MS233: Matting and Framing
Instructor: Susan Duhl
Dates: May 6 to May 31, 2013
Location: online at www.museumclasses.org
Description:
Matting and Framing teaches the materials and techniques of
conservation-quality framing. For display, matting and framing provides
both protective and aesthetic contributions to art on paper. Students
will learn about different types of enclosures, different mat styles and
cutting methods, the pros and cons of different backing boards and
glazing, and different methods of attaching items to a mat, some of
which do not involve adhering hinges to art on paper. Lectures,
illustrations, product resources, and additional informational
references will be provided.
Logistics:
Participants in the Matting and Framing course work through sections on
their own. Instructor Susan Duhl is available for scheduled email
support. Materials and resources include online literature, slide
lectures, dialog between students and online chats led by the
instructor. The course is limited to 20 participants. Matting and
Framing lasts four weeks. To learn more go to
http://www.museumclasses.org and pay at
http://www.collectioncare.org/tas/tas.html If you have trouble please
contact Helen Alten at [log in to unmask]
The Instructor:
Susan Duhl is an Art Conservator in private practice specializing in art
on paper and archival collections. She provides workshops, preservation
consultations and conservation treatment to institutions and private
individuals throughout the world. Susan treats works on paper, including
prints, watercolors, drawings, wallpaper, documents, and 3-dimensional
paper objects. Her work includes disaster response and recovery,
consultations and collection surveys to determine condition, treatment
and long-term care recommendations, and helping clients prioritize
treatment needs. Her recent clients include the Library of Congress, the
National Archives and Records Administration, The Woodmere Art Museum,
and LaSalle and Lehigh University Art Museums. Susan completed her
Master of Art degree and Certificate of Advanced Study in Art
Conservation from the State University College at Buffalo Art
Conservation Program. She is a Professional Associate of the American
Institute for Conservation of Historic & Artistic Works (AIC) and
founding member of the Art Conservator Alliance.
--
Brad Bredehoft
Sales and Technology Manager
Northern States Conservation Center
www.collectioncare.org
www.museumclasses.org
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