MS213: Museum Artifacts: How they were made and how they deteriorate
Dates: Aug 3 - Sep 11, 2009
Price: $425
Instructor: Helen Alten
Location: www.museumclasses.org
Description:
Every museum object is unique, but items made of similar materials
share characteristics. Museum Artifacts gives participants an
understanding of the materials and processes used to make objects -
knowledge that better prepares them to decide how to care for their
collections. Participants study two objects that represent all
materials found in our museums. Through an in-depth analysis of their
components, participants explore all possible objects found in any museum.
Course Outline:
1. Introduction
2. Organic Object: Aleut Hunting Regalia
3. Plant Materials
4. Animal Materials
5. Modified Organics
6. Inorganic Object: Art Deco Fireplace
7. Stone
8. Ceramic
9. Glass
10. Metal
11. Mixed Media
12. Conclusion
Required Text Books
Demeroukas, Marie, ed. Basic Condition Reporting: A Handbook.
Southeastern Registrars Association, 1998.
Logistics:
Participants in Museum Artifacts work through 12 sections on their
own. Instructor Helen Alten is available for scheduled email support.
Materials and resources include online literature, slide lectures and
dialog between students and online chats led by the instructor. The
course is limited to 20 participants.
Museum Artifacts runs six weeks. To reserve a spot in the course,
please pay at
<http://www.collectioncare.org/tas/tas.html>http://www.collectioncare.org/tas/tas.html
If you have trouble please contact Helen Alten at [log in to unmask]
Student Comments for MS213: Museum Artifacts: How they were made and
how they deteriorate:
All created and selected materials were very informative and flowed
together. I like the power point slides. It's like note taking for
me, summarizing the lecture. After the course I always go back and
read various sections again. They are excellent reference materials.
Classmates from all over the world made it interesting for our assignments.
Always enjoy instructor involvement for the professional input and advice.
The downloadable manual and materials were excellent. The course
content was very thorough. The syllabus set up access online was very
good, listed clearly. The chats were great, and the calls/prompts to
participate were very much appreciated.
I liked the readings a lot because I knew they were hand selected by
the instructor and therefore were the most accurate and relevant
materials for the course.
The interaction with other participants, sharing their experiences
and their knowledge was eye opening. As we have different
collections, different problems we might come across and different
areas of experience, we can definitely learn from each other.
The Instructor:
Helen Alten, is the Director of Northern States Conservation Center
and its chief Objects Conservator. For nearly 30 years she has been
involved in objects conservation, starting as a pre-program intern at
the Oriental Institute in Chicago and the University Museum of the
University of Pennsylvania. She completed a degree in Archaeological
Conservation and Materials Science from the Institute of Archaeology
at the University of London in England. She has built and run
conservation laboratories in Bulgaria, Montana, Greece, Alaska and
Minnesota. She has a broad understanding of three-dimensional
materials and their deterioration, wrote and edited the quarterly
Collections Caretaker, maintains the popular www.collectioncare.org
web site, lectures throughout the United States on collection care
topics, was instrumental in developing a state-wide protocol for
disaster response in small Minnesota museums, has written, received
and reviewed grants for NEH and IMLS, worked with local foundations
funding one of her pilot programs, and is always in search of the
perfect museum mannequin. She has published chapters on conservation
and deterioration of archeological glass with the Materials Research
Society and the York Archaeological Trust, four chapters on different
mannequin construction techniques in Museum Mannequins: A Guide for
Creating the Perfect Fit (2002), preservation planning, policies,
forms and procedures needed for a small museum in The Minnesota
Alliance of Local History Museums' Collection Initiative Manual, and
is co-editor of the penultimate book on numbering museum collections
(still in process) by the Gilcrease Museum in Oklahoma. Helen Alten
has been a Field Education Director, Conservator, and staff trainer.
She began working with people from small, rural, and tribal museums
while as the state conservator for Montana and Alaska. Helen
currently conducts conservation treatments and operates a
conservation center in Charleston, WV and St. Paul, MN.
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