I will be teaching a course on copyright to contemporary visual artists.
The course is entitled "Who has the Right?" and will exploring issues of
appropriation, responsibility, ownership, reproduction, digitisation, etc.
I have previously taught museum studies students and some of my readings
and case studies are inappropriate. I have found some excellent and
relevant readings but I am particularly interested in case studies that
address issues around copyright and contemporary art. The artists taking
this course are unschooled in this area and yet are taking the course
because they know they need to get a grip on this subject.
Any suggestions of good case studies would be most appreciated.
This is probably peripheral to most m-l'ers interest so please reply off list.
Many thanks
Carol E. Mayer