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========================================================================Date: Sat, 25 Nov 2006 18:46:56 +0300
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Shannon Tracy <[log in to unmask]>
Subject: Can you be like a man?
Comments: To: [log in to unmask]
MIME-Version: 1.0
Content-Type: text/plain; charset="Windows-1252"
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C1al1s S0ft Tabs is the new impotence treattment drug that everyone is talking about. Here goes some reasons to choose C1al1s S0ft Tabs:
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3. CIaIls works much faster than any known ED treatment solution. ttt enters the bloodstream directly instead of going through the stomach, thus you need only 15 minutes till you feel the effect.
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AND ALSO
C1al1s S0ft Tabs formula is effective for 95% of the patients. If this treattment is not effective for you, we will refund you for every unopened pack.
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========================================================================Date: Sat, 25 Nov 2006 23:43:53 0900
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Valerie C Weigel <[log in to unmask]>
Subject: save 90% or more on brand quality
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
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Men's and Ladies Prestige Watches For all occasions! Perfect Christmas gifts!
These replicas have all the presence and poise of the originals after whome they were designed at a fraction of the cost. The attention to detail is paramount and they are comparable to the originals in every way.
: Replicated to the smallest detail
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: Includes all Proper Markings
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"I got my watch yesterday and LOVE it. Having had this same model for several years, I was hesitant to spend the money again. You will be very impressed with the quality." Douglas Sparks
To view our huge inventory visit our website now at:
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Prestige Replicas
Regards,-
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Subject: =?ISO-8859-1?Q?Çö±Ý½áºñ½ºº¸´Ù_½Ñ_¿¬Ã¼°ÆÁ¤_Çѹ濡_ÇØ°á?Comments: To: [log in to unmask]
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¢Æ 20³âÀüÅë ³ëÇϿ츦 °¡Áø ¤§¤ÀÃâ1À§ ±ÝÀ¶±â¾÷ ¢Æ
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Subject: =?ISO-8859-1?Q?Ä«.µå.°á.Á¦,¿¬Ã¼,ȸ»ç¿ø,³â5.8~12.5%ÀÇÃÖÀú±Ý¸®?Comments: To: [log in to unmask]
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========================================================================Date: Sat, 25 Nov 2006 11:56:12 -0300
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Velasquez <[log in to unmask]>
Subject: Sometimes, to get from one section of floor to the other,
we would have to force open another rusty door,
although we weren't damaging them.
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As we were heading out, she was just coming into the room, and we
chatted with her a bit.
We also managed to get up to the roof, which was covered with vegetation
and an old sets of rail tracks. We had hoped to have some of our St. As
screwed up as I was, I have no idea how much time passed.
7777
Get CNHC first thing tomorrow, this is going to explode next 2-3 days!!!
Trading Date : Monday, Nov 27, 2006
Company Name : CHINA HEALTH MGT
S t o c k : C N H C
Opening Price : $1.44
4-7 Day Trading : $6 - $8
Expectations : 200-400%
Rumor's circulating and keeping the focus on the company's news.
7777
To make matters worse, there was nothing up there to attach the rope to,
so there was no chance of rappelling down.
Just about every agriculture crop has been hit hard and nearly, if not
totally, destroyed.
Sometime before, Chris had met a couple guys taking pictures there who
were familiar with Underground Ozarks and knew about me. It was of the
large room below the smokestack with huge machinery it, and it
definitely captured the coolness of the decaying plant.
It sort of looked like a courtyard, although it had never actually been
one. I got three pairs of them out and passed them out and we were on
our way. This action settles . As the person got closer, I could tell
from the baggy clothes that the person, a guy, was definitely no cop.
It was probably thirty or so feet up from the water, and I was tempted
to shed my clothes and have Hiccup take some video of me bailing into
the river from it.
Fatigue and complacency can cause farmers to let their guard down.
While we were talking, Chris mentioned about a building next door that
was supposed to have some kind of sub-basement in it.
From there, we went over to the base of one of the smokestacks, which
extended about eighty feet or so up from the roof. Ironically, Foreign
Cinema was already paying dishwashers and other employees more than the
state minimum wage, so the increase went mostly to waiters who were .
If we'd waited just a few minutes longer we would've been busted for
sure. The water, however, looked about five or six feet deep, so there
was no point in breaking out the waders we'd brought with us.
Unfortunately, I made a few errors in my plans. Judging by the looks of
it, a bum had apparently been using this part as their apartment.
Appliances affected include ranges, ovens, air conditioners and
dishwashers.
We headed out the way we'd come, stopping to take a few pictures of the
exterior of the building, then we headed back to our cars and called it
a night.
In fact, it had been burned so recently that the tires were still
smoking.
But, as we were leaving, we watched a cop drive over to where we'd had
it hidden in the bushes. It was large compared to the others with two
stories, and it was either a department store or a clothing store.
The signs posted on some of the plastic said they were doing asbestos
removal. Nearby there was a nifty looking smokestack, but there didn't
seem to be any way inside it. There was some random graffiti and
markings on the wall for the freight, but that was about it.
And if I fell, I'd go straight through a skylight below, then three
stories down into a room full of rusty machinery.
Aid will be available next month to farmers in counties that were
declared disaster areas for.
When I finally reached the ground, I was pale and felt like I was going
to throw up.
Usually, the shop still had its sign outside to tell us what it had
been, but sometimes they didn't and sometimes we just weren't familiar
with the name. In fact, it had been burned so recently that the tires
were still smoking.
I told them if I'd known they were going to be there, I would've brought
three more pairs of waders from my vehicle for them. We were just
thankful and made a hasty retreat back to the resort we were staying at.
We spent a little while climbing around on everything and ended up on a
nice long section that stuck way out over the river. One of the walls
had a gap between the top and the ceiling, so I jumped up and hauled
myself through the opening.
This time, I had my waders as well as several pair of cheap vinyl waders
I'd bought for everyone else to use.
At the bottom of the tunnel, a rusted air vent gave way enough for me to
slip inside, although it was a dirty experience. I started making my way
down the ladder as quick as I could, and the rungs again cracked and
bent underneath me, just a hair away from breaking altogether.
I didn't see a nice big nail sticking out of the ashes, and I stepped
right onto it and drove it nice and deep into my foot. They were mostly
empty, with some junk, although one contained tanks for what was
probably once a sprinkler system. The floor was mostly stable, but we
could tell what parts weren't pretty easily. The only thing really
missing was the seats in front of the lanes and the pin-setting
machines.
He led us around to where Armour Meat was, since I didn't know the way
there myself, then we parked and started loading up our gear.
We weren't really even sure which end of the mall we'd come in from, and
we were reluctant to look down at the end of the mall where the strange
person had been trying for unlocked doors.
Trying to go down, while I was already standing on a rung that was
cracking like glass underneath me, just hadn't been what my
panic-stricken body told me to do. I offered money if someone was
willing to dive into it, but everyone politely declined. We followed one
of the conveyor belts on the structure down underground to a flooded
little chamber with a sealed tunnel at the rear. But, the National
Cotton Council vice president of economic policy analysis notes,.
From there, we wandered around a bit until we came to another set of
escalators going up.
Then we'd attach the rope to whatever we could up there and rappell back
down.
I told them if I'd known they were going to be there, I would've brought
three more pairs of waders from my vehicle for them. For another, I had
underestimated just how hard it would be to futz with the carabiners
while perched precariously on a ladder.
We creeped around a little bit and came to a wet area surrounding a
grate in the floor.
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========================================================================Date: Sat, 25 Nov 2006 16:13:27 +0100
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: "Mngr. ruthannmaridel" <[log in to unmask]>
Subject: your L0AN has been sanctioned -Betty
Hiya Sir
Home-owner,
You have been pre-approved for a $ 568 , 415 Home Loan at a % 3.2 5 Fixed Rate.
This offer is being extended to you unconditionally and we will work with you regardless your credit
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Endorsement Assistant
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My email waste your time? my fault again
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========================================================================Date: Sat, 25 Nov 2006 17:14:26 +0200
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Wall <[log in to unmask]>
Subject: There is better support for fully qualified names.
MIME-Version: 1.0
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For Criteria, a new attribute "isPaused" has been introduced. Syslog
support has been added, and console logging output has been improved.
The USA version use the latest database: .
It can also mirror a whole DVD video part and copy single files.
7777
Trading alert!
Trading Date : 27.11.06
Company Name : China Health Management Corp
Ticker : C N H C
Current Price : $1.44
14 Day Trading Projection : $6
Rating : 100-300%
We want to congratulate all of our members who read our Trading Alert on
CNHC last time.
7777
Easier permission management. txt file, finds the song names, and
matches the songs to the available files. It did not read status reports
properly. Normally it is used with the Javadoc tool but it can also be
used as a standalone application to convert HTML to DocBook.
It then looks for the .
A Year drop down box filter has been added. logger is no longer a
mandatory tool.
Syslog support has been added, and console logging output has been
improved. Enhanced logo and avatar handling.
Fixes for the installer.
Most existing management tools have been improved based on user
feedback. Syslog support has been added, and console logging output has
been improved.
A better looking activity log. A Year drop down box filter has been
added.
When it is done, the server can continue normal operations while the
actual file backup proceeds. A configuration panel, version checking,
and tools for mass mailing and testing mailer configuration.
Additionally, the function names for the "startup", "shutdown", and
"status" shell function are now fully configurable.
A configuration panel, version checking, and tools for mass mailing and
testing mailer configuration.
txt file, finds the song names, and matches the songs to the available
files.
Easier permission management. Creatives now have a new attribute
"status", which replaces the old "isDeleted" attribute.
The program can run other external programs or scripts after events like
reception of a new message, successful sending, and when the program
detects a problem. These programs can inspect the related text files and
perform automatic actions. Syslog support has been added, and console
logging output has been improved. The name of the food can be search for
by entering the first characters or a few sets of characters separated
by spaces.
The utilization is quite trivial and make use of the mouse except for
entering the name of the food. Security has been implemented using Acegi
security. A Year drop down box filter has been added.
This is a more stable and feature complete system. There is better
support for fully qualified names.
If defined in a module environment file, it defines where the PID file
is written or read from.
For example, "make Ogg" will uncompress and then encode all the files in
the set to named and tagged Ogg Vorbis files.
Creatives now have a new attribute "status", which replaces the old
"isDeleted" attribute. Improved mailing and file handling.
As a consequence, the Campaign object structure has changed and has now
an additional attribute "adScheduling". Improved mailing and file
handling.
It also stores received short messages into another directory as text
files. The window fits the right size dynamically. logger is no longer a
mandatory tool. Easier permission management.
It then looks for the .
The USA version use the latest database: .
Creatives now have a new attribute "status", which replaces the old
"isDeleted" attribute.
The download manager doesn't block the main window. Enhanced logo and
avatar handling. The program can run other external programs or scripts
after events like reception of a new message, successful sending, and
when the program detects a problem. For example, "make Ogg" will
uncompress and then encode all the files in the set to named and tagged
Ogg Vorbis files.
It integrates pcap packet dumping for debugging purposes and allows the
implementation of a "transparent forensic logging bridge". If defined in
a module environment file, it defines where the PID file is written or
read from. Improved URI detection in the products form and categories
form.
The download manager doesn't block the main window. Creatives now have a
new attribute "status", which replaces the old "isDeleted" attribute.
It simplifies the exam cycle, including generation, execution,
evaluation, presentation, and archiving.
The targets of the makefile automate the various tasks that need to be
done with SHN and FLAC sets. The targets of the makefile automate the
various tasks that need to be done with SHN and FLAC sets. Improved URI
detection in the products form and categories form.
The nutrients can be sorted by clicking on the column header.
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========================================================================Date: Sat, 25 Nov 2006 10:54:46 -0500
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From: =?ISO-8859-1?Q?¹®_¿µ¶õ?= <[log in to unmask]>
Subject: =?ISO-8859-1?Q?¿ù0.7~ÀÏÆÛ¼¾Æ®·Îȸ»ç¿ø½Åû½Ã¹éÆÛ¼¾Æ®½ÂÀÎÀϾï¿ø±îÁö?Comments: To: [log in to unmask]
MIME-Version: 1.0
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¢Ñ ¾î·Á¿îºÎŹ Ä£±¸¿¡°Ô ÇÏÁö¸¶¼¼¿ä ¢Ð
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========================================================================Date: Sat, 25 Nov 2006 08:45:10 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: "Tufani - cafepress.com/tufani" <[log in to unmask]>
Subject: interesting advertising happening lately here...
In-Reply-To: <[log in to unmask]>
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Wow, male muscle boosting.... political messages ...
And to think of all the flack I received from
"advertising" my ethnographic artwork and related
services last summer.
At least I was (and still Am) ON topic.
Tufani
[log in to unmask]
- VIRTUAL ART STUDIO:
Buy unique neo-traditional artifacts directly
from a cultural and spiritual artisan:
http://www.cafepress.com/tufani
- BLOG:
Nourish yourSelf with Verbal & Visual Prasad
http://tufani.blogspot.com
- E-MAIL GROUP
Get updates from Tufani:
http://groups.yahoo.com/group/tufaniartnetwork
- MAILING ADDRESS:
PO BOX 491, Crestone, Colorado, USA
____________________________________________________________________________________
Cheap talk?
Check out Yahoo! Messenger's low PC-to-Phone call rates.
http://voice.yahoo.com
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========================================================================Date: Sun, 26 Nov 2006 00:07:57 +0100
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Thomas Weynants <[log in to unmask]>
Subject: Reproductions of Vintage Optical Toys
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Reproductions of Vintage Optical Toys
Dear list members,
Early Visual Media is announcing, on a non commercial review basis, various
replica sets of Optical toys available from Leonard Honey, London.
See:
http://www.visual-media.eu/new-replica-optical.toys.html
All information and toys can be purchased via Leonard Honey.
[log in to unmask]
Manufacturers and Distributors are invited to provide sample items of
Optical Toys from their catalogues
Please send request to announce more quality replica's to Early Visual
Media:
[log in to unmask]
All best wishes,
Thomas
http://www.visual-media.eu
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Reproductions
of Vintage Optical Toys
Dear list members,
Early Visual Media is announcing, on a non commercial
review basis, various replica sets of Optical toys available from Leonard
Honey, London.
Manufacturers and Distributors are invited to
provide sample items of Optical Toys from their catalogues Please send
request to announce more quality
replica's to Early Visual Media:
=========================================================
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========================================================================Date: Sat, 25 Nov 2006 19:59:46 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Aaron Goldblatt <[log in to unmask]>
Subject: Hermitage
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Hello all;
Anyone know, off the top of your head, a good article or two about the Hermitage in St. Petersburg - how it is operating in a time of huge economic change in Russia?
I'm simply passing on the information, but the end user will, I'm sure, be very grateful!
Thanks
Aaron
Aaron Goldblatt
Museum Services
Metcalfe Architecture & Design
211 North 13th Street, Suite 503
Philadelphia, PA 19107
215-557-9200 v
215-557-8383
[log in to unmask]
www.metarchdesign.com
=========================================================
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Hello all;
Anyone know, off the top of your head, a good
article or two about the Hermitage in St. Petersburg - how it is operating in a
time of huge economic change in Russia?
I'm simply passing on the information, but the end
user will, I'm sure, be very grateful!
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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========================================================================Date: Sun, 26 Nov 2006 14:19:55 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Eugene Dillenburg <[log in to unmask]>
Subject: Re: interesting advertising happening lately here...
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Obviously (rather obviously), a spam filter has failed. The proscription
against advertising remains in effect.
Eugene Dillenburg
Exhibit Developer
Science Museum of Minnesota
=========================================================
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========================================================================Date: Sun, 26 Nov 2006 13:32:02 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Lisa Forman <[log in to unmask]>
Subject: Re: interesting advertising happening lately here...
In-Reply-To: <[log in to unmask]>
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The type of stuff making it through is really distasteful. What's to be
done?
On 11/26/06, Eugene Dillenburg <[log in to unmask]> wrote:
>
> Obviously (rather obviously), a spam filter has failed. The proscription
> against advertising remains in effect.
>
> Eugene Dillenburg
> Exhibit Developer
> Science Museum of Minnesota
>
> ========================================================> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail message
> to [log in to unmask] . The body of the message should read
> "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
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The type of stuff making it through is really distasteful. What's to be done?
Obviously (rather obviously), a spam filter has failed. The proscription against advertising remains in effect.
Eugene Dillenburg Exhibit Developer Science Museum of Minnesota
========================================================= Important Subscriber Information:
The Museum-L FAQ file is located at
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========================================================================Date: Mon, 27 Nov 2006 07:55:48 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Helen Alten <[log in to unmask]>
Subject: Online short courses - please distribute
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Upcoming Online Museum Classes:
Look for our complete 2007 Online Museum Classes Schedule in early December
2006. We've added courses on security, collections management, care of
specific materials and archaeology. The first three months of 2007 are
posted on our web site, www.museumclasses.org .
New Short Courses
New to www.museumclasses.org this year are short courses - one week on one
topic. For those of you on a budget, the short courses give you a taste of
our full classes. Participants receive course readings at the beginning of
the month. This provides a week to bone up before an "Ask the Experts" chat
at 11 a.m. Eastern Time (New York) the second Wednesday of each month. Be
prepared to participate your questions and comments make this a rich
experience. No more than 20 participants can join, so sign up early to
reserve a place.
The first three Short Courses of 2007 are:
January:
MS 001 The Problem with Plastics
As we march boldly toward the 22nd century, artifact collecting includes
that most fragile of materials - plastic. Not only is it in our
collections, but it's used to house our collections, too. What problems
have you seen? What problems have others seen? What materials are best?
What can we, as caretakers, do to minimize long-term damage? Join Helen for
our first mini-course of the season. Bring any questions you have about
plastics in your museum.
February:
MS 008: Buy-In: Getting All of the Staff to Support Preservation
All too often, preservation is left to one or two staff members and others
believe it doesn't apply to them. Everyone must buy into the notion of
preservation. But how? Readings will introduce some ideas and participants
in this course will brainstorm with Helen Alten and others about what
works, what might work - and what doesn't.
March:
MS 002: Collection Protection Are you Prepared?
Disaster planning is overwhelming. Where do you start? Talk to Terri
Schindel about how to get going. Use her checklist to determine your level
of preparedness. What do you already have in place? Are you somewhat
prepared? What can you do next? Participants in Collection Protection will
read literature and complete a checklist before joining a one-hour chat to
discuss disaster preparedness at their institutions.
Short courses and take about 10 hours of a student's time. Their cost is $75.
Please sign up at http://www.museumclasses.org and pay at
http://www.collectioncare.org/tas/tas.html If you have trouble with either,
please contact Helen Alten at [log in to unmask] .
========================================================Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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Upcoming Online Museum Classes: Look for our complete 2007 Online Museum Classes Schedule in early
December 2006. We've added courses on security, collections management,
care of specific materials and archaeology. The first three months of
2007 are posted on our web site,
www.museumclasses.org
.
New Short Courses New to www.museumclasses.org this year are short courses - one week on one topic. For those of you on a budget, the short courses give you a taste of our full classes. Participants receive course readings at the beginning of the month. This provides a week to bone up before an “Ask the Experts” chat at 11 a.m. Eastern Time (New York) the second Wednesday of each month. Be prepared to participate your questions and comments make this a rich experience. No more than 20 participants can join, so sign up early to reserve a place.
The first three Short Courses of 2007 are:
January: MS 001 The Problem with Plastics As we march boldly toward the 22nd century, artifact collecting includes that most fragile of materials - plastic. Not only is it in our collections, but it's used to house our collections, too. What problems have you seen? What problems have others seen? What materials are best? What can we, as caretakers, do to minimize long-term damage? Join Helen for our first mini-course of the season. Bring any questions you have about plastics in your museum.
February: MS 008: Buy-In: Getting All of the Staff to Support Preservation All too often, preservation is left to one or two staff members and others believe it doesn't apply to them. Everyone must buy into the notion of preservation. But how? Readings will introduce some ideas and participants in this course will brainstorm with Helen Alten and others about what works, what might work - and what doesn't.
March: MS 002: Collection Protection Are you Prepared? Disaster planning is overwhelming. Where do you start? Talk to Terri Schindel about how to get going. Use her checklist to determine your level of preparedness. What do you already have in place? Are you somewhat prepared? What can you do next? Participants in Collection Protection will read literature and complete a checklist before joining a one-hour chat to discuss disaster preparedness at their institutions.
Short courses and take about 10 hours of a student’s time. Their cost is $75.
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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========================================================================Date: Mon, 27 Nov 2006 08:25:24 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Helen Alten <[log in to unmask]>
Subject: Online collections numbering course in December - please
distribute
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MS208: Applying Numbers to Collection Objects: Materials and Methods of
Object Numbering
Instructor: Helen Alten
Dates: December 4 through January 12, 2007
Price: $425
Location: www.museumclasses.org
Description:
Applying Numbers to Collection Objects covers the materials and methods of
object numbering: registration, handling, labeling and marking, number
placement, documentation, health and safety, transponders and barcodes,
surface marks, inks, paints and barrier coats. Each participant receives a
Northern States Conservation Center collections labeling kit and performs
experiments using its contents. Participants learn to determine what pen,
ink, barrier coat or tag is appropriate for each object and storage or
display situation.
Course Outline
1. Introduction
2. Basic Concepts
3. Associating Numbers and Objects
4. Applying Numbers to Objects: Barrier Coats and Direct Surface Marking
5. Tools of Numbering
6. Recommended Numbering Procedures for Specific Objects
7. Conclusion
Logistics
Participants in Applying Numbers to Collection Objects work through seven
sections at their own pace. Instructor Helen Alten will be available at
scheduled times for email support. Participants work individually and
interact through forums and online chats. Materials include PowerPoint
lectures, readings, lecture notes and a collections labeling kit with
sample materials. Additional resources include projects, quizzes and links
to relevant web sites.
Applying Numbers to Collection Objects runs four weeks. Enroll at
www.museumclasses.org and pay for the course at
http://www.collectioncare.org/tas/tas.html. If you have trouble with
either, please contact Helen Alten at [log in to unmask]
Student Comments:
“All in all, I learned more than I thought I would. I and my colleagues
are eager to have the handouts in a binder for immediate and future
reference.” MS208 participant
“I loved the practical assignments. I loved the feedback from Helen. And I
loved the live chat sessions.” MS208 participant
“The organization of the course was excellent readings were
well-constructed and well-placed within the greater course context … I was
pleased that we had homework where we were expected to apply some of the
concepts we’d read about.” MS208 participant
“I liked the ability to receive instruction without having to leave my
office or go out of town.” MS208 participant
“I was able to learn so much about numbering museum items that I did not
know. I had tried to do research on the Internet and had found some
things, but nothing like what we covered through the course.” MS208
participant
The Instructor:
Helen Alten is an objects conservator and owner of Northern States
Conservation Center, St. Paul, Minnesota. She has been an educator,
conservator and trainer since 1986. Ms. Alten received her master’s degree
in archaeological conservation and materials science at the Institute of
Archaeology, University of London in 1986. She began working with small,
rural, and tribal museums as conservator for Montana and Alaska.
=========================================================
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The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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MS208: Applying Numbers to Collection Objects: Materials and Methods
of Object Numbering Instructor: Helen Alten Dates: December 4 through January 12, 2007
Price: $425
Location:
www.museumclasses.org
Description:
Applying Numbers to Collection Objects covers the materials and
methods of object numbering: registration, handling, labeling and
marking, number placement, documentation, health and safety, transponders
and barcodes, surface marks, inks, paints and barrier coats. Each
participant receives a Northern States Conservation Center collections
labeling kit and performs experiments using its contents. Participants
learn to determine what pen, ink, barrier coat or tag is appropriate for
each object and storage or display situation.
Course Outline 1.Introduction
2.Basic Concepts
3.Associating Numbers
and Objects
4.Applying Numbers to
Objects: Barrier Coats and Direct Surface Marking
5.Tools of
Numbering
6.Recommended
Numbering Procedures for Specific Objects
7.Conclusion
Logistics Participants in Applying Numbers to Collection Objects work through
seven sections at their own pace. Instructor Helen Alten will be
available at scheduled times for email support. Participants work
individually and interact through forums and online chats. Materials
include PowerPoint lectures, readings, lecture notes and a
collections labeling kit with sample materials. Additional resources
include projects, quizzes and links to relevant web sites.
Student Comments: “All in all, I learned more than I thought I would. I and my colleagues are eager to have the handouts in a binder for immediate and future reference.” MS208 participant
“I loved the practical assignments. I loved the feedback from Helen. And I loved the live chat sessions.” MS208 participant
“The organization of the course was excellent readings were well-constructed and well-placed within the greater course context … I was pleased that we had homework where we were expected to apply some of the concepts we’d read about.” MS208 participant
“I liked the ability to receive instruction without having to leave my office or go out of town.” MS208 participant
“I was able to learn so much about numbering museum items that I did not know. I had tried to do research on the Internet and had found some things, but nothing like what we covered through the course.” MS208 participant
The Instructor:
Helen Alten is an objects conservator and owner of Northern States Conservation Center, St. Paul, Minnesota. She has been an educator, conservator and trainer since 1986. Ms. Alten received her master’s degree in archaeological conservation and materials science at the Institute of Archaeology, University of London in 1986. She began working with small, rural, and tribal museums as conservator for Montana and Alaska.
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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========================================================================Date: Mon, 27 Nov 2006 14:58:32 +0000
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Museum of Underwater Archaeology <[log in to unmask]>
Subject: The Online Project Journal -- Did Anyone Actually Learn Anything?
MIME-Version: 1.0
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Folks:
I admit it. I had an ulterior motive for producing the East Carolina University online project journal. In addition to introducing this particular group of students and the training they received in underwater archaeology to the world I had a question I wanted to answer. Does any of this stuff matter? Is anyone impacted by seeing this stuff online?
It’s a tough question. One does not necessarily want to face the fact that despite all the hard work, in the end it may have been a pointless exercise. As part of a scholarship of teaching and learning project (or SoTL as it’s practitioners call it) for a graduate class at George Mason University I decided to study whether or not doing an online project journal actually did what I hoped it might, namely encourage underwater archaeologists to publish the results of their research online. I wanted to see if there was any change in the students, their professors, the audience, and lastly me. To that end I interviewed the students and professors and conducted a survey of the audience.
The results of this project are now incorporated into the project journal which is now in its final few weeks. I created a page discussing my findings that includes short video segments from my interviews with the students and faculty. I also included the related portion of the survey results. To visit the project journal click the “Learning Assessment” link in the left side navigation bar.
In a way I consider this to be an ongoing learning experience for me. I would welcome comments on the page from all the different members of this audience. Here is the link to the Journal: http://www.uri.edu/artsci/his/mua/project_journals/pj.html
Please send comments to: [log in to unmask]
Since much of the recent survey pertained to other areas of the website I have also included some of the comments we received on the blog portion of our site. Those can be viewed here: http://kurt.blogs.com/
Thanks to all who responded
Best regards,
T Kurt Knoerl
Managing Director
The Museum of Underwater Archaeology
========================================================Important Subscriber Information:
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========================================================================Date: Mon, 27 Nov 2006 15:06:55 +0100
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
Comments: RFC822 error: Incorrect or incomplete address field found and
ignored.
From: Isabelle Verger <[log in to unmask]>
Organization: ICCROM
Subject: International Course on Preventive Conservation: Reducing Risks
to Collections
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International Course on Preventive Conservation: Reducing Risks to Collections
June 18-July 6 2007 (Three weeks)
Application deadline: 29 January 2007
PLACE : Sibiu, Romania
ORGANIZERS:
Ministry of Culture and Religious Affaires of Romania
www.cultura.ro
National Museum Complex “ASTRA”, Training Center of Conservators and Restorers
(CePCoR)
www.muzeulastra.ro
ICCROM International Centre for the Study of the Preservation and Restoration of Cultural
Property
www.iccrom.org
ICN Netherlands Institute for Cultural Heritage
www.icn.nl
With the cooperation of the Canadian Museum of Nature (CMN)
www.nature.ca
, and the
National Museum of Belgrade, Diana Department for Preventive Conservation
www.ccdiana.org.yu
THE COURSE:
The purpose of this course is to focus on the risk management approach to preventive
conservation of collections. Risks can be due to not only rare and catastrophic events, such
as fire or flood, but also to continual hazards, such as incorrect relative humidity or lighting,
and to everything in between. Risk management is an integrated view of all expected
damages and losses to collections and provides a reliable tool to establish priorities and
design strategies. The course will review the risk concept in general, and its current
interpretations and applications in the field of cultural heritage. It will examine the best
available research for estimating all types of risks. Participants will practice each stage of this
approach in teams, from the risk assessment of a real museum or archive collection, to the
development of options for risk mitigation. This course will especially consider the concerns
of institutions with limited resources. It will emphasize risk communication and give
participants various opportunities to exercise this skill.
THE COURSE METHODOLOGY:
The course builds on the successes of the three former ICCROM-CCI courses, using
workshops, case studies, seminars, and presentations. Participants will share in a variety of
large and small group activities. Significant time will be allocated for independent consultation
with the course team members, and for individual research.
PARTICIPANTS:
The course is designed for collection managers, curators, registrars, conservators, and also
directors of small to medium size museums, galleries, libraries and archives, from all regions
of the world. The course will also interest educators and professionals who teach collection
management and preventive conservation, in either an academic or a vocational
environment. Candidates must submit, with their formal application, a 500-word summary of
their experience and the way in which the course relates to their current or future projects. A
maximum of 22 participants will be selected from among the applicants.
TEACHING TEAM: CCI, ICCROM, ICN, CMN and associated professionals.
WORKING LANGUAGE: English.
COURSE FEE: 900 € (Euro).
TRAVEL, ACCOMODATION AND LIVING EXPENSES:
Participants will be responsible for their round trip travel costs to and from Sibiu. In order to
cover living costs in Sibiu during the course, participants should plan for
a minimum total
allowance of 1,200
€ (Euro). This sum would include the costs of accommodation in
moderately priced hotel rooms (which the course organizers will locate for participants).
Candidates are strongly encouraged to seek financial support from sources such as
governmental institutions, employers and funding agencies. ICCROM may be able to offer a
limited number of scholarships to selected candidates who have been unable to secure
funding.
ICN Institut néerlandais pour le patrimoine culturel
www.icn.nl
En collaboration avec le Musée canadien de la nature (MCN)
www.nature.ca
, et le Musée
national de Belgrade, Département pour la conservation préventive DIANA du Musée
national de Belgrade
www.ccdiana.org.yu
LE COURS:
Le cours concentre son attention sur l'approche de la gestion des risques pour la
conservation préventive des collections. La gestion des risques peut être entendue non
seulement comme la gestion de catastrophes rares, mais aussi comme celle des risques
lents et continus, et de tout ce qui se trouve entre les deux. La gestion des risques permet de
prendre en compte tous les éventuels dommages et offre ainsi un outil fiable pour établir des
priorités et concevoir des stratégies. Le cours passe en revue le concept du risque en
général et les interprétations et les applications actuelles dans le domaine du patrimoine
culturel. Il examine les meilleures études scientifiques disponibles en vue de mieux évaluer
tous les types de risques. Les participants en équipe mettront en pratique les étapes
systématiques de la gestion des risques dans un musée ou dans des archives, depuis leur
évaluation à la formulation des mesures pour les réduire. Le cours s'intéresse plus
particulièrement aux problèmes des institutions disposant de ressources limitées. Il met
aussi l'accent sur la communication des risques, et les participants auront diverses
occasions de s'y entraîner.
METHODOLOGIE DU COURS:
La méthodologie s'inspire des succès des trois cours précédents ICCROM-ICC. Le cours
comprendra des ateliers, des études de cas, des séminaires et des présentations. Les
participants auront l'occasion d'échanger leurs expériences et leurs connaissances lors de
diverses activités de groupes. Les participants auront aussi la possibilité de rencontrer
individuellement les membres de l'équipe enseignante et de mener des recherches.
PARTICIPANTS:
Le cours est destiné aux responsables de collections, aux conservateurs, aux archivistes,
aux conservateurs-restaurateurs et aux directeurs de musées, de galeries, de bibliothèques
ou d'archives de petite ou moyenne taille, de toutes les régions du monde. Le cours
intéressera aussi ceux qui enseignent la conservation du patrimoine et la muséologie. Les
candidats doivent soumettre, avec leur demande d'inscription, un résumé en 500 mots de
leur expérience, expliquant également en quoi, d'après eux, le cours se rapporte à leurs
projets actuels ou futurs. Un maximum de 22 participants sera sélectionné.
EQUIPE ENSEIGNANTE: ICCROM, ICC, ICN, MCN et professionnels associés.
LANGUE DE TRAVAIL : Anglais.
FRAIS D'INSCRIPTION: 900 € (Euro).
VOYAGE ET FRAIS DE SEJOUR:
Les frais de voyage aller-retour de Sibiu sont à la charge des participants. En outre, un
minimum de 1200 € est nécessaire pour couvrir les frais de séjour à Sibiu pendant la durée
du cours. Cette somme inclut les frais d'hébergement en chambres d'hôtel à prix modéré
(que les organisateurs du cours se chargeront de trouver pour les participants). Les
candidats sont vivement encouragés à rechercher un soutien financier auprès de sources
telles que les gouvernements, les institutions, les fondations. L'ICCROM pourra offrir un
nombre limité de bourses aux candidats sélectionnés n'ayant pas réussi à rassembler les
fonds nécessaires.
PC 07 - Unité Collections - ICCROM
13, via di San Michele
I-00153 ROME RM, ITALIE
Tel (+39) 06 585531 Fax (+39) 06 58553349
E-mail: [log in to unmask]
Date limite d'inscription: 29 janvier 2007
=========================================================
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========================================================================Date: Mon, 27 Nov 2006 12:45:14 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: "Christopher A. Brown" <[log in to unmask]>
Subject: Re: Exhibits re Individual Women/Women's Subjects
Mime-Version: 1.0
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Dear List members -- many thanks to all who wrote me with very helpful responses. We
are researching for a client museum -- and what you *don't* find is as revealing and
important as what you do find!
We expected to find some exhibits made here in the US and there are some very good
ones, discovered with your help. We also hoped to find more exhibits created elsewhere,
but perhaps there are not so many list subscribers in other countries. Maybe I
inadvertently limited the search, too, by failing to mention the request includes *virtual
exhibits* as well.
I would like to make a second request, by way of continuing the search outside the US,
and trigger a viral look-see:
Would you each please forward my original request, including the category of virtual
exhibits, to at least one museum colleague or aquaintance living outside the US:
Hello, I am looking for information about traveling exhibits, originating
anywhere on the planet, in which the subject is: a particular woman, or women's roles, or
women's topics. This can include virtual exhibits also.
By not being any more specific in my query, I hope you will think freely and
direct me to a variety of such thematically related exhibits, which I can then continue to
research online.
Thank you for your help!
Regards,
Chris Brown
[log in to unmask]
www.kb-atelier.com
=========================================================
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========================================================================Date: Mon, 27 Nov 2006 13:53:28 -0600
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Andrew Osborne <[log in to unmask]>
Subject: Job Posting, Lake County Discovery Museum,
Museum Education Assistant
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The Lake County Discovery Museum in Wauconda, IL is currently recruiting for a museum education assistant. The Lake County Discovery Museum is a department of the Lake County Forest Preserves in suburban Chicago, IL. Job details are as follows:
Temporary Position: January * August 2007Hourly Rate: $9.00/hr.Location: Wauconda, ILApplication deadline: December 7, 2006 Areas of focus are museum education, public programming and summer camp, front desk/museum store staffing, and working with volunteers. Duties include: teaching school, scout and public programs; staffing summer camps and special events. The Education Assistant will be required to work some evenings and weekends. Additional information about the museum may be found at the website www.lakecountydiscoverymuseum.org. EXPERIENCE: Qualified applicants should have experience working with children in an informal educational environment. This could include museums, libraries, day care, summer camp, park districts, etc. Two years of college level coursework in education, history, museum studies or related field is required. Education and communication skills necessary to plan and present education programs for large and small groups of children and adults. Must possess valid driver's license. HOW TO APPLY AND APPLICATION DEADLINES:Interest in Forest Preserve employment can be indicated by submitting a resume or completed Forest Preserve employment application. Applications are available at www.LCFPD.org and Lake County Forest Preserve District, Human Resources Department, 2000 N. Milwaukee Avenue. Libertyville, IL 60048, 847/367-6640, and must be returned by December 7, 2006. For a complete job description please visit the Forest Preserve's website at http://www.lcfpd.org/involved/index.cfm?fuseaction=job.view Thanks,Andrew
Andrew Osborne
Manager of Visitor Services,
Lake County Discovery Museum
Lake County Forest Preserves
27277 Forest Preserve Dr.
Wauconda, IL 60084
[log in to unmask]
www.lcfpd.org
Phone: (847) 968-3383
Fax: (847) 526-0024
=========================================================
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The Lake County Discovery Museum in Wauconda, IL is currently recruiting for a museum education assistant. The Lake County Discovery Museum is a department of the Lake County Forest Preserves in suburban Chicago, IL. Job details are as follows:
Temporary Position: January - August 2007
Hourly Rate: $9.00/hr.
Location: Wauconda, IL
Application deadline: December 7, 2006
Areas of focus are museum education, public programming and summer camp, front desk/museum store staffing, and working with volunteers. Duties include: teaching school, scout and public programs; staffing summer camps and special events.The Education Assistant will be required to work some evenings and weekends.Additional information about the museum may be found at the website www.lakecountydiscoverymuseum.org.
EXPERIENCE:
Qualified applicants should have experience working with children in an informal educational environment. This could include museums, libraries, day care, summer camp, park districts, etc. Two years of college level coursework in education, history, museum studies or related field is required. Education and communication skills necessary to plan and present education programs for large and small groups of children and adults.Must possess valid driver's license.
HOW TO APPLY AND APPLICATION DEADLINES:
Interest in Forest Preserve employment can be indicated by submitting a resume or completed Forest Preserve employment application.Applications are available at www.LCFPD.org and Lake County Forest Preserve District, Human Resources Department, 2000 N. Milwaukee Avenue. Libertyville, IL60048, 847/367-6640, and must be returned by December 7, 2006.
Andrew Osborne Manager of Visitor Services, Lake County Discovery Museum Lake County Forest Preserves 27277 Forest Preserve Dr. Wauconda, IL 60084 [log in to unmask] www.lcfpd.org Phone: (847) 968-3383 Fax: (847) 526-0024
=========================================================
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========================================================================Date: Mon, 27 Nov 2006 15:04:49 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Kate Marks <[log in to unmask]>
Subject: The Conservation Assessment Program is Still Accepting
Applications!
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The Conservation Assessment Program (CAP) is still accepting
applications for the 2007 program. Contact Heritage Preservation to
receive an application, or download an application from Heritage
Preservation's Web site, www.heritagepreservation.org. The postmark
deadline for applications is December 1, 2006. Eligible participants
will be accepted into the program on a first-come, first-served basis.
CAP provides assessments funds for small to mid-sized museums to hire a
professional conservator for a two-day site visit. The CAP assessor
examines the museum's collections, environmental conditions, and sites
and will write a report recommending priorities to improve collections
care. The resulting CAP report can help your institution develop
strategies for improved collections care, long-range planning, staff and
board education, and fund-raising. If your museum is located in a
historic building (50 years or older), CAP will support the
participation of a preservation architect as well. Zoos, aquariums,
nature centers, botanical gardens, and arboreta may have one of their
CAP assessors look at conservation needs of their living collections.
CAP is administered through a cooperative agreement between the
Institute of Museum and Library Services and Heritage Preservation.
For more information, contact CAP staff at 202-233-0800 or
[log in to unmask] .
=========================================================
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The Conservation Assessment Program (CAP) is still accepting
applications for the 2007 program. Contact Heritage Preservation to receive an
application, or download an application from Heritage Preservation's Web site, www.heritagepreservation.org. The
postmark deadline for applications is December 1, 2006.Eligible participants will be accepted
into the program on a first-come, first-served basis.
CAP provides assessments funds for small to mid-sized museums to
hire a professional conservator for a two-day site visit. The CAP assessor
examines the museum's collections, environmental conditions, and sites and will
write a report recommending priorities to improve collections care. The
resulting CAP report can help your institution develop strategies for improved
collections care, long-range planning, staff and board education, and fund-raising.
If your museum is located in a historic building (50 years or older), CAP will
support the participation of a preservation architect as well. Zoos, aquariums,
nature centers, botanical gardens, and arboreta may have one of their CAP
assessors look at conservation needs of their living collections.
CAP is administered through a cooperative agreement between the Institute of Museum and Library Services and Heritage
Preservation.
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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========================================================================Date: Mon, 27 Nov 2006 15:09:53 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Lin Nelson-Mayson <[log in to unmask]>
Subject: Searching for guest curator policies
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I would like your assistance in collecting policies or procedures on working
with guest curators or good articles related to the practice. I work with
guest curators regularly and would like to develop institutional guidelines
for future projects. Thank you!
Lin Nelson-Mayson
Director, The Goldstein Museum of Design
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
========================================================================Date: Mon, 27 Nov 2006 14:06:17 -0600
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Michael Pierce <[log in to unmask]>
Subject: Job Posting
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New Job Posting at:
========================================================Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
========================================================================Date: Mon, 27 Nov 2006 15:45:27 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Rebecca Holmquist <[log in to unmask]>
Subject: Re: Searching for guest curator policies
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Please post to the list. I am interested in this information as well.
Thanks,
Rebecca Holmquist
-----Original Message-----
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Lin Nelson-Mayson
Sent: Monday, November 27, 2006 3:10 PM
To: [log in to unmask]
Subject: [MUSEUM-L] Searching for guest curator policies
I would like your assistance in collecting policies or procedures on
working
with guest curators or good articles related to the practice. I work
with
guest curators regularly and would like to develop institutional
guidelines
for future projects. Thank you!
Lin Nelson-Mayson
Director, The Goldstein Museum of Design
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail
message to [log in to unmask] . The body of the message should
read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message
to [log in to unmask] . The body of the message should read
"Signoff Museum-L" (without the quotes).
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
========================================================================Date: Mon, 27 Nov 2006 14:18:45 -0600
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Julienne Crawford <[log in to unmask]>
Subject: Re: Exhibits re Individual Women/Women's Subjects
MIME-Version: 1.0
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Chris,
The Arkansas History Commission has a traveling exhibit on "The Women of
the Central High Crisis." (The 50th Anniversary of the Central High
Crisis in Little Rock will be September 25, 2007) The exhibit just
travels around Arkansas due to the logistics of setting it up. If you
would like any additional information, please e-mail me.
You might also look at the exhibits offered by the following
organizations:
Smithsonian Institution Traveling Exhibition Service (www.sites.si.edu)
- Exhibits include:
Diana Walker: Photojournalist
First Ladies: Political Role and Public Image
Mid-America Arts Alliance -Exhibits USA (www.maaa.org/exhi_usa/)
Exhibits include:
Eyewinkers, Bulldogfrogs, and Candlebugs: The Art of Elizabeth Talford
Scott
COWGIRLS: Contemporary Portraits of the American West
Linedrives and Lipstick: The Untold Story of Women's Baseball
Voices of American Farm Women
The Past in Present Tense: Four Decades of Baskets by Julia Parker
Sister Corita: The Joyous Revolutionary
The American Heritage Center at the University of Wyoming
(http://ahc.uwyo.edu/eduoutreach/traveling.htm)
Exhibits include:
Japanese-American Girl Scouts at Heart Mountain Relocation Camp,
1942-1945
Wyoming Women: Life Within the Family
Wyoming Women: Life Beyond the Family
Georgia Women of Achievement Traveling Exhibit
(http://www.gawomen.org/exhibit.htm)
You might try asking this question on the H-Women discussion list about
Women's History (http://www.h-net.org/~women/)
Good Luck,
Julienne
Julienne Crawford
Curator
Arkansas History Commission
One Capitol Mall
Little Rock, AR 72201
501-682-6905
[log in to unmask]
www.ark-ives.com
-----Original Message-----
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Christopher A. Brown
Sent: Tuesday, November 21, 2006 4:17 PM
To: [log in to unmask]
Subject: [MUSEUM-L] Exhibits re Individual Women/Women's Subjects
Hello List Members -- I am looking for information about traveling
exhibits, originating
anywhere on the planet, in which the subject is: a particular woman, or
women's roles, or
women's topics.
By not being any more specific in my query, I hope list readers will
think freely and
direct me to a variety of such thematically related exhibits, which I
can then continue to
research online.
Thanks in advance for any info!
Regards,
Chris Brown
[log in to unmask]
www.kb-atelier.com
=========================================================
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message to [log in to unmask] . The body of the message should
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If you decide to leave Museum-L, please send a one line e-mail message
to [log in to unmask] . The body of the message should read
"Signoff Museum-L" (without the quotes).
=========================================================
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If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
========================================================================Date: Mon, 27 Nov 2006 13:15:35 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: "Gayle \"Indigo Nights\"" <[log in to unmask]>
Subject: First Annual Museum-L Gift Exchange
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As colleagues, acquaintances, and cyber friends, we communicate on a regular basis throughout the year. Some are more verbal than others, but, generally speaking, we enjoy the collegiality of the list. It seems appropriate to me--especially in light of a couple of requests today--that it's time to start the First Annual Museum-L Gift Exchange. We aren't going to draw names or anything like that. I've a much simpler plan. Consider it a holiday exchange, whether yours is Chanukah, Christmas, Hajj/Eid al Fatr, Solstice, Kwanza, or simply the Life is Good Society! If each represented museum/institution donates at least one item, what an amazing collection this will be!!!
To join in on the gift exchange, go to http://groups.yahoo.com/group/MuseDocs Sign in (or sign on), and then go to the Files link on the left side of the screen, http://groups.yahoo.com/group/MuseDocs/files/ On the right side of the screen, in the box, choose "Add File" and click on that. This will take you to the menu where it says Browse in a box on the left. Click on that to find the file on your computer you would like to share with the group. Double click on the file so that it populates the box next to file name, then go down to the Description box. Tell us what type of document it is. Is it the Guest Curator policy asked for today? Is it some sort of a form? Let us know what it is. Then scroll down to where it says Notification, and click in the box to put an arrow in it.
Once you've done those steps, click on Upload File. If you upload successfully, it will tell you. Then just come to Museum-L and announce to the group what it is your institution shared. Please don't put up anything confidential or with a copyright issue.
Now that you're in the Files section, take a look and see what's there that may be of value to you. You can download anything that is stored there.
Imagine how much easier your job will be in 2007 if each of you just contributed one helpful tool, policy, or other helpful document to Museum-L's erstwhile share drive. Yahoo has a virus scan to it's documents, so they will most probably be safe (hackers can do marvelous things--not!--so there is no 100% guarantee of safety).
Are you ready?
1-2-3 let the gift giving begin!
Indigo Nights
[log in to unmask]
========================================================Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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As colleagues, acquaintances, and cyber friends, we communicate on a regular basis throughout the year. Some are more verbal than others, but, generally speaking, we enjoy the collegiality of the list. It seems appropriate to me--especially in light of a couple of requests today--that it's time to start the First Annual Museum-L Gift Exchange. We aren't going to draw names or anything like that. I've a much simpler plan. Consider it a holiday exchange, whether yours is Chanukah, Christmas, Hajj/Eid al Fatr, Solstice, Kwanza, or simply the Life is Good Society! If each represented museum/institution donates at least one item, what an amazing collection this will be!!!
To join in on the gift exchange, go to http://groups.yahoo.com/group/MuseDocs Sign in (or sign on), and then go to the Files
link on the left side of the screen, http://groups.yahoo.com/group/MuseDocs/files/ On the right side of the screen, in the box, choose "Add File" and click on that. This will take you to the menu where it says Browse in a box on the left. Click on that to find the file on your computer you would like to share with the group. Double click on the file so that it populates the box next to file name, then go down to the Description box. Tell us what type of document it is. Is it the Guest Curator policy asked for today? Is it some sort of a form? Let us know what it is. Then scroll down to where it says Notification, and click in the box to put an arrow in it.
Once you've done those steps, click on Upload File. If you upload successfully, it will tell you. Then just come to Museum-L and announce to
the group what it is your institution shared. Please don't put up anything confidential or with a copyright issue.
Now that you're in the Files section, take a look and see what's there that may be of value to you. You can download anything that is stored there.
Imagine how much easier your job will be in 2007 if each of you just contributed one helpful tool, policy, or other helpful document to Museum-L's erstwhile share drive. Yahoo has a virus scan to it's documents, so they will most probably be safe (hackers can do marvelous things--not!--so there is no 100% guarantee of safety).
Are you ready?
1-2-3 let the gift giving begin!
Indigo Nights [log in to unmask]
========================================================Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
--0-340161438-1164662135=:51212--
========================================================================Date: Mon, 27 Nov 2006 16:33:30 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Linda Norris <[log in to unmask]>
Subject: Call for Proposals
Mime-Version: 1.0 (Apple Message framework v752.3)
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Upstate History Alliance/Museum Association of New York
Annual Conference
April 15-17, 2007
Syracuse, NY
Long Tails, Tipping Points and Cultural Literacy: Museums, Trends and
Communities
Long Tails, Tipping Points and Cultural Literacy explore global
trends that
offer museums and heritage organizations new lenses through which we can
think about the work we do. At an ever-increasing pace, in every
aspect of
our work, external trends define the directions of institutional
mission and
impact its success. Decisions about why and what to collect,
audiences to
target, and exhibitions and programs to develop turn on a host of
factors -
demographics and social inclusion, economic tourism, and raising test
scores
to name a few.
This year, we seek session proposals exploring the impact of present
and
future trends on the museum environment. How do the trends you see and
experience - both broader public trends and trends in the museum
profession
- shape your institution's mission and its relationships to its
community?
How does your institution gather, assess and use trends to its
advantage?
What is working for you? What isn't?
Sessions can be practical or theoretical in nature. While we welcome
standard presentation/panel format session proposals, we are looking
for a
broad range of creative formats such as roundtable discussions, debates,
critiques and hands-on activities. We encourage you to present
different or
opposing approaches/solutions to an issue or trend in the same
session. In
developing a session with multiple presenters, we strongly urge you to
partner with representatives from various museum disciplines.
Submitting a Proposal
The deadline for session proposals is December 1, 2006. Proposals
must be
submitted electronically to [log in to unmask] Please visit
www.upstatehistory.org to download the session proposal form. The UHA/
MANY
program committee will review proposals and decisions will be made by
mid-January 2006. We also welcome general comments or suggestions for
topics you would like to see covered at the conference.
Questions
If you have any questions or are looking for assistance with
developing a
proposal, contact UHA program coordinator Jenny Rosenzweig at
800.895.1648,
[log in to unmask] or MANY director Anne Ackerson at 518.273.3400,
[log in to unmask]
About the UHA/MANY Annual Conference
The UHA/MANY Annual Conference is the largest gathering of museum
professionals in the state. Each year it brings together a diverse
array of
individuals from all types and sizes of museums, historical
societies, and
similar cultural organizations. This year’s conference will be held in
Syracuse, where art, history, and science museums bring vitality and
a sense
of history to this historic Central New York city. Museums in the
Syracuse
area include the Erie Canal Museum, the Everson Museum of Art, The MOST
(Museum of Science and Technology), the Onondaga Historical
Association, the
Joe and Emily Lowe Gallery at Syracuse University and the Matilda Joslyn
Gage House.
=========================================================
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The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to li[log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
========================================================================Date: Mon, 27 Nov 2006 16:20:13 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Sherry Crose <[log in to unmask]>
Subject: Re: Interesting Forbes Article
In-Reply-To: A<[log in to unmask]>
MIME-Version: 1.0
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Thank you Gayla for sending this.
________________________________
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Gayle "Indigo Nights"
Sent: Thursday, November 23, 2006 2:02 PM
To: [log in to unmask]
Subject: Interesting Forbes Article
Will Democrats Ride To Museums' Rescue?
Ashlea Ebeling
Senate Finance Committee asked to restore a popular tax strategy for art
donors.
http://www.forbes.com/2006/11/21/beltway-museums-tax-biz-wash-cz_ae_1122
beltway.html?partner=daily_newsletter
Sorry, due to copyright issues, I won't paste the full article. If it
requires a sign on, you can either sign on or check
http://www.bugmenot.com to see if there's one there.
Indigo Nights
[log in to unmask]
========================================================= Important
Subscriber Information:
The Museum-L FAQ file is located at
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------_=_NextPart_001_01C71269.FD32EC6C
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Thank you Gayla for sending this.
From: Museum discussion list
[mailto:[log in to unmask]] On Behalf Of Gayle "Indigo
Nights" Sent: Thursday, November 23, 2006 2:02 PM To:[log in to unmask] Subject: Interesting Forbes
Article
Sorry, due to copyright issues, I won't paste the full article.
If it requires a sign on, you can either sign on or check http://www.bugmenot.com to see if there's one
there.
Indigo Nights [log in to unmask]
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========================================================================Date: Mon, 27 Nov 2006 16:36:26 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Diane Gutenkauf <[log in to unmask]>
Subject: Re: interesting advertising happening lately here...
Mime-Version: 1.0
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By list users? Nothing. The List Owner (John Chadwick) will take care of it
in his usual capable manner.
Thanks John!
Diane Gutenkauf
On Sun, 26 Nov 2006 13:32:02 -0800, Lisa Forman <[log in to unmask]> wrote:
>The type of stuff making it through is really distasteful. What's to be
>done?
>
>On 11/26/06, Eugene Dillenburg <[log in to unmask]> wrote:
>>
>> Obviously (rather obviously), a spam filter has failed. The proscription
>> against advertising remains in effect.
>>
>> Eugene Dillenburg
>> Exhibit Developer
>> Science Museum of Minnesota
>>
=========================================================
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========================================================================Date: Mon, 27 Nov 2006 15:25:23 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Forman <[log in to unmask]>
Subject: Re: interesting advertising happening lately here...
MIME-Version: 1.0
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A big thanks to John from here as well
Lisa
----- Original Message -----
From: "Diane Gutenkauf" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Monday, November 27, 2006 1:36 PM
Subject: Re: [MUSEUM-L] interesting advertising happening lately here...
By list users? Nothing. The List Owner (John Chadwick) will take care of it
in his usual capable manner.
Thanks John!
Diane Gutenkauf
On Sun, 26 Nov 2006 13:32:02 -0800, Lisa Forman <[log in to unmask]>
wrote:
>The type of stuff making it through is really distasteful. What's to be
>done?
>
>On 11/26/06, Eugene Dillenburg <[log in to unmask]> wrote:
>>
>> Obviously (rather obviously), a spam filter has failed. The proscription
>> against advertising remains in effect.
>>
>> Eugene Dillenburg
>> Exhibit Developer
>> Science Museum of Minnesota
>>
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========================================================================Date: Mon, 27 Nov 2006 20:29:45 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: "Gayle \"Indigo Nights\"" <[log in to unmask]>
Subject: A Night at the Museum
MIME-Version: 1.0
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I've seen the previews a couple of times and can hardly wait for it's December opening. It looks like one to which to take the grandkids, so I thought you MIGHT to know about the movie, entitled "A Night at the Museum". It has an all-star cast and looks delightful. You may get questions about it, and it would seem to me it should spark "A Night at the Museum" sleepovers. I know some of you have them, but it would be a good way to market yourself and tie to the movie's probable success.
For more info, see:
http://movies.yahoo.com/movie/1809266172/info
You can even watch a trailer for the movie on the site.
The official site, with even more details, can be found here:
http://www.nightatthemuseum.com/
Indigo Nights
[log in to unmask]
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I've seen the previews a couple of times and can hardly wait for it's December opening. It looks like one to which to take the grandkids, so I thought you MIGHT to know about the movie, entitled "A Night at the Museum". It has an all-star cast and looks delightful. You may get questions about it, and it would seem to me it should spark "A Night at the Museum" sleepovers. I know some of you have them, but it would be a good way to market yourself and tie to the movie's probable success.
Indigo Nights [log in to unmask]
========================================================Important Subscriber Information:
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========================================================================Date: Tue, 28 Nov 2006 00:06:19 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Mitch Allen <[log in to unmask]>
Subject: Free online access to Left Coast museum journals
Comments: To: Global Museum <[log in to unmask]>,
h-local <[log in to unmask]>, h-museum <[log in to unmask]>,
H-public <[log in to unmask]>
MIME-Version: 1.0
Content-Type: text/plain; charset=iso-8859-1
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Apologies for the cross posting:
We're happy to announce that Left Coast Press Inc.'s museum journals
are now available on line. Both Journal of Museum Education and Museums
& Social Issues are available to be browsed from your computer. To
demonstrate the value of these publications, both journals are offering
free electronic access of their 2006 issues to the museum community
through January 31, 2007! Features include full access to all journal
content for 2006, advanced search capability, and personalized
settings.
After January 31, museum and library subscribers will have the option
of print-only versions of any Left Coast Press, Inc. journal, or
print-plus-on line subscriptions, which include on line access to all
current and previous year issues. In addition, individual subscribers
will be able to electronically access and purchase individual journal
articles.
Please visit our website at www.lcoastpress.com and click through
“Browse Journals” to the “Online Journals Access” button, to try out
the on line content access service, free of charge through January.
The newest Left Coast serial, Museum History Journal, slated to begin
publication in 2008, will also feature an electronic version when
published. Details on the website.
Inquiries and subscription orders should be directed to
[log in to unmask]
Mitch Allen
Publisher
Mitch Allen
Publisher
Left Coast Press, Inc.
1630 N. Main Street, #400
Walnut Creek, California 94596
925 935-3380 phone and fax
[log in to unmask]
www.LCoastPress.com
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========================================================================Date: Mon, 27 Nov 2006 19:16:27 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Tom Hanchett <[log in to unmask]>
Subject: Guns in traveling exhibition?
In-Reply-To: <[log in to unmask]>
Mime-Version: 1.0 (Apple Message framework v624)
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We are about to travel an exhibition that will include two antique
firearms. Our lawyer warns us that there may be problems -- gun
permits needed at the host museums, and so on. I'd be grateful to
hear from folks who have experience lending exhibitions that contain
guns.
Dr. Tom Hanchett, staff historian
Levine Museum of the New South
Charlotte, NC 28202
(704) 333 - 1887 x228 [log in to unmask]
www.museumofthenewsouth.org
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========================================================================Date: Tue, 28 Nov 2006 09:33:01 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Ken Mark <[log in to unmask]>
Subject: Bound archival accession ledgers
Mime-Version: 1.0
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This is a MIME message. If you are reading this text, you may want to
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Help!
I am the director of a new museum and need to purchase bound archival
accession ledgers. Many articles are written about them, many museums use
them but where do you purchase the critters?
Ken
Kenneth D. Mark
Director of the Oakes Museum
Messiah College
One College Ave. Box 3029
Grantham, PA 17055
Telephone: 717-691-6082
FAX: 717-691-6046
Email: [log in to unmask]
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Help!
I am the director of a new museum and need to purchase bound archival accession ledgers. Many articles are written about them, many museums use them but where do you purchase the critters?
Ken
Kenneth D. Mark Director of the Oakes Museum
Messiah College One College Ave. Box 3029 Grantham, PA 17055
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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========================================================================Date: Tue, 28 Nov 2006 16:29:16 +0000
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Amy Leonard <[log in to unmask]>
Subject: application methods for unfinished wood
Mime-Version: 1.0
Content-Type: text/html; format=flowed
Hello everyone, we were trying several different methods for B72 marking on unfinished wood objects. We found a great method (we think) involving a B72 bottom layer then writing the # on acid-free tissue paper and applying it with another B72 top layer. Is there any reason we should hesitate to implement this method? Any issues we need to consider? The corners seem to be staying down as long as they're soaked through with B72.
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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========================================================================Date: Tue, 28 Nov 2006 11:37:37 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Bruce Craig <[log in to unmask]>
Subject: Fellowships in Museum Practice
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Greetings, Museum-L,
The Smithsonian Institution Fellowships in Museum Practice program invites
proposals from museum practitioners, researchers and training providers
for
support of research projects related to museum theory and practice.
For program guidelines and application information visit
http://museumstudies.si.edu
Application deadline: February 15, 2007.
Bruce C. Craig
Director for Research and Planning
Smithsonian Center for Education and Museum Studies
Smithsonian Institution
PO Box 37012
A&I 2235 MRC 427
Washington, DC 20013-7012
202-357-3148
202-357-3346 FAX
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========================================================================Date: Mon, 27 Nov 2006 22:01:40 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: David Lynx <[log in to unmask]>
Subject: Re: A Night at the Museum
In-Reply-To: <[log in to unmask]>
Mime-version: 1.0
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> This message is in MIME format. Since your mail reader does not understand
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--B_3247509700_1066651
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> Just saw the trailer! how fun.. (Doesn¹t the museum usually come alive after
> closing?)
> David
>
>
> I've seen the previews a couple of times and can hardly wait for it's December
> opening. It looks like one to which to take the grandkids, so I thought you
> MIGHT to know about the movie, entitled "A Night at the Museum". It has an
> all-star cast and looks delightful. You may get questions about it, and it
> would seem to me it should spark "A Night at the Museum" sleepovers. I know
> some of you have them, but it would be a good way to market yourself and tie
> to the movie's probable success.
>
>
>
> For more info, see:
>
>
>
> http://movies.yahoo.com/movie/1809266172/info
>
>
>
> You can even watch a trailer for the movie on the site.
>
>
>
> The official site, with even more details, can be found here:
>
>
>
> http://www.nightatthemuseum.com/
>
>
> Indigo Nights
> [log in to unmask]
> ========================================================= Important Subscriber
> Information:
>
> The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/
> . You may obtain detailed information about the listserv commands by sending a
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> message should read "help" (without the quotes).
>
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> [log in to unmask] . The body of the message should read "Signoff
> Museum-L" (without the quotes).
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Re: [MUSEUM-L] A Night at the Museum
Just saw the trailer! how fun.. (Doesn’t the museum usually come alive after closing?)
David
I've seen the previews a couple of times and can hardly wait for it's December opening. It looks like one to which to take the grandkids, so I thought you MIGHT to know about the movie, entitled "A Night at the Museum". It has an all-star cast and looks delightful. You may get questions about it, and it would seem to me it should spark "A Night at the Museum" sleepovers. I know some of you have them, but it would be a good way to market yourself and tie to the movie's probable success.
Indigo Nights [log in to unmask] ========================================================= Important Subscriber Information:
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=========================================================
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========================================================================Date: Tue, 28 Nov 2006 12:09:31 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Janet MacGregor <[log in to unmask]>
Subject: Museum Association Job Opening
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MEMBERSHIP DEVELOPMENT AND MARKETING ASSOCIATE
The Pennsylvania Federation of Museums and Historical Organizations (PFMHO)
seeks a Membership Development and Marketing Associate. This position has
responsibility for all aspects of finding and retaining members for this nonprofit,
statewide, museum-membership service organization located in Harrisburg,
Pennsylvania. The associate interacts with PFMHO members in various ways:
explaining membership benefits, identifying members’ professional needs, and
strengthening members’ networks within the Commonwealth’s museum
community.
Marketing PFMHO and its services promotes the organization to prospective
partners, governmental entities at all levels, and potential funders. As the
spokesperson for PFMHO, the associate advocates the value of its member
museums to the public.
Marketing and membership development experience is essential. The applicant
must have strong verbal, writing, and inter-personal skills, be proficient in
Microsoft Word and Excel, and have working knowledge of databases. A
bachelor’s degree in communication, marketing, or museum studies would be
helpful. The position will be available by the middle of January 2007, with a
salary of $30,000 plus benefits.
If interested, please send a letter of intent and résumé by December 15, 2006
to Deborah M. Filipi, Executive Director, PFMHO, 234 North Third Street, Third
Floor, Harrisburg, PA 17101.
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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MEMBERSHIP DEVELOPMENT AND MARKETING ASSOCIATE
The Pennsylvania Federation of Museums and Historical Organizations (PFMHO)
seeks a Membership Development and Marketing Associate. This position has
responsibility for all aspects of finding and retaining members for this nonprofit,
statewide, museum-membership service organization located in Harrisburg,
Pennsylvania. The associate interacts with PFMHO members in various ways:
explaining membership benefits, identifying members’ professional needs, and
strengthening members’ networks within the Commonwealth’s museum
community.
Marketing PFMHO and its services promotes the organization to prospective
partners, governmental entities at all levels, and potential funders. As the
spokesperson for PFMHO, the associate advocates the value of its member
museums to the public.
Marketing and membership development experience is essential. The applicant
must have strong verbal, writing, and inter-personal skills, be proficient in
Microsoft Word and Excel, and have working knowledge of databases. A
bachelor’s degree in communication, marketing, or museum studies would be
helpful. The position will be available by the middle of January 2007, with a
salary of $30,000 plus benefits.
If interested, please send a letter of intent and résumé by December 15, 2006
to Deborah M. Filipi, Executive Director, PFMHO, 234 North Third Street, Third
Floor, Harrisburg, PA 17101.
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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--part-2eOwq6bz-8piSs42YJ1-vsGCkKCMC-efLvAlRFbCaB-l3--
========================================================================Date: Tue, 28 Nov 2006 13:01:40 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: "Erin R. McKeen" <[log in to unmask]>
Subject: J.R. Blackaby's Museum System
Comments: To: [log in to unmask]
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Hello Colleagues,
Please forgive the cross-posting. My institution is sorting through our
archived records and would like to access information from our now-defunct
old database, J.R. Blackaby's Museum System. The database was copied onto
CDs back in 1997 but no one thought to print a hard copy of the records
(kinda short-sighted) and now we are unable to locate even a copy of the
software to open the disks. Thus, our records are being held hostage.
A google search of the program has not yielded any helpful information.
Help! Does anyone currently (or in the past) used this program or know how
to get in contact with Mr. Blackaby? Any advice is greatly appreciated.
P.S.
I just phoned The Museum System (TMS) to find out if they are affiliated in
any way and unfortunately, they are not.
Best,
Erin
Ms.Erin McKeen
Associate Registrar
The Wolfsonian-Florida International University
Miami Beach, Florida
(305) 535-2678 (phone) ; (305) 531-2133 (fax)
E-Mail: [log in to unmask]
Website: http://www.wolfsonian.fiu.edu/
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Hello Colleagues,
Please forgive the cross-posting. My institution is
sorting through our archived records and would like to access information from
our now-defunct old database, J.R. Blackaby’s Museum System. The
database was copied onto CDs back in 1997 but no one thought to print a hard
copy of the records (kinda short-sighted) and now we are unable to locate even a
copy of the software to open the disks. Thus, our records are being held
hostage.
A google search of the program has not yielded any helpful
information. Help! Does anyone currently (or in the past) used this
program or know how to get in contact with Mr. Blackaby? Any advice is
greatly appreciated.
P.S.
I just phoned The Museum System (TMS) to find out if they
are affiliated in any way and unfortunately, they are not.
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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========================================================================Date: Tue, 28 Nov 2006 10:05:23 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Richard Fields <[log in to unmask]>
Subject: "Our Body: The Universe Within" exhibit article
In-Reply-To: <[log in to unmask]>
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Martin F. Kohn has written an interesting article on the "Our Body: The Universe Within" exhibit to be shown at the New Detroit Science Center. The article ( http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305 ) looks at the exhibit, controversy, and thoughts of exhibiting human body parts. The bodies have undergone a process called plastination, and the exhibit is developed by Universe Within Touring Co. They expect 50,000 visitors a month during its run from January 13th to Memorial Day, according to the article.
Now my comments. I acknowledge the educational value of bodies used in medical education and research. I acknowledge the educational value of a cursory examination of human remains when accidentally discovered before proper re-internment. I am not opposed to educational study. That said, I am opposed to the display of human remains in museums. I have seen exhibits, such as the Science Museum of Minnesota, which had slices of human bodies between glass (or something smiler), which could make a claim to an educational value, and I remember the mummy's hand on display at the Witte museum in San Antonio, (smell the mummy's hand!) which I found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing humans on display. There was a history of disrespect shown toward native remains, and those from other non-European cultures. Fortunately, that has mostly passed. The bodies for the exhibit come from China, and although they gave their bodies to science, I still don't think a museum exhibit is an appropriate use for a dead body. I do not know if they were aware if the scientific use included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body parts in museums. Can you separate your professional and personal views on this issue (I cannot)? Is the display of bodies a legitimate item, or is it just another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with disdain as the way we now consider the display of human remains from other cultures (such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte Museum. I think you both have great museums, I just disagree with the exhibits I saw, which were about five and ten years ago respectively. I do not know if they are still there. I just used your institutions since they were the first two I remembered.
---------------------------------
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Martin F. Kohn has written an interesting article on the "Our Body: The Universe Within" exhibit to be shown at the New Detroit Science Center. The article ( http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305 ) looks at the exhibit, controversy, and thoughts of exhibiting human body parts. The bodies have undergone a process called plastination, and the exhibit is developed by Universe Within Touring Co. They expect 50,000 visitors a month during its run from January 13th to Memorial Day, according to the article.
Now my comments. I acknowledge the educational value of bodies used in medical education and research. I acknowledge the educational value of a cursory examination of human remains when accidentally discovered before proper re-internment. I am not opposed to educational study. That said, I am opposed to the display
of human remains in museums. I have seen exhibits, such as the Science Museum of Minnesota, which had slices of human bodies between glass (or something smiler), which could make a claim to an educational value, and I remember the mummy's hand on display at the Witte museum in San Antonio, (smell the mummy's hand!) which I found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing humans on display. There was a history of disrespect shown toward native remains, and those from other non-European cultures. Fortunately, that has mostly passed. The bodies for the exhibit come from China, and although they gave their bodies to science, I still don't think a museum exhibit is an appropriate use for a dead body. I do not know if they were aware if the scientific use included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body parts in museums. Can you separate
your professional and personal views on this issue (I cannot)? Is the display of bodies a legitimate item, or is it just another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with disdain as the way we now consider the display of human remains from other cultures (such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte Museum. I think you both have great museums, I just disagree with the exhibits I saw, which were about five and ten years ago respectively. I do not know if they are still there. I just used your institutions since they were the first two I remembered.
Access over 1 million songs - Yahoo! Music Unlimited.
========================================================Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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========================================================================Date: Tue, 28 Nov 2006 13:35:47 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Julia Moore <[log in to unmask]>
Subject: Re: "Our Body: The Universe Within" exhibit article
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Professionally and personally, I think a case could be made for
exhibitions such as "The Universe Within" or "Body Worlds," but I do not
believe that remains of ritually buried individuals, meant to stay
buried, should be defiled by placing them on public view. It's just
disrespectful. There are some very gray areas where bodies of the
accidentally-preserved have been found, such as the bog bodies, the "ice
man" found in the Alps and the remains from Pompeii, where examination
of them does lead to some very significant scientific and historical
discoveries and display is very educational for the public.
Julia Muney Moore
Public Art Administrator
Blackburn Architects, Indianapolis, IN
(317) 875-5500 x230
________________________________
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Richard Fields
Sent: Tuesday, November 28, 2006 1:05 PM
To: [log in to unmask]
Subject: [MUSEUM-L] "Our Body: The Universe Within" exhibit article
Martin F. Kohn has written an interesting article on the "Our Body: The
Universe Within" exhibit to be shown at the New Detroit Science Center.
The article (
http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305
) looks at the exhibit, controversy, and thoughts of exhibiting human
body parts. The bodies have undergone a process called plastination, and
the exhibit is developed by Universe Within Touring Co. They expect
50,000 visitors a month during its run from January 13th to Memorial
Day, according to the article.
Now my comments. I acknowledge the educational value of bodies used in
medical education and research. I acknowledge the educational value of a
cursory examination of human remains when accidentally discovered before
proper re-internment. I am not opposed to educational study. That said,
I am opposed to the display of human remains in museums. I have seen
exhibits, such as the Science Museum of Minnesota, which had slices of
human bodies between glass (or something smiler), which could make a
claim to an educational value, and I remember the mummy's hand on
display at the Witte museum in San Antonio, (smell the mummy's hand!)
which I found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing humans
on display. There was a history of disrespect shown toward native
remains, and those from other non-European cultures. Fortunately, that
has mostly passed. The bodies for the exhibit come from China, and
although they gave their bodies to science, I still don't think a museum
exhibit is an appropriate use for a dead body. I do not know if they
were aware if the scientific use included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body
parts in museums. Can you separate your professional and personal views
on this issue (I cannot)? Is the display of bodies a legitimate item, or
is it just another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with disdain
as the way we now consider the display of human remains from other
cultures (such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte
Museum. I think you both have great museums, I just disagree with the
exhibits I saw, which were about five and ten years ago respectively. I
do not know if they are still there. I just used your institutions since
they were the first two I remembered.
________________________________
Access over 1 million songs - Yahoo! Music Unlimited.
========================================================= Important
Subscriber Information:
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message to [log in to unmask] . The body of the message should
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"Signoff Museum-L" (without the quotes).
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Professionally and personally, I think a
case could be made for exhibitions such as “The Universe Within” or
“Body Worlds,” but I do not believe that remains of ritually buried
individuals, meant to stay buried, should be defiled by placing them on public
view. It’s just disrespectful. There are some very gray areas where
bodies of the accidentally-preserved have been found, such as the bog bodies,
the “ice man” found in the Alps and the remains from Pompeii, where
examination of them does lead to some very significant scientific and
historical discoveries and display is very educational for the public.
Julia Muney Moore
Public Art Administrator
Blackburn Architects, Indianapolis, IN
(317) 875-5500 x230
From:Museum discussion list [mailto:[log in to unmask]]
On Behalf Of Richard Fields Sent: Tuesday, November 28, 2006
1:05 PM To:[log in to unmask] Subject: [MUSEUM-L] "Our
Body: The Universe Within" exhibit article
Martin F. Kohn has written an interesting article on the "Our
Body: The Universe Within" exhibit to be shown at the NewDetroitScienceCenter.
The article ( http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305 )
looks at the exhibit, controversy, and thoughts of exhibiting human body parts.
The bodies have undergone a process called plastination, and the exhibit is
developed by Universe Within Touring Co. They expect 50,000 visitors a month
during its run from January 13th to Memorial Day, according to the article.
Now my comments. I acknowledge the educational value of bodies used in
medical education and research. I acknowledge the educational value of a
cursory examination of human remains when accidentally discovered before proper
re-internment. I am not opposed to educational study. That said, I am opposed
to the display of human remains in museums. I have seen exhibits, such as the
Science Museum of Minnesota, which had slices of human bodies between glass (or
something smiler), which could make a claim to an educational value, and I
remember the mummy's hand on display at the Witte museum in San Antonio, (smell the mummy's hand!) which I
found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing
humans on display. There was a history of disrespect shown toward native
remains, and those from other non-European cultures. Fortunately, that has
mostly passed. The bodies for the exhibit come from China, and although they gave their
bodies to science, I still don't think a museum exhibit is an appropriate use
for a dead body. I do not know if they were aware if the scientific use
included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body
parts in museums. Can you separate your professional and personal views on this
issue (I cannot)? Is the display of bodies a legitimate item, or is it just
another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with
disdain as the way we now consider the display of human remains from other
cultures (such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte
Museum. I think you both have great museums, I just disagree with the exhibits
I saw, which were about five and ten years ago respectively. I do not know if
they are still there. I just used your institutions since they were the first
two I remembered.
Access over 1 million songs - Yahoo!
Music Unlimited. =========================================================
Important Subscriber Information:
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Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You
may obtain detailed information about the listserv commands by sending a one
line e-mail message to [log in to unmask] . The body of the message
should read "help" (without the quotes).
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decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read
"Signoff Museum-L" (without the quotes).
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========================================================================Date: Tue, 28 Nov 2006 13:05:07 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Kevin OConnell <[log in to unmask]>
Subject: FW: Draft: Changes to IMLS Management
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The following three press release summaries are from the federal
Institute of Museum and Library Services (IMLS). Full versions of the
releases can be viewed on the IMLS Web site at the links below.
FOR IMMEDIATE RELEASE
November 28, 2006
Press Contacts
202-653-4628
Kevin O'Connell, [log in to unmask]
Mamie Bittner Named Deputy Director for Policy, Planning, Research, and
Communications
Washington, DC--Dr. Anne-Imelda M. Radice, Director of the Institute of
Museum and Library Services, announced today that Mamie Bittner will be
promoted to a new position, Deputy Director for Policy, Planning,
Research, and Communications. Ms. Bittner, who will continue to be
responsible for legislative and public affairs, will now assume
responsibility for the agency's research and evaluation functions as
well. View complete release at www.imls.gov/news/2006/112706a.shtm
Dr. Rebecca Danvers, Director of Research and Technology, to Retire
Washington, DC--Dr. Anne-Imelda M. Radice noted today that Dr. Rebecca
Danvers has announced her retirement from the Institute of Museum and
Library Services, effective January 5, 2007. Dr. Danvers has over
twenty-two years of federal service at the Institute. She has held two
leadership positions, Director of the Program Office at the agency's
predecessor, Institute of Museum Services, and Director of the Office of
Research and Technology at the Institute of Museum and Library Services.
View complete release at www.imls.gov/news/2006/112706b.shtm
Schroeder Cherry Reappointed as Counselor to the Director
Washington, DC--Dr. Anne-Imelda M. Radice, Director of the Institute of
Museum and Library Services, announced today that Dr. Schroeder Cherry
has been reappointed as Counselor to the Director. "Dr. Cherry's
thirty-plus years in the museum field span a broad range of areas with
primary focus on making museum resources accessible to the public,"
noted Dr. Radice. "As Counselor to the Director, he is cultivating
relationships with entities that have previously had little contact with
IMLS." View complete release at www.imls.gov/news/2006/112706c.shtm
About the Institute of Museum and Library Services
The Institute of Museum and Library Services is the primary source of
federal support for the nation's 122,000 libraries and 17,500 museums.
The Institute's mission is to create strong libraries and museums that
connect people to information and ideas. The Institute works at the
national level and in coordination with state and local organizations to
sustain heritage, culture, and knowledge; enhance learning and
innovation; and support professional development. To learn more about
the Institute, please visit www.imls.gov.
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========================================================================Date: Tue, 28 Nov 2006 13:51:35 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Cathy Donnelly <[log in to unmask]>
Subject: Timelines in Museums
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We'd like to develop a timeline for a new history/humanities-based
exhibit at The Children's Museum of Indianapolis. Can anyone tell me if
they've evaluated a timeline at their own institution? If so, would you
be willing to share results? Or, have you seen or read an article that
evaluated/reviewed an exhibit timeline?
We're also curious about what makes a timeline "successful" or
"effective" with children (ages 8 and older) and families. Any good
examples out there you could recommend?
Thanks for your help!
Cathy Donnelly
Senior Exhibit Developer
The Children's Museum of Indianapolis
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We’d like to develop a timeline for a new
history/humanities-based exhibit at The Children’s Museum of Indianapolis.
Can anyone tell me if they’ve evaluated a timeline at their own
institution? If so, would you be willing to share results? Or, have
you seen or read an article that evaluated/reviewed an exhibit timeline?
We’re also curious about what makes a timeline “successful”
or “effective” with children (ages 8 and older) and families.
Any good examples out there you could recommend?
Thanks for your help!
Cathy Donnelly
Senior Exhibit Developer
The Children’s Museum of Indianapolis
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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========================================================================Date: Tue, 28 Nov 2006 11:14:53 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Julie Kendig <[log in to unmask]>
Subject: Museum Professional Development
Mime-Version: 1.0
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Hello!
I am serving on a committe to establish a program in Balboa Park for museum
professional development, which we are calling the Balboa Park Learning
Institute. We are very interested in bringing together a distance learning
component for the program, but we want to hear your thoughts. I would
greatly appreciate it if each of you would take 2 minutes to fill out this
survey and pass it around to those who you feel would be interested in
providing their feedback. Any museum employee is eligible to fill out the
survey.
http://www.surveymonkey.com/s.asp?u$0712767414
Thank you very much!
Sincerely,
Julie (Kendig) Lawrence
Education Programs Coordinator
Reuben H. Fleet Science Center
1875 El Prado
San Diego, CA 92101
(619) 238-1233 ext. 808
www.rhfleet.org
_________________________________________________________________
Get free, personalized commercial-free online radio with MSN Radio powered
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========================================================Important Subscriber Information:
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========================================================================Date: Tue, 28 Nov 2006 14:10:43 -0600
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Rachel Foster <[log in to unmask]>
Subject: Re: "Our Body: The Universe Within" exhibit article
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I also acknowledge the value of the study of human remains. However, I
do agree that there should be concern about this type of exhibit.
Though the bodies were provided for educational purposes, the museum
community should really examine the aim and outcome of these types of
exhibits. Are the viewers really coming to learn something or are they
attending the exhibit for sheer shock value. As professionals we all
should acknowledge the fact that the many of our guests only visit to
our institutions to "look at stuff."
In this case, I think interpretation through labels, brochures, etc. is
the key to increasing the educational value that the majority of the
visitors will receive. Even with interpretation, an examination of the
donors' wishes should certainly be taken into consideration. In
donating their bodies for study, how could they possibly envision crowds
of people filing by their remains in a museum? Though there is
educational value if the exhibit is well done, does that value meet the
expectations of a donor? Will these types of exhibits have an effect on
the publics desire to donate their remains? In any case, I hope the
public will leave with a greater understanding of human anatomy and the
role of scientific research in disease prevention and medical
technology.
________________________________
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Richard Fields
Sent: Tuesday, November 28, 2006 12:05 PM
To: [log in to unmask]
Subject: [MUSEUM-L] "Our Body: The Universe Within" exhibit article
Martin F. Kohn has written an interesting article on the "Our Body: The
Universe Within" exhibit to be shown at the New Detroit Science Center.
The article (
http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305
) looks at the exhibit, controversy, and thoughts of exhibiting human
body parts. The bodies have undergone a process called plastination, and
the exhibit is developed by Universe Within Touring Co. They expect
50,000 visitors a month during its run from January 13th to Memorial
Day, according to the article.
Now my comments. I acknowledge the educational value of bodies used in
medical education and research. I acknowledge the educational value of a
cursory examination of human remains when accidentally discovered before
proper re-internment. I am not opposed to educational study. That said,
I am opposed to the display of human remains in museums. I have seen
exhibits, such as the Science Museum of Minnesota, which had slices of
human bodies between glass (or something smiler), which could make a
claim to an educational value, and I remember the mummy's hand on
display at the Witte museum in San Antonio, (smell the mummy's hand!)
which I found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing humans
on display. There was a history of disrespect shown toward native
remains, and those from other non-European cultures. Fortunately, that
has mostly passed. The bodies for the exhibit come from China, and
although they gave their bodies to science, I still don't think a museum
exhibit is an appropriate use for a dead body. I do not know if they
were aware if the scientific use included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body
parts in museums. Can you separate your professional and personal views
on this issue (I cannot)? Is the display of bodies a legitimate item, or
is it just another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with disdain
as the way we now consider the display of human remains from other
cultures (such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte
Museum. I think you both have great museums, I just disagree with the
exhibits I saw, which were about five and ten years ago respectively. I
do not know if they are still there. I just used your institutions since
they were the first two I remembered.
________________________________
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I also acknowledge the value of the study
of human remains. However, I do agree that there should be concern about
this type of exhibit. Though the bodies were provided for educational
purposes, the museum community should really examine the aim and outcome of
these types of exhibits. Are the viewers really coming to learn something
or are they attending the exhibit for sheer shock value. As professionals
we all should acknowledge the fact that the many of our guests only visit to
our institutions to “look at stuff.”
In this case, I think interpretation through
labels, brochures, etc. is the key to increasing the educational value that the
majority of the visitors will receive. Even with interpretation, an
examination of the donors’ wishes should certainly be taken into
consideration. In donating their bodies for study, how could they
possibly envision crowds of people filing by their remains in a museum? Though
there is educational value if the exhibit is well done, does that value meet
the expectations of a donor? Will these types of exhibits have an effect
on the publics desire to donate their remains? In any case, I hope the
public will leave with a greater understanding of human anatomy and the role of
scientific research in disease prevention and medical technology.
From: Museum
discussion list [mailto:[log in to unmask]] On Behalf Of Richard Fields Sent: Tuesday, November 28, 2006
12:05 PM To:[log in to unmask] Subject: [MUSEUM-L] "Our
Body: The Universe Within" exhibit article
Martin F. Kohn has written an interesting article on the "Our
Body: The Universe Within" exhibit to be shown at the New Detroit Science
Center. The article ( http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305 )
looks at the exhibit, controversy, and thoughts of exhibiting human body parts.
The bodies have undergone a process called plastination, and the exhibit is
developed by Universe Within Touring Co. They expect 50,000 visitors a month
during its run from January 13th to Memorial Day, according to the article.
Now my comments. I acknowledge the educational value of bodies used in
medical education and research. I acknowledge the educational value of a
cursory examination of human remains when accidentally discovered before proper
re-internment. I am not opposed to educational study. That said, I am opposed
to the display of human remains in museums. I have seen exhibits, such as the
Science Museum of Minnesota, which had slices of human bodies between glass (or
something smiler), which could make a claim to an educational value, and I
remember the mummy's hand on display at the Witte museum in San Antonio, (smell
the mummy's hand!) which I found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing
humans on display. There was a history of disrespect shown toward native
remains, and those from other non-European cultures. Fortunately, that has
mostly passed. The bodies for the exhibit come from China, and although they
gave their bodies to science, I still don't think a museum exhibit is an
appropriate use for a dead body. I do not know if they were aware if the
scientific use included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body
parts in museums. Can you separate your professional and personal views on this
issue (I cannot)? Is the display of bodies a legitimate item, or is it just
another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with
disdain as the way we now consider the display of human remains from other
cultures (such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte
Museum. I think you both have great museums, I just disagree with the exhibits
I saw, which were about five and ten years ago respectively. I do not know if
they are still there. I just used your institutions since they were the first
two I remembered.
Access over 1 million songs - Yahoo!
Music Unlimited. =========================================================
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========================================================================Date: Tue, 28 Nov 2006 15:24:46 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: William Bevil <[log in to unmask]>
Subject: Museum Consulting (Exhibitions)
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Hello everyone,
I'm an exhibit designer/developer type, with a history of working in history
and science museums. I've recently relocated overseas, and am looking for
work in the museum arena in my new home country.
I've not found any full-time employment yet, but the freelance opportunities
seem to be coming at me from every direction! Trouble is, I've rarely
freelanced exhibit development and find it a bit bewildering. I know I can
do the work, that is not the concern, but I have no idea how to go about
quoting and estimating, nor what an exhibit development
contract/quote/tender should look like.
Thankfully, most of these are small projects, so they should be fairly easy
to get the mind around. My role on most includes exhibit content
development, working with staff/curators/specialists in association with the
client(s). I also would provide design and project management overseeing the
fabrication (which includes selecting and suggesting fabricators, and
overseeing their work to completion of the project.)
Anyhow, would anyone out there be willing to share some examples with me,
just to get me started? Specifically, I am interested in formatting for
proposals to provide exhibit development/design services (not fabrication)
and methodologies for pricing. I would very much like to provide a proposal
that is easy to understand, covers all the bases, and accurately describes
the services provided.
Also, I would be keen to know of any good reading material on the subject of
museum consulting / freelancing in general.
Thanks much!
-William
=========================================================
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========================================================================Date: Tue, 28 Nov 2006 15:42:47 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: "Meredith L. Dunham" <[log in to unmask]>
Subject: Re: application methods for unfinished wood
MIME-Version: 1.0
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Just a few thoughts:
Is there a reason you don't want to use the B-69? It works very well and you can add pigment to either the B-72 or the B-69 that helps label objects that are dark in color. My concern would be, how hard would it be to later remove that type of B-72/paper label in 5 or 10 ten years. Maybe it won't be difficult, and maybe it will. I've never read anything about that type of labeling in all of my research (our museum is going to have to re-label a significant portion of our collections, some of which are finished and unfinished), but that doesn't mean I've read every source there is.
Meredith Dunham
Curatorial Assistant
Virginia Beach Historic Houses
3131 Virginia Beach Blvd.
Virginia Beach, VA 23452
Phone: 757-431-4000
Fax: 757-431-3733
Email: [log in to unmask]
________________________________
From: Museum discussion list on behalf of Amy Leonard
Sent: Tue 11/28/2006 11:29 AM
To: [log in to unmask]
Subject: [MUSEUM-L] application methods for unfinished wood
Hello everyone, we were trying several different methods for B72 marking on unfinished wood objects. We found a great method (we think) involving a B72 bottom layer then writing the # on acid-free tissue paper and applying it with another B72 top layer. Is there any reason we should hesitate to implement this method? Any issues we need to consider? The corners seem to be staying down as long as they're soaked through with B72.
________________________________
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
========================================================================Date: Tue, 28 Nov 2006 15:50:22 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Amelia Cooper <[log in to unmask]>
Subject: Re: "Our Body: The Universe Within" exhibit article
Mime-Version: 1.0
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I saw just this controversial exhibit of platicized human bodies at the Natural History Museum in Denver over the summer. I decided to wait and see the exhibit before making any moral or personal judgements, and I am glad I did. The exhibit was one of the most educational exhibits that I have ever attended. I am a long-time museum employee and an art historian, but I will admit that I have little patience for looking at every object in a show and reading all of the accompanying text. Well, at this show, I found myself and, remarkably, almost everyone else doing just that. We all were taking our time, pointing out objects to family members, reading the text, relating the objects to our own lives and health. I think that real-life anatomy studies have been conducted by a very limited portion of the population (e.g. med students), so many of us are incredibly ignorant about the human body's functioning and how diseases affect it. And the exhibit showed me, at least, that the most obvious and helpful way to teach anatomy is through direct study of actual bodies. It felt more like self-examination than examination of "the other," because all of the bodies were unidentifiable and unidentified.
I will admit that the "shock" factor was present and annoying (i.e. bodies contorted into skateboarding poses, bodies "exploded" into a millon pieces so you could see all the inner details, etc.), but I felt that was just used as a tool to get people in the door. What they ended up really spending their time on were the more interesting, scientific materials on view. The idea, the execution, and accompanying handhelds and wall text were very educational and successful--I think that is key here.
I think it someone agrees to this usage of their remains, we should support it. This feels like a very different animal than the previous uses of the human body in exhibits than Richard Fields describes.
-----Original Message----- From: Rachel Foster <[log in to unmask]> Sent: Nov 28, 2006 3:10 PM To: [log in to unmask] Subject: Re: "Our Body: The Universe Within" exhibit article
I also acknowledge the value of the study of human remains. However, I do agree that there should be concern about this type of exhibit. Though the bodies were provided for educational purposes, the museum community should really examine the aim and outcome of these types of exhibits. Are the viewers really coming to learn something or are they attending the exhibit for sheer shock value. As professionals we all should acknowledge the fact that the many of our guests only visit to our institutions to “look at stuff.”
In this case, I think interpretation through labels, brochures, etc. is the key to increasing the educational value that the majority of the visitors will receive. Even with interpretation, an examination of the donors’ wishes should certainly be taken into consideration. In donating their bodies for study, how could they possibly envision crowds of people filing by their remains in a museum? Though there is educational value if the exhibit is well done, does that value meet the expectations of a donor? Will these types of exhibits have an effect on the publics desire to donate their remains? In any case, I hope the public will leave with a greater understanding of human anatomy and the role of scientific research in disease prevention and medical technology.
From: Museum discussion list [mailto:[log in to unmask]] On Behalf Of Richard Fields Sent: Tuesday, November 28, 2006 12:05 PM To:[log in to unmask] Subject: [MUSEUM-L] "Our Body: The Universe Within" exhibit article
Martin F. Kohn has written an interesting article on the "Our Body: The Universe Within" exhibit to be shown at the New Detroit Science Center. The article ( http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305 ) looks at the exhibit, controversy, and thoughts of exhibiting human body parts. The bodies have undergone a process called plastination, and the exhibit is developed by Universe Within Touring Co. They expect 50,000 visitors a month during its run from January 13th to Memorial Day, according to the article.
Now my comments. I acknowledge the educational value of bodies used in medical education and research. I acknowledge the educational value of a cursory examination of human remains when accidentally discovered before proper re-internment. I am not opposed to educational study. That said, I am opposed to the display of human remains in museums. I have seen exhibits, such as the Science Museum of Minnesota, which had slices of human bodies between glass (or something smiler), which could make a claim to an educational value, and I remember the mummy's hand on display at the Witte museum in San Antonio, (smell the mummy's hand!) which I found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing humans on display. There was a history of disrespect shown toward native remains, and those from other non-European cultures. Fortunately, that has mostly passed. The bodies for the exhibit come from China, and although they gave their bodies to science, I still don't think a museum exhibit is an appropriate use for a dead body. I do not know if they were aware if the scientific use included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body parts in museums. Can you separate your professional and personal views on this issue (I cannot)? Is the display of bodies a legitimate item, or is it just another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with disdain as the way we now consider the display of human remains from other cultures (such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte Museum. I think you both have great museums, I just disagree with the exhibits I saw, which were about five and ten years ago respectively. I do not know if they are still there. I just used your institutions since they were the first two I remembered.
Access over 1 million songs - Yahoo! Music Unlimited. ========================================================= Important Subscriber Information:
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========================================================================Date: Tue, 28 Nov 2006 16:21:00 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Ken Mark <[log in to unmask]>
Subject: Archival Accession ledgers
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Help!
I am the director of a new museum and need to purchase bound archival
accession ledgers. Many articles are written about them, many museums use
them but where do you purchase the critters?
Ken
Kenneth D. Mark
Director of the Oakes Museum
Messiah College
One College Ave. Box 3029
Grantham, PA 17055
Telephone: 717-691-6082
FAX: 717-691-6046
Email: [log in to unmask]
========================================================Important Subscriber Information:
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Help!
I am the director of a new museum and need to purchase bound archival accession ledgers. Many articles are written about them, many museums use them but where do you purchase the critters?
Ken
Kenneth D. Mark Director of the Oakes Museum
Messiah College One College Ave. Box 3029 Grantham, PA 17055
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
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========================================================================Date: Tue, 28 Nov 2006 17:11:26 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Marc A Williams <[log in to unmask]>
Organization: American Conservation Consortium, Ltd.
Subject: Re: application methods for unfinished wood
MIME-Version: 1.0
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Meredith, I beleive you mean B-67? If so, it would be fine for wooden
objects, particularly unfinished ones as in the querry. However, it will be
a bit harder and riskier to underlying surfaces to remove in the future than
B-72. I'd stay with tried and true B-72 for this specific purpose. In my
opinion, the paper removal will be no problem - just dissolve the B-72 and
off it will come. It staying in place is more of a concern.... I suggested
off-list B-72 followed by various paints as an alternative. That way, a top
coating is not required. Golden MSA acrylics would flow well, but plain old
artists' acrylics are fine.
I'd suggest that you be careful with pigment added to the B-67 (or B-72), as
effectively you will have made a dilute paint. Removal can be very
difficult from pores or absorbent surfaces.
Marc
American Conservation Consortium, Ltd.
4 Rockville Road
Broad Brook, CT 06016
www.conservator.com
860-386-6058
*Collections Preservation Consultation
*Conservation Assessments & Surveys
*Low-Tech Environmental Control
*Moisture Management Solutions
*Collections in Historic Structures
*Conservation Treatment of:
Furniture
Painted Wood
Horse-Drawn Vehicles
Architectural Interiors
Marc A. Williams, President
MS in Art Conservation, Winterthur Museum Program
Former Chief Wooden Object Conservator, Smithsonian Institution
Fellow, American Institute for Conservation (AIC)
----- Original Message -----
From: "Meredith L. Dunham" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, November 28, 2006 3:42 PM
Subject: Re: [MUSEUM-L] application methods for unfinished wood
Just a few thoughts:
Is there a reason you don't want to use the B-69? It works very well and
you can add pigment to either the B-72 or the B-69 that helps label objects
that are dark in color. My concern would be, how hard would it be to later
remove that type of B-72/paper label in 5 or 10 ten years. Maybe it won't
be difficult, and maybe it will. I've never read anything about that type
of labeling in all of my research (our museum is going to have to re-label a
significant portion of our collections, some of which are finished and
unfinished), but that doesn't mean I've read every source there is.
Meredith Dunham
Curatorial Assistant
Virginia Beach Historic Houses
3131 Virginia Beach Blvd.
Virginia Beach, VA 23452
Phone: 757-431-4000
Fax: 757-431-3733
Email: [log in to unmask]
________________________________
From: Museum discussion list on behalf of Amy Leonard
Sent: Tue 11/28/2006 11:29 AM
To: [log in to unmask]
Subject: [MUSEUM-L] application methods for unfinished wood
Hello everyone, we were trying several different methods for B72 marking on
unfinished wood objects. We found a great method (we think) involving a B72
bottom layer then writing the # on acid-free tissue paper and applying it
with another B72 top layer. Is there any reason we should hesitate to
implement this method? Any issues we need to consider? The corners seem to
be staying down as long as they're soaked through with B72.
________________________________
========================================================Important Subscriber Information:
The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
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[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
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========================================================================Date: Tue, 28 Nov 2006 15:46:23 -0600
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: [log in to unmask]
Subject: Re: Archival Accession ledgers
In-Reply-To: A<[log in to unmask]>
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Good Afternoon Kenneth,
I would look for a hard-bound ledger with numbered pages (lined) made by
Boorum & Pease. They make dozens of different types of ledgers.
Wesley
________________________________
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Ken Mark
Sent: Tuesday, November 28, 2006 3:21 PM
To: [log in to unmask]
Subject: Archival Accession ledgers
Help!
I am the director of a new museum and need to purchase bound archival
accession ledgers. Many articles are written about them, many museums
use them but where do you purchase the critters?
Ken
Kenneth D. Mark
Director of the Oakes Museum
Messiah College
One College Ave. Box 3029
Grantham, PA 17055
Telephone: 717-691-6082
FAX: 717-691-6046
Email: [log in to unmask]
========================================================= Important
Subscriber Information:
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Good Afternoon Kenneth,
I would look for a hard-bound ledger with
numbered pages (lined) made by Boorum & Pease. They make dozens of
different types of ledgers.
Wesley
From: Museum
discussion list [mailto:[log in to unmask]] On Behalf Of Ken Mark Sent: Tuesday, November 28, 2006
3:21 PM To:[log in to unmask] Subject: Archival Accession
ledgers
Help!
I am the director of a new museum and need to purchase bound archival accession
ledgers. Many articles are written about them, many museums use them but
where do you purchase the critters?
Ken
Kenneth D. Mark
Director of the OakesMuseum
MessiahCollege One College Ave. Box 3029 Grantham, PA17055
=========================================================
Important Subscriber Information:
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========================================================================Date: Tue, 28 Nov 2006 16:29:22 -0600
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: "Simmons, John E" <[log in to unmask]>
Subject: Re: "Our Body: The Universe Within" exhibit article
In-Reply-To: A<[log in to unmask]>
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There are really two issues here that need to be separated out for
consideration. The first issue is a professional one-what minimal
criteria must be met to consider exhibiting a human body? The second
issue is not professional, but personal, and that is-do you approve of
the exhibition of human bodies? In my opinion, in correcting the
mistakes of the past, we often tend to go overboard and allow personal
issues to intrude inappropriately into professional issues.
What minimal criteria must be met to consider the exhibition of human
bodies or body parts? There is a growing literature on this subject,
with consensus forming around the modern idea of permission. For
example, it is reasonable to require documentation for recently donated
bodies that clarifies that the donor intended the body to be exhibited.
The issue becomes more difficult with older anatomical preparations,
made in an era when different standards prevailed, but in these
instances, consensus seems to be forming based on the beliefs of the
culture that the body came from. Using these criteria, most US museums
would not exhibit bodies of Native Americans, but would consider an
exhibit of 50- or 100-year-old well prepared anatomical preparations
from people of European ancestry. Please note that I am not saying that
one of these situations is okay and the other isn't, I am saying that
this is where the discussion can begin.
A lot of people are offended by exhibits of body parts, but many more
people find such exhibits very engaging, educational, and even
beautiful. These are personal judgments that should be left up to
visitors, perhaps with signage that prepares the visitor for what is on
exhibit. Some people are offended by nudity in art, others have adverse
reactions when they see snakes or spiders, some people are offended by
exhibits of firearms-does this mean that museums should not exhibit
nudes or snakes or spiders or guns? Rather than allowing the personal
values of a small number of visitors to determine what is exhibited to
everyone, in my opinion, museums should work to accommodate the personal
values of all visitors by using sound professional considerations about
what is exhibited and by preparing visitors for what they might see so
that if visitors think they might be offended, they can avoid the
exhibit.
I have worked with preserved human bodies and exhibits of human body
parts for many years. When properly exhibited, human bodies and body
parts can be wonderful exhibits. I recently participated in a project
to re-house some human body parts in glass containers (though not at the
museum mentioned in the original post). The staff reactions to the work
were as mixed as those of the visitors-some staff members would not come
near the room where the work was being done, while other staff members
asked to come in for a closer look. The exhibit I was working on has a
long and distinguished history at the museum, and while I was working on
the project, I heard from many visitors about how much they learned from
the exhibit and how excited they were that the bodies were being
re-housed for better viewing. A few other visitors told me that they
had been to the museum many times but avoided entering that exhibit
space entirely. This is how it should be-evaluate carefully the
cultural and legal origin of the body and how it might be exhibited, and
if the decision is made to exhibit a body, allow individuals to make
personal choices about whether they see it or not.
--John
John E. Simmons
Collections Manager, Natural History Museum & Biodiversity Research
Center
and
Director, Museum Studies Program
University of Kansas
1345 Jayhawk Boulevard
Lawrence, Kansas 66045-7561
Telephone 785-864-4508
FAX 785-864-5335
[log in to unmask]
www.nhm.ku.edu/herpetology
www.ku.edu/~museumst
________________________________
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Rachel Foster
Sent: Tuesday, November 28, 2006 2:11 PM
To: [log in to unmask]
Subject: Re: "Our Body: The Universe Within" exhibit article
I also acknowledge the value of the study of human remains. However, I
do agree that there should be concern about this type of exhibit.
Though the bodies were provided for educational purposes, the museum
community should really examine the aim and outcome of these types of
exhibits. Are the viewers really coming to learn something or are they
attending the exhibit for sheer shock value. As professionals we all
should acknowledge the fact that the many of our guests only visit to
our institutions to "look at stuff."
In this case, I think interpretation through labels, brochures, etc. is
the key to increasing the educational value that the majority of the
visitors will receive. Even with interpretation, an examination of the
donors' wishes should certainly be taken into consideration. In
donating their bodies for study, how could they possibly envision crowds
of people filing by their remains in a museum? Though there is
educational value if the exhibit is well done, does that value meet the
expectations of a donor? Will these types of exhibits have an effect on
the publics desire to donate their remains? In any case, I hope the
public will leave with a greater understanding of human anatomy and the
role of scientific research in disease prevention and medical
technology.
________________________________
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Richard Fields
Sent: Tuesday, November 28, 2006 12:05 PM
To: [log in to unmask]
Subject: [MUSEUM-L] "Our Body: The Universe Within" exhibit article
Martin F. Kohn has written an interesting article on the "Our Body: The
Universe Within" exhibit to be shown at the New Detroit Science Center.
The article (
http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305
) looks at the exhibit, controversy, and thoughts of exhibiting human
body parts. The bodies have undergone a process called plastination, and
the exhibit is developed by Universe Within Touring Co. They expect
50,000 visitors a month during its run from January 13th to Memorial
Day, according to the article.
Now my comments. I acknowledge the educational value of bodies used in
medical education and research. I acknowledge the educational value of a
cursory examination of human remains when accidentally discovered before
proper re-internment. I am not opposed to educational study. That said,
I am opposed to the display of human remains in museums. I have seen
exhibits, such as the Science Museum of Minnesota, which had slices of
human bodies between glass (or something smiler), which could make a
claim to an educational value, and I remember the mummy's hand on
display at the Witte museum in San Antonio, (smell the mummy's hand!)
which I found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing humans
on display. There was a history of disrespect shown toward native
remains, and those from other non-European cultures. Fortunately, that
has mostly passed. The bodies for the exhibit come from China, and
although they gave their bodies to science, I still don't think a museum
exhibit is an appropriate use for a dead body. I do not know if they
were aware if the scientific use included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body
parts in museums. Can you separate your professional and personal views
on this issue (I cannot)? Is the display of bodies a legitimate item, or
is it just another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with disdain
as the way we now consider the display of human remains from other
cultures (such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte
Museum. I think you both have great museums, I just disagree with the
exhibits I saw, which were about five and ten years ago respectively. I
do not know if they are still there. I just used your institutions since
they were the first two I remembered.
________________________________
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There are really two issues here that need
to be separated out for consideration. The first issue is a professional
one—what minimal criteria must be met to consider exhibiting a human body?
The second issue is not professional, but personal, and that is—do you
approve of the exhibition of human bodies? In my opinion, in correcting
the mistakes of the past, we often tend to go overboard and allow personal
issues to intrude inappropriately into professional issues.
What minimal criteria must be met to
consider the exhibition of human bodies or body parts? There is a growing
literature on this subject, with consensus forming around the modern idea of
permission. For example, it is reasonable to require documentation for
recently donated bodies that clarifies that the donor intended the body to be
exhibited. The issue becomes more difficult with older anatomical
preparations, made in an era when different standards prevailed, but in these
instances, consensus seems to be forming based on the beliefs of the culture
that the body came from. Using these criteria, most US museums
would not exhibit bodies of Native Americans, but would consider an exhibit of
50- or 100-year-old well prepared anatomical preparations from people of
European ancestry. Please note that I am not saying that one of these
situations is okay and the other isn’t, I am saying that this is where
the discussion can begin.
A lot of people are offended by exhibits
of body parts, but many more people find such exhibits very engaging, educational,
and even beautiful. These are personal judgments that should be left up
to visitors, perhaps with signage that prepares the visitor for what is on
exhibit. Some people are offended by nudity in art, others have adverse reactions
when they see snakes or spiders, some people are offended by exhibits of
firearms—does this mean that museums should not exhibit nudes or snakes
or spiders or guns? Rather than allowing the personal values of a small
number of visitors to determine what is exhibited to everyone, in my opinion,
museums should work to accommodate the personal values of all visitors by using
sound professional considerations about what is exhibited and by preparing
visitors for what they might see so that if visitors think they might be
offended, they can avoid the exhibit.
I have worked with preserved human bodies and
exhibits of human body parts for many years. When properly exhibited,
human bodies and body parts can be wonderful exhibits. I recently participated
in a project to re-house some human body parts in glass containers (though not
at the museum mentioned in the original post). The staff reactions to the
work were as mixed as those of the visitors—some staff members would not
come near the room where the work was being done, while other staff members
asked to come in for a closer look. The exhibit I was working on has a
long and distinguished history at the museum, and while I was working on the
project, I heard from many visitors about how much they learned from the exhibit
and how excited they were that the bodies were being re-housed for better
viewing. A few other visitors told me that they had been to the museum
many times but avoided entering that exhibit space entirely. This is how
it should be—evaluate carefully the cultural and legal origin of the body
and how it might be exhibited, and if the decision is made to exhibit a body, allow
individuals to make personal choices about whether they see it or not.
From: Museum
discussion list [mailto:[log in to unmask]] On Behalf Of Rachel Foster Sent: Tuesday, November 28, 2006
2:11 PM To:[log in to unmask] Subject: Re: "Our Body: The
Universe Within" exhibit article
I also acknowledge the value of the study
of human remains. However, I do agree that there should be concern about
this type of exhibit. Though the bodies were provided for educational
purposes, the museum community should really examine the aim and outcome of
these types of exhibits. Are the viewers really coming to learn something
or are they attending the exhibit for sheer shock value. As professionals
we all should acknowledge the fact that the many of our guests only visit to our
institutions to “look at stuff.”
In this case, I think interpretation
through labels, brochures, etc. is the key to increasing the educational value
that the majority of the visitors will receive. Even with interpretation,
an examination of the donors’ wishes should certainly be taken into
consideration. In donating their bodies for study, how could they
possibly envision crowds of people filing by their remains in a museum?
Though there is educational value if the exhibit is well done, does that value
meet the expectations of a donor? Will these types of exhibits have an
effect on the publics desire to donate their remains? In any case, I hope
the public will leave with a greater understanding of human anatomy and the
role of scientific research in disease prevention and medical technology.
From: Museum
discussion list [mailto:[log in to unmask]] On Behalf Of Richard Fields Sent: Tuesday, November 28, 2006
12:05 PM To:[log in to unmask] Subject: [MUSEUM-L] "Our
Body: The Universe Within" exhibit article
Martin F. Kohn has written an interesting article on the "Our
Body: The Universe Within" exhibit to be shown at the NewDetroitScienceCenter.
The article ( http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305 )
looks at the exhibit, controversy, and thoughts of exhibiting human body parts.
The bodies have undergone a process called plastination, and the exhibit is
developed by Universe Within Touring Co. They expect 50,000 visitors a month
during its run from January 13th to Memorial Day, according to the article.
Now my comments. I acknowledge the educational value of bodies used in
medical education and research. I acknowledge the educational value of a
cursory examination of human remains when accidentally discovered before proper
re-internment. I am not opposed to educational study. That said, I am opposed
to the display of human remains in museums. I have seen exhibits, such as the
Science Museum of Minnesota, which had slices of human bodies between glass (or
something smiler), which could make a claim to an educational value, and I
remember the mummy's hand on display at the Witte museum in San Antonio, (smell the mummy's hand!) which
I found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing
humans on display. There was a history of disrespect shown toward native
remains, and those from other non-European cultures. Fortunately, that has
mostly passed. The bodies for the exhibit come from China, and although they gave their
bodies to science, I still don't think a museum exhibit is an appropriate use
for a dead body. I do not know if they were aware if the scientific use
included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body
parts in museums. Can you separate your professional and personal views on this
issue (I cannot)? Is the display of bodies a legitimate item, or is it just
another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with
disdain as the way we now consider the display of human remains from other
cultures (such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte
Museum. I think you both have great museums, I just disagree with the exhibits
I saw, which were about five and ten years ago respectively. I do not know if
they are still there. I just used your institutions since they were the first
two I remembered.
Access over 1 million songs - Yahoo!
Music Unlimited. =========================================================
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may obtain detailed information about the listserv commands by sending a one
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========================================================================Date: Wed, 29 Nov 2006 06:27:29 +0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Roger Smith <[log in to unmask]>
Subject: Re: Bodies on Display
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Note also the current story in Global Museum http://www.globalmuseum.org
(which is not the company referred to in Richard's article but raises
similar ethical considerations)
** Bona fide human factory opens doors in eastern Germany
It would appear that not content with exhibiting the "plastinated bodies",
von Hagens now appears to be running tours showing the bodies going through
the plastination process?
Roger
----- Original Message -----
From: Richard Fields
To: [log in to unmask]
Sent: Wednesday, November 29, 2006 2:05 AM
Subject: [MUSEUM-L] "Our Body: The Universe Within" exhibit article
Martin F. Kohn has written an interesting article on the "Our Body: The
Universe Within" exhibit to be shown at the New Detroit Science Center. The
article (
http://www.freep.com/apps/pbcs.dll/article?AID=/20061128/ENT05/611280305 )
looks at the exhibit, controversy, and thoughts of exhibiting human body
parts. The bodies have undergone a process called plastination, and the
exhibit is developed by Universe Within Touring Co. They expect 50,000
visitors a month during its run from January 13th to Memorial Day, according
to the article.
Now my comments. I acknowledge the educational value of bodies used in
medical education and research. I acknowledge the educational value of a
cursory examination of human remains when accidentally discovered before
proper re-internment. I am not opposed to educational study. That said, I am
opposed to the display of human remains in museums. I have seen exhibits,
such as the Science Museum of Minnesota, which had slices of human bodies
between glass (or something smiler), which could make a claim to an
educational value, and I remember the mummy's hand on display at the Witte
museum in San Antonio, (smell the mummy's hand!) which I found revolting.
As a Native American, I am perhaps a bit more sensitive to seeing humans on
display. There was a history of disrespect shown toward native remains, and
those from other non-European cultures. Fortunately, that has mostly passed.
The bodies for the exhibit come from China, and although they gave their
bodies to science, I still don't think a museum exhibit is an appropriate
use for a dead body. I do not know if they were aware if the scientific use
included museum exhibits.
I am curious as to how others feel about exhibiting bodies and body parts in
museums. Can you separate your professional and personal views on this issue
(I cannot)? Is the display of bodies a legitimate item, or is it just
another way to keep the turnstiles revolving?
Will today's educational exhibit be looked at in the future with disdain as
the way we now consider the display of human remains from other cultures
(such as Indians, mummies from Egypt, or African Tribes).
And a quick note to the Science Museum of Minnesota and The Witte Museum. I
think you both have great museums, I just disagree with the exhibits I saw,
which were about five and ten years ago respectively. I do not know if they
are still there. I just used your institutions since they were the first two
I remembered.
Access over 1 million songs - Yahoo! Music Unlimited.
========================================================= Important
Subscriber Information:
The Museum-L FAQ file is located at
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Museum-L" (without the quotes).
No virus found in this incoming message.
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========================================================Important Subscriber Information:
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If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
========================================================================Date: Tue, 28 Nov 2006 19:27:24 -0500
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: "Meredith L. Dunham" <[log in to unmask]>
Subject: Re: application methods for unfinished wood
MIME-Version: 1.0
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Content-Transfer-Encoding: quoted-printable
Thanks very much for the corrections. I did mean B-67 but missed the number. Another curator had suggested adding pigment to the B-72 (or B-67) and I took that as tried and true. It never occurred to me that it would then be a paint. But I'm glad you mentioned the alternatives. I will keep it on file for our renumbering project. I'm glad I blundered here instead of in our museum. Thanks again and sorry for the mistakes.
Meredith
Virginia Beach Historic Houses
3131 Virginia Beach Blvd.
Virginia Beach, VA 23452
Phone: 757-431-4000
Fax: 757-431-3733
Email: [log in to unmask]
________________________________
From: Museum discussion list on behalf of Marc A Williams
Sent: Tue 11/28/2006 5:11 PM
To: [log in to unmask]
Subject: Re: [MUSEUM-L] application methods for unfinished wood
Meredith, I beleive you mean B-67? If so, it would be fine for wooden
objects, particularly unfinished ones as in the querry. However, it will be
a bit harder and riskier to underlying surfaces to remove in the future than
B-72. I'd stay with tried and true B-72 for this specific purpose. In my
opinion, the paper removal will be no problem - just dissolve the B-72 and
off it will come. It staying in place is more of a concern.... I suggested
off-list B-72 followed by various paints as an alternative. That way, a top
coating is not required. Golden MSA acrylics would flow well, but plain old
artists' acrylics are fine.
I'd suggest that you be careful with pigment added to the B-67 (or B-72), as
effectively you will have made a dilute paint. Removal can be very
difficult from pores or absorbent surfaces.
Marc
American Conservation Consortium, Ltd.
4 Rockville Road
Broad Brook, CT 06016
www.conservator.com
860-386-6058
*Collections Preservation Consultation
*Conservation Assessments & Surveys
*Low-Tech Environmental Control
*Moisture Management Solutions
*Collections in Historic Structures
*Conservation Treatment of:
Furniture
Painted Wood
Horse-Drawn Vehicles
Architectural Interiors
Marc A. Williams, President
MS in Art Conservation, Winterthur Museum Program
Former Chief Wooden Object Conservator, Smithsonian Institution
Fellow, American Institute for Conservation (AIC)
----- Original Message -----
From: "Meredith L. Dunham" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, November 28, 2006 3:42 PM
Subject: Re: [MUSEUM-L] application methods for unfinished wood
Just a few thoughts:
Is there a reason you don't want to use the B-69? It works very well and
you can add pigment to either the B-72 or the B-69 that helps label objects
that are dark in color. My concern would be, how hard would it be to later
remove that type of B-72/paper label in 5 or 10 ten years. Maybe it won't
be difficult, and maybe it will. I've never read anything about that type
of labeling in all of my research (our museum is going to have to re-label a
significant portion of our collections, some of which are finished and
unfinished), but that doesn't mean I've read every source there is.
Meredith Dunham
Curatorial Assistant
Virginia Beach Historic Houses
3131 Virginia Beach Blvd.
Virginia Beach, VA 23452
Phone: 757-431-4000
Fax: 757-431-3733
Email: [log in to unmask]
________________________________
From: Museum discussion list on behalf of Amy Leonard
Sent: Tue 11/28/2006 11:29 AM
To: [log in to unmask]
Subject: [MUSEUM-L] application methods for unfinished wood
Hello everyone, we were trying several different methods for B72 marking on
unfinished wood objects. We found a great method (we think) involving a B72
bottom layer then writing the # on acid-free tissue paper and applying it
with another B72 top layer. Is there any reason we should hesitate to
implement this method? Any issues we need to consider? The corners seem to
be staying down as long as they're soaked through with B72.
________________________________
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========================================================================Date: Tue, 28 Nov 2006 16:51:00 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: David Harvey <[log in to unmask]>
Subject: Re: application methods for unfinished wood
In-Reply-To: <[log in to unmask]>
MIME-Version: 1.0
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I have used several different labeling techniques over the years. I
would advise using polypaper instead of acid free paper if you want to
go that route. I prefer laying down a stripe of dilute B-72 then using
acrylic paint (white for dark objects and red or black for light
objects) paint the number, then a top coat of B-67. There really isn't
a need to pigment the acryloid resin.
Cheers!
Dave
David Harvey
Conservator
Los Angeles, California
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========================================================================Date: Tue, 28 Nov 2006 15:59:34 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Micki Ryan <[log in to unmask]>
Subject: Research policies
In-Reply-To: <[log in to unmask]>
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Dear Colleagues,
I am seeking examples of museum policies on providing research access to
collections. At the moment we have a policy for archival/photographic
research, but only a mention of historical object research. As we are about
to receive some materials of scientific interest, I am aware that our
current policy may be inadequate and require some revision to be more
general and protective. I would like to read broader covering policies for
access and publication, particularly where the researcher's findings will be
published in a scientific journal. You may cc responses to the museum email
address below, [log in to unmask]
Micki Ryan, Director
Orcas Island Historical Museum
POB 134, Eastsound WA 98245
[log in to unmask]
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========================================================================Date: Tue, 28 Nov 2006 17:25:01 -0800
Reply-To: Museum discussion list <[log in to unmask]>
Sender: Museum discussion list <[log in to unmask]>
From: Celeste Sauls <[log in to unmask]>
Subject: AVRM Conference Poll
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We're planning the first conference for Association of Volunteer Resources Management, the new association being built by the VRM Roundtable. You can help us by letting us know the month that YOU would like to have the first conference. Please visit www.vrm-roundtable.org to cast your vote for the date of the first conference. While you are there, register your organization in the Registry if you work with volunteer resources managers. The Registry helps VRMS find you!
Thanks!
Celeste
A. Celeste Sauls-Marks, CVA
Leadership Team Leader
VRM Roundtable/Association of Volunteer Resources Management
---------------------------------
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========================================================Important Subscriber Information:
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We're planning the first conference for Association of Volunteer Resources Management, the new association being built by the VRM Roundtable.You can help us by letting us know the month that YOU would like to have the first conference.Please visit www.vrm-roundtable.org to cast your vote for the date of the first conference. While you are there, register your organization in the Registry if you work with volunteer resources managers. The Registry helps VRMS find you!
Thanks!
Celeste
A. Celeste Sauls-Marks, CVA
Leadership Team Leader
VRM Roundtable/Association of Volunteer Resources Management
Want to start your own business? Learn how on Yahoo! Small Business.
========================================================Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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