Aren't museums supposed to educate? And if a museum offers no education for
its art, aren't they failing their mission? If visitors walk away not
understanding and thinking what they saw was a bunch of junk, then all we're
doing is increasing the public's perception that museums are elitist. Sure,
there is the "feel it" school of modern art, but if a person doesn't know
that is their goal, all you have is a confused and sometimes resentful
visitor. Some sort of labels seem necessary to help include everyone, if
that is your museum's purpose.



But then, I also really love those up-close and personal segments during the
Olympics. It's the historian in me- I always want to know more!



Pamela



-----Original Message-----
From: Sheryl Woodruff [mailto:[log in to unmask]]
Sent: Friday, October 03, 2003 11:03 AM
To: [log in to unmask]
Subject: Re: Article on labels in art museums



This is a great thread!! I am an historian, not an artist, or art historian,
but I am a museum person. So I have a good background on museums and a
horrible background in art. I do like going to art museums, but I often come
away with nothing, or sometimes even annoyed at the experience. I rarely
feel completely satisfied by a trip to an art museum.

 I recently went to the MoMA Queens exhibit "Ansel Adams at 100" and I
really did enjoy the photographs, but then I also think that Ansel Adams is
an artist for the masses -- very easy to enjoy visually. I did find myself
frustrated at the lack of labels though. There were concept panels
throughout -- some interesting ones about his life and state of his career,
but I as I went through, I got annoyed because I wasn't told how the photos
were created. How were they developed and when? What print was this? Etc.
Now, I don't even know if these are good questions to ask about a
photograph, but that is my point. I certainly enjoyed the exhibit, but I
felt I came away with no more knowledge than I had before. Did I enjoy the
photos, yes. But I have always liked Adams.

But what about an artist such as El Greco? I don't enjoy his work
aesthetically -- normally I just pass by what I don't like. But is there
something that might make me understand why he uses such ugly colors and his
forms are always so twisted and unlife-like to me? Maybe, but I don't know
that answer. Maybe an art curator does. Would I pass by if there was a panel
explaining his form and color? No, I would read it and probably feel much
more satisified and maybe not like his paintings, but feel as if I
understand them better. Isn't art supposed to be both the idea and the
technique? How can I appreciate it if I do not understand the technique?

And there seems to be two ideas floating on the list -- the aesthetic vs.
understanding. Is this an idea that is debated within the art community?
Maybe another idea that an art museum could explore and shed some light on
for the uninformed like me.

I don't have any answers here, obviously, but I thought the voice of an
oftentimes frustrated art museum visitor might be a good thing to add to
this dicussion.

Sheryl Woodruff








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