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Subject:
From:
stephen schneider <[log in to unmask]>
Reply To:
Museum discussion list <[log in to unmask]>
Date:
Wed, 21 Sep 2016 17:09:20 +0000
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Dear List-Friends:
 
Greetings
 all around.  A highly popular exhibition is available - a 
family-grabbing show that's great for general museums, art museums, 
children's museums, history museums and more:
                     "THE ART OF WARNER BROS. CARTOONS”

Originally
 mounted by The Museum of Modern Art, "The Art of Warner Bros. Cartoons"
 is a comprehensive overview of a legendary Hollywood animation studio, 
the rambunctious birthplace of characters who have become part of 
American folklore.

As The New York Times noted in its review of 
the exhibition's catalog: "Life in these United States would be 
inconceivable without the shared referent of Bugs Bunny, Daffy Duck, 
Porky Pig, Wile E. Coyote, the Road Runner, The Tasmanian Devil, Tweety,
 Sylvester, Pepe Le Pew and Yosemite Sam."

 
Since 1930, the "Looney Tunes" and "Merrie Melodies" of 
Warner Bros. have delighted audiences young and old with their wit and 
surprising sophistication.  Such Warner phrases as "What's up, Doc?," 
“That’s All Folks!,” "I Taut I Taw a Putty-Tat," "Sufferin' Succotash!,"
 and "Acme" have become part of the national vocabulary.

Indeed, 
the pre-eminence of the Warner studio was certified by a People Magazine
 poll, which named Bugs Bunny as "Best puppet or cartoon character."  
Just two Warner characters -- Bugs and the Road Runner -- captured 24% 
of the vote.

And this was repeated in a recent TV Guide survey, which named Bugs “Greatest Cartoon Character of All Time.”

Further,
 in recent years the seven-minute cartoons have earned both critical and
 popular acclaim as America's finest, funniest and most culturally 
significant animated shorts.  Evidence of this came when Warner Bros. 
became the first cartoon-makers of any kind to be given a full-scale 
retrospective by New York's Museum of Modern Art.


The four-month exhibition proved
 extremely popular, generating more press response for MoMA's film 
department than any other show it had undertaken.  Since then, the 
exhibition has set attendance records in museums across the United 
States.

-------------------------

Originally
 shown in theaters, the Warner shorts developed new audiences with the 
rise of television in the 1950's.  Many people under the age of 45 have 
seen these cartoons literally hundreds of times.  Yet most of these 
viewers are unfamiliar with the actual artwork from which these films 
were created.

The educational exhibition "The Art of Warner Bros.
 Cartoons" is a greatly expanded version of the Museum of Modern Art 
show, and consists of over 160 drawings, paintings, "cels" and related 
objects used in the making of Warner's classic cartoons, from the 1930's
 through 1960.

Works by all of the studio's directors -- 
including Chuck Jones, Tex Avery, Friz Freleng and Bob Clampett, now 
considered the giants of American animated filmmakers -- are richly 
represented.

Vivacious, colorful and highly enjoyable, the 
exhibition traces the development of all of Warner's cartoon stars.  It 
also gives a step-by-step breakdown of how classic “cel” animation was 
produced.

Videos of the finished cartoons, plus behind-the-scenes
 interviews with studio artists, make the presentation vastly lively and
 fun.

The exhibition’s size is flexible, requiring from 2,000 to 4,000 square feet.
For information, please reply this e-mail.

That’s All, Folks! 		 	   		  
=========================================================
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