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Sun, 3 Dec 1995 13:27:10 -0500 |
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>Contemporary art, however, is
>still open to a variety of interpretations--there is no "right" way to =
look
>at it, only suggestions that might help the viewer discover his/her own =
meaning.
>Modern art, on the other hand, is directly attributable to certain =
specific
>movements and individuals and should by all means have detailed =
interpretive
>materials immediatly at hand.
>Julia Moore
>Indianapolis Art Center
One of the reasons that the conservative agenda has had a field day =
with contemporary art is the supposition thatyou have to "get it" =
because we are not going to explain it. The museums and art centers =
have an obligation to their public to educate, to offer background on =
why the art on display was created, to inform them as to why these works =
were selected for exhibition instead of other works. As to the belief =
that there is no "right" way to look at art, that may be true. There =
are many ways to view art, a few are much more productive than others, =
and if we do not provide assistance, we do a disservice to the viewer, =
the artist, and our institution. =20
Finally, it seems to me that the contemporary art of the 1990's will be
=
the modern art of the 2010's. When does the consensus for meaning =
arrive? When those specifics are determined will there be room for the =
rawness, the openness, and the creativity that existed. How do we =
connect the icons of modernism reproduced in the art history texts with =
the environment of their creation.
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