Thank You, Rachel. Excellent point.
On Aug 13, 2007, at 9:55 PM, Perkins Arenstein Family wrote:
> Sarah,
>
> You already received two good responses from Dave and Marc but this
> is an issue that I feel strongly enough about to echo their
> comments by adding my two cents...
>
> There are many talented restorers out there and I am not arrogant
> enough to think that only Professional Associate level members of
> AIC (you must be a PA level or higher to be listed on the AIC
> conservator referral website) should be allowed to touch people's
> art. However, I would be a much wealthier conservator if I had a
> dollar for every person who brought me a piece after attempting a
> cheaper solution (whether on their own or with other well meaning
> assistance). I would be wary of any offer of assistance based on a
> standard treatment that is devised without proper examination and
> solvent testing of the painting to be treated.
>
> Best,
> Rachael Perkins Arenstein
> Conservator in Private Practice, New York
>
>
>
>> Date: Sun, 12 Aug 2007 10:45:15 -0500
>> From: Sarah Wood-Clark <[log in to unmask]>
>> Subject: Painting Conservation
>> MIME-Version: 1.0
>> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
>> Content-Transfer-Encoding: 7bit
>>
>> Hello All,
>>
>> I have what may be a dumb question, but here goes...a friend has a
>> couple of nice aging oil paintings (early-mid this century) that need
>> some attention (cleaning and inpainting), she lives in a rural area
>> and does not have access geographically or budget-wise to painting
>> conservators and has turned them over to someone who has promised to
>> go over them with Salamander Oil and varnish them. I don't know what
>> varnish, and I seem to remember earlier in my career equating
>> salamander oil with snake oil or worse. What does this stuff
>> actually do? Will it harm the painting?
>>
>> Oh, thank you in advance.
>>
>> Sarah
>>
>>
>
>> Date: Sun, 12 Aug 2007 10:43:16 -0700
>> From: David Harvey <[log in to unmask]>
>> Subject: Re: Painting Conservation
>> MIME-Version: 1.0
>> Content-Type: text/plain; charset=ISO-8859-1
>> Content-Transfer-Encoding: 7bit
>>
>> Sarah,
>>
>> As a conservator I can tell you that it is often best that nothing is
>> done rather than a "restorative" cleaning and treatment that will
>> often present much more serious issues for the work of art or the
>> object in future years.
>>
>> I looked up "Salamander Oil" on CAMEO at the MFA Boston site and
>> found
>> this entry:
>>
>> http://cameo.mfa.org/materials/record.asp?
>> key=2170&subkey=8161&Search=Search&MaterialName=Salamander
>> +Oil&submit.x=0&submit.y=0
>>
>> The description says that Salamander oil contains 60% turpentine and
>> natural resins and oils.
>>
>> Oiling antiques, historic objects, and art works may indeed make them
>> look better initially, because the oil saturates the surface and
>> makes
>> it "look" new. Many people often use oils to "feed" old wood. Well,
>> organic oils over time, chemically cross link and polarmerize and
>> form
>> films that darken and can go black and glossy that can be very
>> difficult to remove (I am in the middle of one such problem treatment
>> right now from years of the use of linseed oil).
>>
>> Often restorers use these sort of materials because they get quick
>> results and they can apply them universally without taking the actual
>> condition of the piece into consideration. A conservator bases
>> treatment on a careful examination and evaluation of the materials
>> involved.
>>
>> I always tell people that if the art or object is something you do
>> not
>> care about, that has a life span of a decade or two, and what you
>> want
>> is a cheap fix and that the object is seen as disposable, then go
>> ahead with the cheap remedy. If the object or art is important to
>> you,
>> has an intrinsic family, heirloom, historic, or artistic value and
>> you
>> want to preserve it, then leave it alone until a competant specialist
>> can examine it and offer advice on its cleaning and care.
>>
>> Cheers!
>> Dave
>>
>> David Harvey
>> Conservator, Los, Angeles, California
>>
>>
>> On 8/12/07, Sarah Wood-Clark <[log in to unmask]> wrote:
>> > Hello All,
>> >
>> > I have what may be a dumb question, but here goes...a friend has a
>> > couple of nice aging oil paintings (early-mid this century) that
>> need
>> > some attention (cleaning and inpainting), she lives in a rural area
>> > and does not have access geographically or budget-wise to painting
>> > conservators and has turned them over to someone who has
>> promised to
>> > go over them with Salamander Oil and varnish them. I don't know
>> what
>> > varnish, and I seem to remember earlier in my career equating
>> > salamander oil with snake oil or worse. What does this stuff
>> > actually do? Will it harm the painting?
>> >
>> > Oh, thank you in advance.
>> >
>> > Sarah
>> >
>> > =========================================================
>> > Important Subscriber Information:
>> >
>> > The Museum-L FAQ file is located at http://www.finalchapter.com/
>> museum-l-faq/ . You may obtain detailed information about the
>> listserv commands by sending a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>> >
>> > If you decide to leave Museum-L, please send a one line e-mail
>> message to [log in to unmask] . The body of the message
>> should read "Signoff Museum-L" (without the quotes).
>> >
>>
>> =========================================================
>> Important Subscriber Information:
>>
>> The Museum-L FAQ file is located at http://www.finalchapter.com/
>> museum-l-faq/ . You may obtain detailed information about the
>> listserv commands by sending a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>>
>> If you decide to leave Museum-L, please send a one line e-mail
>> message to [log in to unmask] . The body of the message
>> should read "Signoff Museum-L" (without the quotes).
>
>
>> Date: Sun, 12 Aug 2007 23:27:11 -0400
>> From: Marc A Williams <[log in to unmask]>
>> Subject: Re: Painting Conservation
>> MIME-Version: 1.0
>> Content-Type: text/plain; format=flowed; charset="iso-8859-1";
>> reply-type=response
>> Content-Transfer-Encoding: 7bit
>>
>> My 2-c:
>>
>> I agree with what David said. The other problem with certain
>> kinds of oils
>> is that they may not fully oxidize or dry, remaining oily, softening
>> underlying varnish or paint layers and entrapping dust and dirt,
>> creating a
>> real mess. Oils are one of the worst products that can be used for
>> preservation of painted, finished and decorative surfaces. I
>> never use
>> them. Period.
>>
>> The other issue is that any coating or treatment will seal in
>> existing dirt
>> if it is not properly cleaned first. Then, the dirt is much more
>> difficult
>> and more expensive to remove in the future. I never varnish or
>> otherwise
>> coat a dirty surface.
>>
>> The treatments you mention, if one ignores their potentially
>> devastating
>> effect on the paintings, of course do nothing for the losses
>> requiring
>> inpainting. Hopefully, anyone that would consider using the
>> aforementioned
>> products on a painting has enough sense not to attempt inpainting,
>> but I
>> doubt it.
>>
>> I know doing nothing is difficult for many people, but doing the
>> wrong thing
>> is much, much worse than doing nothing. I would suggest that the
>> money she
>> would spend for the inappropriate treatment would be better
>> applied for a
>> partial treatment by a real conservator. Conservators do not have
>> to do a
>> complete treatment. One may be able to stabilize the areas of
>> loss and do a
>> quick cleaning of dirt, making the paintings look better, without
>> creating
>> any additional damage now or in the future.
>>
>> She may be surprised to find that a qualified conservator lives
>> closer than
>> she thinks, she just doesn't know it. The American Institute for
>> Conservation (AIC) in Washington, DC maintains a referral list
>> that anyone
>> can access. Otherwise, doing nothing is the best thing she can do.
>>
>> Marc
>>
>> American Conservation Consortium, Ltd.
>> 4 Rockville Road
>> Broad Brook, CT 06016
>> www.conservator.com
>> 860-386-6058
>>
>> *Collections Preservation Consultation
>> *Conservation Assessments & Surveys
>> *Low-Tech Environmental Control
>> *Moisture Management Solutions
>> *Collections in Historic Structures
>> *Collections Care Grant Preparation
>> *Conservation Treatment of:
>> Furniture
>> Painted Wood
>> Horse-Drawn Vehicles
>> Architectural Interiors
>>
>> Marc A. Williams, President
>> MS in Art Conservation, Winterthur Museum Program
>> Former Chief Wooden Object Conservator, Smithsonian Institution
>> Fellow, American Institute for Conservation (AIC)
>>
>>
>> ----- Original Message -----
>> From: "Sarah Wood-Clark" <[log in to unmask]>
>> To: <[log in to unmask]>
>> Sent: Sunday, August 12, 2007 11:45 AM
>> Subject: [MUSEUM-L] Painting Conservation
>>
>>
>> > Hello All,
>> >
>> > I have what may be a dumb question, but here goes...a friend has
>> a couple
>> > of nice aging oil paintings (early-mid this century) that need
>> some
>> > attention (cleaning and inpainting), she lives in a rural area
>> and does
>> > not have access geographically or budget-wise to painting
>> conservators
>> > and has turned them over to someone who has promised to go over
>> them with
>> > Salamander Oil and varnish them. I don't know what varnish, and
>> I seem to
>> > remember earlier in my career equating salamander oil with
>> snake oil or
>> > worse. What does this stuff actually do? Will it harm the
>> painting?
>> >
>> > Oh, thank you in advance.
>> >
>> > Sarah
>> >
>> > =========================================================
>> > Important Subscriber Information:
>> >
>> > The Museum-L FAQ file is located at
>> > http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>> > information about the listserv commands by sending a one line e-
>> mail
>> > message to [log in to unmask] . The body of the
>> message should
>> > read "help" (without the quotes).
>> >
>> > If you decide to leave Museum-L, please send a one line e-mail
>> message to
>> > [log in to unmask] . The body of the message should read
>> > "Signoff Museum-L" (without the quotes).
>> >
>>
>> =========================================================
>> Important Subscriber Information:
>>
>> The Museum-L FAQ file is located at http://www.finalchapter.com/
>> museum-l-faq/ . You may obtain detailed information about the
>> listserv commands by sending a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>>
>> If you decide to leave Museum-L, please send a one line e-mail
>> message to [log in to unmask] . The body of the message
>> should read "Signoff Museum-L" (without the quotes).
>
>
>> Date: Sun, 12 Aug 2007 23:34:38 -0400
>> From: Marc A Williams <[log in to unmask]>
>> Subject: Re: "this doesn't smell like a museum!"
>> MIME-Version: 1.0
>> Content-Type: multipart/alternative; boundary="----
>> =_NextPart_000_002C_01C7DD39.591C9BF0"
>>
>> This is a multi-part message in MIME format.
>>
>> ------=_NextPart_000_002C_01C7DD39.591C9BF0
>> Content-Type: text/plain;
>> charset="iso-8859-1"
>> Content-Transfer-Encoding: quoted-printable
>>
>> Pam,
>>
>> Just be a bit careful with the quantity of cedar chips you use.
>> Wood in =
>> chip form has a very large surface area compared to lumber, and
>> volatile =
>> wood acids will be released in much larger quantities. These can
>> damage =
>> textiles, paper and other sensitive materials. Keep the quantity
>> small, =
>> or consider using an alternative scent that is not derived from
>> acidic =
>> cellulose. Is there an incense that doesn't have to be burned?
>> Or, =
>> perhaps of few drops of perfume strategically placed?
>>
>> Marc
>>
>> American Conservation Consortium, Ltd.
>> 4 Rockville Road
>> Broad Brook, CT 06016
>> www.conservator.com
>> 860-386-6058
>>
>> *Collections Preservation Consultation
>> *Conservation Assessments & Surveys
>> *Low-Tech Environmental Control
>> *Moisture Management Solutions
>> *Collections in Historic Structures
>> *Collections Care Grant Preparation
>> *Conservation Treatment of:
>> Furniture
>> Painted Wood
>> Horse-Drawn Vehicles
>> Architectural Interiors
>>
>> Marc A. Williams, President
>> MS in Art Conservation, Winterthur Museum Program
>> Former Chief Wooden Object Conservator, Smithsonian Institution
>> Fellow, American Institute for Conservation (AIC)
>>
>>
>> ----- Original Message -----=20
>> From: Pamela Silvestri=20
>> To: [log in to unmask]
>> Sent: Sunday, August 12, 2007 1:28 PM
>> Subject: Re: [MUSEUM-L] "this doesn't smell like a museum!"
>>
>>
>> Oh...I guess I should be glad that our museum isn't near a =
>> food/product establishment...the aroma of chocolate would be nice
>> though =
>> -I wouldn't mind (as long as it's dark chocolate lol).
>>
>> Since the topic of smell has come up again, it occurred to me
>> that =
>> using cedar chips would be beneficial. Don't know why I hadn't
>> thought =
>> of this before. I've requested cedar chips (a large amount) that
>> I can =
>> place in containers around the museum. A pine odor would be nice
>> too. =
>> We can't do much about the mustiness...with the humidity we've been =
>> having it's been unavoidable (because we don't have the resources
>> to =
>> deal with it properly). At least I can try the cedar chips to mask
>> the =
>> odor.
>>
>>
>>
>> In a message dated 8/11/2007 9:53:59 AM Eastern Daylight Time, =
>> [log in to unmask] writes:
>> Museums don't have a characteristic smell, imho.=20
>> Libraries and archives do - old paper and bindings
>> slowly deteroriating give off a characteristic odor,
>> various photographic media have a distinctive smell
>> when they begin to degrade and there are lots of
>> smells one associates with individual collections=20
>> Mostly museums smell like the people who in the
>> building and their activities.
>>
>> Way too frequently, the museum where I worked smelled
>> of hamburgers and other grilled foods prepared in the
>> large and very busy food court on the ground floor.
>> There was a special ventillation system and it may
>> have filtered particulates and smoke out, but the
>> aroma wafted throughout the building.
>>
>> The other prominent aroma was that of "buttered"
>> popcorn -- there were popcorn vendor wagons set up at
>> various times and places. On top of the popcorn for
>> visitor consumption, microwave popcorn was a popular
>> snack with lots of employees. It was reguarly prepared
>> in the "personal" microwave ovens that proliferated in
>> various departments and offices.
>>
>> Ambrosia Chocolate used to make their product a few
>> blocks away from the museum, until either the City or
>> the Technical College acquired their property for a
>> parking lot and the chocolate maker moved out to the
>> 'burbs. Before that the heavenly aroma of chocolate
>> would scent the air outdoors when we left work in the
>> evenings. It was delightful, but hell on diets.
>>
>> Judy Turner
>> Whitefish Bay, WI
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> ---------------------------------------------------------------------
>> ----=
>> -----
>> Get a sneak peek of the all-new AOL.com.
>> =
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> =3D=3D=
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> =3D=3D=
>> =3D=3D=3D=3D=3D=3D=3D Important Subscriber Information:=20
>> The Museum-L FAQ file is located at =
>> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
>> information about the listserv commands by sending a one line e-
>> mail =
>> message to [log in to unmask] . The body of the message
>> should =
>> read "help" (without the quotes).=20
>>
>> If you decide to leave Museum-L, please send a one line e-mail
>> message =
>> to [log in to unmask] . The body of the message should
>> read =
>> "Signoff Museum-L" (without the quotes).=20
>>
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> Important Subscriber Information:
>>
>> The Museum-L FAQ file is located at http://www.finalchapter.com/
>> museum-l-faq/ . You may obtain detailed information about the
>> listserv commands by sending a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>>
>> If you decide to leave Museum-L, please send a one line e-mail
>> message to [log in to unmask] . The body of the message
>> should read "Signoff Museum-L" (without the quotes).
>>
>> ------=_NextPart_000_002C_01C7DD39.591C9BF0
>> Content-Type: text/html;
>> charset="iso-8859-1"
>> Content-Transfer-Encoding: quoted-printable
>>
>> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>> <HTML><HEAD>
>> <META http-equiv=3DContent-Type content=3D"text/html; =
>> charset=3Diso-8859-1">
>> <META content=3D"MSHTML 6.00.2900.3132" name=3DGENERATOR>
>> <STYLE></STYLE>
>> </HEAD>
>> <BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; =
>> FONT-FAMILY: Arial"=20
>> bottomMargin=3D7 bgColor=3D#ffffff leftMargin=3D7 topMargin=3D7 =
>> rightMargin=3D7>
>> <DIV><FONT face=3D"Times New Roman" size=3D3>Pam,</FONT></DIV>
>> <DIV><FONT face=3D"Times New Roman" size=3D3></FONT> </DIV>
>> <DIV><FONT face=3D"Times New Roman" size=3D3>Just be a bit careful
>> with =
>> the quantity=20
>> of cedar chips you use. Wood in chip form has a very large
>> surface =
>> area=20
>> compared to lumber, and volatile wood acids will be released in
>> much =
>> larger=20
>> quantities. These can damage textiles, paper and other
>> sensitive=20
>> materials. Keep the quantity small, or consider using an =
>> alternative scent=20
>> that is not derived from acidic cellulose. Is there an
>> incense =
>> that=20
>> doesn't have to be burned? Or, perhaps of few drops of
>> perfume=20
>> strategically placed?</FONT></DIV>
>> <DIV><FONT face=3D"Times New Roman" size=3D3></FONT> </DIV>
>> <DIV><FONT face=3D"Times New Roman" size=3D3>Marc</FONT></DIV>
>> <DIV><BR>American Conservation Consortium, =
>> Ltd.<BR> 4=20
>> Rockville Road<BR> Broad Brook, CT=20
>> 06016<BR> <A=20
>> href=3D"http://www.conservator.com">www.conservator.com</
>> A><BR> &nbs=
>> p; =20
>> 860-386-6058</DIV>
>> <DIV> </DIV>
>> <DIV>*Collections Preservation Consultation<BR>*Conservation
>> Assessments =
>> &=20
>> Surveys<BR>*Low-Tech Environmental Control<BR>*Moisture Management=20
>> Solutions<BR>*Collections in Historic Structures<BR>*Collections
>> Care =
>> Grant=20
>> Preparation<BR>*Conservation Treatment
>> of:<BR> =20
>> Furniture<BR> Painted =
>> Wood<BR> =20
>> Horse-Drawn Vehicles<BR> Architectural =
>> Interiors</DIV>
>> <DIV> </DIV>
>> <DIV>Marc A. Williams, President<BR> MS in
>> Art=20
>> Conservation, Winterthur Museum Program<BR> =
>> Former Chief=20
>> Wooden Object Conservator, Smithsonian =
>> Institution<BR> =20
>> Fellow, American Institute for Conservation (AIC)</DIV>
>> <DIV> </DIV>
>> <DIV> </DIV>
>> <BLOCKQUOTE dir=3Dltr=20
>> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>> <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
>> <DIV=20
>> style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
>> black"><B>From:</B>=20
>> <A [log in to unmask] =
>> href=3D"mailto:[log in to unmask]">Pamela=20
>> Silvestri</A> </DIV>
>> <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
>> [log in to unmask]
>> =
>> href=3D"mailto:[log in to unmask]">MUSEUM-
>> [log in to unmask]
>> </A>=20
>> </DIV>
>> <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, August 12,
>> 2007 =
>> 1:28=20
>> PM</DIV>
>> <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: [MUSEUM-L]
>> "this =
>> doesn't=20
>> smell like a museum!"</DIV>
>> <DIV><BR></DIV><FONT id=3Drole_document face=3DArial
>> color=3D#000000 =
>> size=3D2>
>> <DIV>
>> <DIV>Oh...I guess I should be glad that our museum isn't near a =
>> food/product=20
>> establishment...the aroma of chocolate would be nice
>> though -I =
>> wouldn't=20
>> mind (as long as it's dark chocolate lol).</DIV>
>> <DIV> </DIV>
>> <DIV>Since the topic of smell has come up again, it occurred to
>> me =
>> that using=20
>> cedar chips would be beneficial. Don't know why I hadn't thought
>> of =
>> this=20
>> before. I've requested cedar chips (a large amount) that I
>> can =
>> place in=20
>> containers around the museum. A pine odor would be
>> nice =
>> too. We=20
>> can't do much about the mustiness...with the humidity we've been =
>> having it's=20
>> been unavoidable (because we don't have the resources to deal
>> with it=20
>> properly). At least I can try the cedar chips to mask the odor.</
>> DIV>
>> <DIV> </DIV>
>> <DIV> </DIV>
>> <DIV> </DIV>
>> <DIV>In a message dated 8/11/2007 9:53:59 AM Eastern Daylight
>> Time,=20
>> [log in to unmask] writes:</DIV>
>> <BLOCKQUOTE=20
>> style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue
>> 2px =
>> solid"><FONT=20
>> style=3D"BACKGROUND-COLOR: transparent" face=3DArial
>> color=3D#000000 =
>>
>> size=3D2>Museums don't have a characteristic smell, imho. =
>> <BR>Libraries and=20
>> archives do - old paper and bindings<BR>slowly deteroriating
>> give =
>> off a=20
>> characteristic odor,<BR>various photographic media have a =
>> distinctive=20
>> smell<BR>when they begin to degrade and there are lots
>> of<BR>smells =
>> one=20
>> associates with individual collections <BR>Mostly museums
>> smell like =
>> the=20
>> people who in the<BR>building and their activities.<BR><BR>Way
>> too=20
>> frequently, the museum where I worked smelled<BR>of hamburgers
>> and =
>> other=20
>> grilled foods prepared in the<BR>large and very busy food
>> court on =
>> the=20
>> ground floor.<BR>There was a special ventillation system and it =
>> may<BR>have=20
>> filtered particulates and smoke out, but the<BR>aroma wafted =
>> throughout the=20
>> building.<BR><BR>The other prominent aroma was that of =
>> "buttered"<BR>popcorn=20
>> -- there were popcorn vendor wagons set up at<BR>various times
>> and=20
>> places. On top of the popcorn for<BR>visitor consumption, =
>> microwave=20
>> popcorn was a popular<BR>snack with lots of employees. It was =
>> reguarly=20
>> prepared<BR>in the "personal" microwave ovens that
>> proliferated=20
>> in<BR>various departments and offices.<BR><BR>Ambrosia
>> Chocolate =
>> used to=20
>> make their product a few<BR>blocks away from the museum, until =
>> either the=20
>> City or<BR>the Technical College acquired their property for =
>> a<BR>parking=20
>> lot and the chocolate maker moved out to the<BR>'burbs.
>> Before =
>> that=20
>> the heavenly aroma of chocolate<BR>would scent the air
>> outdoors when =
>> we left=20
>> work in the<BR>evenings. It was delightful, but hell on=20
>> diets.<BR><BR>Judy Turner<BR>Whitefish Bay,=20
>> WI<BR><BR><BR></FONT></BLOCKQUOTE></DIV>
>> <DIV></DIV>
>> <DIV> </DIV></FONT><BR><BR><BR>
>> <DIV><FONT style=3D"FONT: 10pt ARIAL, SAN-SERIF; COLOR: black">
>> <HR style=3D"MARGIN-TOP: 10px">
>> Get a sneak peek of the all-new <A=20
>> =
>> title=3Dhttp://discover.aol.com/memed/aolcom30tour/?
>> ncid=3DAOLAOF00020000=
>> 000982=20
>> =
>> href=3D"http://discover.aol.com/memed/aolcom30tour/?
>> ncid=3DAOLAOF00020000=
>> 000982"=20
>> =
>> target=3D_blank>AOL.com</A>.</FONT></
>> DIV>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> =3D=3D=
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=20
>> Important Subscriber Information:=20
>> <P>The Museum-L FAQ file is located at=20
>> http://www.finalchapter.com/museum-l-faq/ . You may obtain
>> detailed=20
>> information about the listserv commands by sending a one line e-
>> mail =
>> message=20
>> to [log in to unmask] . The body of the message should
>> read =
>> "help"=20
>> (without the quotes).=20
>> <P>If you decide to leave Museum-L, please send a one line e-mail =
>> message to=20
>> [log in to unmask] . The body of the message should
>> read =
>> "Signoff=20
>> Museum-L" (without the quotes). </P></BLOCKQUOTE></BODY></HTML>
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> Important Subscriber Information:
>> <p>
>> The Museum-L FAQ file is located at http://www.finalchapter.com/
>> museum-l-faq/ . You may obtain detailed information about the
>> listserv commands by sending a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>> <p>
>> If you decide to leave Museum-L, please send a one line e-mail
>> message to [log in to unmask] . The body of the message
>> should read "Signoff Museum-L" (without the quotes).
>>
>> ------=_NextPart_000_002C_01C7DD39.591C9BF0--
>
> _________________________________________________________________
> A new home for Mom, no cleanup required. All starts here. http://
> www.reallivemoms.com?ocid=TXT_TAGHM&loc=us
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at http://www.finalchapter.com/
> museum-l-faq/ . You may obtain detailed information about the
> listserv commands by sending a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail
> message to [log in to unmask] . The body of the message
> should read "Signoff Museum-L" (without the quotes).
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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