BOHEMIAN LONDON; CAMDEN TOWN AND BLOOMSBURY PAINTINGS IN ADELAIDE.
ART GALLERY OF SOUTH AUSTRALIA, ADELAIDE
MAY 16-JUNE 29,1997.
CURATOR: ANGUS TRUMBLE email: [log in to unmask]

This message is being posted on behalf of ANGUS TRUMBLE, the Curator of
European Art at the Art Gallery of South Australia, Adelaide, Australia.
Angus would like to hear from scholars and students working on subjects
relating to the above exhibition, namely the following paintings, works on
paper and decorative arts drawn entirely from public and private collections
in Adelaide, South Australia.

Please respond directly to Angus at : [log in to unmask]

- Walter Bayes, Cap Brun (1927)
- Vanessa Bell, Bedroom, Gordon Square (1912); Monte Oliveto (1912), and
Omega    Workshops textiles.
- Robert Bevan, The Green House, St. John's Wood (c.1914), and lithographs
- Malcolm Drummond, At the piano (c.1912), Still life with coffee pot (c.1914)
- Roger Fry, Still life; jug and eggs (1911), and Omega Workshops ceramics
and   textiles
- Mark Gertler, Seated nude; The coffee pot (1920); Head of an old man (1914)
- Harold Gilman, Interior with aa washstand (c. 1914);Landscape (drawing)
- Charles Ginner, Battersea Park (1910); Annabel and my wallpaper; The wet
  street, Dieppe (1911)
- Spencer Gore, Ballet - The Alhambra (c.1911-12); Autumn, Sussex (c. 1907)
- Duncan Grant, Autumn landscape (previously known as Sussex landscape) (1909);
  Woman and child (1927); Still life with eggs )1920)
- D. Innes, North African Landscape (previously known as Spanish landscape);
  Sea at sunset (1913)
- Augustus John, Begonias; Caspar John (c.1909); Figures on a shore (the
artist's children) (c.1910);Poppet (c.1925); Self-portrait (c.1938), drawings
  including Gypsies; The lovers; Nude; and etchings, particularly Tete farouche,
  and Portrait of the artist in a hat
- Gwen John, Soeur Marie Celine (c.1916); The convalescent
- Henry Lamb, The Anrep family (1920); Nasturtiums; drawing of Helen Anrep
(c1920)
- Derwent Lees, Lyndra by the blue pool (1913)
- Wyndham Lewis, Edith Sitwell (1921)
- Paul Nash, Bird chase (drawing) (1911); Red berries in a vase (c.1922)
- Omega Workshops, Lily-pond table, ceramics, textiles
- William Ratcliffe, Beehives, Sweden (1913); Girl at the piano (c.1911)
- Gwendolin Raverat, Bolshevists agents, woodcut
- Walter Sickert, Bath (1916);Fading memories of Sir Walter Scott (1927); Inez;
  Landscape; Mornington Crescent nude, contre-jour (1907); The pheasant; The
  Raising of Lazarus (1928-29), and drawings, Seated Venetian woman (c. 1903);
  and Noctes Ambrosianae (etching)
- Emile-Antoine Verpelleux, woodcuts, particularly The British Museum, St Paul's

The catalogue of the exhibition (available May 1997) will contain full
catalogue entries for each work and approx. 25 colour reproductions. It may
be ordered through the Art Gallery Bookshop, Art Gallery of South Australia,
North Terrace, Adelaide, South Australia 5000, Australia. Fax: (61 8) 8207 7070.

In May and June 1997 the Australian Chamber Orchestra and the Adelaide
Symphony Orchestra will present programs of modern British music. The Art
Association of Australia (Adelaide chapter) and the Art Gallery of South
Australia are planning an interdisciplinary seminar on art, music and
literature in Edwardian London, to coincide with the concerts and the
exhibition in early June. More information soon.
Ms. Jin Whittington, Librarian
Art Gallery of South Australia
Research Library
North Terrace
Adelaide, SA 5000
Australia
Tel: (08) 8207 7042    Fax: (08) 8207 7070
Email: [log in to unmask]