Yes on a movie I was working on produced by one of the BIGGEST
producer in Hollywood on a cerntain movie about owls. The production
company said all kinds of things about how they would not hurt this
man's stuffed owls that where used in some of the scenes in place of
living owls. They broke I believe 2 irreplaceable artifacts.
Needless to say the producers can't control a crew and the crew
probably gives a crap at the end of a 10 hour day when they are
striking the set at the end of the shoot. SO A LOT OF INSURANCE or
no deal. Punitive actions in place in contract or no deal. before
pictures that must be put back exactly when done or no deal. (punitive
cost if they don't) A member of your staff that can put an
immediate halt to production on set at all times and in the event of a
shoot stop they are still responsible for all provision of the
contract plus possible punitive measures if they are stopped because
they of damage or just basic bad behavior.
Randy S. Little
http://www.rslittle.com
On Fri, Jun 22, 2012 at 9:12 AM, Debra Loguda-Summers <[log in to unmask]> wrote:
> I would be interested also.
>
>
> Debra Loguda-Summers, Curator
> Museum of Osteopathic Medicine, SM
> and International Center for Osteopathic History
> President Missouri Association for Museums and Archives
> 800 West Jefferson
> Kirksville, MO 63501
> Phone: 660 626 2359
> Fax: 660 626 2984
> Toll Free: 1 866 626 ATSU Ext. 2359
> [log in to unmask]
> www.atsu.edu/museum
>
> Check out the collection online at http://snom.pastperfect-online.com/
>
> A.T. Still Papers online at:
> http://www.sos.mo.gov/archives/mdh_splash/default.asp?coll=atsu
>
> The mission of the Museum of Osteopathic Medicine (SM) is to preserve and
> promote the history and tenets of osteopathy through collections and
> research to a global audience.
>
>
>
> On Fri, Jun 22, 2012 at 11:06 AM, Elena DiGrado <[log in to unmask]>
> wrote:
>>
>> Hello All,
>>
>> I was wondering if anyone can advise me on creating policies for
>> commercial filming at their site. Does anyone have policies for commercial
>> filming set in place at their site that I may look at? The organization I
>> work for is constantly bombarded by production companies wanting to film at
>> our historic houses or uses objects in our collection. My director tends to
>> shy away and say "no," to commercial filming, but we have recently received
>> a very persistent (and well funded) production group who would like to use
>> areas in our house for scenes in a movie. Our main worry, of course, is the
>> safety of our collection and the integrity of our historic house, but this
>> production company is willing to work with us on restriction and use of our
>> house and collection. Can anyone advise me on this particular subject? I
>> need to write restriction policies on food, lighting, movie equipment,
>> handling museum objects, and more! Please help.
>>
>> Thanks
>> EmdS
>>
>> Elena D Sanderlin
>> Museum Registrar
>> Hermann-Grima + Gallier Historic House Museums
>> 820 Saint Louis Street
>> New Orleans, Louisiana 70112
>>
>>
>>
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