Dave,
   Thank you for the input on the copyright issues. My concern is not really 
with a straightforward conversion, but (as with the maps) when there is some 
creative input into the digital version. Clearly the maps were cleaned up, 
flaws were removed, color was adjusted, etc. In the instance of the 16 mm 
film, I don't know if the camera shop did any splicing or editing, but if 
they did they have creative input over which they may feel they have some 
intellectual rights, too. Even if they don't technically have some rights, I 
fell it is prudent to have them sign a release form first. I guess Malaro 
does, too, as she indicated that the courts have ruled both ways on the 
matter.
   Thanks.
Lynne 

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