(snip)
>All of this works fairly well with 2-D works, but there is something about
>3-D works that seem almost irresistable. We currently exhibition of Akari
>lamps by Noguchi and everyone, almost, wants to fondle not just touch the
>mulberry bark paper surface. We have a staff person in the gallery to act
>as explainer and security. This is about the only way to insure that 3-D
>objects aren't loved to death.
>
Isn't that what barriers, cases and vitrines are for? Seems that art
museums can learn a lot from the rest of us.
Cheers,
HBC
*****************************************
Henry B. Crawford Curator of History
[log in to unmask] Museum of Texas Tech University
806/742-2442 Box 43191
FAX 742-1136 Lubbock, TX 79409-3191
******* "IT'S A NICE DAY, LET'S PLAY TWO!" ********