layer of concrete, steel, earth, and =
skin and<br>> > the survivors went on as if alive.<br>> ><br>&g=
t; > A year of silence for the millions of dead in Viet Nam<br>> >=
- a people, not a war - for those who know a thing or<br>> > two abo=
ut the scent of burning fuel, their relatives'<br>> > bones buried in=
it, their babies born of it.<br>> ><br>> > A year of silence f=
or the dead in Cambodia and Laos,<br>> > victims of a secret war ... =
ssssshhhhh ... Say nothing<br>> > ... we don't want them to learn tha=
t they are dead.<br>> ><br>> > Two months of silence for the de=
cades of dead in<br>> > Colombia, whose names, like the corpses they =
once<br>> > represented, have piled up and slipped off our<br>> &g=
t; tongues.<br>> ><br>> > Before I begin this poem, an hour of =
silence for El<br>> > Salvador ...<br>> > An afternoon of silen=
ce for Nicaragua ...<br>> > Two days of silence for the Guetmaltecos =
... None of<br>> > whom ever knew a moment of peace in their living<b=
r>> > years.<br>> ><br>> > 45 seconds of silence for the =
45 dead at Acteal,<br>> > Chiapas.<br>> ><br>> > 25 years=
of silence for the hundred million Africans<br>> > who found their g=
raves far deeper in the ocean than<br>> > any building could poke int=
o the sky.<br>> > There will be no DNA testing or dental records to<b=
r>> > identify their remains.<br>> ><br>> > And for those=
who were strung and swung from the<br>> > heights of sycamore trees =
in the south, the north, the<br>> > east, the west ... 100 years of s=
ilence ...<br>> ><br>> > For the hundreds of millions of indige=
nous peoples<br>> > from this half of right here,whose land and lives=
were<br>> > stolen, in postcard-perfect plots like Pine Ridge,<br>&g=
t; > Wounded Knee, Sand Creek, Fallen Timbers, or the Trail<br>> >=
<br>> > of Tears.<br>> ><br>> > Names now reduced to inno=
cuous magnetic poetry on the<br>> > refrigerator of our unconsciousne=
ss ...<br>> > So you want a moment of silence?<br>> ><br>> &=
gt; And we are all left speechless<br>> > Our tongues snatched from o=
ur mouths<br>> > Our eyes stapled shut<br>> > A moment of silen=
ce<br>> ><br>> > And the poets have all been laid to rest<br>&g=
t; > The drums disintegrating into dust<br>> ><br>> > Before=
I begin this poem,<br>> > You want a moment of silence<br>> > =
You mourn now as if the world will never be the same<br>> > And the r=
est of us hope to hell it won't be.<br>> ><br>> > Not like it a=
lways has been.<br>> ><br>> > Because this is not a 9/11 poem<b=
r>> > This is a 9/10 poem,<br>> > It is a 99 poem,<br>> >=
A 9/8 poem,<br>> > A 9/7 poem<br>> > This is a 1492 poem.<br>&=
gt; ><br>> > This is a poem about what causes poems like this to b=
e<br>> > written.<br>> > And if this is a 9/11 poem,<br>> &g=
t; Then this is a September 11th poem for Chile, 1971<br>> > This is =
a September 12th poem for Steven Biko in South<br>> > Africa, 1977<br=
>> > This is a September 13th poem for the brothers at<br>> > A=
ttica Prison, New<br>> > York, 1971.<br>> > This is a September=
14th poem for Somalia, 1992.<br>> ><br>> > This is a poem for =
every date<br>> > that falls to the ground in ashes.<br>> ><br>=
> > This is a poem for every date<br>> > that falls to the grou=
nd in ashes.<br>> ><br>> > This is a poem for the 110 stories<b=
r>> > that were never told.<br>> > The 110 stories that history=
<br>> > chose not to write in textbooks.<br>> > The 110 stories=
that<br>> > CNN, BBC, The New York Times, and Newsweek ignored.<br>&=
gt; ><br>> > This is a poem for interrupting this program.<br>>=
> And still you want a moment of silence for your dead?<br>> > We=
could give you lifetimes of empty:<br>> > The unmarked graves<br>>=
; > The lost languages<br>> > The uprooted trees and histories<br>=
> > The dead stares on the faces of nameless children.<br>> > B=
efore I start this poem<br>> > we could be silent forever<br>> >=
; Or just long enough to hunger,<br>> > For the dust to bury us.<br>&=
gt; > And you would still ask us<br>> > For more of our silence.<b=
r>> ><br>> > If you want a moment of silence<br>> > Then =
stop the oil pumps<br>> > Turn off the engines and the televisions<br=
>> > Sink the cruise ships<br>> > Crash the stock markets<br>&g=
t; > Unplug the marquee lights,<br>> > Delete the instant messages=
,<br>> > Derail the trains, the light rail transit.<br>> > If y=
ou want a moment of silence,<br>> > Put a brick through the window of=
Taco Bell,<br>> > And pay the workers for wages lost.<br>> > T=
ear down the liquor stores,<br>> > The townhouses, the White Houses, =
the jailhouses,<br>> > The Penthouses, and the Playboys.<br>> >=
If you want a moment of silence,<br>> > Then take it on Super Bowl S=
unday,<br>> > The Fourth of July<br>> > During Dayton's 13 hour=
sale<br>> ><br>> ><br>> > Or the next time your white gu=
ilt fills the room<br>> > where MY beautiful people have gathered.<br=
>> > You want a moment of silence<br>> > Then take it now,<br>&=
gt; > Before this poem begins.<br>> ><br>> > Here, in the ec=
ho of my voice,<br>> > In the pause between goosesteps of the second =
hand,<br>> > In the space between bodies in embrace,<br>> > Her=
e is your silence<br>> > Take it.<br>> ><br>> > But take =
it all.<br>> > Don't cut in line.<br>> > Let your silence begin=
at the beginning of crime.<br>> > But we, Tonight<br>> > We wi=
ll keep right on singing<br>> > For our dead.<br>> ><br>> &g=
t; by Emmanuel Ortiz 9.11.02<br>> ><br>> > =3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D<br>> > Important Subscriber Information:<br>> ><br>> >=
; The Museum-L FAQ file is located at <br>> > http://www.finalchapter=
.com/museum-l-faq/ . You may obtain detailed <br>> > information abou=
t the listserv commands by sending a one line e-mail <br>> > message =
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------------------------------
Date: Tue, 11 Sep 2007 13:26:34 -0400
From: Heather Hole <[log in to unmask]>
Subject: Georgia O=?ISO-8859-1?Q?=92Keeffe_?= Museum Research Center Scholar Program
The Georgia O=92Keeffe Museum Research Center Scholar Program, a componen=
t of
the Georgia O'Keeffe Museum, Santa Fe, New Mexico, sponsors research in
American Modernism (1890--present) by awarding scholarships to historians=
in
the fields of art, architecture & design, literature, music, and phot=
ography
and to museum professionals who wish to organize an exhibition at the
Georgia O'Keeffe Museum. Scholarships are available for periods of
three-to-twelve months. Recipients are expected to be in residence during=
the scholarship period and to take part in the life of the Research Cente=
r.
Applications must be submitted in English and postmarked no later than th=
e
Monday following Thanksgiving. For application materials, procedures, and=
further information regarding the Research Center or its scholar program,=
please visit http://www.okeeffemuseum.org/center/scholarships.html or
contact the Georgia O'Keeffe Museum Research Center, 217 Johnson Street,
Santa Fe, NM 87501 USA 505.946.1002 (phone) 505.946.1093 (fax)
[log in to unmask] (email).
Heather Hole
Assistant Curator
Georgia O'Keeffe Museum
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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------------------------------
Date: Tue, 11 Sep 2007 11:03:13 -0700
From: Judith Turner <[log in to unmask]>
Subject: Re: A Moment of Silence
And yours does not?
If you don't want politics discussed please use your
delete key. You prolong the digression by arguing a
different political position.
Judy Turner
Whitefish Bay, WI
--- Lee Drake <[log in to unmask]> wrote:
>
>
> I have just been reminded about what drives me crazy
> about so many in the Museum profession, the need to
> drive home a liberal political view. This post had a
> distinct political message.
____________________________________________________________________________________
Be a better Heartthrob. Get better relationship answers from someone who knows. Yahoo! Answers - Check it out.
http://answers.yahoo.com/dir/?link=list&sid=396545433
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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------------------------------
Date: Tue, 11 Sep 2007 14:30:03 -0400
From: Lee Drake <[log in to unmask]>
Subject: Re: A Moment of Silence
--_fa0910a1-1a08-4681-a16b-aec8173fd744_
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I never said that it did not. You may delete when ready Ms. Turner.
> Date: Tue, 11 Sep 2007 11:03:13 -0700
> From: [log in to unmask]
> Subject: Re: A Moment of Silence
> To: [log in to unmask]
>=20
> And yours does not?
>=20
> If you don't want politics discussed please use your
> delete key. You prolong the digression by arguing a
> different political position.=20
>=20
> Judy Turner
> Whitefish Bay, WI
>=20
> --- Lee Drake <[log in to unmask]> wrote:
>=20
> >=20
> >=20
> > I have just been reminded about what drives me crazy
> > about so many in the Museum profession, the need to
> > drive home a liberal political view. This post had a
> > distinct political message.=20
>=20
>=20
> =20
> _________________________________________________________________________=
___________
> Be a better Heartthrob. Get better relationship answers from someone who =
knows. Yahoo! Answers - Check it out.=20
> http://answers.yahoo.com/dir/?link=3Dlist&sid=3D396545433
>=20
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>=20
> The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-=
faq/ . You may obtain detailed information about the listserv commands by s=
ending a one line e-mail message to [log in to unmask] . The body=
of the message should read "help" (without the quotes).
>=20
> If you decide to leave Museum-L, please send a one line e-mail message to=
[log in to unmask] . The body of the message should read "Signof=
f Museum-L" (without the quotes).
_________________________________________________________________
More photos; more messages; more whatever =96 Get MORE with Windows Live=99=
Hotmail=AE. NOW with 5GB storage.
http://imagine-windowslive.com/hotmail/?locale=3Den-us&ocid=3DTXT_TAGHM_mig=
ration_HM_mini_5G_0907=
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If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
--_fa0910a1-1a08-4681-a16b-aec8173fd744_
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I never said that it did not. You may delete when ready Ms. Turner.<br><br>=
<br><br>> Date: Tue, 11 Sep 2007 11:03:13 -0700<br>> From: judy53211@=
YAHOO.COM<br>> Subject: Re: A Moment of Silence<br>> To: MUSEUM-L@HOM=
E.EASE.LSOFT.COM<br>> <br>> And yours does not?<br>> <br>> If y=
ou don't want politics discussed please use your<br>> delete key. You p=
rolong the digression by arguing a<br>> different political position. <b=
r>> <br>> Judy Turner<br>> Whitefish Bay, WI<br>> <br>> --- =
Lee Drake <[log in to unmask]> wrote:<br>> <br>> > <br>>=
; > <br>> > I have just been reminded about what drives me crazy<b=
r>> > about so many in the Museum profession, the need to<br>> >=
; drive home a liberal political view. This post had a<br>> > distinc=
t political message. <br>> <br>> <br>> <br>> ___________=
_________________________________________________________________________<b=
r>> Be a better Heartthrob. Get better relationship answers from someone=
who knows. Yahoo! Answers - Check it out. <br>> http://answers.yahoo.co=
m/dir/?link=3Dlist&sid=3D396545433<br>> <br>> =3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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se.lsoft.com . The body of the message should read "Signoff Museum-L" (with=
out the quotes).<br><br /><hr />More photos; more messages; more whatever =
=96 Get MORE with Windows Live=99 Hotmail=AE. NOW with 5GB storage. <a href=
=3D'http://imagine-windowslive.com/hotmail/?locale=3Den-us&ocid=3DTXT_TAGHM=
_migration_HM_mini_5G_0907' target=3D'_new'>Get more!</a></body>
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--_fa0910a1-1a08-4681-a16b-aec8173fd744_--
------------------------------
Date: Tue, 11 Sep 2007 14:40:03 -0400
From: "Hortz Stanton, Laura" <[log in to unmask]>
Subject: CCAHA Program on AV Preservation
This is a multi-part message in MIME format.
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charset="US-ASCII"
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Are you or your colleagues involved in collecting, preserving, and/or
providing access to audio and or video material in cultural
institutions, libraries or archives? The Conservation Center for Art and
Historic Artifacts, with PALINET, is pleased to present A Race Against
Time: Preserving Our Audiovisual Media, to be held at the Rock and Roll
Hall of Fame in Cleveland, OH on October 24 & 25, 2007. This program is
intended for curators, librarians, archivists, collection managers, and
other staff who are involved in managing machine-based media collections
in cultural institutions.=20
=20
For a program brochure and registration form, please visit our website
at http://www.ccaha.org/workshop_cal.php. For questions about the
program, call CCAHA's Preservation Services office at 215.545.0613.=20
=20
We would appreciate your sharing this information with your colleagues
and membership, and apologize for cross-postings. Thanks!
=20
=20
=20
=20
A Race Against Time: Preserving Our Audiovisual Media=20
=20
Presented by:
The Conservation Center for Art and Historic Artifacts (CCAHA)=20
=20
Cosponsored by PALINET=20
=20
Cleveland, OH
October 24 & 25, 2007=20
=20
=20
About the program=20
=20
Many of the machine-readable audiovisual collections held by our
cultural institutions are in peril. Therefore, it is crucial to have
knowledge about the life expectancy and unique needs of our legacy media
in order to make good preservation decisions. From videotapes and
audiotapes to motion picture film, film strips, LPs, 78s, magnetic tape,
wax cylinders, and audiocassettes, each of these formats has a critical
point at which information will begin to be lost. =20
=20
The challenge of long-term preservation for these formats is that they
often require intervention, including cleaning and reformatting. To
maximize the life of these materials, one must understand the nature of
the media, causes of deterioration, storage and handling practices, and
the various types of playback equipment. Through lectures, discussion,
and hands-on experiences, participants in this two-day program will
learn the basic principles for managing audiovisual collections that
contain historic formats. Contracting with vendors and funding
strategies will also be discussed.=20
=20
This program is intended for curators, librarians, archivists,
collection managers, and other staff who are involved in managing
machine-based media collections in cultural institutions. =20
=20
=20
LOCATION & DATE
=20
Rock & Roll Hall of Fame and Museum
One Key Plaza=20
Cleveland, OH 44114
=20
October 24 & 25, 2007=20
=20
Speakers
=20
Lead Speaker
Alan Lewis, Audiovisual Archives Consultant, Washington, DC
An audiovisual preservation expert, Alan has worked in the special
Motion Picture, Sound and Video branch of the National Archives and
Records Administration and has administered AV archival programs at PBS
and CBS News. He now provides consulting and training in audio/video
preservation and preservation management.=20
=20
With:=20
George Blood, President, Safe Sound Archive, Philadelphia, PA =20
Lisa Carter, Head, Special Collections Research Center, North Carolina
State University Libraries
Thomas F.R. Clareson, Program Director, New Initiatives, PALINET
Susan L. Malbin, Senior Program Officer, Institute of Museum and Library
Services
John Walko, Media Archive Manager, Scene Savers, Cincinnati, OH=20
Local Cosponsors=20
=20
Rock and Roll Hall of Fame and Museum, Cleveland, OH=20
Intermuseum Conservation Association (ICA), Cleveland, OH
=20
FUNDERS
Institute of Museum and Library Services (IMLS)
The Andrew W. Mellon Foundation
=20
Laura Hortz Stanton
Director of Preservation Services
Conservation Center for Art and Historic Artifacts
264 S. 23rd St.
Philadelphia, PA 19103
Phone: 215-545-0613
Fax: 215-735-9313
Email: [log in to unmask]
=20
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<div class=3DSection1>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Are you or your colleagues involved in collecting, preserving, =
and/or
providing access to audio and or video material in cultural =
institutions,
libraries or archives? The <st1:PlaceName =
w:st=3D"on">Conservation</st1:PlaceName>
<st1:PlaceType w:st=3D"on">Center</st1:PlaceType> for Art and Historic =
Artifacts,
with PALINET, is pleased to present </span></font><b><span =
style=3D'font-variant:
small-caps;font-weight:bold'>A Race Against Time: Preserving Our =
Audiovisual
Media</span></b>, to be held<b><i><span =
style=3D'font-variant:small-caps;
font-weight:bold;font-style:italic'> </span></i></b>at the Rock and Roll =
Hall
of Fame in <st1:place w:st=3D"on"><st1:City =
w:st=3D"on">Cleveland</st1:City>, <st1:State
w:st=3D"on">OH</st1:State></st1:place> on October 24 & 25, =
2007. This
program is intended for curators, librarians, archivists, collection =
managers,
and other staff who are involved in managing machine-based media =
collections in
cultural institutions. <o:p></o:p></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=3DMsoTitle align=3Dleft =
style=3D'margin-right:-27.0pt;text-align:left'><font
size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt;text-decoration:
none'>For a program brochure and registration form, please visit our =
website at
</span></font><font size=3D2><span style=3D'font-size:10.0pt'><a
href=3D"http://www.ccaha.org/workshop_cal.php">http://www.ccaha.org/works=
hop_cal.php</a></span></font><span
style=3D'text-decoration:none'>. For questions about the program, call
CCAHA’s Preservation Services office at 215.545.0613</span><span
style=3D'text-decoration:none'>. <o:p></o:p></span></p>
<p class=3DMsoTitle align=3Dleft =
style=3D'margin-right:-27.0pt;text-align:left'><font
size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt;text-decoration:
none'><o:p> </o:p></span></font></p>
<p class=3DMsoTitle align=3Dleft =
style=3D'margin-right:-27.0pt;text-align:left'><font
size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt;text-decoration:
none'>We would appreciate your sharing this information with your =
colleagues
and membership, and apologize for cross-postings. =
Thanks!<o:p></o:p></span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'><o:p> </o:p></span></font></p>
<div =
style=3D'mso-element:para-border-div;border:none;border-bottom:solid =
windowtext 1.5pt;
padding:0in 0in 1.0pt 0in'>
<p class=3DMsoNormal style=3D'border:none;padding:0in'><b><font size=3D3
color=3D"#333399" face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
color:#333399;font-weight:bold'><o:p> </o:p></span></font></b></p>
</div>
<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
color=3D"#333399" face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
color:#333399'><o:p> </o:p></span></font></p>
<h1 align=3Dleft style=3D'text-align:left'><b><font size=3D5 =
face=3D"Times New Roman"><span
style=3D'font-size:16.0pt;font-family:"Times New =
Roman";font-variant:small-caps'><o:p> </o:p></span></font></b></h1>
<h1 align=3Dleft style=3D'margin-right:-45.0pt;text-align:left'><b><font =
size=3D5
face=3D"Times New Roman"><span =
style=3D'font-size:16.0pt;font-family:"Times New Roman";
font-variant:small-caps'>A Race Against Time: Preserving Our =
Audiovisual Media</span></font></b><font
size=3D5 face=3D"Times New Roman"><span =
style=3D'font-size:16.0pt;font-family:"Times New Roman";
font-variant:small-caps;font-weight:normal'> =
<o:p></o:p></span></font></h1>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal style=3D'text-autospace:none'><b><font size=3D4
face=3D"Times New Roman"><span =
style=3D'font-size:12.5pt;font-weight:bold'>Presented
by:<o:p></o:p></span></font></b></p>
<p class=3DMsoNormal =
style=3D'margin-top:4.0pt;text-autospace:none'><b><font
size=3D4 face=3D"Times New Roman"><span =
style=3D'font-size:13.0pt;font-weight:bold'>The
<st1:place w:st=3D"on"><st1:PlaceName =
w:st=3D"on">Conservation</st1:PlaceName> <st1:PlaceType
w:st=3D"on">Center</st1:PlaceType></st1:place> for Art and Historic =
Artifacts
(CCAHA) <o:p></o:p></span></font></b></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal style=3D'text-autospace:none'><b><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-weight:bold'>Cosponsored
by PALINET</span></font></b> <font color=3Dblue><span =
style=3D'color:blue'><o:p></o:p></span></font></p>
<h2><b><i><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt;
font-weight:normal;font-style:italic'><o:p> </o:p></span></font></i>=
</b></h2>
<h2 style=3D'margin-top:2.0pt'><st1:place w:st=3D"on"><st1:City =
w:st=3D"on"><b><font
size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>Cleveland</span></font></b></st1:City><font
size=3D3><span style=3D'font-size:12.0pt'>, <st1:State =
w:st=3D"on">OH</st1:State></span></font></st1:place><font
size=3D3><span style=3D'font-size:12.0pt'><o:p></o:p></span></font></h2>
<h2><b><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>October
24 & 25, 2007</span></font></b><span style=3D'font-weight:normal'> =
</span><o:p></o:p></h2>
<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'><o:p> </o:p></span></font></p>
<h1 align=3Dleft style=3D'text-align:left'><b><font size=3D2 =
face=3D"Times New Roman"><span
style=3D'font-size:11.0pt;font-family:"Times New =
Roman";text-transform:uppercase'>About
the program</span></font></b><font face=3D"Times New Roman"><span
style=3D'font-family:"Times New =
Roman";text-transform:uppercase;font-weight:normal'>
<font color=3Dblue><span =
style=3D'color:blue'><o:p></o:p></span></font></span></font></h1>
<p class=3DMsoNormal><font size=3D3 color=3Dred face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:red'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Many of the machine-readable audiovisual collections held by our
cultural institutions are in peril. Therefore, it is crucial to =
have knowledge
about the life expectancy and unique needs of our<font =
color=3Dblue><span
style=3D'color:blue'> </span></font>legacy media in order to make good
preservation decisions. From videotapes and audiotapes to motion picture =
film,
film strips, LPs, 78s, magnetic tape, wax cylinders, and audiocassettes, =
each
of these formats has a critical point at which information will begin to =
be
lost. <o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>The challenge of long-term preservation for these formats is =
that they
often require intervention, including cleaning and reformatting. To =
maximize
the life of these materials, one must understand the nature of the =
media,
causes of deterioration, storage and handling practices, and the various =
types
of playback equipment. Through lectures, discussion, and hands-on =
experiences,
participants in this two-day program will learn the basic principles for
managing audiovisual collections that contain historic formats. =
Contracting
with vendors and funding strategies will also be discussed. =
<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>This program is intended for curators, librarians, archivists,
collection managers, and other staff who are involved in managing =
machine-based
media collections in cultural institutions. =
<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<h1 align=3Dleft style=3D'text-align:left'><b><font size=3D2 =
face=3D"Times New Roman"><span
style=3D'font-size:11.0pt;font-family:"Times New Roman"'>LOCATION & =
DATE<o:p></o:p></span></font></b></h1>
<h2><b><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt'><o:p> </o:p></span></font></b></h2>
<h2 style=3D'margin-top:4.0pt'><b><font size=3D2 face=3D"Times New =
Roman"><span
style=3D'font-size:11.0pt'>Rock & Roll Hall of Fame and =
Museum<o:p></o:p></span></font></b></h2>
<p class=3DMsoBodyText3><b><font size=3D2 face=3D"Times New Roman"><span
style=3D'font-size:11.0pt'>One <st1:PlaceName =
w:st=3D"on">Key</st1:PlaceName> <st1:PlaceType
w:st=3D"on">Plaza</st1:PlaceType> <br>
<st1:place w:st=3D"on"><st1:City w:st=3D"on">Cleveland</st1:City>, =
<st1:State
w:st=3D"on">OH</st1:State> <st1:PostalCode =
w:st=3D"on">44114</st1:PostalCode></st1:place><o:p></o:p></span></font></=
b></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<h2><b><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt'>October
24 & 25, 2007 <o:p></o:p></span></font></b></h2>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<h2><b><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt;
text-transform:uppercase'>Speakers<font color=3Dred><span =
style=3D'color:red'><o:p></o:p></span></font></span></font></b></h2>
<h2><b><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt'><o:p> </o:p></span></font></b></h2>
<h2><b><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt'>Lead
Speaker<font color=3Dred><span =
style=3D'color:red'><o:p></o:p></span></font></span></font></b></h2>
<p class=3DMsoNormal style=3D'margin-top:4.0pt'><i><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-style:italic'>Alan
Lewis</span></font></i>, Audiovisual Archives Consultant, <st1:place =
w:st=3D"on"><st1:City
w:st=3D"on">Washington</st1:City>, <st1:State =
w:st=3D"on">DC</st1:State></st1:place><o:p></o:p></p>
<p class=3DMsoNormal style=3D'margin-top:4.0pt'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>An audiovisual preservation expert, Alan has =
worked in
the special Motion Picture, Sound and Video branch of the National =
Archives and
Records Administration and has administered AV archival programs at PBS =
and CBS
News. He now provides consulting and training in audio/video =
preservation and
preservation management. <font color=3Dblue><span =
style=3D'color:blue'><o:p></o:p></span></font></span></font></p>
<p class=3DMsoNormal style=3D'margin-top:4.0pt'><font size=3D3 =
color=3Dblue
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;color:blue'><o:p> </o:p></span></font></p>=
<p class=3DMsoNormal style=3D'margin-top:4.0pt'><b><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-weight:bold'>With: =
<o:p></o:p></span></font></b></p>
<p class=3DMsoNormal style=3D'margin-top:4.0pt'><i><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-style:italic'>George
Blood, </span></font></i>President, Safe Sound Archive, <st1:place =
w:st=3D"on"><st1:City
w:st=3D"on">Philadelphia</st1:City>, <st1:State =
w:st=3D"on">PA</st1:State></st1:place>
<font color=3Dblue><span =
style=3D'color:blue'><o:p></o:p></span></font></p>
<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:3.0pt;margin-right:-27.35pt;
margin-bottom:0in;margin-left:0in;margin-bottom:.0001pt'><i><font =
size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;letter-spacing:-.1pt;
font-style:italic'>Lisa Carter</span></font></i><span =
style=3D'letter-spacing:
-.1pt'>, </span>Head, <st1:place w:st=3D"on"><st1:City =
w:st=3D"on">Special
Collections Research Center</st1:City>, <st1:State w:st=3D"on">North =
Carolina</st1:State></st1:place>
State University Libraries<span =
style=3D'letter-spacing:-.1pt'><o:p></o:p></span></p>
<h4 align=3Dleft style=3D'margin-top:4.0pt;text-align:left'><i><font =
size=3D2
face=3D"Times New Roman"><span style=3D'font-size:11.0pt'>Thomas F.R. =
Clareson,
Program Director, New Initiatives, =
PALINET<o:p></o:p></span></font></i></h4>
<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:4.0pt;margin-right:-9.35pt;
margin-bottom:0in;margin-left:0in;margin-bottom:.0001pt'><i><font =
size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;letter-spacing:-.1pt;
font-style:italic'>Susan L. Malbin, </span></font></i><span =
style=3D'letter-spacing:
-.1pt'>Senior Program Officer, Institute of Museum and Library =
Services<o:p></o:p></span></p>
<p class=3DMsoNormal style=3D'margin-top:4.0pt'><i><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-style:italic'>John
Walko</span></font></i>, Media Archive Manager, Scene Savers, <st1:place =
w:st=3D"on"><st1:City
w:st=3D"on">Cincinnati</st1:City>, <st1:State =
w:st=3D"on">OH</st1:State></st1:place>
<br>
<br>
<o:p></o:p></p>
<h1><b><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt;
font-family:"Times New Roman";text-transform:uppercase'>Local Cosponsors =
<o:p></o:p></span></font></b></h1>
<p class=3DMsoNormal style=3D'text-autospace:none'><b><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-variant:small-caps;
font-weight:bold'><o:p> </o:p></span></font></b></p>
<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>Rock and Roll =
Hall of
Fame and Museum, <st1:place w:st=3D"on"><st1:City =
w:st=3D"on">Cleveland</st1:City>,
<st1:State w:st=3D"on">OH</st1:State></st1:place> =
<o:p></o:p></span></font></p>
<h1 align=3Dleft style=3D'text-align:left'><b><font size=3D2 =
face=3D"Times New Roman"><span
style=3D'font-size:11.0pt;font-family:"Times New =
Roman";font-weight:normal'>Intermuseum
Conservation Association (<st1:City =
w:st=3D"on">ICA</st1:City>)</span></font></b><font
face=3D"Times New Roman"><span style=3D'font-family:"Times New =
Roman";font-weight:
normal'>, <st1:place w:st=3D"on"><st1:City =
w:st=3D"on">Cleveland</st1:City>, <st1:State
w:st=3D"on">OH</st1:State></st1:place></span></font><font face=3D"Times =
New Roman"><span
style=3D'font-family:"Times New =
Roman";font-weight:normal'><o:p></o:p></span></font></h1>
<p class=3DMsoNormal><font size=3D3 color=3Dred face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:red'><o:p> </o:p></span></font></p>
<h1><b><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:11.0pt;
font-family:"Times New =
Roman";font-variant:small-caps'>FUNDERS<o:p></o:p></span></font></b></h1>=
<p class=3DMsoNormal><st1:place w:st=3D"on"><st1:PlaceType =
w:st=3D"on"><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>Institute</span></font></st1:PlaceType>
of <st1:PlaceName w:st=3D"on">Museum</st1:PlaceName></st1:place> and =
Library
Services (IMLS)<o:p></o:p></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>The Andrew W. Mellon Foundation<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'>Laura Hortz =
Stanton<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'>Director of Preservation =
Services</span></font><o:p></o:p></p>
<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'><ns0:place w:insAuthor=3D" "
w:insDate=3D"2007-09-11T14:39:00Z" w:endInsAuthor=3D" "
w:endInsDate=3D"2007-09-11T14:39:00Z"><ns0:PlaceName w:insAuthor=3D" "
w:insDate=3D"2007-09-11T14:39:00Z" w:endInsAuthor=3D" "
w:endInsDate=3D"2007-09-11T14:39:00Z"><st1:place =
w:st=3D"on"><st1:PlaceName
w:st=3D"on">Conservation</st1:PlaceName></ns0:PlaceName></st1:place> =
<ns0:PlaceType
w:insAuthor=3D" " w:insDate=3D"2007-09-11T14:39:00Z" =
w:endInsAuthor=3D" "
w:endInsDate=3D"2007-09-11T14:39:00Z"><st1:PlaceType =
w:st=3D"on">Center</st1:PlaceType></ns0:PlaceType></ns0:place>
for Art and Historic Artifacts<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'><ns0:Street w:insAuthor=3D" "
w:insDate=3D"2007-09-11T14:39:00Z" w:endInsAuthor=3D" "
w:endInsDate=3D"2007-09-11T14:39:00Z"><ns0:address w:insAuthor=3D" "
w:insDate=3D"2007-09-11T14:39:00Z" w:endInsAuthor=3D" "
w:endInsDate=3D"2007-09-11T14:39:00Z">264 S. 23rd =
St</ns0:address></ns0:Street>.<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'><ns0:place w:insAuthor=3D" "
w:insDate=3D"2007-09-11T14:39:00Z" w:endInsAuthor=3D" "
w:endInsDate=3D"2007-09-11T14:39:00Z"><ns0:City w:insAuthor=3D" "
w:insDate=3D"2007-09-11T14:39:00Z" w:endInsAuthor=3D" "
w:endInsDate=3D"2007-09-11T14:39:00Z">Philadelphia</ns0:City>, =
<ns0:State
w:insAuthor=3D" " w:insDate=3D"2007-09-11T14:39:00Z" =
w:endInsAuthor=3D" "
w:endInsDate=3D"2007-09-11T14:39:00Z">PA</ns0:State> <ns0:PostalCode
w:insAuthor=3D" " w:insDate=3D"2007-09-11T14:39:00Z" =
w:endInsAuthor=3D" "
=
w:endInsDate=3D"2007-09-11T14:39:00Z">19103</ns0:PostalCode></ns0:place><=
o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'>Phone: =
215-545-0613<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'>Fax: =
215-735-9313<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'>Email: =
[log in to unmask]</span></font><font
size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:"Courier =
New"'><o:p></o:p></span></font></p>
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------_=_NextPart_001_01C7F4A3.2A94DBD6--
------------------------------
Date: Tue, 11 Sep 2007 12:24:12 -0400
From: Cindy Ho <[log in to unmask]>
Subject: Re: SAFE announces two new tours at the Met
--Apple-Mail-65-767255296
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Be SAFE. Join or renew your membership today and receive a special gift.
http://www.savingantiquities.org/join.php
On Sep 8, 2007, at 1:33 PM, SAFE Tours wrote:
> =95 Saturday September 29 at noon with Dr. Senta German
>
> =95 Friday October 26 at 5:30 with Dr. Oscar White Muscarella
>
> SAFE Tours provide an =93insider's look=94 at museum collection and =20=
> focus on artworks and artifacts that have dubious provenance or are =20=
> presumed to be illicit. Also highlighted are objects that have been =20=
> excavated properly. The information we are able to gather from =20
> these artifacts is contrasted with the lack of information from =20
> items without provenance, or history of origin.
>
> Dr. Senta German, whose fields of specialty are the Greek Bronze =20
> and Iron Ages, received her PhD from Columbia University. She has =20
> over 10 years of excavation experience in Greece, Israel, the =20
> American East Coast and Alaska. She recently authored Performance, =20
> Power and the Art of the Aegean Bronze Age which was published in =20
> 2005. This tour of Hellenistic, Etruscan, and Roman objects in the =20
> newly reconstructed and reinstalled galleries will include the =20
> "centerpiece of the new installation"=97the Leon Levy and Shelby =20
> White Court, Click http://www.savingantiquities.org/=20
> whatwedosafetoursGerman.php to register.
>
> Dr. Oscar White Muscarella is a specialist in the art and =20
> archaeology of the ancient Near East, he has been on staff of the =20
> Metropolitan Museum of Art since 1964. He is also the author of =20
> "The Lie Became Great: The Forgery of Near Eastern Cultures." He =20
> will lead a group through the Ancient Near Eastern Galleries and =20
> discuss how the objects got there. Click http://=20
> www.savingantiquities.org/whatwedosafetoursMuscarella.php to register.
>
> Fee: $40/person or $10/student with valid ID, including group =20
> admission to the museum. Space is limited. To make your reservation =20=
> or to learn more about SAFE Tours, visit our website at: http://=20
> www.savingantiquities.org/tours.php or email =20
> [log in to unmask]
>
> SAFE/Saving Antiquities for Everyone (www.savingantiquities.org) =20
> creates educational programs and media campaigns to raise public =20
> awareness about the importance of preserving cultural heritage =20
> worldwide. SAFE is a coalition of professionals in communications, =20
> media, and advertising working alongside experts in the academic, =20
> legal and law enforcement communities. SAFE is a non-profit =20
> organization and has no political affiliations.
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
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border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
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-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV><SPAN =
style=3D""><FONT class=3D"Apple-style-span" face=3D"Verdana"><FONT =
class=3D"Apple-style-span" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 11px;; font-family: Verdana; "><BR =
style=3D"font-family: Verdana; font-size: 11px; "></SPAN></FONT><FONT =
class=3D"Apple-style-span" color=3D"#FF0000"><B style=3D"color: rgb(255, =
0, 0); font-family: Verdana; font-weight: bold; "><FONT =
class=3D"Apple-style-span" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 11px;; color: rgb(255, 0, 0); font-family: Verdana; =
font-weight: bold; "><SPAN class=3D"Apple-style-span" style=3D"color: =
rgb(255, 0, 0); font-family: Verdana; font-size: 11px; font-weight: =
bold; "><SPAN class=3D"Apple-style-span" style=3D"color: rgb(255, 0, 0); =
font-family: Verdana; font-size: 11px; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(255, 0, 0); font-family: =
Verdana; font-size: 11px; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(255, 0, 0); font-family: =
Verdana; font-size: 11px; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(255, 0, 0); font-family: =
Verdana; font-size: 11px; font-weight: bold; ">Be SAFE. Join or renew =
your membership today and receive a special =
gift.</SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></FONT></B></FONT></FONT></=
SPAN></DIV><DIV><FONT class=3D"Apple-style-span" color=3D"#FF0000" =
face=3D"Verdana" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 11px;; color: rgb(255, 0, 0); font-family: Verdana; =
"><B style=3D"color: rgb(255, 0, 0); font-family: Verdana; font-size: =
11px; font-weight: bold; "><BR =
class=3D"khtml-block-placeholder"></B></SPAN></FONT></DIV><DIV><A =
href=3D"http://www.savingantiquities.org/join.php"><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 238); =
-khtml-text-decorations-in-effect: underline; =
">http://www.savingantiquities.org/join.php</SPAN></SPAN></SPAN></SPAN></A=
></DIV></SPAN><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN> =
</DIV><BR><DIV><DIV>On Sep 8, 2007, at 1:33 PM, SAFE Tours =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"MARGIN: 0px">=95 Saturday September 29 at =
noon with Dr. Senta German</DIV> <DIV style=3D"MARGIN: 0px"><BR =
class=3D"khtml-block-placeholder"></DIV> <DIV style=3D"MARGIN: 0px">=95 =
Friday October 26 at 5:30 with Dr.=A0Oscar White Muscarella=A0</DIV> =
<DIV style=3D"MARGIN: 0px"><BR class=3D"khtml-block-placeholder"></DIV> =
<DIV style=3D"MARGIN: 0px"><FONT class=3D"Apple-style-span" face=3D"Arial"=
color=3D"#232323">SAFE Tours provide an =93insider's look=94 at museum =
collection and focus on artworks and artifacts that have dubious =
provenance or are presumed to be illicit.=A0<FONT =
class=3D"Apple-style-span" color=3D"#000000" face=3D"Helvetica">Also =
highlighted are objects that have been excavated properly. The =
information we are able to gather from these artifacts is contrasted =
with the lack of information from items without provenance, or history =
of origin.</FONT></FONT></DIV><DIV style=3D"MARGIN: 0px"><BR =
class=3D"khtml-block-placeholder"></DIV> <DIV style=3D"MARGIN: 0px">Dr. =
Senta German, whose fields of specialty are the Greek Bronze and Iron =
Ages, received her PhD from Columbia University. She has over 10 years =
of excavation experience in Greece, Israel, the American East Coast and =
Alaska. She recently authored Performance, Power and the Art of the =
Aegean Bronze Age which was published in 2005.=A0This tour of =
Hellenistic, Etruscan, and Roman objects in the newly reconstructed and =
reinstalled galleries will include the "centerpiece of the new =
installation"=97the Leon Levy and Shelby White Court, Click=A0<A =
href=3D"http://www.savingantiquities.org/whatwedosafetoursGerman.php">http=
://www.savingantiquities.org/whatwedosafetoursGerman.php</A> to =
register.</DIV> <DIV style=3D"MARGIN: 0px"><BR =
class=3D"khtml-block-placeholder"></DIV> <DIV style=3D"MARGIN: =
0px">Dr.=A0Oscar White Muscarella=A0=A0is a specialist in the art =
and=A0archaeology of the ancient Near East, he has been on staff of =
the=A0Metropolitan Museum of Art since 1964. He is also the author of =
"The Lie=A0Became Great: The Forgery of Near Eastern Cultures." <FONT =
class=3D"Apple-style-span" face=3D"ITC Century Light">He will lead a =
group through the Ancient Near Eastern Galleries=A0and discuss how the =
objects got there.</FONT><FONT class=3D"Apple-style-span" face=3D"ITC =
Century Light">=A0</FONT>Click=A0<A =
href=3D"http://www.savingantiquities.org/whatwedosafetoursMuscarella.php">=
http://www.savingantiquities.org/whatwedosafetoursMuscarella.php</A> to =
register.</DIV> <DIV style=3D"MIN-HEIGHT: 14px; MARGIN: 0px"><BR></DIV> =
<DIV style=3D"MARGIN: 0px">Fee: $40/person or $10/student with valid =
ID, including group admission to the museum. Space is limited. To make =
your reservation or to learn more about SAFE Tours, visit our website =
at:=A0<A =
href=3D"http://www.savingantiquities.org/tours.php">http://www.savingantiq=
uities.org/tours.php</A>=A0 or email <A =
href=3D"javascript:main.compose('new',[log in to unmask])">=
[log in to unmask]</A>.</DIV> <DIV style=3D"MIN-HEIGHT: 14px; =
MARGIN: 0px"><BR></DIV> <DIV style=3D"MARGIN: 0px">SAFE/Saving =
Antiquities for Everyone (<A href=3D"http://www.savingantiquities.org/" =
target=3D"1">www.savingantiquities.org</A>) creates educational programs =
and media campaigns to raise public awareness about the importance of =
preserving cultural heritage worldwide. SAFE is a coalition of =
professionals in communications, media, and advertising working =
alongside experts in the academic, legal and law enforcement =
communities. SAFE is a non-profit organization and has no political =
affiliations.</DIV></BLOCKQUOTE></DIV><BR></BODY></HTML>=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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--Apple-Mail-65-767255296--
------------------------------
Date: Tue, 11 Sep 2007 03:35:59 -1200
From: "OANDO OIL $ GAS PLC LIMITED." <[log in to unmask]>
Subject: Vacancy at Oando Plc. APPLY NOW.
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REGARDS,
MR J.A.TINUBU,
GROUP CEO OANDO PLC LIMITED.
=========================================================
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------------------------------
Date: Tue, 11 Sep 2007 11:28:44 -0400
From: Jeannine Mjoseth <[log in to unmask]>
Subject: IMLS Funds Native American and Native Hawaiian Library and Museum Programs
The following is a text-only press release from the federal Institute of =
Museum and Library Services (IMLS). An HTML version of this release can =
be read on the agency's Web site at www.imls.gov/news/2007/091107c.shtm.
FOR IMMEDIATE RELEASE
September 11, 2007
Press Contacts
202-653-4632
Jeannine Mjoseth, [log in to unmask]
Mamie Bittner, [log in to unmask]
$2.2 Million for Native American and Native Hawaiian Communities for =
Library Enhancements
Washington, DC-Fourteen Native American tribal communities and Alaska =
Native villages received awards totaling $1,753,300 to improve library =
services to their communities, announced Anne-Imelda M. Radice, Ph.D., =
Director of the Institute of Museum and Library Services (IMLS), the =
primary source of federal funds for the nation's museums and libraries. =
Radice also announced an award of $519,700 to Alu Like, Inc.'s Native =
Hawaiian Library in Honolulu. For more information on the Enhancement =
Grant and Native Hawaiian Library Services recipients, please see the =
list of awarded institutions at =
www.imls.gov/news/2007/091107c_list.shtm.
"Tribal libraries are vibrant centers of community life, not only =
serving the information needs of their patrons, but actively preserving =
and sustaining cultural traditions and language for future generations," =
Radice said.
Native American Library Services Enhancement Grants support projects =
that enhance existing library services or implement new ones. Preference =
is given to projects that expand services for learning in a variety of =
formats; provide users with access to information and resources through =
electronic networks and linkages; develop partnerships with other =
agencies and community-based organizations; or target services to users =
of diverse backgrounds and to underserved populations.
Projects funded under the Native American Library Services program =
include an Internet-connected Hopi Public Tutuqayki S=EDkisve =
("Librarymobile") to serve eleven Hopi villages located on a 90-mile =
stretch of highway on the Hopi Tribe of Arizona reservation; =
transformation of the existing library in the Organized Village of =
Kasaan, 30 miles northwest of Ketchikan, AK, into a community learning =
center where people can learn about Haida culture and language; a =
reading program for pre-school children, students, and adults combined =
with story times and workshops at local day care centers at the Pueblo =
of Pojoaque, north of Santa Fe, NM; and new staff, a new Web site, and =
expanded hours of the Circle of Knowledge Library at Spokane Tribal =
College, in Wellpinit, WA, and service to various library stations =
throughout the reservation on behalf of the Spokane Tribe.
Funded under the Native Hawaiian Library Services program, Alu Like, =
Inc.'s Native Hawaiian Library will enhance its digital libraries, =
providing digitized materials on genealogy and land title in searchable =
text format in both Hawaiian and English. It will expand satellite =
libraries and literacy programs in four Hawaiian communities on Hawaii, =
Oahu, and Kauai, and establish a new one on Molokai. After-school =
tutoring programs providing homework assistance and reading development =
skills will be offered to at-risk students.
The following is a text-only press release from the federal Institute of =
Museum and Library Services (IMLS). An HTML version of this release can =
be read on the agency's Web site at www.imls.gov/news/2007/091107b.shtm.
FOR IMMEDIATE RELEASE
September 11, 2007
Press Contacts
202-653-4632
Jeannine Mjoseth, [log in to unmask]
Mamie Bittner, [log in to unmask]
IMLS Awards $1,007,740 for Native American/Native Hawaiian Museum =
Services Grant Program
Grants Enable Tribes to Preserve, Protect, and Promote Valuable Cultural =
Resources
Washington, DC-Twenty-three federally recognized tribes will receive =
grants for museum projects totaling more than $1 million from the =
Institute of Museum and Library Services (IMLS), the primary source of =
federal funds for the nation's museums and libraries. Anne-Imelda =
Radice, Ph.D., IMLS Director announced the awards Sept.11. A list of =
awarded institutions is available at =
www.imls.gov/news/2007/091107b_list.shtm
"This is the third year IMLS has awarded museum grants to Native =
American tribes and groups that primarily serve Native Hawaiians," =
Radice said. "These grants support the educational missions of museums =
and build the skills and knowledge of individuals who provide museum =
services. The grants also help with disaster preparedness, strategic =
planning, improving technology, collections care and management, and =
hiring of staff."
Highlights from this year's recipients include installation of a new =
gallery lighting system in the Alutiiq Museum, the tribal museum of the =
Koniag Incorporated in Kodiak, AK; development of the Lac Courte =
Oreilles Band of Lake Superior Chippewa Indians' cultural center in =
Hayward, WI, into a regional resource center that will enrich =
understanding of the Band's rich Ojibwe heritage; and staff development =
opportunities for the Havasupai Tribe's Museum of Culture, located on =
the floor of the Grand Canyon in Supai, AZ.
About the Institute of Museum and Library Services=20
The Institute of Museum and Library Services is the primary source of =
federal support for the nation's 122,000 libraries and 17,500 museums. =
The Institute's mission is to create strong libraries and museums that =
connect people to information and ideas. The Institute works at the =
national level and in coordination with state and local organizations to =
sustain heritage, culture, and knowledge; enhance learning and =
innovation; and support professional development. To learn more about =
the Institute, please visit www.imls.gov.
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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Date: Tue, 11 Sep 2007 12:04:15 -0700
From: greta Brunschwyler <[log in to unmask]>
Subject: exhibit design training?
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<P>We are looking for condensed exhibition design training opportunities,(or perhaps shadowing opportunities) where we can send someone who is learning on the job. Not full blown college/university programs.</P>
<P>Any ideas?</P>
<P>Thank you,</P>
<P>Greta Brunschwyler, Vice President, High Desert Museum, Bend, Oregon 541/382-4754 <A href="mailto:[log in to unmask]">[log in to unmask]</A></P>
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Date: Tue, 11 Sep 2007 15:15:11 -0400
From: "Joshua K. Blay HSBC" <[log in to unmask]>
Subject: Food and Drink Exhibits
I'd be interested to communicate with someone who has been involved in
food and drink displays in general; beer and pretzels in particular.
Regards,
Joshua K. Blay
Associate Director
Museum Curator
The Historical Society of Berks County Museum & Library
(610) 375-4375
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Date: Tue, 11 Sep 2007 15:09:18 -0500
From: Jill Chancey <[log in to unmask]>
Subject: Re: A Moment of Silence
Somebody posted this very poem a year ago today and created a veritable
flame-war, which seems to be brewing again. Maybe in the future members
could not RE-post this particular poem? There's just no need to re-hash
this argument every year.
Jill R. Chancey, PhD
Curator
Lauren Rogers Museum of Art
PO Box 1108
Laurel, MS 39441-1108
www.LRMA.org
[log in to unmask]
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Date: Tue, 11 Sep 2007 13:44:22 -0700
From: Pamela Endzweig <[log in to unmask]>
Subject: seeking engineering experts
Hi everyone --
I am interested in obtaining recommendations and contact information for
West Coast/Pacific NW consultants with engineering expertise relating to
the design of museum curation facilities, in particular with regard to
new buildings and environmental controls.
Many thanks!
Pam Endzweig, Director of Collections & Staff Archaeologist
Museum of Natural and Cultural History
1224 University of Oregon Eugene, OR 97403-1224
Phone 541-346-5120 email: [log in to unmask]
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Date: Tue, 11 Sep 2007 17:26:23 -0400
From: Kelly Wendel <[log in to unmask]>
Subject: Re: architecture and engineering experts
Good Afternoon:
My firm, Westlake, Reed and Leskosky Architects specializes in museum
design. We are a vertically integrated design firm. In addition to
architects, our firm is comprised of mechanical, electrical and plumbing
engineers, along with lighting specialists, acousticians and exhibit
designers.
Our team features extensive experience in the design of museums and
other cultural facilities. Because all of our specialists work under the
same roof we are essentially a one-stop shop for all types of museum and
interpretive center design. Our firm is very innovative and many
technologies, such as laminar air flow systems, originated in our
offices.
We work nationally and some of our most recent projects include the
International Spy Museum in Washington D.C., The Yuma, Ariz., Theater
and Museum and the Rock and Roll Hall of Fame in Cleveland. We also
specialize in the renovation of historic structures and are currently
working on the Museum of the Mob in the historic downtown post office in
Las Vegas.
Please feel free to contact me or visit our website at www.wrldesign.com
Thanks,
Kelly Wendel
Business Development
602.212.0451
PS: I really enjoy this list!
-----Original Message-----
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Pamela Endzweig
Sent: Tuesday, September 11, 2007 1:44 PM
To: [log in to unmask]
Subject: [MUSEUM-L] seeking engineering experts
Hi everyone --
I am interested in obtaining recommendations and contact information for
West Coast/Pacific NW consultants with engineering expertise relating to
the design of museum curation facilities, in particular with regard to=20
new buildings and environmental controls.=20
Many thanks!
Pam Endzweig, Director of Collections & Staff Archaeologist
Museum of Natural and Cultural History
1224 University of Oregon Eugene, OR 97403-1224
Phone 541-346-5120 email: [log in to unmask]
=20
=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
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message to [log in to unmask] . The body of the message should
read "help" (without the quotes).
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to [log in to unmask] . The body of the message should read
"Signoff Museum-L" (without the quotes).
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Date: Tue, 11 Sep 2007 17:34:51 +0000
From: Heather Trubee <[log in to unmask]>
Subject: funding for traveling exhibits
Hello,
I am working on a PhotoVoice project that uses personal photos and
narratives of people infected with TB as a means of working to eradicate TB
through promoting conversations between those affected by TB and the larger
community, awareness, and breaking the stigma. The non-profit organization
I'm working with wants to develop this local project into a traveling
exhibit to meet its goals of reaching broader audiences and linking the 4
international communities that are participating in the project. The sites
are located in South Carolina, Texas, Brazil, and Thailand. A component of
the concept paper I'm developing includes possible funding sources and
venues that might be interested in sponsoring or hosting such a project.
Most of the possibilities I've found are national, such as S.I.T.E.S,
National Museum of Health and Medicine, American Library Association's
Public Programs, National Library of Medicine, National Endowment for the
Humanities, National Institutes of Health, National Institute of General
Medical Sciences, and the National Center on Minority Health and Health
Disparities. Does anyone have any additional suggestions for funding
sources or display venues (local, state, private, or independent)? Or any
general suggestions for getting such a project up and going?
Thanks for any help!
Heather Trubee
Volunteer, Amaya-Lacson Tuberculosis PhotoVoice
www.tbphotovoice.org
_________________________________________________________________
Can you find the hidden words? Take a break and play Seekadoo!
http://club.live.com/seekadoo.aspx?icid=seek_hotmailtextlink1
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End of MUSEUM-L Digest - 10 Sep 2007 to 11 Sep 2007 (#2007-247)
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