send me a photos of the whole piece, front and back and a good close up of
the mark, i will see what i can figure out.
Sara Conklin, ISA CAPP
Certified Appraiser
PH 800-464-4208
[log in to unmask]
----- Original Message -----
From: "MUSEUM-L automatic digest system" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Wednesday, October 24, 2007 9:00 PM
Subject: MUSEUM-L Digest - 23 Oct 2007 to 24 Oct 2007 (#2007-288)
> There are 31 messages totalling 6371 lines in this issue.
>
> Topics of the day:
>
> 1. Museums Acquisitions and pay pal accounts (3)
> 2. Storing images (2)
> 3. College Museums Take Note! (2)
> 4. Artifact Organization (3)
> 5. Lodging in Jerusalem (2)
> 6. Advice on chemical cleanup
> 7. Online Course - Collections Management 101 Begins Monday 10/29
> 8. Medals (6)
> 9. suggestions for new gallery floor covering material (2)
> 10. Mark on Pottery
> 11. Position Opening: Registrar, High Point Museum
> 12. Position Opening: Director of Community Affairs, High Point Museum
> 13. Post-Doctoral Fellowships at The Phillips Collection
> 14. The Phillips Book Prize
> 15. Position Postings
> 16. New Buildings in Historic Districts (2)
> 17. Postion Announcement - Curator of Collections
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ----------------------------------------------------------------------
>
> Date: Tue, 23 Oct 2007 22:02:39 -0700
> From: Gayle <[log in to unmask]>
> Subject: Re: Museums Acquisitions and pay pal accounts
>
> --0-209382436-1193202159=:12591
> Content-Type: text/plain; charset=iso-8859-1
> Content-Transfer-Encoding: 8bit
>
> DO NOT click on the link. If it is not addressed formally to the person
> whose account it is, it's most probably phishing. You can also check the
> link without clicking on it by doing a mouse over. Put your mouse on the
> link without clicking, and look at the bottom of the screen. The real
> address of the link will show up there.
>
> Part of the problem is the jackasses that are doing this may very well be
> on this list anonymously. I've seen a rise in that action in the last
> year or two. Disgusting.
>
>
> Rick Olsen <[log in to unmask]> wrote:
> v\:* {behavior:url(#default#VML);} o\:*
> {behavior:url(#default#VML);} w\:* {behavior:url(#default#VML);} .shape
> {behavior:url(#default#VML);}
> st1\:*{behavior:url(#default#ieooui) } PayPal does
> give an option to verify your account. But it can be done by logging onto
> your account at the PayPal website. I WOULD NOT do it through any type of
> email. It is almost definitely a phishing attempt.
>
> Rick Olsen
>
> Assistant Director & Curator
>
> Gold Coast Railroad Museum
> We'll take you back on a journey through the age of rail...
> [log in to unmask]
> 305-253-0063 (P)
> 305-233-4641 (F)
>
> 12450 SW 152nd St.
> Miami, FL 33177
> www.goldcoast-railroad.org
>
>
>
> ---------------------------------
>
> From: Museum discussion list [mailto:[log in to unmask]] On
> Behalf Of harveygirl75
> Sent: Tuesday, October 23, 2007 3:47 PM
> To: [log in to unmask]
> Subject: [MUSEUM-L] Museums Acquisitions and pay pal accounts
>
>
> We were told recently that our Pay Pal account (used to purchase off
> ebay) needed to be verified with a bank account information. Unless we do
> so, we will not be able to use Pay Pal. Our finance office is reluctant
> to give out bank account information and have it be used as a default
> funding source. Has anyone else had this problem and if so, how did you
> solve it.
>
>
>
> Tasha Baxter
>
> ========================================================= Important
> Subscriber Information:
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ========================================================= Important
> Subscriber Information: The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes). If you decide to leave Museum-L,
> please send a one line e-mail message to [log in to unmask] .
> The body of the message should read "Signoff Museum-L" (without the
> quotes).
>
>
>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> --0-209382436-1193202159=:12591
> Content-Type: text/html; charset=iso-8859-1
> Content-Transfer-Encoding: 8bit
>
> <div>DO NOT click on the link. If it is not addressed formally to
> the person whose account it is, it's most probably phishing. You can
> also check the link without clicking on it by doing a mouse over.
> Put your mouse on the link without clicking, and look at the bottom of the
> screen. The real address of the link will show up there.
> </div> <div> </div> <div>Part of the problem is the jackasses that
> are doing this may very well be on this list anonymously. I've seen
> a rise in that action in the last year or two. Disgusting.</div>
> <div><BR><BR><B><I>Rick Olsen
> <[log in to unmask]></I></B> wrote:</div>
> <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px;
> BORDER-LEFT: #1010ff 2px solid"> <META content="Microsoft Word 11
> (filtered medium)" name=Generator> <STYLE> v\:*
> {behavior:url(#default#VML);} o\:* {behavior:url(#default#VML);} w\:*
> {behavior:url(#default#VML);} .shape
> {behavior:url(#default#VML);} </STYLE> <?xml:namespace prefix = o ns =
> "urn:schemas-microsoft-com:office:office" /><o:SmartTagType
> name="PostalCode"
> namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType><o:SmartTagType
> name="State"
> namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType><o:SmartTagType
> name="City"
> namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType><o:SmartTagType
> name="Street"
> namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType><o:SmartTagType
> name="address"
> namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType><o:SmartTagType
> name="place"
> namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType><o:SmartTagType
> name="PlaceType"
> namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType><o:SmartTagType
> name="PlaceName"
> namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType>
> <STYLE>
> st1\:*{behavior:url(#default#ieooui) } </STYLE> <STYLE> <!-- /*
> Font Definitions */ @font-face {font-family:Tahoma; panose-1:2 11 6
> 4 3 5 4 4 2 4;} /* Style Definitions */ p.MsoNormal, li.MsoNormal,
> div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:12.0pt;
> font-family:"Times New Roman";} a:link, span.MsoHyperlink {color:blue;
> text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed
> {color:purple; text-decoration:underline;} p
> {mso-margin-top-alt:auto; margin-right:0in;
> mso-margin-bottom-alt:auto; margin-left:0in; font-size:12.0pt;
> font-family:"Times New Roman";} span.EmailStyle18
> {mso-style-type:personal-reply; font-family:Arial; color:navy;} @page
> Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in;}
> div.Section1 {page:Section1;} --> </STYLE> <DIV class=Section1>
> <div class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
> style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY:
> Arial">PayPal does give an option to verify your account. But it can
> be done by logging onto your account at the PayPal website. I WOULD
> NOT do it through any type of email. It is almost definitely a
> phishing attempt.<o:p></o:p></SPAN></FONT></div> <div
> class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE:
> 10pt; COLOR: navy; FONT-FAMILY:
> Arial"><o:p> </o:p></SPAN></FONT></div> <div class=MsoNormal><FONT
> face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy;
> FONT-FAMILY: Arial">Rick Olsen<o:p></o:p></SPAN></FONT></div> <div
> class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE:
> 10pt; COLOR: navy; FONT-FAMILY:
> Arial"><o:p> </o:p></SPAN></FONT></div> <div class=MsoNormal><FONT
> face=Arial size=2><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY:
> Arial">Assistant Director & Curator</SPAN></FONT><o:p></o:p></div>
> <div class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE:
> 12pt"> <o:p></o:p></SPAN></FONT></div> <div
> class=MsoNormal><?xml:namespace prefix = st1 ns =
> "urn:schemas-microsoft-com:office:smarttags" /><st1:place
> w:st="on"><st1:PlaceName w:st="on"><FONT face=Arial size=2><SPAN
> style="FONT-SIZE: 10pt; FONT-FAMILY:
> Arial">Gold</SPAN></FONT></st1:PlaceName><FONT face=Arial size=2><SPAN
> style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"> <st1:PlaceType
> w:st="on">Coast</st1:PlaceType> <st1:PlaceName
> w:st="on">Railroad</st1:PlaceName> <st1:PlaceType
> w:st="on">Museum</st1:PlaceType></SPAN></FONT></st1:place><o:p></o:p></div>
> <div class=MsoNormal><EM><I><FONT face=Arial size=1><SPAN
> style="FONT-SIZE: 7.5pt; FONT-FAMILY: Arial">We'll take you back on a
> journey through the age of rail...</SPAN></FONT></I></EM><o:p></o:p></div>
> <div class=MsoNormal><FONT face=Arial size=2><SPAN style="FONT-SIZE: 10pt;
> FONT-FAMILY: Arial"><A
> href="mailto:[log in to unmask]">[log in to unmask]</A></SPAN></FONT><o:p></o:p></div>
> <div
> class=MsoNormal><FONT face=Arial size=2><SPAN style="FONT-SIZE: 10pt;
> FONT-FAMILY: Arial">305-253-0063 (P)</SPAN></FONT><o:p></o:p></div> <div
> class=MsoNormal><FONT face=Arial size=2><SPAN style="FONT-SIZE: 10pt;
> FONT-FAMILY: Arial">305-233-4641 (F)</SPAN></FONT><o:p></o:p></div> <div
> class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE: 12pt"> <o:p></o:p></SPAN></FONT></div> <div
> class=MsoNormal><st1:Street w:st="on"><st1:address w:st="on"><FONT
> face=Arial size=2><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">12450
> SW 152nd St</SPAN></FONT></st1:address></st1:Street><FONT face=Arial
> size=2><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY:
> Arial">.</SPAN></FONT><o:p></o:p></div> <div class=MsoNormal><st1:place
> w:st="on"><st1:City w:st="on"><FONT face=Arial size=2><SPAN
> style="FONT-SIZE: 10pt; FONT-FAMILY:
> Arial">Miami</SPAN></FONT></st1:City><FONT face=Arial size=2><SPAN
> style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">, <st1:State
> w:st="on">FL</st1:State> <st1:PostalCode
> w:st="on">33177</st1:PostalCode></SPAN></FONT></st1:place><o:p></o:p></div>
> <div class=MsoNormal><FONT face=Arial size=2><SPAN style="FONT-SIZE: 10pt;
> FONT-FAMILY: Arial"><A
> href="http://www.goldcoast-railroad.org/">www.goldcoast-railroad.org</A><FONT
> color=navy><SPAN style="COLOR:
> navy"><o:p></o:p></SPAN></FONT></SPAN></FONT></div> <div
> class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE:
> 10pt; COLOR: navy; FONT-FAMILY:
> Arial"><o:p> </o:p></SPAN></FONT></div> <div class=MsoNormal><FONT
> face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy;
> FONT-FAMILY: Arial"><o:p> </o:p></SPAN></FONT></div> <DIV> <DIV
> class=MsoNormal style="TEXT-ALIGN: center" align=center><FONT face="Times
> New Roman" size=3><SPAN style="FONT-SIZE: 12pt"> <HR tabIndex=-1
> align=center width="100%" SIZE=2> </SPAN></FONT></DIV> <div
> class=MsoNormal><B><FONT face=Tahoma size=2><SPAN style="FONT-WEIGHT:
> bold;
> FONT-SIZE: 10pt; FONT-FAMILY: Tahoma">From:</SPAN></FONT></B><FONT
> face=Tahoma size=2><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Tahoma">
> Museum discussion list [mailto:[log in to unmask]] <B><SPAN
> style="FONT-WEIGHT: bold">On Behalf Of </SPAN></B>harveygirl75<BR><B><SPAN
> style="FONT-WEIGHT: bold">Sent:</SPAN></B> Tuesday, October 23, 2007 3:47
> PM<BR><B><SPAN style="FONT-WEIGHT: bold">To:</SPAN></B>
> [log in to unmask]<BR><B><SPAN style="FONT-WEIGHT:
> bold">Subject:</SPAN></B> [MUSEUM-L] Museums Acquisitions and pay pal
> accounts</SPAN></FONT><o:p></o:p></div></DIV> <div class=MsoNormal><FONT
> face="Times New Roman" size=3><SPAN style="FONT-SIZE:
> 12pt"><o:p> </o:p></SPAN></FONT></div> <DIV> <div
> class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE: 12pt">We were told recently that our Pay Pal account
> (used to purchase off ebay) needed to be verified with a bank account
> information. Unless we do so, we will not be able to
> use Pay Pal. Our finance office is reluctant to give out bank
> account information and have it be used as a default funding source.
> Has anyone else had this problem and if so, how did you solve it.
> <o:p></o:p></SPAN></FONT></div></DIV> <DIV> <div class=MsoNormal><FONT
> face="Times New Roman" size=3><SPAN style="FONT-SIZE:
> 12pt"> <o:p></o:p></SPAN></FONT></div></DIV> <DIV> <div
> class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE: 12pt">Tasha Baxter<o:p></o:p></SPAN></FONT></div></DIV>
> <div class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE:
> 12pt">========================================================= Important
> Subscriber Information: <o:p></o:p></SPAN></FONT></div> <div><FONT
> face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">The Museum-L
> FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may
> obtain detailed information about the listserv commands by sending a one
> line
> e-mail message to [log in to unmask] . The body of the message
> should read "help" (without the quotes). <o:p></o:p></SPAN></FONT></div>
> <div><FONT face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">If
> you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
> <o:p></o:p></SPAN></FONT></div></DIV>=========================================================
> Important Subscriber Information: <div>The Museum-L FAQ file is located
> at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes). <div>If you decide to leave Museum-L,
> please send a one line e-mail message to [log in to unmask] .
> The body of the message should read "Signoff Museum-L"
> (without the quotes). </div></BLOCKQUOTE><BR><BR><BR>
> =========================================================
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
> --0-209382436-1193202159=:12591--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 01:18:21 EDT
> From: Pamela Silvestri <[log in to unmask]>
> Subject: Re: Museums Acquisitions and pay pal accounts
>
> -------------------------------1193203101
> Content-Type: text/plain; charset="US-ASCII"
> Content-Transfer-Encoding: 7bit
>
>
> Tasha,
>
> Assuming that you were told this via email, this is a known phishing scam.
> In fact, a recent warning was issued to users by either ebay or PayPal to
> not
> respond to these emails and also, to report them via email (as posted by
> Mark). I wouldn't even respond to a request to verify account info., if
> this were
> a phone call. What I'd do instead, is obtain the customer service # from
> their website and call them.
>
> Since you have the PayPal account already....the primary bank account or
> credit card and the backup account information was required and given when
> the
> account was set up. There is absolutely no reason for PayPal to 'verify
> it' by
> contacting you. All funding information is 'verified' electronically when
> the
> account is setup.
>
> If whatever account you're using to pay for ebay purchases (if there
> wasn't
> a balance in the PayPal account) didn't have sufficient funds, the payment
> would be processed through the backup account. If there was a problem
> with
> processing a payment through the primary or backup account, you would
> receive a
> notification of the issue at hand and it wouldn't be a request to verify
> the
> account.
>
> I just looked at my account and my backup option (credit card) and it's
> indicated as being expired. PayPal hasn't contacted me to redo the
> information
> (or verify) it with my renewed card. And it's not an issue unless I
> choose this
> for a payment or I have insufficient funds in my primary account. I would
> get a notification that this account is expired were I to choose this card
> for
> payment instead of my primary.
>
> Your finance office should be aware that because you do have a PayPal
> account, a primary funding source and a backup bank (or credit card)
> account has
> already been given. Somebody must have authorized this when the account
> was set
> up. If you go into the PayPal account yourself....you can check and see
> what
> these accounts are by clicking on "profile" and then "financial
> information".
>
> I
>
>
> In a message dated 10/23/2007 4:11:11 P.M. Eastern Daylight Time,
> [log in to unmask] writes:
>
> We were told recently that our Pay Pal account (used to purchase off
> ebay)
> needed to be verified with a bank account information. Unless we do so,
> we
> will not be able to use Pay Pal. Our finance office is reluctant to give
> out
> bank account information and have it be used as a default funding source.
> Has
> anyone else had this problem and if so, how did you solve it.
>
> Tasha Baxter
>
>
>
>
>
>
>
> ************************************** See what's new at
> http://www.aol.com
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> -------------------------------1193203101
> Content-Type: text/html; charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
> <META content=3D"MSHTML 6.00.6000.16544" name=3DGENERATOR></HEAD>
> <BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000;
> FONT-FAMILY:=20=
> Arial"=20
> bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT
> id=3Drol=
> e_document=20
> face=3DArial color=3D#000000 size=3D2>
> <DIV>
> <DIV>Tasha,</DIV>
> <DIV> </DIV>
> <DIV>Assuming that you were told this via email, this is a known phishing
> sc=
> am.=20
> In fact, a recent warning was issued to users by either ebay or PayPal to
> no=
> t=20
> respond to these emails and also, to report them via email (as
> pos=
> ted=20
> by Mark). I wouldn't even respond to a request to verify account info., if
> t=
> his=20
> were a phone call. What I'd do instead, is obtain the customer service #
> fro=
> m=20
> their website and call them.</DIV>
> <DIV> </DIV>
> <DIV>Since you have the PayPal account already....the primary bank account
> o=
> r=20
> credit card and the backup account information was required and given when
> t=
> he=20
> account was set up. There is absolutely no reason for PayPal to 'verify
> it'=20=
> by=20
> contacting you. All funding information is 'verified' electronically when
> th=
> e=20
> account is setup. </DIV>
> <DIV> </DIV>
> <DIV>If whatever account you're using to pay for ebay purchases (if there
> wa=
> sn't=20
> a balance in the PayPal account) didn't have sufficient funds, the payment
> w=
> ould=20
> be processed through the backup account. If there was a problem with
> process=
> ing=20
> a payment through the primary or backup account, you would receive a=20
> notification of the issue at hand and it wouldn't be a request to verify
> the=
> =20
> account.</DIV>
> <DIV> </DIV>
> <DIV>I just looked at my account and my backup option (credit
> card=
> )=20
> and it's indicated as being expired. PayPal hasn't contacted me to redo
> the=20
> information (or verify) it with my renewed card. And it's not an issue
> unles=
> s I=20
> choose this for a payment or I have insufficient funds in my primary
> account=
> . I=20
> would get a notification that this account is expired were I to choose
> this=20=
> card=20
> for payment instead of my primary.</DIV>
> <DIV> </DIV>
> <DIV>Your finance office should be aware that because you do have a
> PayPal=20
> account, a primary funding source and a backup bank (or credit
> card)=20
> account has already been given. Somebody must have authorized this
> when=
> the=20
> account was set up. If you go into the PayPal account yourself....you can
> ch=
> eck=20
> and see what these accounts are by clicking on "profile" and then
> "financial=
> =20
> information".</DIV>
> <DIV> </DIV>
> <DIV>I</DIV>
> <DIV> </DIV>
> <DIV> </DIV>
> <DIV>In a message dated 10/23/2007 4:11:11 P.M. Eastern Daylight Time,=20
> [log in to unmask] writes:</DIV>
> <BLOCKQUOTE=20
> style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px
> solid"><=
> FONT=20
> style=3D"BACKGROUND-COLOR: transparent" face=3DArial color=3D#000000
> size=
> =3D2>
> <DIV>We were told recently that our Pay Pal account (used to purchase
> off=20
> ebay) needed to be verified with a bank account information.
> Unless=20=
> we=20
> do so, we will not be able to use Pay Pal. Our finance office
> i=
> s=20
> reluctant to give out bank account information and have it be used as
> a=20
> default funding source. Has anyone else had this problem and if
> so,=20=
> how=20
> did you solve it. </DIV>
> <DIV> </DIV>
> <DIV>Tasha Baxter</DIV></FONT></BLOCKQUOTE></DIV>
> <DIV></DIV>
> <DIV> </DIV></FONT><BR><BR><BR><DIV><FONT style=3D"color: black;
> font:=20=
> normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-TOP: 10px">See what's
> new=
> at <A title=3D"http://www.aol.com?NCID=3DAOLCMP00300000001170"
> href=3D"http=
> ://www.aol.com?NCID=3DAOLCMP00300000001170" target=3D"_blank">AOL.com</A>
> an=
> d <A title=3D"http://www.aol.com/mksplash.adp?NCID=3DAOLCMP00300000001169"
> h=
> ref=3D"http://www.aol.com/mksplash.adp?NCID=3DAOLCMP00300000001169"
> target=
> =3D"_blank">Make AOL Your Homepage</A>.</FONT></DIV></BODY></HTML>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> -------------------------------1193203101--
>
> ------------------------------
>
> Date: Tue, 23 Oct 2007 18:49:02 -0500
> From: Susan Kline <[log in to unmask]>
> Subject: Re: Storing images
>
> ------=_Part_4377_15576250.1193183342311
> Content-Type: text/plain; charset=ISO-8859-1
> Content-Transfer-Encoding: 7bit
> Content-Disposition: inline
>
> I don't think color or black and white matters. Color may take up more
> file
> space because the file will contain more information, but really you
> should
> preserve it the way it came to you or was created.
>
> Generally, it seems many people keep an unaltered tiff as the master
> image-
> one that was scanned or at a high resolution.
>
> Susan Kline, M.A.
>
> On 10/23/07, John Martinson <[log in to unmask]> wrote:
>>
>>
>> I understand about proper storage of photographs, paper, material, etc.,
>> but what about photo images?
>> What is the best format (.jpg, .pdf, .pdf, .gif or .tiff) to store
>> images? Of course cds can go bad after
>> 2 to 5 years, and scratched. Microfilm goes bad and deteriorates. Hard
>> drives can be corrupted, and
>> computer systems can be replaced with new technology. Also, is it best
>> to
>> store images in black and
>> white or in color or does it matter?
>>
>> What method(s) are your museum or archives using to store images to last
>> more than 50 years, since
>> the original item may not make it that long? Thanks in advance!
>>
>> John
>> Boise, Idaho
>> ========================================================= Important
>> Subscriber Information:
>>
>> The Museum-L FAQ file is located at
>> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>> information about the listserv commands by sending a one line e-mail
>> message
>> to [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>>
>> If you decide to leave Museum-L, please send a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "Signoff Museum-L" (without the quotes).
>>
>>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_Part_4377_15576250.1193183342311
> Content-Type: text/html; charset=ISO-8859-1
> Content-Transfer-Encoding: 7bit
> Content-Disposition: inline
>
> I don't think color or black and white matters. Color may take up more
> file space because the file will contain more information, but really you
> should preserve it the way it came to you or was created.
> <br><br>Generally, it seems many people keep an unaltered tiff as the
> master image- one that was scanned or at a high resolution.
> <br><br>Susan Kline, M.A. <br><br><div><span class="gmail_quote">On
> 10/23/07, <b class="gmail_sendername">John Martinson</b> <<a
> href="mailto:[log in to unmask]">[log in to unmask]</a>>
> wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid
> rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
>
>
>
>
> <div><br>I understand about proper storage of photographs, paper,
> material, etc., but what about photo images?<br>
> What is the best format (.jpg, .pdf, .pdf, .gif or .tiff) to store
> images? Of course cds can go bad after <br>
> 2 to 5 years, and scratched. Microfilm goes bad and
> deteriorates. Hard drives can be corrupted, and <br>
> computer systems can be replaced with new technology. Also, is it
> best to store images in black and<br>
> white or in color or does it matter? <br>
> <br>
> What method(s) are your museum or archives using to store images to
> last more than 50 years, since <br>
> the original item may not make it that long? Thanks in advance!<br>
> <br>
> John<br>
> Boise, Idaho <br></div>
> =========================================================
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at <a
> href="http://www.finalchapter.com/museum-l-faq/" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">http://www.finalchapter.com/museum-l-faq/</a>
> . You may obtain detailed information about the listserv commands by
> sending a one line e-mail message to
> <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a> .
> The body of the message should read "help" (without the quotes).
> </p><p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a>
> . The body of the message should read "Signoff Museum-L"
> (without the quotes).
> </p><p></p></blockquote></div><br>
> =========================================================
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_Part_4377_15576250.1193183342311--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 07:04:34 -0400
> From: "T. Patrick Brennan" <[log in to unmask]>
> Subject: College Museums Take Note!
>
> For Immediate
> Release
>
> October 23,
> 2007
> MOTION FOR INJUNCTION FILED TO STOP AUCTION OF RANDOLPH-MACON WOMAN'S
> COLLEGE ART UNTIL RELATED LAWSUITS DECIDED
>
> Group Hoping for Action from Attorney General Bob McDonnell=20
>
> LYNCHBURG, VA -In an effort to prevent the trustees of Lynchburg's
> Randolph-Macon Woman's College (R-MWC)-known as Randolph College since
> July-from auctioning four irreplaceable paintings to increase an already
>
> generous $153 million endowment, a motion for temporary injunction and a
> complaint requesting a temporary and permanent injunction has been filed
> before the Lynchburg Circuit Court, Preserve Educational Choice
> announced=20
> today.
>
> "Judging by how hastily and secretively Randolph College officials took
> away the art, it is clear that the college fears a ruling from the
> Supreme
> Court against their actions and is moving to sell the pieces of art as=20
> quickly as possible," said Anne Yastremski, Executive Director of
> Preserve
> Educational Choice, the alumnae group supporting the lawsuits.
>
> "This motion for injunction seeks to stop the College from irreparably=20
> harming their reputation and their world-class American art collection
> until these lawsuits against Randolph College have been cleared by the
> Commonwealth of Virginia's court system. We've been waiting for Attorney
>
> General Bob McDonnell to take action to stop the College, but since we
> know
> of no action thus far, the plaintiffs in this injunction suit and
> thousands
> of other alumnae, donors to the College and the Maier, and citizens of=20
> Lynchburg felt they needed to take action themselves."
>
> The plaintiffs that have filed the request for an injunction include all
> of
> the students, alumnae and donors of R-MWC involved in the charitable
> trust=20
> and breach of contract lawsuits that currently are being considered on
> appeal to the Supreme Court of Virginia, as well as the eleven potential
> "intervenors" who have asked the Lynchburg Circuit Court to stop
> Randolph=20
> College's attempt to sell off the art purchased with funds from the
> Trust
> of Louise Jordan Smith.
>
> Just last month, the Supreme Court of Virginia decided to hear appeals
> of
> two lawsuits challenging the College's fall 2006 decision to become=20
> co-educational. The first suit, which involves "donor intent,"
> challenges
> the college on charitable trust grounds, arguing that the college should
> have to prove it cannot continue as a woman's college before it can use
> the=20
> assets accumulated under the original charitable purpose - to "educate
> women in the liberal arts" - for the benefit of a coed college. The
> second suit, filed by a group of students, alleges breach of contract,=20
> saying that they had been promised four years of single-sex education.
> Both suits pending
> before the Supreme Court of Virginia include allegations that the
> protection of the art collection is vital to providing the relief sought
> by=20
> the student and donor plaintiffs.
>
> In the Circuit Court case filed by the College, the College asked the
> courts for permission to break the Trust of Louise Jordan Smith.
> Relatives
> of Louise Jordan Smith, students, alumnae, former faculty and Maier
> Museum=20
> directors, donors, and Lynchburg citizens filed a Motion for Leave to
> Intervene in the suit, alleging that the money from Smith's trust was
> used
> to purchase a large number of the most valuable paintings in Randolph's=20
> Maier Museum collection. The intervenors contend that the entire art
> collection must be protected in order to honor the intentions of Smith,
> both through her trust and her efforts during her lifetime. A hearing on
>
> that motion to intervene is scheduled for November 15.
>
> "The Court's decisions in these cases could affect whether or not the
> College can or needs to sell the paintings now at Christie's," says=20
> Yastremski. "If the College is allowed to go forward with the Christie's
> auction before our cases are finalized, the art-pieces like George
> Wesley
> Bellow's 1912 "Men of the Docks" which constitute the cornerstone of the
>
> Maier-will be lost forever."
>
> Yastremski, pointing to the college's $153 million endowment (one of the
> largest in Virginia), believes the College's efforts to sell these
> paintings are "due to greed, not need."=20
>
> While the Southern Association of Colleges and Schools (SACS) has put
> the
> College on financial warning, it was not due to the size of the
> endowment. The specific issues that SACS cited the college for -
> astronomical tuition=20
> discounting (nearly twice the national average), excessive deferred
> maintenance, and operating deficits - are all signs of fiscal
> mismanagement, not a too-small endowment.
>
> "Randolph College officials will do anything to mask the real problems:=20
> out-of-control spending and poor management, neither of which will be
> fixed
> by selling portions of the school's treasured art collection," said
> Yastremski. "This collection was not assembled as a financial investment
>
> for future 'hard times,' but rather from public donations and funds
> allocated to benefit the college's educational mission and to create a
> cultural
> resource for the community. Two of the four paintings in question were=20
> donations from private individuals to the permanent collection, one was
> purchased with fees paid by students (at their request) specifically for
> the purpose of
> buying art and supporting artistic events on campus, and the most
> valuable=20
> one - "Men of the Docks" - was purchased by a Lynchburg-based community
> group with the express purpose of forming a permanent collection for the
> benefit of thestudents and the citizens of Lynchburg."=20
>
> Even if an infusion of capital was necessary, which thousands of alumnae
> and donors don't believe, the national art community has strict
> standards
> against the sale of art for general fund purposes. Nearly every major=20
> Virginia and national art association has condemned the College's plans
> to
> sell the four paintings, including the Association of Art Museum
> Directors,
> the Association of Art Museum Curators, the College Art Association, the
>
> Association of College and University Museums and Galleries and the
> Virginia Association of Museums.
>
> "It is obvious that the current Randolph officials and Trustees care
> nothing for ethics or their donor's wishes. Hopefully the Attorney=20
> General and the Commonwealth's Courts will realize this, and act
> accordingly," said Yastremski. "If not, donors may need to think twice
> about investing their
> hard earned resources with the state's many nonprofits." =20
>
>
> Patrick=20
> T.Patrick Brennan=20
> Sr. Director of Preservation, Programs & Properties
> The Georgia Trust for Historic Preservation=20
> 1516 Peachtree Street=20
> Atlanta, Ga 30309-2908=20
> direct 404.885.7814=20
> fax 404.875.2205=20
> [log in to unmask]
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 09:16:52 -0400
> From: Catherine Dean <[log in to unmask]>
> Subject: Re: Museums Acquisitions and pay pal accounts
>
> To what everyone else has said I will add just this:
>
> If you are concerned about having too much financial information out in
> cyberspace, you should know that it is NOT necessary to have a paypal
> account
> to pay for items on ebay (or other ecommerce sites) via paypal. This is
> not
> widely known, but you can pay with a visa or mastercard without setting up
> an
> account. I apologize that I can't be more specific about how to do this
> (without fictitiously going and buying something to see what screens pop
> up)
> but I sell at an ecommerce site that primarily uses paypal and I know that
> it
> is possible.
>
> Catherine Dean
>
> --
> Catherine E. Dean
> Curator of Collections
> APVA Preservation Virginia
> 204 West Franklin St.
> Richmond, VA 23229
> 804-648-1889
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 09:16:39 -0600
> From: Timothy McShane <[log in to unmask]>
> Subject: Re: Artifact Organization
>
>>>> Heather Pozun Watson <[log in to unmask]> 10/22/2007 3:02 PM >>>
> My question is: What is the best way to organize my artifacts in storage?
> =
> By
> accession number (we don't have those for many objects)? By material
> type? By subject? By collection? =20
>
> Don't know if I can tell you the "best" way--that will really depend on =
> your specific situation. I can tell you that we organize our database by
> =
> accession number (and by default, also by collection), and our collections
> =
> storage by material type. We try to avoid classifying by subject because
> =
> that can be, well, subjective.
>
> With artefacts massed by material type, we feel we have a better chance of
> =
> noticing if environmental conditions are adversely affecting the
> collection=
> s (ie., splits developing in wood from changing RH; biological
> infestation,=
> etc.) Also, if we should get a infestation of moths, for example, if we =
> keep all our woolens all in one place, we have a better chance of =
> containing the infestation, rather than it spreading all through our =
> storage vault.=20
>
> We do make some exceptions to maximize storage on shelves--for example, =
> all our chairs are stored together, whether they be wooden or metal. But
> =
> generally, all our glassware is in one area, ceramics in another, silver =
> is all stored together, etc.
>
>
>
> ------------------------------------------------------------
> Tim McShane, Assistant--Cultural History
> Esplanade Museum
> 401 First Street SE
> Medicine Hat, AB T1A 8W2
> Tel: (403) 502-8587
> [log in to unmask]
>
>
>
> Disclaimer: The information transmitted is intended only for the
> addressee and may contain confidential, proprietary and/or privileged
> material. Any unauthorized review, distribution or other use of or
> the taking of any action in reliance upon this information is
> prohibited. If you received this in error, please contact the sender
> and delete or destroy this message and any copies
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 08:28:56 -0700
> From: Reggie Woolery <[log in to unmask]>
> Subject: Lodging in Jerusalem
>
> I plan to attend the Digitization Conference at Hebrew University in
> Jerusalem in late November. The goal is to learn more about the digitizing
> of cultural artifacts in Israel and at European museums as well as discuss
> our own efforts to digitize 19th century Keystone stereo views. Is anyone
> else attending? Can someone recommend lodging near the University? They
> hav=
> e
> sent info on hotels and prices, but I thought I would ask here first. Feel
> free to email me direct, or the list.
>
> Reggie
>
> Reginald Cortez Woolery
> Artist, Director of Digital Studio
> & Education Outreach
>
> UCR/California Museum of Photography
> 3824 Main Street
> Riverside, CA 92501
> ph (951) 827-4796
> info (951) 784-FOTO
> [log in to unmask]
> www.cmp.ucr.edu
>
> UCR ARTSblock consists of three premiere art institutions=8Bthe California
> Museum of Photography, the Sweeney Art Gallery, and the future Culver
> Cente=
> r
> of the Arts (2009)=8Blocated on a single city block in downtown Riverside
> to
> create an integrated arts complex.
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 09:30:45 -0600
> From: Timothy McShane <[log in to unmask]>
> Subject: Re: Advice on chemical cleanup
>
>>>> "Miller, Mary Jane (PHMC)" <[log in to unmask]> 10/23/2007 6:59 AM
>>>> =
>>>>
> 3. Does anyone have a cleaning protocol for dry chemical fire
> extinguishers at their museum?
>
> Our protocol was to get rid of all dry chemical extinguishers in our =
> collections storage/exhibit/work areas. We went with Cleanguard
> extinguish=
> ers instead, which leave no residue.
>
>
> ------------------------------------------------------------
> Tim McShane, Assistant--Cultural History
> Esplanade Museum
> 401 First Street SE
> Medicine Hat, AB T1A 8W2
> Tel: (403) 502-8587
> [log in to unmask]
>
>
>
> Disclaimer: The information transmitted is intended only for the
> addressee and may contain confidential, proprietary and/or privileged
> material. Any unauthorized review, distribution or other use of or
> the taking of any action in reliance upon this information is
> prohibited. If you received this in error, please contact the sender
> and delete or destroy this message and any copies
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 11:31:05 -0400
> From: "Richardson, Lindsey" <[log in to unmask]>
> Subject: Re: Artifact Organization
>
> Organization in storage also depends on how you plan to access and use
> stored items. For us, the storage system is our search engine. Since
> most of our records are not electronic, and the card catalogue is in
> numerical order, finding collections items by object type rather than by
> number is possible only because of the way in which the items are
> stored. With some exceptions, most of our cultural collections are
> stored by cultural groups, and within each culture group, objects are
> stored by function. So I know that if I'm looking for shoes from Sweden
> or from China, I can go to the same function-code section in each part
> of the room where Swedish or Chinese artifacts are stored. =20
>
> If we were to change storage furniture we would need to rethink the
> whole system. I'm not sure we would change it much though - it works
> well for us.
>
>
>
> Lindsey Richardson
> Curator of Collections
> Boston Children's Museum
> 300 Congress Street
> Boston, MA 02210
> Tel. 617 426 6500 x366
> Fax 617 426 1944
> www.bostonchildrensmuseum.org
> =20
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]] On
> Behalf Of Timothy McShane
> Sent: Wednesday, October 24, 2007 11:17 AM
> To: [log in to unmask]
> Subject: Re: [MUSEUM-L] Artifact Organization
>
>>>> Heather Pozun Watson <[log in to unmask]> 10/22/2007 3:02 PM >>>
> My question is: What is the best way to organize my artifacts in
> storage? By
> accession number (we don't have those for many objects)? By material
> type? By subject? By collection? =20
>
> Don't know if I can tell you the "best" way--that will really depend on
> your specific situation. I can tell you that we organize our database
> by accession number (and by default, also by collection), and our
> collections storage by material type. We try to avoid classifying by
> subject because that can be, well, subjective.
>
> With artefacts massed by material type, we feel we have a better chance
> of noticing if environmental conditions are adversely affecting the
> collections (ie., splits developing in wood from changing RH; biological
> infestation, etc.) Also, if we should get a infestation of moths, for
> example, if we keep all our woolens all in one place, we have a better
> chance of containing the infestation, rather than it spreading all
> through our storage vault.=20
>
> We do make some exceptions to maximize storage on shelves--for example,
> all our chairs are stored together, whether they be wooden or metal.
> But generally, all our glassware is in one area, ceramics in another,
> silver is all stored together, etc.
>
>
>
> ------------------------------------------------------------
> Tim McShane, Assistant--Cultural History
> Esplanade Museum
> 401 First Street SE
> Medicine Hat, AB T1A 8W2
> Tel: (403) 502-8587
> [log in to unmask]
>
>
>
> Disclaimer: The information transmitted is intended only for the=20
> addressee and may contain confidential, proprietary and/or privileged=20
> material. Any unauthorized review, distribution or other use of or
> the taking of any action in reliance upon this information is
> prohibited. If you received this in error, please contact the sender
> and delete or destroy this message and any copies
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message
> to [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 12:14:00 -0400
> From: Jenny Rosenzweig <[log in to unmask]>
> Subject: Online Course - Collections Management 101 Begins Monday 10/29
>
> The Upstate History Alliance is pleased to announce that it will =20
> offer Collections Management 101, an online course, through its =20
> Distance Learning Program again!. UHA is currently accepting =20
> registrations for this course which will begin on October, 29 2007. =20
> Only a few spots are left, so register soon! For more information, or =20=
>
> to register, visit www.upstatehistory.org/services/=20
> OnlineLearningCommunities.html, or call UHA at 800.895.1648
>
> Collections Management 101 is designed for staff and volunteers at =20
> small and mid-size organizations. Course materials are designed to =20
> help you focus on your own organization, with assignments relating to =20=
>
> real-life issues and problems.
>
> Topics to be covered over a twelve week period include:
>
> =95 Mission & Ethics
> =95 Accreditation
> =95 Native American Graves Protection and Repatriation Act
> =95 Collections Managment Policies
> =95 Disaster Plans
> =95 Collecting Plans
> =95 Deaccessioning
> =95 Reproduction Rights
> =95 Accessioning
> =95 Registration
> =95 Security
> =95 Storage
> =95 Preventive Conservation Measures
>
> Comments from those who completed the course:
>
> "This course was helpful in recognizing the best ways to do =20
> deacessioning and I learned from the experiences of others"
>
> "The course gave me skills for implementing change in our collections =20=
>
> policies and procedures"
>
> "Fabulous sites and resources are available on the web for =20
> collections care; we now have highlighted awareness"
>
> The course will begin with an introductory week on October 29, 2007 =20
> with formal instruction beginning on November 5th. This year, we will =20=
>
> take a break 6 weeks into the course in mid December and will resume =20
> for the remaining 6 weeks January 7th. The course concludes on =20
> February 15, 2008. The only course requirements are a familiarity =20
> with basic computer programs, including email, the internet, and =20
> downloading pdf files and a high speed internet connection.
>
> The cost to participate in Collections Management 101 is $150 for UHA =20=
>
> Members/$250 for non-members.
>
> For more information, or to register, visit www.upstatehistory.org/=20
> services/OnlineLearningCommunities.html, or call UHA at 800.895.1648
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 11:42:29 -0500
> From: Mike Linnemann <[log in to unmask]>
> Subject: Re: Storing images
>
> --Apple-Mail-1-188584769
> Content-Transfer-Encoding: 7bit
> Content-Type: text/plain;
> charset=US-ASCII;
> delsp=yes;
> format=flowed
>
> Tiff images are best as they are the largest, easiest to transfer and
> highest resolution.
>
> We place them on a server and on a removal exterior hard drive.
>
> Bigger is better for images. Here's a quick, easy link to understand:
> http://www.wfu.edu/~matthews/misc/graphics/formats/formats.html
>
> Best regards,
>
> - Mike
>
>
> Mike Linnemann
> Registration Assistant and Rights & Reproductions
> Frederick R. Weisman Art Museum
> 333 East River Road
> Minneapolis, MN 55455
> tel: (612)-625-9499
> email: [log in to unmask]
>
>
>
>
>
> On Oct 23, 2007, at 12:31 PM, John Martinson wrote:
>
>>
>> I understand about proper storage of photographs, paper, material,
>> etc., but what about photo images?
>> What is the best format (.jpg, .pdf, .pdf, .gif or .tiff) to store
>> images? Of course cds can go bad after
>> 2 to 5 years, and scratched. Microfilm goes bad and deteriorates.
>> Hard drives can be corrupted, and
>> computer systems can be replaced with new technology. Also, is it
>> best to store images in black and
>> white or in color or does it matter?
>>
>> What method(s) are your museum or archives using to store images to
>> last more than 50 years, since
>> the original item may not make it that long? Thanks in advance!
>>
>> John
>> Boise, Idaho
>> ========================================================= Important
>> Subscriber Information:
>> The Museum-L FAQ file is located at http://www.finalchapter.com/
>> museum-l-faq/ . You may obtain detailed information about the
>> listserv commands by sending a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>>
>> If you decide to leave Museum-L, please send a one line e-mail
>> message to [log in to unmask] . The body of the message
>> should read "Signoff Museum-L" (without the quotes).
>>
>>
>
>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> --Apple-Mail-1-188584769
> Content-Transfer-Encoding: quoted-printable
> Content-Type: text/html;
> charset=ISO-8859-1
>
> <HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
> -khtml-line-break: after-white-space; "><DIV>Tiff images are best as =
> they are the largest, easiest to transfer and highest =
> resolution.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>We
> =
> place them on a server and on a removal exterior hard =
> drive.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Bigger =
> is better for images. Here's a quick, easy link to =
> understand:</DIV><DIV><A =
> href=3D"http://www.wfu.edu/~matthews/misc/graphics/formats/formats.html">h=
> ttp://www.wfu.edu/~matthews/misc/graphics/formats/formats.html</A></DIV><D=
> IV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Best =
> regards,</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>- =
> Mike</DIV><DIV><BR =
> class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>Mike =
> Linnemann</DIV><DIV>Registration Assistant and Rights & =
> Reproductions</DIV><DIV>Frederick R. Weisman Art Museum</DIV><DIV>333 =
> East River Road</DIV><DIV>Minneapolis, MN 55455</DIV><DIV>tel: =
> (612)-625-9499</DIV><DIV>email: <A =
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A></DIV><DIV><BR =
> class=3D"khtml-block-placeholder"></DIV></DIV><BR =
> class=3D"khtml-block-placeholder"></DIV><DIV><BR =
> class=3D"khtml-block-placeholder"></DIV><DIV><BR =
> class=3D"khtml-block-placeholder"></DIV><BR><DIV><DIV>On Oct 23, 2007, =
> at 12:31 PM, John Martinson wrote:</DIV><BR =
> class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
> class=3D"Apple-style-span" style=3D"border-collapse: separate; =
> border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
> font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
> normal; letter-spacing: normal; line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><BR =
> style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
> class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
> 13.3333px; ">I understand about proper storage of photographs, paper, =
> material, etc., but what about photo images?</SPAN><BR =
> style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
> class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
> 13.3333px; ">What is the best format (.jpg, .pdf, .pdf, .gif or .tiff) =
> to store images?=A0=A0 Of course cds can go bad after </SPAN><BR =
> style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
> class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
> 13.3333px; ">2 to 5 years, and scratched.=A0=A0Microfilm goes bad and =
> deteriorates.=A0 Hard drives can be corrupted, and </SPAN><BR =
> style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
> class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
> 13.3333px; ">computer systems can be replaced with new technology.=A0 =
> Also, is it best to store images in black and</SPAN><BR =
> style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
> class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
> 13.3333px; ">white or in color or does it matter?=A0 </SPAN><BR =
> style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
> class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
> 13.3333px; ">=A0</SPAN><BR style=3D"font-family: Tahoma; font-size: =
> 13.3333px; "><SPAN class=3D"Apple-style-span" style=3D"font-family: =
> Tahoma; font-size: 13.3333px; ">What method(s) are your museum or =
> archives using to store=A0images to last more than 50 years, =
> since=A0</SPAN><BR style=3D"font-family: Tahoma; font-size: 13.3333px; =
> "><SPAN class=3D"Apple-style-span" style=3D"font-family: Tahoma; =
> font-size: 13.3333px; ">the original item may not make it that long?=A0 =
> Thanks in advance!</SPAN><BR style=3D"font-family: Tahoma; font-size: =
> 13.3333px; "><SPAN class=3D"Apple-style-span" style=3D"font-family: =
> Tahoma; font-size: 13.3333px; ">=A0</SPAN><BR style=3D"font-family: =
> Tahoma; font-size: 13.3333px; "><SPAN class=3D"Apple-style-span" =
> style=3D"font-family: Tahoma; font-size: 13.3333px; ">John</SPAN><BR =
> style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
> class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
> 13.3333px; ">Boise, Idaho=A0=A0=A0</SPAN><BR style=3D"font-family: =
> Tahoma; font-size: 13.3333px; "><SPAN class=3D"Apple-style-span" =
> style=3D"font-family: Tahoma; font-size: 13.3333px; =
> ">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D Important Subscriber Information:</SPAN><P =
> style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
> class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
> 13.3333px; ">The Museum-L FAQ file is located at <A =
> href=3D"http://www.finalchapter.com/museum-l-faq/">http://www.finalchapter=
> .com/museum-l-faq/</A> . You may obtain detailed information about the =
> listserv commands by sending a one line e-mail message to <A =
> href=3D"mailto:[log in to unmask]">[log in to unmask]<=
> /A> . The body of the message should read "help" (without the =
> quotes).</SPAN></P><P style=3D"font-family: Tahoma; font-size: =
> 13.3333px; "><SPAN class=3D"Apple-style-span" style=3D"font-family: =
> Tahoma; font-size: 13.3333px; ">If you decide to leave Museum-L, please =
> send a one line e-mail message to <A =
> href=3D"mailto:[log in to unmask]">[log in to unmask]<=
> /A> . The body of the message should read "Signoff Museum-L" (without =
> the quotes).</SPAN></P><BR =
> class=3D"Apple-interchange-newline"></SPAN></BLOCKQUOTE></DIV><DIV><BR =
> class=3D"khtml-block-placeholder"></DIV><BR></BODY></HTML>=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> --Apple-Mail-1-188584769--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 11:53:10 -0500
> From: Sempidesiderata <[log in to unmask]>
> Subject: Re: Lodging in Jerusalem
>
> ------=_Part_3243_11112817.1193244790775
> Content-Type: text/plain; charset=WINDOWS-1252
> Content-Transfer-Encoding: quoted-printable
> Content-Disposition: inline
>
> I spent July and August in Jerusalem this summer to document the state of
> current archaeological sites in and around the old city. The following
> hotels were wonderful and I stayed at each one of them personally.
> Getting
> around the city is easy, so even if your hotel is not right next to the
> university, you will not have a difficult time with the bus system.
>
> The American Colony Hotel (very Hemingway and host to many literary
> figure=
> s
> for the last 100 years...wonderful restaurant...traditional atmosphere)
>
> The YMCA Hotel (It's amazing...Designed by the same architect who designed
> the Empire State Building.)
>
> The Notre Dame Hotel (private bathrooms, simple, has a restaurant)
>
> Good luck...Have a great trip. Jerusalem is an amazing place. Make sure
> you take several pairs of really, really comfortable shoes...the streets
> ar=
> e
> very hard on your feet!
>
> Victoria Z.
>
>
>
> On 10/24/07, Reggie Woolery <[log in to unmask]> wrote:
>>
>> I plan to attend the Digitization Conference at Hebrew University in
>> Jerusalem in late November. The goal is to learn more about the
>> digitizin=
> g
>> of cultural artifacts in Israel and at European museums as well as
>> discus=
> s
>> our own efforts to digitize 19th century Keystone stereo views. Is anyone
>> else attending? Can someone recommend lodging near the University? They
>> have
>> sent info on hotels and prices, but I thought I would ask here first.
>> Fee=
> l
>> free to email me direct, or the list.
>>
>> Reggie
>>
>> Reginald Cortez Woolery
>> Artist, Director of Digital Studio
>> & Education Outreach
>>
>> UCR/California Museum of Photography
>> 3824 Main Street
>> Riverside, CA 92501
>> ph (951) 827-4796
>> info (951) 784-FOTO
>> [log in to unmask]
>> www.cmp.ucr.edu
>>
>> UCR ARTSblock consists of three premiere art institutions=8Bthe
>> Californi=
> a
>> Museum of Photography, the Sweeney Art Gallery, and the future Culver
>> Center
>> of the Arts (2009)=8Blocated on a single city block in downtown
>> Riverside=
> to
>> create an integrated arts complex.
>>
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D
>> Important Subscriber Information:
>>
>> The Museum-L FAQ file is located at
>> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>> information about the listserv commands by sending a one line e-mail
>> mess=
> age
>> to [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>>
>> If you decide to leave Museum-L, please send a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "Signoff Museum-L" (without the quotes).
>>
>>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_Part_3243_11112817.1193244790775
> Content-Type: text/html; charset=WINDOWS-1252
> Content-Transfer-Encoding: quoted-printable
> Content-Disposition: inline
>
> <div>I spent July and August in Jerusalem this summer to document the
> state=
> of current archaeological sites in and around the old city. The
> foll=
> owing hotels were wonderful and I stayed at each one of them
> personally.&nb=
> sp; Getting around the city is easy, so even if your hotel is not right
> nex=
> t to the university, you will not have a difficult time with the bus
> system=
> .
> </div>
> <div> </div>
> <div>The American Colony Hotel (very Hemingway and host to many
> liter=
> ary figures for the last 100 years...wonderful restaurant...traditional
> atm=
> osphere)</div>
> <div> </div>
> <div>The YMCA Hotel (It's amazing...Designed by the same architect who
> =
> designed the Empire State Building.)</div>
> <div> </div>
> <div>The Notre Dame Hotel (private bathrooms, simple, has a
> restaurant)</di=
> v>
> <div> </div>
> <div>Good luck...Have a great trip. Jerusalem is an amazing
> place.&nb=
> sp; Make sure you take several pairs of really, really comfortable
> shoes...=
> the streets are very hard on your feet!</div>
> <div> </div>
> <div>Victoria Z.</div>
> <div><br><br> </div>
> <div><span class=3D"gmail_quote">On 10/24/07, <b
> class=3D"gmail_sendername"=
>>Reggie Woolery</b> <<a
>>href=3D"mailto:[log in to unmask]">reginal=
> [log in to unmask]</a>> wrote:</span>
> <blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px
> 0=
> px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I plan to attend the
> Digitizatio=
> n Conference at Hebrew University in<br>Jerusalem in late November. The
> goa=
> l is to learn more about the digitizing
> <br>of cultural artifacts in Israel and at European museums as well as
> disc=
> uss<br>our own efforts to digitize 19th century Keystone stereo views. Is
> a=
> nyone<br>else attending? Can someone recommend lodging near the
> University?=
> They have
> <br>sent info on hotels and prices, but I thought I would ask here first.
> F=
> eel<br>free to email me direct, or the list.<br><br>Reggie<br><br>Reginald
> =
> Cortez Woolery<br>Artist, Director of Digital Studio<br>& Education
> Out=
> reach
> <br><br>UCR/California Museum of Photography<br>3824 Main
> Street<br>Riversi=
> de, CA 92501<br>ph (951) 827-4796<br>info (951) 784-FOTO<br><a
> h=
> ref=3D"mailto:[log in to unmask]">[log in to unmask]</a><br><a
> =
> href=3D"http://www.cmp.ucr.edu">
> www.cmp.ucr.edu</a><br><br>UCR ARTSblock consists of three premiere art
> ins=
> titutions=8Bthe California<br>Museum of Photography, the Sweeney Art
> Galler=
> y, and the future Culver Center<br>of the Arts (2009)=8Blocated on a
> single=
> city block in downtown Riverside to
> <br>create an integrated arts complex.<br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>Im=
> portant Subscriber Information:<br><br>The Museum-L FAQ file is located at
> =
> <a href=3D"http://www.finalchapter.com/museum-l-faq/">
> http://www.finalchapter.com/museum-l-faq/</a> . You may obtain detailed
> inf=
> ormation about the listserv commands by sending a one line e-mail message
> t=
> o <a
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> com
> </a> . The body of the message should read "help" (without the
> qu=
> otes).<br><br>If you decide to leave Museum-L, please send a one line
> e-mai=
> l message to <a
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> ease.lsoft.com
> </a> . The body of the message should read "Signoff Museum-L"
> (wi=
> thout the quotes).<br><br></blockquote></div><br>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_Part_3243_11112817.1193244790775--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 13:04:10 -0500
> From: Jarod Atkins <[log in to unmask]>
> Subject: Medals
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_006A_01C8163E.5E9B7950
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: 7bit
>
> Hello Museum World,
>
>
>
> I am in the process of accessioning some World War II uniforms. I
> wondered
> what would be the proper way to deal with the medals pinned to the
> uniforms.
> Leave them as is. Accessioning them separately. Or accessioning them
> separately but leave them on the uniform and should I use A, B, etc. or
> next
> sequential number? Thank you for your responses.
>
>
>
> Jarod Atkins, Curator of Collections
>
> Edmond Historical Society
>
> 431 S. Boulevard, Edmond, OK 73034
>
> Office: (405)340-0078
>
> www.edmondhistory.org
>
>
>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_NextPart_000_006A_01C8163E.5E9B7950
> Content-Type: text/html;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> <html xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
> xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
> xmlns:st1=3D"urn:schemas-microsoft-com:office:smarttags" =
> xmlns=3D"http://www.w3.org/TR/REC-html40">
>
> <head>
> <meta http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <meta name=3DGenerator content=3D"Microsoft Word 11 (filtered medium)">
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceType"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceName"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"City"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"place"/>
> <!--[if !mso]>
> <style>
> st1\:*{behavior:url(#default#ieooui) }
> </style>
> <![endif]-->
> <style>
> <!--
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> a:link, span.MsoHyperlink
> {color:blue;
> text-decoration:underline;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;
> text-decoration:underline;}
> span.EmailStyle17
> {mso-style-type:personal-compose;
> font-family:Arial;
> color:windowtext;}
> @page Section1
> {size:8.5in 11.0in;
> margin:1.0in 1.25in 1.0in 1.25in;}
> div.Section1
> {page:Section1;}
> -->
> </style>
>
> </head>
>
> <body lang=3DEN-US link=3Dblue vlink=3Dpurple>
>
> <div class=3DSection1>
>
> <p class=3DMsoNormal><st1:place w:st=3D"on"><st1:PlaceName =
> w:st=3D"on"><font size=3D2
> face=3DArial><span =
> style=3D'font-size:10.0pt;font-family:Arial'>Hello</span></font></st1:Pla=
> ceName><font
> size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;font-family:Arial'> <st1:PlaceType
> w:st=3D"on">Museum</st1:PlaceType></span></font></st1:place><font =
> size=3D2
> face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> =
> World,<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'>I am in the process of accessioning some World War II
> uniforms. I wondered what would be the proper way to deal with the =
> medals
> pinned to the uniforms. Leave them as is. Accessioning them =
> separately.
> Or accessioning them separately but leave them on the uniform and should =
> I use
> A, B, etc. or next sequential number? Thank you for your =
> responses. <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>Jarod Atkins, Curator of =
> Collections<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:City w:st=3D"on"><st1:place w:st=3D"on"><font =
> size=3D3
> face=3D"Times New Roman"><span =
> style=3D'font-size:12.0pt'>Edmond</span></font></st1:place></st1:City>
> Historical Society<o:p></o:p></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>431 S. Boulevard, <st1:City w:st=3D"on"><st1:place =
> w:st=3D"on">Edmond</st1:place></st1:City>,
> OK 73034<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>Office: (405)340-0078<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>www.edmondhistory.org<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'><o:p> </o:p></span></font></p>
>
> </div>
>
> </body>
>
> </html>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_NextPart_000_006A_01C8163E.5E9B7950--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 13:59:15 -0400
> From: Bonni-Dara Michaels <[log in to unmask]>
> Subject: suggestions for new gallery floor covering material
>
> The original sealed wood flooring in our galleries was damaged by =
> flooding. We've repaired these floors, but they do not meet our =
> standard aesthetically, and will want to replace them. The galleries =
> are used for both contemporary art and historical exhibitions, for both =
> loans and collection items. We would like to replace the floor quickly =
> and relatively inexpensively while we look into long-term solutions, so =
> I am really interested in both.
>
> From a conservation standpoint, can we safely use concrete, artificial =
> wood flooring or other types of floors? What would you recommend? We =
> have heard concerns in the past regarding the glues used (we've been =
> told to use water soluble adhesives) and the flooring materials, and =
> don't want to err in our haste.
>
> Thank you for any thoughts you might have.
>
> Bonni-Dara Michaels
> Collections Curator
> Yeshiva University Museum
> 15 West 16th Street
> New York, New York 10011
> tel: 212-294-8330 x 8815
> email: [log in to unmask]
>
>
> =20
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 13:00:04 -0400
> From: Holly Keris <[log in to unmask]>
> Subject: Mark on Pottery
>
> Hi all. =20
> =20
> Is anyone familiar with the mark on this piece of glazed pottery? The
> owner claims it is 19th century Italian, but I can't find it in any of
> my sources.
> =20
> Thanks--
> =20
> Holly
> =20
> Holly Keris
> Associate Curator
> The Cummer Museum of Art & Gardens
> 829 Riverside Avenue
> Jacksonville, Florida 32204
> =20
> 904.899.6018
> 904.353.4101 fax
> =20
> <http://www.cummer.org/> =20
> =20
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 13:29:37 -0500
> From: Ware Petznick <[log in to unmask]>
> Subject: Re: Artifact Organization
>
> Our reserve collection is organized by material type. This method has =
> worked
> exceedingly well - and I credit it, in part, to my ability to reunite =
> the
> clock works with the base of the Ansonia Ball Swing Clock "Gloria" that =
> we
> used in the third floor restoration. By grouping like items together, =
> other
> objects have been reunited with others. For example, when the Collection
> Manager here was doing inventory, she identified tumblers that matched a =
> cut
> crystal pitcher!=20
>
> As a curator, I can attest that it makes exhibit development easier. I =
> need
> a blank... so I look in that area... and voila! I choose this one.=20
>
> In terms of organization of shelves, it makes sense to put textiles =
> together
> because of the storage boxes will neatly fit together.
>
> Hope this perspective helps.
>
> Ware
>
> L.W.S. Petznick, Ph.D.
> McFaddin-Ward House=20
> Curator of Collections
> 725 N. Third St.
> Beaumont, TX 77701
> [log in to unmask]
> 409.832.1906 p 409.832.3483 f
> =20
> SAVE THE DATE for Who Else Lived Here? The Historic House Museum =
> Conference
> Nov 1-3, 2007 in Beaumont, Texas at the Hotel Elegante. $125 =
> Registration,
> $89 special room rate for conference. www.mcmelegantebeaumont.com=20
> =20
> The McFaddin-Ward House features three floors of original furnishings,
> including a newly restored third floor. Explore the McFaddins' world in =
> the
> years surrounding the First World War for "Foxtrots and Foxholes"
> throughout 2007. Call 409-832-2134 for tour information.
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]] On =
> Behalf
> Of Timothy McShane
> Sent: Wednesday, October 24, 2007 10:17 AM
> To: [log in to unmask]
> Subject: Re: [MUSEUM-L] Artifact Organization
>
>>>> Heather Pozun Watson <[log in to unmask]> 10/22/2007 3:02 PM >>>
> My question is: What is the best way to organize my artifacts in =
> storage?
> By
> accession number (we don't have those for many objects)? By material
> type? By subject? By collection? =20
>
> Don't know if I can tell you the "best" way--that will really depend on =
> your
> specific situation. I can tell you that we organize our database by
> accession number (and by default, also by collection), and our =
> collections
> storage by material type. We try to avoid classifying by subject =
> because
> that can be, well, subjective.
>
> With artefacts massed by material type, we feel we have a better chance =
> of
> noticing if environmental conditions are adversely affecting the =
> collections
> (ie., splits developing in wood from changing RH; biological =
> infestation,
> etc.) Also, if we should get a infestation of moths, for example, if we
> keep all our woolens all in one place, we have a better chance of =
> containing
> the infestation, rather than it spreading all through our storage vault. =
>
>
> We do make some exceptions to maximize storage on shelves--for example, =
> all
> our chairs are stored together, whether they be wooden or metal. But
> generally, all our glassware is in one area, ceramics in another, silver =
> is
> all stored together, etc.
>
>
>
> ------------------------------------------------------------
> Tim McShane, Assistant--Cultural History
> Esplanade Museum
> 401 First Street SE
> Medicine Hat, AB T1A 8W2
> Tel: (403) 502-8587
> [log in to unmask]
>
>
>
> Disclaimer: The information transmitted is intended only for the=20
> addressee and may contain confidential, proprietary and/or privileged=20
> material. Any unauthorized review, distribution or other use of or
> the taking of any action in reliance upon this information is
> prohibited. If you received this in error, please contact the sender
> and delete or destroy this message and any copies
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail =
> message
> to [log in to unmask] . The body of the message should read =
> "help"
> (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to
> [log in to unmask] . The body of the message should read =
> "Signoff
> Museum-L" (without the quotes).
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 11:26:12 -0700
> From: melisa durkee <[log in to unmask]>
> Subject: Re: Medals
>
> --0-280271327-1193250372=:63650
> Content-Type: text/plain; charset=us-ascii
>
> Dear Jarod,
> From my experience, the medals would be numbered seperately, using a
> separate number from the uniform.
> The reason being, that one could display the medals without the uniform -
> say, if you wanted to do an exhibit
> on WWII medals only.
> If a medal has a pin backing, then the medal would be assigned "a", and
> the backing would be assigned "b."
> If you are storing the uniform, then take the medals off and store them
> separately, but reference which uniform
> they belong with. Do not store textiles and metal objects together.
>
> I hope this helps,
>
> Melisa Durkee
> Project Manager
> Museum & Collector Resource
>
> www.musres.com
>
>
> ----- Original Message ----
> From: Jarod Atkins <[log in to unmask]>
> To: [log in to unmask]
> Sent: Wednesday, October 24, 2007 2:04:10 PM
> Subject: [MUSEUM-L] Medals
>
>
> Hello Museum World,
>
> I am in the process of accessioning some World War II uniforms. I
> wondered what would be the proper way to deal with the medals pinned to
> the uniforms. Leave them as is. Accessioning them separately. Or
> accessioning them separately but leave them on the uniform and should I
> use A, B, etc. or next sequential number? Thank you for your responses.
>
> Jarod Atkins, Curator of Collections
> Edmond Historical Society
> 431 S. Boulevard, Edmond , OK 73034
> Office: (405)340-0078
> www.edmondhistory.org
>
> ========================================================= Important
> Subscriber Information:
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
> --0-280271327-1193250372=:63650
> Content-Type: text/html; charset=us-ascii
>
> <html><head><style type="text/css"><!-- DIV
> {margin:0px;} --></style></head><body><div style="font-family:times new
> roman, new york, times, serif;font-size:12pt"><DIV></DIV>
> <DIV>Dear Jarod,</DIV>
> <DIV>From my experience, the medals would be numbered seperately, using a
> separate number from the uniform.</DIV>
> <DIV>The reason being, that one could display the medals without the
> uniform - say, if you wanted to do an exhibit </DIV>
> <DIV>on WWII medals only.</DIV>
> <DIV>If a medal has a pin backing, then the medal would be assigned
> "a", and the backing would be assigned "b."</DIV>
> <DIV>If you are storing the uniform, then take the medals off and store
> them separately, but reference which uniform</DIV>
> <DIV>they belong with. Do not store textiles and metal objects
> together.</DIV>
> <DIV> </DIV>
> <DIV>I hope this helps,<BR></DIV><FONT face="times new roman"
> color=#c00000 size=3>Melisa Durkee <BR>Project Manager <BR>Museum &
> Collector Resource <BR></FONT>
> <DIV style="FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york,
> times, serif"><FONT color=#c00000><A
> href="http://www.musres.com">www.musres.com</A></FONT><BR><BR>
> <DIV style="FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york,
> times, serif">----- Original Message ----<BR>From: Jarod Atkins
> <[log in to unmask]><BR>To: [log in to unmask]<BR>Sent:
> Wednesday, October 24, 2007 2:04:10 PM<BR>Subject: [MUSEUM-L]
> Medals<BR><BR>
> <STYLE>
> <!--
>
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {margin:0in;margin-bottom:.0001pt;font-size:12.0pt;font-family:"Times New
> Roman";}
> a:link, span.MsoHyperlink
> {color:blue;text-decoration:underline;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;text-decoration:underline;}
> span.EmailStyle17
> {font-family:Arial;color:windowtext;}
> _filtered {margin:1.0in 1.25in 1.0in 1.25in;}
> div.Section1
> {}
> -->
> </STYLE>
>
> <DIV class=Section1>
> <P class=MsoNormal><FONT face=Arial size=2><SPAN style="FONT-SIZE: 10pt;
> FONT-FAMILY: Arial">Hello</SPAN></FONT><FONT face=Arial size=2><SPAN
> style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"> Museum</SPAN></FONT><FONT
> face=Arial size=2><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">
> World,</SPAN></FONT></P>
> <P class=MsoNormal><FONT face=Arial size=2><SPAN style="FONT-SIZE: 10pt;
> FONT-FAMILY: Arial"> </SPAN></FONT></P>
> <P class=MsoNormal><FONT face=Arial size=2><SPAN style="FONT-SIZE: 10pt;
> FONT-FAMILY: Arial">I am in the process of accessioning some World War II
> uniforms. I wondered what would be the proper way to deal with the
> medals pinned to the uniforms. Leave them as is. Accessioning them
> separately. Or accessioning them separately but leave them on the
> uniform and should I use A, B, etc. or next sequential number? Thank you
> for your responses. </SPAN></FONT></P>
> <P class=MsoNormal><FONT face=Arial size=2><SPAN style="FONT-SIZE: 10pt;
> FONT-FAMILY: Arial"> </SPAN></FONT></P>
> <P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE: 12pt">Jarod Atkins, Curator of
> Collections</SPAN></FONT></P>
> <P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE: 12pt">Edmond</SPAN></FONT> Historical Society</P>
> <P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE: 12pt">431 S. Boulevard, Edmond , OK
> 73034</SPAN></FONT></P>
> <P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE: 12pt">Office: (405)340-0078</SPAN></FONT></P>
> <P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE: 12pt"><A href="http://www.edmondhistory.org/"
> target=_blank>www.edmondhistory.org</A></SPAN></FONT></P>
> <P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
> style="FONT-SIZE:
> 12pt"> </SPAN></FONT></P></DIV>=========================================================
> Important Subscriber Information:
> <P>The Museum-L FAQ file is located at <A
> href="http://www.finalchapter.com/museum-l-faq/"
> target=_blank>http://www.finalchapter.com/museum-l-faq/</A> . You may
> obtain detailed information about the listserv commands by sending a one
> line e-mail message to [log in to unmask] . The body of the
> message should read "help" (without the quotes).
> <P>If you decide to leave Museum-L, please send a one line e-mail message
> to [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the
> quotes).</P></DIV><BR></DIV></div><br>__________________________________________________<br>Do
> You Yahoo!?<br>Tired of spam? Yahoo! Mail has the best spam protection
> around <br>http://mail.yahoo.com </body></html>
> =========================================================
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
> --0-280271327-1193250372=:63650--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 13:33:59 -0500
> From: Ware Petznick <[log in to unmask]>
> Subject: Re: College Museums Take Note!
>
> To put it simply, this story underlines the need for strong collections
> policies and a very careful review before the decision to deaccession is
> made. Although legally a museum may be entitled to deaccession items - =
> the
> PUBLIC PERCEPTION OF THAT ACTION MAY NOT BE WORTH any moneys that may be
> received.
>
> Thank you Mr. Brennan for sharing this. I look forward to the outcome =
> with
> great interest.
>
> Ware
>
> L.W.S. Petznick, Ph.D.
> McFaddin-Ward House=20
> Curator of Collections
> 725 N. Third St.
> Beaumont, TX 77701
> [log in to unmask]
> 409.832.1906 p 409.832.3483 f
> =20
> SAVE THE DATE for Who Else Lived Here? The Historic House Museum =
> Conference
> Nov 1-3, 2007 in Beaumont, Texas at the Hotel Elegante. $125 =
> Registration,
> $89 special room rate for conference. www.mcmelegantebeaumont.com=20
> =20
> The McFaddin-Ward House features three floors of original furnishings,
> including a newly restored third floor. Explore the McFaddins' world in =
> the
> years surrounding the First World War for "Foxtrots and Foxholes"
> throughout 2007. Call 409-832-2134 for tour information.
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]] On =
> Behalf
> Of T. Patrick Brennan
> Sent: Wednesday, October 24, 2007 6:05 AM
> To: [log in to unmask]
> Subject: [MUSEUM-L] College Museums Take Note!
>
> For Immediate
> Release
>
> October 23,
> 2007
> MOTION FOR INJUNCTION FILED TO STOP AUCTION OF RANDOLPH-MACON WOMAN'S
> COLLEGE ART UNTIL RELATED LAWSUITS DECIDED
>
> Group Hoping for Action from Attorney General Bob McDonnell=20
>
> LYNCHBURG, VA -In an effort to prevent the trustees of Lynchburg's
> Randolph-Macon Woman's College (R-MWC)-known as Randolph College since
> July-from auctioning four irreplaceable paintings to increase an already
>
> generous $153 million endowment, a motion for temporary injunction and a
> complaint requesting a temporary and permanent injunction has been filed
> before the Lynchburg Circuit Court, Preserve Educational Choice
> announced=20
> today.
>
> "Judging by how hastily and secretively Randolph College officials took
> away the art, it is clear that the college fears a ruling from the
> Supreme
> Court against their actions and is moving to sell the pieces of art as=20
> quickly as possible," said Anne Yastremski, Executive Director of
> Preserve
> Educational Choice, the alumnae group supporting the lawsuits.
>
> "This motion for injunction seeks to stop the College from irreparably=20
> harming their reputation and their world-class American art collection
> until these lawsuits against Randolph College have been cleared by the
> Commonwealth of Virginia's court system. We've been waiting for Attorney
>
> General Bob McDonnell to take action to stop the College, but since we
> know
> of no action thus far, the plaintiffs in this injunction suit and
> thousands
> of other alumnae, donors to the College and the Maier, and citizens of=20
> Lynchburg felt they needed to take action themselves."
>
> The plaintiffs that have filed the request for an injunction include all
> of
> the students, alumnae and donors of R-MWC involved in the charitable
> trust=20
> and breach of contract lawsuits that currently are being considered on
> appeal to the Supreme Court of Virginia, as well as the eleven potential
> "intervenors" who have asked the Lynchburg Circuit Court to stop
> Randolph=20
> College's attempt to sell off the art purchased with funds from the
> Trust
> of Louise Jordan Smith.
>
> Just last month, the Supreme Court of Virginia decided to hear appeals
> of
> two lawsuits challenging the College's fall 2006 decision to become=20
> co-educational. The first suit, which involves "donor intent,"
> challenges
> the college on charitable trust grounds, arguing that the college should
> have to prove it cannot continue as a woman's college before it can use
> the=20
> assets accumulated under the original charitable purpose - to "educate
> women in the liberal arts" - for the benefit of a coed college. The
> second suit, filed by a group of students, alleges breach of contract,=20
> saying that they had been promised four years of single-sex education.
> Both suits pending
> before the Supreme Court of Virginia include allegations that the
> protection of the art collection is vital to providing the relief sought
> by=20
> the student and donor plaintiffs.
>
> In the Circuit Court case filed by the College, the College asked the
> courts for permission to break the Trust of Louise Jordan Smith.
> Relatives
> of Louise Jordan Smith, students, alumnae, former faculty and Maier
> Museum=20
> directors, donors, and Lynchburg citizens filed a Motion for Leave to
> Intervene in the suit, alleging that the money from Smith's trust was
> used
> to purchase a large number of the most valuable paintings in Randolph's=20
> Maier Museum collection. The intervenors contend that the entire art
> collection must be protected in order to honor the intentions of Smith,
> both through her trust and her efforts during her lifetime. A hearing on
>
> that motion to intervene is scheduled for November 15.
>
> "The Court's decisions in these cases could affect whether or not the
> College can or needs to sell the paintings now at Christie's," says=20
> Yastremski. "If the College is allowed to go forward with the Christie's
> auction before our cases are finalized, the art-pieces like George
> Wesley
> Bellow's 1912 "Men of the Docks" which constitute the cornerstone of the
>
> Maier-will be lost forever."
>
> Yastremski, pointing to the college's $153 million endowment (one of the
> largest in Virginia), believes the College's efforts to sell these
> paintings are "due to greed, not need."=20
>
> While the Southern Association of Colleges and Schools (SACS) has put
> the
> College on financial warning, it was not due to the size of the
> endowment. The specific issues that SACS cited the college for -
> astronomical tuition=20
> discounting (nearly twice the national average), excessive deferred
> maintenance, and operating deficits - are all signs of fiscal
> mismanagement, not a too-small endowment.
>
> "Randolph College officials will do anything to mask the real problems:=20
> out-of-control spending and poor management, neither of which will be
> fixed
> by selling portions of the school's treasured art collection," said
> Yastremski. "This collection was not assembled as a financial investment
>
> for future 'hard times,' but rather from public donations and funds
> allocated to benefit the college's educational mission and to create a
> cultural
> resource for the community. Two of the four paintings in question were=20
> donations from private individuals to the permanent collection, one was
> purchased with fees paid by students (at their request) specifically for
> the purpose of
> buying art and supporting artistic events on campus, and the most
> valuable=20
> one - "Men of the Docks" - was purchased by a Lynchburg-based community
> group with the express purpose of forming a permanent collection for the
> benefit of thestudents and the citizens of Lynchburg."=20
>
> Even if an infusion of capital was necessary, which thousands of alumnae
> and donors don't believe, the national art community has strict
> standards
> against the sale of art for general fund purposes. Nearly every major=20
> Virginia and national art association has condemned the College's plans
> to
> sell the four paintings, including the Association of Art Museum
> Directors,
> the Association of Art Museum Curators, the College Art Association, the
>
> Association of College and University Museums and Galleries and the
> Virginia Association of Museums.
>
> "It is obvious that the current Randolph officials and Trustees care
> nothing for ethics or their donor's wishes. Hopefully the Attorney=20
> General and the Commonwealth's Courts will realize this, and act
> accordingly," said Yastremski. "If not, donors may need to think twice
> about investing their
> hard earned resources with the state's many nonprofits." =20
>
>
> Patrick=20
> T.Patrick Brennan=20
> Sr. Director of Preservation, Programs & Properties
> The Georgia Trust for Historic Preservation=20
> 1516 Peachtree Street=20
> Atlanta, Ga 30309-2908=20
> direct 404.885.7814=20
> fax 404.875.2205=20
> [log in to unmask]
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail =
> message
> to [log in to unmask] . The body of the message should read =
> "help"
> (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to
> [log in to unmask] . The body of the message should read =
> "Signoff
> Museum-L" (without the quotes).
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 13:44:20 -0500
> From: Mary Hayes <[log in to unmask]>
> Subject: Re: Medals
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_0063_01C81643.FA904D40
> Content-Type: text/plain;
> charset="US-ASCII"
> Content-Transfer-Encoding: 7bit
>
> One way would be to assign the unique accession number (i.e. 2007.335).
> Then assign each associated item (shirt, trouser, medal, anything that is
> not attached) a unique object ID. For example, the shirt might be
> 2007.335.01, the trouser might be 2007.335.02, etc. In my world, it's
> really important for every separate item to have a unique identifier.
>
>
>
> It also makes life easier if you just want to exhibit medals or boots or
> whatever.
>
>
>
> Hope this helps.
>
>
>
> Mary Hayes, M.A., C.A.
>
> College and Special Collections Archivist
> Pearce Collections at Navarro College
>
> 3100 West Collin Street
>
> Corsicana, Texas 75110-3904
>
>
>
> 903.875.7655
>
> email [log in to unmask]
>
> internet www.pearcecollections.us
>
>
>
> "They that can give up essential liberty to purchase a little temporary
> safety deserve neither liberty nor safety"
>
> - Benjamin Franklin
>
> _____
>
> From: Museum discussion list [mailto:[log in to unmask]] On
> Behalf
> Of Jarod Atkins
> Sent: Wednesday, October 24, 2007 1:04 PM
> To: [log in to unmask]
> Subject: [MUSEUM-L] Medals
>
>
>
> Hello Museum World,
>
>
>
> I am in the process of accessioning some World War II uniforms. I
> wondered
> what would be the proper way to deal with the medals pinned to the
> uniforms.
> Leave them as is. Accessioning them separately. Or accessioning them
> separately but leave them on the uniform and should I use A, B, etc. or
> next
> sequential number? Thank you for your responses.
>
>
>
> Jarod Atkins, Curator of Collections
>
> Edmond Historical Society
>
> 431 S. Boulevard, Edmond, OK 73034
>
> Office: (405)340-0078
>
> www.edmondhistory.org
>
>
>
> ========================================================= Important
> Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message
> to [log in to unmask] . The body of the message should read
> "help"
> (without the quotes).
>
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff
> Museum-L" (without the quotes).
>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_NextPart_000_0063_01C81643.FA904D40
> Content-Type: text/html;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> <html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
> xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
> xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
> xmlns:st1=3D"urn:schemas-microsoft-com:office:smarttags" =
> xmlns=3D"http://www.w3.org/TR/REC-html40">
>
> <head>
> <meta http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <meta name=3DGenerator content=3D"Microsoft Word 11 (filtered medium)">
> <!--[if !mso]>
> <style>
> v\:* {behavior:url(#default#VML);}
> o\:* {behavior:url(#default#VML);}
> w\:* {behavior:url(#default#VML);}
> .shape {behavior:url(#default#VML);}
> </style>
> <![endif]--><o:SmartTagType
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags" =
> name=3D"PostalCode"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"State"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"Street"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"address"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceType"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceName"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"country-region"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"City"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"place"/>
> <!--[if !mso]>
> <style>
> st1\:*{behavior:url(#default#ieooui) }
> </style>
> <![endif]-->
> <style>
> <!--
> /* Font Definitions */
> @font-face
> {font-family:Tahoma;
> panose-1:2 11 6 4 3 5 4 4 2 4;}
> @font-face
> {font-family:Verdana;
> panose-1:2 11 6 4 3 5 4 4 2 4;}
> @font-face
> {font-family:"Copperplate Gothic Light";
> panose-1:2 14 5 7 2 2 6 2 4 4;}
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> a:link, span.MsoHyperlink
> {color:blue;
> text-decoration:underline;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;
> text-decoration:underline;}
> span.EmailStyle17
> {mso-style-type:personal;
> font-family:Arial;
> color:windowtext;}
> span.EmailStyle18
> {mso-style-type:personal-reply;
> font-family:Verdana;
> color:navy;
> font-weight:normal;
> font-style:normal;
> text-decoration:none none;}
> @page Section1
> {size:8.5in 11.0in;
> margin:1.0in 1.25in 1.0in 1.25in;}
> div.Section1
> {page:Section1;}
> -->
> </style>
>
> </head>
>
> <body lang=3DEN-US link=3Dblue vlink=3Dpurple>
>
> <div class=3DSection1>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:navy'>One way would be to assign the =
> unique
> accession number (i.e. 2007.335). Then assign each =
> associated item
> (shirt, trouser, medal, anything that is not attached) a unique object
> ID. For example, the shirt might be 2007.335.01, the trouser might =
> be
> 2007.335.02, etc. In my world, it’s really important for =
> every
> separate item to have a unique identifier. =
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:navy'><o:p> </o:p></span></font></p=
>>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:navy'>It also makes life easier if you =
> just
> want to exhibit medals or boots or =
> whatever.<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:navy'><o:p> </o:p></span></font></p=
>>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:navy'>Hope this =
> helps.<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:navy'><o:p> </o:p></span></font></p=
>>
>
> <div>
>
> <p class=3DMsoNormal><strong><b><font size=3D3 color=3D"#0a0709"
> face=3D"Copperplate Gothic Light"><span =
> style=3D'font-size:12.0pt;font-family:"Copperplate Gothic Light";
> color:#0A0709'>Mary Hayes, <st1:place w:st=3D"on"><st1:City =
> w:st=3D"on">M.A.</st1:City>,
> <st1:country-region =
> w:st=3D"on">C.A.</st1:country-region></st1:place> </span></font></b>=
> </strong><font
> color=3Dnavy><span style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dgray face=3D"Copperplate =
> Gothic Light"><span
> style=3D'font-size:10.0pt;font-family:"Copperplate Gothic =
> Light";color:gray'>College
> and Special Collections Archivist <br>
> Pearce Collections at <st1:place w:st=3D"on"><st1:PlaceName =
> w:st=3D"on">Navarro</st1:PlaceName>
> <st1:PlaceType =
> w:st=3D"on">College</st1:PlaceType></st1:place></span></font><font
> color=3Dnavy><span style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:Street w:st=3D"on"><st1:address =
> w:st=3D"on"><font size=3D2
> color=3Dgray face=3D"Copperplate Gothic Light"><span =
> style=3D'font-size:10.0pt;
> font-family:"Copperplate Gothic Light";color:gray'>3100 West Collin =
> Street</span></font></st1:address></st1:Street><font
> color=3Dnavy><span style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:place w:st=3D"on"><st1:City w:st=3D"on"><font =
> size=3D2
> color=3Dgray face=3D"Copperplate Gothic Light"><span =
> style=3D'font-size:10.0pt;
> font-family:"Copperplate Gothic =
> Light";color:gray'>Corsicana</span></font></st1:City><font
> size=3D2 color=3Dgray face=3D"Copperplate Gothic Light"><span =
> style=3D'font-size:10.0pt;
> font-family:"Copperplate Gothic Light";color:gray'>, <st1:State =
> w:st=3D"on">Texas</st1:State>
> <st1:PostalCode =
> w:st=3D"on">75110-3904</st1:PostalCode></span></font></st1:place><font
> size=3D2 color=3Dgray face=3D"Copperplate Gothic Light"><span =
> style=3D'font-size:10.0pt;
> font-family:"Copperplate Gothic =
> Light";color:gray'> </span></font><font
> color=3Dnavy><span style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dnavy face=3D"Times New =
> Roman"><span
> style=3D'font-size:12.0pt;color:navy'> <o:p></o:p></span></font></p>=
>
>
> </div>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dgray face=3D"Copperplate =
> Gothic Light"><span
> style=3D'font-size:10.0pt;font-family:"Copperplate Gothic =
> Light";color:gray'>903.875.7655
> <o:p></o:p></span></font></p>
>
> </div>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dgray face=3D"Copperplate =
> Gothic Light"><span
> style=3D'font-size:10.0pt;font-family:"Copperplate Gothic =
> Light";color:gray'>email &=
> nbsp;
> <a =
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> du</a><o:p></o:p></span></font></p>
>
> </div>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dgray face=3D"Copperplate =
> Gothic Light"><span
> style=3D'font-size:10.0pt;font-family:"Copperplate Gothic =
> Light";color:gray'>internet
> <a =
> href=3D"http://www.pearcecollections.us">www.pearcecollections.us</a><o:p=
>></o:p></span></font></p>
>
> </div>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dgray face=3D"Copperplate =
> Gothic Light"><span
> style=3D'font-size:10.0pt;font-family:"Copperplate Gothic =
> Light";color:gray'> <o:p></o:p></span></font></p>
>
> </div>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dgray face=3D"Copperplate =
> Gothic Light"><span
> style=3D'font-size:10.0pt;font-family:"Copperplate Gothic =
> Light";color:gray'>"They
> that can give up essential liberty to purchase a little temporary safety
> deserve neither liberty nor safety" </span></font><font =
> color=3Dnavy><span
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> </div>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dgray face=3D"Copperplate =
> Gothic Light"><span
> style=3D'font-size:10.0pt;font-family:"Copperplate Gothic =
> Light";color:gray'> =
> &=
> nbsp;
> - Benjamin Franklin</span></font><o:p></o:p></p>
>
> </div>
>
> <div>
>
> <div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
> size=3D3
> face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>
>
> <hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>
>
> </span></font></div>
>
> <p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
> style=3D'font-size:10.0pt;
> font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
> size=3D2
> face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
> Museum
> discussion list [mailto:[log in to unmask]] <b><span
> style=3D'font-weight:bold'>On Behalf Of </span></b>Jarod Atkins<br>
> <b><span style=3D'font-weight:bold'>Sent:</span></b> Wednesday, October =
> 24, 2007
> 1:04 PM<br>
> <b><span style=3D'font-weight:bold'>To:</span></b> =
> [log in to unmask]<br>
> <b><span style=3D'font-weight:bold'>Subject:</span></b> [MUSEUM-L] =
> Medals</span></font><o:p></o:p></p>
>
> </div>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:place w:st=3D"on"><st1:PlaceName =
> w:st=3D"on"><font size=3D2
> face=3DArial><span =
> style=3D'font-size:10.0pt;font-family:Arial'>Hello</span></font></st1:Pla=
> ceName><font
> size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;font-family:Arial'> <st1:PlaceType
> w:st=3D"on">Museum</st1:PlaceType></span></font></st1:place><font =
> size=3D2
> face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> =
> World,<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'>I am in the process of accessioning some World War II
> uniforms. I wondered what would be the proper way to deal with the =
> medals
> pinned to the uniforms. Leave them as is. Accessioning them =
> separately.
> Or accessioning them separately but leave them on the uniform and should =
> I use
> A, B, etc. or next sequential number? Thank you for your =
> responses. <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>Jarod Atkins, Curator of =
> Collections<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:place w:st=3D"on"><st1:City w:st=3D"on"><font =
> size=3D3
> face=3D"Times New Roman"><span =
> style=3D'font-size:12.0pt'>Edmond</span></font></st1:City></st1:place>
> Historical Society<o:p></o:p></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>431 S. Boulevard, <st1:place w:st=3D"on"><st1:City =
> w:st=3D"on">Edmond</st1:City></st1:place>,
> OK 73034<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>Office: (405)340-0078<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>www.edmondhistory.org<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'><o:p> </o:p></span></font></p>
>
> </div>
>
> </body>
>
> </html>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at =
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
> information about the listserv commands by sending a one line e-mail =
> message to [log in to unmask] . The body of the message should =
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to [log in to unmask] . The body of the message should read =
> "Signoff Museum-L" (without the quotes).
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
> ------=_NextPart_000_0063_01C81643.FA904D40--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 14:59:26 -0400
> From: Aaron Noble <[log in to unmask]>
> Subject: Re: Medals
>
> I have had several different experiences with this issue. No matter what =
> you ultimately decide on in terms of storage, each medal, ribbon, and =
> removable insignia should have its own accession number as it could stand
> =
> alone in an exhibit.
>
> As for storage, I don't think there is any single accepted technique. The
> =
> U.S. Army's National Infantry Museum at Fort Benning, Georgia, accessioned
> =
> each medal or ribbon separately, but left them in place on the uniform =
> coat just as the donor would have worn them.=20
>
> The New York State Museum accessions each item separately, but then stores
> =
> them in a drawer separate from the uniform.
>
> Both storage techniques have their own pros and cons. Keeping the uniform
> =
> together helps maintain the integrity of the uniform as a singular =
> artifact. It is very easy to misplace a small insignia and thereby risk =
> losing a significant part of the soldier's story that is told through the
> =
> uniform. On the other hand, it is not necessarily the best technique in =
> terms of the museum standards of storage. Ultimately, depending on your =
> institution's storage facilities, it may become a personal decision based
> =
> on your priorities for the artifact.
>
> Hope this helps.
>
>
>
>
> Aaron Noble
> Research & Collections
> New York State Museum
> Cultural Education Center 3035
> Albany, New York 12230
> (518) 474-2179
>
>>>> Jarod Atkins <[log in to unmask]> 10/24/2007 2:04:10 PM >>>
> Hello Museum World,
>
> =20
>
> I am in the process of accessioning some World War II uniforms. I =
> wondered
> what would be the proper way to deal with the medals pinned to the =
> uniforms.
> Leave them as is. Accessioning them separately. Or accessioning them
> separately but leave them on the uniform and should I use A, B, etc. or =
> next
> sequential number? Thank you for your responses. =20
>
> =20
>
> Jarod Atkins, Curator of Collections
>
> Edmond Historical Society
>
> 431 S. Boulevard, Edmond, OK 73034
>
> Office: (405)340-0078
>
> www.edmondhistory.org=20
>
> =20
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-fa=
> q/ . You may obtain detailed information about the listserv commands by =
> sending a one line e-mail message to [log in to unmask] . The =
> body of the message should read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> =
> [log in to unmask] . The body of the message should read =
> "Signoff Museum-L" (without the quotes).
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 13:53:25 -0500
> From: Sue Garwood <[log in to unmask]>
> Subject: Re: Medals
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_0061_01C81645.3F6B24C0
> Content-Type: text/plain;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
> X-MIME-Autoconverted: from 8bit to quoted-printable by email1.smig.net id
> l9OIo5Kx082864
>
> You might also want to take a photo of the medals as they appear on the
> uniform to better aid placement and order on the piece when reassembled f=
> or
> exhibition. Consider taking several, including one that makes note of wh=
> ere
> exactly they go in relation to buttons, pocket, etc.
>
> Sue
> ---------------------
> Susan Garwood
> Executive Director
> Rice County Historical Society
> 1814 NW 2nd Ave.
> Faribault, MN 55021
> 507-332-2121
> [log in to unmask]
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]]On
> Behalf Of Mary Hayes
> Sent: Wednesday, October 24, 2007 1:44 PM
> To: [log in to unmask]
> Subject: Re: [MUSEUM-L] Medals
>
>
> One way would be to assign the unique accession number (i.e. 2007.335).
> Then assign each associated item (shirt, trouser, medal, anything that is
> not attached) a unique object ID. For example, the shirt might be
> 2007.335.01, the trouser might be 2007.335.02, etc. In my world, it=92s
> really important for every separate item to have a unique identifier.
>
>
>
> It also makes life easier if you just want to exhibit medals or boots o=
> r
> whatever.
>
>
>
> Hope this helps.
>
>
>
> Mary Hayes, M.A., C.A.
>
> College and Special Collections Archivist
> Pearce Collections at Navarro College
>
> 3100 West Collin Street
>
> Corsicana, Texas 75110-3904
>
>
>
> 903.875.7655
>
> email [log in to unmask]
>
> internet www.pearcecollections.us
>
>
>
> "They that can give up essential liberty to purchase a little temporary
> safety deserve neither liberty nor safety"
>
> - Benjamin Franklin
>
>
> -------------------------------------------------------------------------=
> ---
> --
>
> From: Museum discussion list [mailto:[log in to unmask]] On
> Behalf Of Jarod Atkins
> Sent: Wednesday, October 24, 2007 1:04 PM
> To: [log in to unmask]
> Subject: [MUSEUM-L] Medals
>
>
>
> Hello Museum World,
>
>
>
> I am in the process of accessioning some World War II uniforms. I
> wondered what would be the proper way to deal with the medals pinned to t=
> he
> uniforms. Leave them as is. Accessioning them separately. Or accessionin=
> g
> them separately but leave them on the uniform and should I use A, B, etc.=
> or
> next sequential number? Thank you for your responses.
>
>
>
> Jarod Atkins, Curator of Collections
>
> Edmond Historical Society
>
> 431 S. Boulevard, Edmond, OK 73034
>
> Office: (405)340-0078
>
> www.edmondhistory.org
>
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D Important
> Subscriber Information:
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail mess=
> age
> to [log in to unmask] . The body of the message should read "he=
> lp"
> (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to
> [log in to unmask] . The body of the message should read "Signo=
> ff
> Museum-L" (without the quotes).
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D Important
> Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail mess=
> age
> to [log in to unmask] . The body of the message should read "he=
> lp"
> (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to
> [log in to unmask] . The body of the message should read "Signo=
> ff
> Museum-L" (without the quotes).
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_NextPart_000_0061_01C81645.3F6B24C0
> Content-Type: text/html;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML xmlns=3D"http://www.w3.org/TR/REC-html40" xmlns:v =3D=20
> "urn:schemas-microsoft-com:vml" xmlns:o =3D=20
> "urn:schemas-microsoft-com:office:office" xmlns:w =3D=20
> "urn:schemas-microsoft-com:office:word" xmlns:st1 =3D=20
> "urn:schemas-microsoft-com:office:smarttags"><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Diso-8859-1">
> <META content=3D"MSHTML 6.00.2800.1555" name=3DGENERATOR><!--[if !mso]>
> <STYLE>v\:* {
> BEHAVIOR: url(#default#VML)
> }
> o\:* {
> BEHAVIOR: url(#default#VML)
> }
> w\:* {
> BEHAVIOR: url(#default#VML)
> }
> .shape {
> BEHAVIOR: url(#default#VML)
> }
> </STYLE>
> <![endif]--><o:SmartTagType name=3D"PostalCode"=20
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"></o:SmartTagT=
> ype><o:SmartTagType=20
> name=3D"State"=20
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"></o:SmartTagT=
> ype><o:SmartTagType=20
> name=3D"Street"=20
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"></o:SmartTagT=
> ype><o:SmartTagType=20
> name=3D"address"=20
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"></o:SmartTagT=
> ype><o:SmartTagType=20
> name=3D"PlaceType"=20
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"></o:SmartTagT=
> ype><o:SmartTagType=20
> name=3D"PlaceName"=20
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"></o:SmartTagT=
> ype><o:SmartTagType=20
> name=3D"country-region"=20
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"></o:SmartTagT=
> ype><o:SmartTagType=20
> name=3D"City"=20
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"></o:SmartTagT=
> ype><o:SmartTagType=20
> name=3D"place"=20
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"></o:SmartTagT=
> ype><!--[if !mso]>
> <STYLE>st1\:* {
> BEHAVIOR: url(#default#ieooui)
> }
> </STYLE>
> <![endif]-->
> <STYLE>@font-face {
> font-family: Tahoma;
> }
> @font-face {
> font-family: Verdana;
> }
> @font-face {
> font-family: Copperplate Gothic Light;
> }
> @page Section1 {size: 8.5in 11.0in; margin: 1.0in 1.25in 1.0in 1.25in; }
> P.MsoNormal {
> FONT-SIZE: 12pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: "Times New Roman"
> }
> LI.MsoNormal {
> FONT-SIZE: 12pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: "Times New Roman"
> }
> DIV.MsoNormal {
> FONT-SIZE: 12pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: "Times New Roman"
> }
> A:link {
> COLOR: blue; TEXT-DECORATION: underline
> }
> SPAN.MsoHyperlink {
> COLOR: blue; TEXT-DECORATION: underline
> }
> A:visited {
> COLOR: purple; TEXT-DECORATION: underline
> }
> SPAN.MsoHyperlinkFollowed {
> COLOR: purple; TEXT-DECORATION: underline
> }
> SPAN.EmailStyle17 {
> COLOR: windowtext; FONT-FAMILY: Arial; mso-style-type: personal
> }
> SPAN.EmailStyle18 {
> FONT-WEIGHT: normal; COLOR: navy; FONT-STYLE: normal; FONT-FAMILY: =
> Verdana; TEXT-DECORATION: none; mso-style-type: personal-reply
> }
> DIV.Section1 {
> page: Section1
> }
> </STYLE>
> </HEAD>
> <BODY lang=3DEN-US vLink=3Dpurple link=3Dblue>
> <DIV><SPAN class=3D850244918-24102007><FONT face=3DArial color=3D#0000ff =
> size=3D2>You=20
> might also want to take a photo of the medals as they appear on the =
> uniform to=20
> better aid placement and order on the piece when reassembled for=20
> exhibition. Consider taking several, including one that makes note =
> of=20
> where exactly they go in relation to buttons, pocket,=20
> etc. </FONT></SPAN></DIV>
> <DIV><SPAN class=3D850244918-24102007><FONT face=3DArial color=3D#0000ff =
>
> size=3D2></FONT></SPAN> </DIV>
> <DIV><SPAN class=3D850244918-24102007><FONT face=3DArial color=3D#0000ff =
>
> size=3D2>Sue</FONT></SPAN></DIV>
> <DIV><SPAN class=3D850244918-24102007><FONT face=3DArial color=3D#0000ff =
>
> size=3D2>---------------------<BR></FONT></SPAN><SPAN=20
> class=3D850244918-24102007><FONT size=3D2>Susan Garwood<BR>Executive=20
> Director<BR>Rice County Historical Society<BR>1814 NW 2nd =
> Ave.<BR>Faribault, MN=20
> 55021<BR>507-332-2121<BR>[log in to unmask]</FONT> </SPAN></DIV>
> <DIV><SPAN class=3D850244918-24102007><FONT face=3DArial color=3D#0000ff =
>
> size=3D2></FONT></SPAN> </DIV>
> <BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
> <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
> face=3DTahoma=20
> size=3D2>-----Original Message-----<BR><B>From:</B> Museum discussion =
> list=20
> [mailto:[log in to unmask]]<B>On Behalf Of </B>Mary=20
> Hayes<BR><B>Sent:</B> Wednesday, October 24, 2007 1:44 =
> PM<BR><B>To:</B>=20
> [log in to unmask]<BR><B>Subject:</B> Re: [MUSEUM-L]=20
> Medals<BR><BR></FONT></DIV>
> <DIV class=3DSection1>
> <P class=3DMsoNormal><FONT face=3DVerdana color=3Dnavy size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Verdana">One way =
> would be to=20
> assign the unique accession number (i.e. 2007.335). Then =
> assign=20
> each associated item (shirt, trouser, medal, anything that is not =
> attached) a=20
> unique object ID. For example, the shirt might be 2007.335.01, =
> the=20
> trouser might be 2007.335.02, etc. In my world, it=92s really =
> important=20
> for every separate item to have a unique identifier. =20
> <o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DVerdana color=3Dnavy size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
> Verdana"><o:p> </o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DVerdana color=3Dnavy size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Verdana">It also =
> makes life=20
> easier if you just want to exhibit medals or boots or=20
> whatever.<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DVerdana color=3Dnavy size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
> Verdana"><o:p> </o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DVerdana color=3Dnavy size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Verdana">Hope this =
>
> helps.<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DVerdana color=3Dnavy size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
> Verdana"><o:p> </o:p></SPAN></FONT></P>
> <DIV>
> <P class=3DMsoNormal><STRONG><B><FONT face=3D"Copperplate Gothic =
> Light"=20
> color=3D#0a0709 size=3D3><SPAN=20
> style=3D"FONT-SIZE: 12pt; COLOR: #0a0709; FONT-FAMILY: 'Copperplate =
> Gothic Light'">Mary Hayes,=20
> <st1:place w:st=3D"on"><st1:City w:st=3D"on">M.A.</st1:City>, =
> <st1:country-region=20
> =
> w:st=3D"on">C.A.</st1:country-region></st1:place> </SPAN></FONT></B>=
> </STRONG><FONT=20
> color=3Dnavy><SPAN style=3D"COLOR: navy"><o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3D"Copperplate Gothic Light" =
> color=3Dgray=20
> size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic Light'">College=20
> and Special Collections Archivist <BR>Pearce Collections at <st1:place =
>
> w:st=3D"on"><st1:PlaceName w:st=3D"on">Navarro</st1:PlaceName> =
> <st1:PlaceType=20
> w:st=3D"on">College</st1:PlaceType></st1:place></SPAN></FONT><FONT=20
> color=3Dnavy><SPAN style=3D"COLOR: navy"><o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><st1:Street w:st=3D"on"><st1:address =
> w:st=3D"on"><FONT=20
> face=3D"Copperplate Gothic Light" color=3Dgray size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic Light'">3100=20
> West Collin Street</SPAN></FONT></st1:address></st1:Street><FONT=20
> color=3Dnavy><SPAN style=3D"COLOR: navy"><o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><st1:place w:st=3D"on"><st1:City =
> w:st=3D"on"><FONT=20
> face=3D"Copperplate Gothic Light" color=3Dgray size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic Light'">Corsicana</SPAN></FONT></st1:City><FONT=20
> face=3D"Copperplate Gothic Light" color=3Dgray size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic Light'">,=20
> <st1:State w:st=3D"on">Texas</st1:State> <st1:PostalCode=20
> w:st=3D"on">75110-3904</st1:PostalCode></SPAN></FONT></st1:place><FONT =
>
> face=3D"Copperplate Gothic Light" color=3Dgray size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic Light'"> </SPAN></FONT><FONT=20
> color=3Dnavy><SPAN style=3D"COLOR: navy"><o:p></o:p></SPAN></FONT></P>
> <DIV>
> <P class=3DMsoNormal><FONT face=3D"Times New Roman" color=3Dnavy =
> size=3D3><SPAN=20
> style=3D"FONT-SIZE: 12pt; COLOR: =
> navy"> <o:p></o:p></SPAN></FONT></P></DIV>
> <DIV>
> <P class=3DMsoNormal><FONT face=3D"Copperplate Gothic Light" =
> color=3Dgray=20
> size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic Light'">903.875.7655=20
> <o:p></o:p></SPAN></FONT></P></DIV>
> <DIV>
> <P class=3DMsoNormal><FONT face=3D"Copperplate Gothic Light" =
> color=3Dgray=20
> size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic =
> Light'">email =
> =20
> <A=20
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> du</A><o:p></o:p></SPAN></FONT></P></DIV>
> <DIV>
> <P class=3DMsoNormal><FONT face=3D"Copperplate Gothic Light" =
> color=3Dgray=20
> size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic Light'">internet =20
> <A=20
> =
> href=3D"http://www.pearcecollections.us">www.pearcecollections.us</A><o:p=
>></o:p></SPAN></FONT></P></DIV>
> <DIV>
> <P class=3DMsoNormal><FONT face=3D"Copperplate Gothic Light" =
> color=3Dgray=20
> size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic Light'"> <o:p></o:p></SPAN></FONT></P></DIV>
> <DIV>
> <P class=3DMsoNormal><FONT face=3D"Copperplate Gothic Light" =
> color=3Dgray=20
> size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic Light'">"They=20
> that can give up essential liberty to purchase a little temporary =
> safety=20
> deserve neither liberty nor safety" </SPAN></FONT><FONT =
> color=3Dnavy><SPAN=20
> style=3D"COLOR: navy"><o:p></o:p></SPAN></FONT></P></DIV>
> <P class=3DMsoNormal><FONT face=3D"Copperplate Gothic Light" =
> color=3Dgray=20
> size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: 'Copperplate =
> Gothic =
> Light'">  =
> ; =
> =20
> - Benjamin Franklin</SPAN></FONT><o:p></o:p></P></DIV>
> <DIV>
> <DIV class=3DMsoNormal style=3D"TEXT-ALIGN: center" =
> align=3Dcenter><FONT=20
> face=3D"Times New Roman" size=3D3><SPAN style=3D"FONT-SIZE: 12pt">
> <HR tabIndex=3D-1 align=3Dcenter width=3D"100%" SIZE=3D2>
> </SPAN></FONT></DIV>
> <P class=3DMsoNormal><B><FONT face=3DTahoma size=3D2><SPAN=20
> style=3D"FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: =
> Tahoma">From:</SPAN></FONT></B><FONT=20
> face=3DTahoma size=3D2><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
> Tahoma"> Museum=20
> discussion list [mailto:[log in to unmask]] <B><SPAN=20
> style=3D"FONT-WEIGHT: bold">On Behalf Of </SPAN></B>Jarod =
> Atkins<BR><B><SPAN=20
> style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Wednesday, October 24, =
> 2007 1:04=20
> PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B>=20
> [log in to unmask]<BR><B><SPAN=20
> style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> [MUSEUM-L]=20
> Medals</SPAN></FONT><o:p></o:p></P></DIV>
> <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
> style=3D"FONT-SIZE: 12pt"><o:p> </o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><st1:place w:st=3D"on"><st1:PlaceName =
> w:st=3D"on"><FONT=20
> face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
> Arial">Hello</SPAN></FONT></st1:PlaceName><FONT=20
> face=3DArial size=3D2><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
> Arial">=20
> <st1:PlaceType =
> w:st=3D"on">Museum</st1:PlaceType></SPAN></FONT></st1:place><FONT=20
> face=3DArial size=3D2><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
> Arial">=20
> World,<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
> Arial"><o:p> </o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">I am in the process of=20
> accessioning some World War II uniforms. I wondered what would =
> be the=20
> proper way to deal with the medals pinned to the uniforms. Leave them =
> as is.=20
> Accessioning them separately. Or accessioning them separately =
> but leave=20
> them on the uniform and should I use A, B, etc. or next sequential =
> number?=20
> Thank you for your responses. <o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
> Arial"><o:p> </o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
> style=3D"FONT-SIZE: 12pt">Jarod Atkins, Curator of=20
> Collections<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><st1:place w:st=3D"on"><st1:City =
> w:st=3D"on"><FONT=20
> face=3D"Times New Roman" size=3D3><SPAN=20
> style=3D"FONT-SIZE: 12pt">Edmond</SPAN></FONT></st1:City></st1:place> =
> Historical=20
> Society<o:p></o:p></P>
> <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
> style=3D"FONT-SIZE: 12pt">431 S. Boulevard, <st1:place =
> w:st=3D"on"><st1:City=20
> w:st=3D"on">Edmond</st1:City></st1:place>, OK =
> 73034<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
> style=3D"FONT-SIZE: 12pt">Office: =20
> (405)340-0078<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
> style=3D"FONT-SIZE: =
> 12pt">www.edmondhistory.org<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
> style=3D"FONT-SIZE: =
> 12pt"><o:p> </o:p></SPAN></FONT></P></DIV>=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=20
> Important Subscriber Information:=20
> <P>The Museum-L FAQ file is located at=20
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed=20
> information about the listserv commands by sending a one line e-mail =
> message=20
> to [log in to unmask] . The body of the message should read =
> "help"=20
> (without the quotes).=20
> <P>If you decide to leave Museum-L, please send a one line e-mail =
> message to=20
> [log in to unmask] . The body of the message should read =
> "Signoff=20
> Museum-L" (without the quotes).=20
> =
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D Important Subscriber=20
> Information:=20
> <P>The Museum-L FAQ file is located at=20
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed=20
> information about the listserv commands by sending a one line e-mail =
> message=20
> to [log in to unmask] . The body of the message should read =
> "help"=20
> (without the quotes).=20
> <P>If you decide to leave Museum-L, please send a one line e-mail =
> message to=20
> [log in to unmask] . The body of the message should read =
> "Signoff=20
> Museum-L" (without the quotes).</P></BLOCKQUOTE></BODY></HTML>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_NextPart_000_0061_01C81645.3F6B24C0--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 15:48:04 -0400
> From: Jason DePriest <[log in to unmask]>
> Subject: Re: suggestions for new gallery floor covering material
>
> This is a multi-part message in MIME format.
>
> ------_=_NextPart_001_01C81676.B6748E4C
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> One thing that you might want to consider is looking into floors with
> "self-healing" (or at least easily repaired) properties. Many of the
> exhibits we host in our temporary galleries come with cases or pedestals
> that require anchoring to the floor (so the case itself doesn't shift
> when bumped). We have wood plank flooring, which generally will "heal"
> when wood screws are backed out, leaving only a small hole that
> sometimes requires a drop of putty and a dab of stain--and presto, good
> as new.
>
> =20
>
> Concrete floors are certainly durable, and can look pretty cool when
> finished with a fancy stain, but do not "heal" well if a hole is dropped
> in them. They also may increase the noise level within the gallery.
>
> =20
>
> I've been interested in all of the "green" products becoming more
> readily available, and cork flooring is something to keep an eye on. It
> is marketed as a low-to-no VOC product that can be ordered in
> snap-together planks, eliminating the need for adhesives. I cannot
> personally attest to how much off-gassing occurs with cork, but it is
> touted as an environmentally friendly product, for what it's worth. Cork
> isn't the cheapest option, however. Here are a couple of websites:
>
> =20
>
> http://www.greenresourcecenter.org/MaterialSheetsWord/CorkFlooring.pdf
>
> =20
>
> http://www.corkdirect.com/?src=3Dink
>
> =20
>
> It is important to consider the long-term advantages of whatever
> flooring you choose. Some may be more expensive up front, but require
> less maintenance and are more durable, so you won't be turning around
> and re-flooring the whole space again in a few years.
>
> =20
>
> That's my 2 cents (or 4 on the floor?)
>
> =20
>
> Jason DePriest | Exhibit & Collections Specialist
>
> Union Station Kansas City | Kansas City Museum
>
> 30 West Pershing Road | Kansas City, MO 64108
>
> =20
>
> =20
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]] On
> Behalf Of Bonni-Dara Michaels
> Sent: Wednesday, October 24, 2007 12:59 PM
> To: [log in to unmask]
> Subject: [MUSEUM-L] suggestions for new gallery floor covering material
>
> =20
>
> The original sealed wood flooring in our galleries was damaged by
> flooding. We've repaired these floors, but they do not meet our
> standard aesthetically, and will want to replace them. The galleries
> are used for both contemporary art and historical exhibitions, for both
> loans and collection items. We would like to replace the floor quickly
> and relatively inexpensively while we look into long-term solutions, so
> I am really interested in both.
>
> =20
>
> From a conservation standpoint, can we safely use concrete, artificial
> wood flooring or other types of floors? What would you recommend? We
> have heard concerns in the past regarding the glues used (we've been
> told to use water soluble adhesives) and the flooring materials, and
> don't want to err in our haste.
>
> =20
>
> Thank you for any thoughts you might have.
>
> =20
>
> Bonni-Dara Michaels
>
> Collections Curator
>
> Yeshiva University Museum
>
> 15 West 16th Street
>
> New York, New York 10011
>
> tel: 212-294-8330 x 8815
>
> email: [log in to unmask]
>
> =20
>
> =20
>
> =20
>
> =20
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
>
> Important Subscriber Information:
>
> =20
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> =20
>
> If you decide to leave Museum-L, please send a one line e-mail message
> to [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> =20
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81676.B6748E4C
> Content-Type: text/html;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> <html xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
> xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
> xmlns:st1=3D"urn:schemas-microsoft-com:office:smarttags" =
> xmlns=3D"http://www.w3.org/TR/REC-html40">
>
> <head>
> <meta http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <meta name=3DGenerator content=3D"Microsoft Word 11 (filtered medium)">
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceType"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceName"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PostalCode"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"State"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"Street"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"City"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"place"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"address"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PersonName"/>
> <!--[if !mso]>
> <style>
> st1\:*{behavior:url(#default#ieooui) }
> </style>
> <![endif]-->
> <style>
> <!--
> /* Font Definitions */
> @font-face
> {font-family:"Arial Narrow";
> panose-1:2 11 5 6 2 2 2 3 2 4;}
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> a:link, span.MsoHyperlink
> {color:blue;
> text-decoration:underline;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;
> text-decoration:underline;}
> p.MsoPlainText, li.MsoPlainText, div.MsoPlainText
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:10.0pt;
> font-family:"Courier New";}
> p.MsoAutoSig, li.MsoAutoSig, div.MsoAutoSig
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> @page Section1
> {size:8.5in 11.0in;
> margin:1.0in 77.95pt 1.0in 77.95pt;}
> div.Section1
> {page:Section1;}
> -->
> </style>
>
> </head>
>
> <body lang=3DEN-US link=3Dblue vlink=3Dpurple>
>
> <div class=3DSection1>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>One thing that you might want to consider is looking into floors =
> with "self-healing"
> (or at least easily repaired) properties. Many of the exhibits we host =
> in our
> temporary galleries come with cases or pedestals that require anchoring =
> to the
> floor (so the case itself doesn't shift when bumped). We have wood plank
> flooring, which generally will "heal" when wood screws are =
> backed out,
> leaving only a small hole that sometimes requires a drop of putty and a =
> dab of
> stain--and presto, good as new.<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>Concrete floors are certainly durable, and can look pretty cool =
> when
> finished with a fancy stain, but do not "heal" well if a hole =
> is
> dropped in them. They also may increase the noise level within the =
> gallery.<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>I've been interested in all of the "green" products =
> becoming
> more readily available, and cork flooring is something to keep an eye =
> on. It is
> marketed as a low-to-no VOC product that can be ordered in snap-together
> planks, eliminating the need for adhesives. I cannot personally attest =
> to how
> much off-gassing occurs with cork, but it is touted as an =
> environmentally
> friendly product, for what it's worth. <st1:City w:st=3D"on"><st1:place =
> w:st=3D"on">Cork</st1:place></st1:City>
> isn't the cheapest option, however. Here are a couple of =
> websites:<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><a
> href=3D"http://www.greenresourcecenter.org/MaterialSheetsWord/CorkFloorin=
> g.pdf">http://www.greenresourcecenter.org/MaterialSheetsWord/CorkFlooring=
> .pdf</a><o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><a =
> href=3D"http://www.corkdirect.com/?src=3Dink">http://www.corkdirect.com/?=
> src=3Dink</a><o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>It is important to consider the long-term advantages of whatever
> flooring you choose. Some may be more expensive up front, but require =
> less
> maintenance and are more durable, so you won't be turning around and =
> re-flooring
> the whole space again in a few years.<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>That's my 2 cents (or 4 on the =
> floor?)<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><st1:PersonName w:st=3D"on"><font size=3D2 =
> color=3Dgray
> face=3D"Arial Narrow"><span =
> style=3D'font-size:10.0pt;font-family:"Arial Narrow";
> color:gray'>Jason DePriest</span></font></st1:PersonName><font
> face=3D"Arial Narrow"><span style=3D'font-family:"Arial Narrow"'> <font
> color=3Dmaroon><span style=3D'color:maroon'>| Exhibit & Collections =
> Specialist<o:p></o:p></span></font></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 color=3Dmaroon face=3D"Arial =
> Narrow"><span
> style=3D'font-size:10.0pt;font-family:"Arial Narrow";color:maroon'>Union =
> Station <st1:City
> w:st=3D"on">Kansas City</st1:City> | <st1:place =
> w:st=3D"on"><st1:PlaceName w:st=3D"on">Kansas
> City</st1:PlaceName> <st1:PlaceType =
> w:st=3D"on">Museum</st1:PlaceType></st1:place><o:p></o:p></span></font></=
> p>
>
> <p class=3DMsoPlainText><st1:Street w:st=3D"on"><st1:address =
> w:st=3D"on"><font
> size=3D2 color=3Dmaroon face=3D"Arial Narrow"><span =
> style=3D'font-size:10.0pt;
> font-family:"Arial Narrow";color:maroon'>30 West Pershing =
> Road</span></font></st1:address></st1:Street><font
> color=3Dmaroon face=3D"Arial Narrow"><span style=3D'font-family:"Arial =
> Narrow";
> color:maroon'> | <st1:place w:st=3D"on"><st1:City w:st=3D"on">Kansas =
> City</st1:City>,
> <st1:State w:st=3D"on">MO</st1:State> <st1:PostalCode =
> w:st=3D"on">64108</st1:PostalCode></st1:place><o:p></o:p></span></font></=
> p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'> <o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>-----Original Message-----<br>
> From: <st1:PersonName w:st=3D"on">Museum discussion =
> list</st1:PersonName>
> [mailto:[log in to unmask]] On Behalf Of Bonni-Dara =
> Michaels<br>
> Sent: Wednesday, October 24, 2007 12:59 PM<br>
> To: [log in to unmask]<br>
> Subject: [MUSEUM-L] suggestions for new gallery floor covering =
> material</span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>The original sealed wood flooring in our galleries was damaged =
> by
> flooding. We've repaired these floors, but they do not meet our =
> standard
> aesthetically, and will want to replace them. The galleries are =
> used for
> both contemporary art and historical exhibitions, for both loans and =
> collection
> items. We would like to replace the floor quickly and =
> relatively
> inexpensively while we look into long-term solutions, so I am really =
> interested
> in both.<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>From a conservation standpoint, can we safely use concrete, =
> artificial
> wood flooring or other types of floors? What would you =
> recommend?
> We have heard concerns in the past regarding the glues used (we've been =
> told to
> use water soluble adhesives) and the flooring materials, and don't want =
> to err
> in our haste.<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>Thank you for any thoughts you might =
> have.<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>Bonni-Dara Michaels<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>Collections Curator<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><st1:place w:st=3D"on"><st1:PlaceName =
> w:st=3D"on"><font
> size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:10.0pt'>Yeshiva</span></font></st1:PlaceName>
> <st1:PlaceType w:st=3D"on">University</st1:PlaceType> <st1:PlaceType =
> w:st=3D"on">Museum</st1:PlaceType></st1:place><o:p></o:p></p>
>
> <p class=3DMsoPlainText><st1:Street w:st=3D"on"><st1:address =
> w:st=3D"on"><font
> size=3D2 face=3D"Courier New"><span style=3D'font-size:10.0pt'>15 West =
> 16th Street</span></font></st1:address></st1:Street><o:p></o:p></p>
>
> <p class=3DMsoPlainText><st1:place w:st=3D"on"><st1:City =
> w:st=3D"on"><font size=3D2
> face=3D"Courier New"><span style=3D'font-size:10.0pt'>New =
> York</span></font></st1:City>,
> <st1:State w:st=3D"on">New York</st1:State> <st1:PostalCode =
> w:st=3D"on">10011</st1:PostalCode></st1:place><o:p></o:p></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>tel: 212-294-8330 x 8815<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>email: [log in to unmask]<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'> <o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>Important Subscriber Information:<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
> information
> about the listserv commands by sending a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "help" (without the quotes).<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'>If you decide to leave Museum-L, please send a one line e-mail =
> message
> to [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the =
> quotes).<o:p></o:p></span></font></p>
>
> <p class=3DMsoPlainText><font size=3D2 face=3D"Courier New"><span =
> style=3D'font-size:
> 10.0pt'><o:p> </o:p></span></font></p>
>
> </div>
>
> </body>
>
> </html>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81676.B6748E4C--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 16:08:41 -0400
> From: "Jennifer L. Burns" <[log in to unmask]>
> Subject: Position Opening: Registrar, High Point Museum
>
> This is a multi-part message in MIME format.
>
>
> ------_=_NextPart_001_01C81679.AC882552
> Content-Type: text/plain;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> High Point Museum
> Registrar
> Job Description
>
> Title: Registrar
> Duration: Through June 2009 with one-year extensions contingent upon
> funding
> Reports to: Curator of Collections
> Salary: $29,500
>
> Position Summary=20
> The High Point Museum seeks an energetic candidate for a Registrar
> position. This position will complete the final stages of a
> wall-to-wall inventory and assist with reconciling the inventory with
> official records. The Registrar will be responsible for cataloging
> incoming, stored, and loaned collections, creating and maintaining
> computerized and manual records of the collection, and assessing
> collection conservation needs. Additionally, the Registrar will assist
> with exhibit installation and information requests. =20
>
> Primary Responsibilities=20
> * Complete the inventory of the museum collection. =20
> * Work with the Curator of Collections to manage the museum's
> permanent collection and process new acquisition. Produce incoming
> receipts and condition reports. Assign and apply accession numbers.
> Prepare forms, reports, letters, and evaluations related to the Museum's
> collections. =20
> * Maintain the museum's collections management database. Enter
> inventory data and object information, scan images, and update
> collection information as needed.
> * Assist with reconciling found in collections items.
> * Assess collection conservation needs.
> * Assist in preparing objects for exhibition and preparation of
> exhibit mounts.
> * Facilitates access to the collection for scholars and
> researchers.
> * Assist with processing incoming photographic reproduction
> requests and information requests. =20
> * Maintain the Museum's Integrated Pest Management system.
>
> Supervisory Responsibilities=20
> The Registrar may supervise volunteers and college interns.=20
>
> Education and Experience=20
> Bachelor's degree in History, Museum Studies, or related field, Master's
> degree preferred. One to three years of museum experience in
> collections or an equivalent combination of education and experience.
> Experience with computerized relational database systems for museum
> collections, preferably PastPerfect. =20
>
> Skills
> Ability to work independently and as part of a larger team. Strong
> organizational skills with accuracy and attention to detail. Adept at
> prioritizing tasks and managing multiple priorities and deadlines.
> Analytically skilled and likes the challenge of problem solving.
> Knowledge of museum standards regarding the care and handling of museum
> objects. =20
>
> Job Conditions=20
> Occasional contact with the general public in taking in donations and
> handling requests for information. Must be able to sit for extended
> periods of time at a computer. Ability to lift and transport up to 50
> pounds. Must be comfortable on short ladders (less than eight feet
> high) and movable stair units.
>
> Send letter of application, resume and three references to Jennifer
> Burns, Curator of Collections, High Point Museum, 1859 E. Lexington
> Avenue, High Point, NC 27262. Review of applications begins
> immediately.=20
>
> October 24, 2007=20
>
>
> Jennifer Burns
> Curator of Collections
> High Point Museum
> 1859 E. Lexington Ave.
> High Point, NC 27262
> (336) 883-3024
> www.highpointmuseum.org
>
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81679.AC882552
> Content-Type: text/html;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
> <HTML>
> <HEAD>
> <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
> charset=3Dus-ascii">
> <META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
> 6.5.7651.59">
> <TITLE>Position Opening: Registrar, High Point Museum</TITLE>
> </HEAD>
> <BODY>
> <!-- Converted from text/rtf format -->
>
> <P><B><FONT FACE=3D"Times New Roman">High Point Museum</FONT></B>
>
> <BR><B><FONT FACE=3D"Times New Roman">Registrar</FONT></B>
>
> <BR><B><FONT FACE=3D"Times New Roman">Job Description</FONT></B>
> </P>
>
> <P><B><FONT COLOR=3D"#000000" FACE=3D"Times New =
> Roman">Title</FONT></B><FONT COLOR=3D"#000000" FACE=3D"Times New =
> Roman">: Registrar</FONT>
>
> <BR><B><FONT COLOR=3D"#000000" FACE=3D"Times New =
> Roman">Duration</FONT></B><FONT COLOR=3D"#000000" FACE=3D"Times New =
> Roman">: Through June 2009 with one-year extensions contingent upon =
> funding</FONT>
>
> <BR><B><FONT COLOR=3D"#000000" FACE=3D"Times New Roman">Reports =
> to</FONT></B><FONT COLOR=3D"#000000" FACE=3D"Times New Roman">: Curator =
> of Collections</FONT>
>
> <BR><B><FONT COLOR=3D"#000000" FACE=3D"Times New =
> Roman">Salary:</FONT></B> <FONT COLOR=3D"#000000" FACE=3D"Times New =
> Roman">$29,500</FONT><B></B>
> </P>
>
> <P><B><FONT COLOR=3D"#000000" FACE=3D"Times New Roman">Position =
> Summary</FONT></B>=20
>
> <BR><FONT FACE=3D"Times New Roman">The High Point Museum seeks an =
> energetic candidate for a Registrar position. This position will =
> complete the final stages of a wall-to-wall inventory and assist with =
> reconciling the inventory with official records. The Registrar =
> will be responsible for cataloging incoming, stored, and loaned =
> collections, creating and maintaining computerized and manual records of =
> the collection, and assessing collection conservation needs. =
> Additionally, the Registrar will assist with exhibit installation and =
> information requests. </FONT></P>
>
> <P><B><FONT COLOR=3D"#000000" FACE=3D"Times New Roman">Primary =
> Responsibilities</FONT></B>=20
> <UL>
> <UL>
> <LI><FONT COLOR=3D"#000000" FACE=3D"Times New Roman">Complete the =
> inventory of the museum collection. </FONT> </LI>
>
> <LI><FONT COLOR=3D"#000000" FACE=3D"Times New Roman">Work with the =
> Curator of Collections to manage the museum’s permanent collection =
> and process new acquisition. Produce incoming receipts and =
> condition reports. Assign and apply accession =
> numbers. </FONT> <FONT FACE=3D"Times New Roman">Prepare forms, =
> reports, letters, and evaluations related to the Museum’s =
> collections. </FONT></LI>
>
> <LI><FONT COLOR=3D"#000000" FACE=3D"Times New Roman">Maintain the =
> museum’s collections management database. Enter inventory =
> data and object information, scan images, and update collection =
> information as needed.</FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Assist with reconciling found in =
> collections items.</FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Assess collection conservation =
> needs.</FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Assist in preparing objects for =
> exhibition and preparation of exhibit mounts.</FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Facilitates access to the collection =
> for scholars and researchers.</FONT></LI>
>
> <LI><FONT COLOR=3D"#000000" FACE=3D"Times New Roman">Assist with =
> processing incoming photographic reproduction requests and information =
> requests. </FONT> </LI>
>
> <LI><FONT COLOR=3D"#000000" FACE=3D"Times New Roman">Maintain the =
> Museum’s Integrated Pest Management system.</FONT></LI>
> <BR>
> </UL></UL>
> <P><B><FONT FACE=3D"Times New Roman">Supervisory Responsibilities =
> </FONT></B>
>
> <BR><FONT FACE=3D"Times New Roman">The Registrar may supervise =
> volunteers and college interns. </FONT>
> </P>
>
> <P><B><FONT FACE=3D"Times New Roman">Education and Experience =
> </FONT></B>
>
> <BR><FONT FACE=3D"Times New Roman">Bachelor’s degree in History, =
> Museum Studies, or related field, Master’s degree preferred. =
> One to three years of museum experience in collections or an equivalent =
> combination of education and experience. Experience with =
> computerized relational database systems for museum collections, =
> preferably PastPerfect. </FONT></P>
>
> <P><B><FONT FACE=3D"Times New Roman">Skills</FONT></B>
>
> <BR><FONT FACE=3D"Times New Roman">Ability to work independently and as =
> part of a larger team. Strong organizational skills with accuracy =
> and attention to detail. Adept at prioritizing tasks and managing =
> multiple priorities and deadlines. Analytically skilled and likes =
> the challenge of problem solving. Knowledge of museum standards =
> regarding the care and handling of museum objects. </FONT></P>
>
> <P><B><FONT FACE=3D"Times New Roman">Job Conditions </FONT></B>
>
> <BR><FONT FACE=3D"Times New Roman">Occasional contact with the general =
> public in taking in donations and handling requests for =
> information. Must be able to sit for extended periods of time at a =
> computer. Ability to lift and transport up to 50 pounds. =
> Must be comfortable on short ladders (less than eight feet high) and =
> movable stair units.</FONT></P>
>
> <P><FONT FACE=3D"Times New Roman">Send letter of application, resume and =
> three references to Jennifer Burns, Curator of Collections, High Point =
> Museum, 1859 E. Lexington Avenue, High Point, NC 27262. =
> Review of applications begins immediately. </FONT></P>
>
> <P><FONT FACE=3D"Times New Roman">October 24, 2007 </FONT>
> </P>
> <BR>
>
> <P><FONT SIZE=3D2 FACE=3D"Times New Roman">Jennifer Burns<BR>
> Curator of Collections<BR>
> High Point Museum<BR>
> 1859 E. Lexington Ave.<BR>
> High Point, NC 27262<BR>
> (336) 883-3024<BR>
> </FONT><A HREF=3D"file://www.highpointmuseum.org"><U><FONT =
> COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Times New =
> Roman">www.highpointmuseum.org</FONT></U></A>
> </P>
> <BR>
>
> </BODY>
> </HTML>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
> ------_=_NextPart_001_01C81679.AC882552--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 16:19:40 -0400
> From: "Jennifer L. Burns" <[log in to unmask]>
> Subject: Position Opening: Director of Community Affairs, High Point
> Museum
>
> This is a multi-part message in MIME format.
>
>
> ------_=_NextPart_001_01C8167B.35BDC222
> Content-Type: text/plain;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> High Point Museum
> Director of Community Affairs
>
> Duties
> Develop and manage public relations and marketing campaigns for the High
> Point Museum and Museum Store, ensuring a consistent message is being
> sent to the audience. This includes but is not limited to:
> * Developing, printing and distributing all promotional and
> marketing materials for the museum.
> 1 Managing the calendar of events with the Curator
> of Education.=20
> 2 Writing and disseminating press releases and
> calendar notices to media and online sites.
> 3 Writing and submitting 500 word bi-weekly
> article to the News and Record.
> 4 Collecting and tracking media coverage.
> 5 Maintaining media database. =20
> 6 Overseeing the development of quarterly
> newsletter, Timepiece. Including writing/editing articles, designing
> and orchestrating printing and managing advertising. =20
> 7 Serving as museum's photographer and maintaining
> PR photo archive.
> 8 Designing, printing and distributing all museum
> print materials, or approving those created by others.=20
> * Maintaining website.=20
> * Creating and managing budget for promotion/marketing department
> and special events. =20
> * Developing and managing promotional opportunities for the
> museum.=20
> * Developing and managing audience survey program.=20
> Assist the museum board and president by=20
> * Designing membership materials=20
> * Planning and implementing fundraising/sponsorship programs
> * Creating High Point Museum Guild print materials
> * Creating exhibits
> * Serving as the museum's technology liaison to the city of High
> Point
>
> Requirements
> Degree in marketing, communications, English or other related field with
> an interest in history. Strong writing and design skills are necessary.
> Knowledge of Quark, Photoshop and Front Page preferred. Successful
> candidate will be articulate, outgoing, able to multi-task and willing
> to represent the museum in the community. Minimum two years experience.
>
> 40 hour a week position.
>
> Please send resumes to Barbara Taylor, President, High Point Museum,
> 1859 E. Lexington Ave., High Point, NC 27262 or email to
> [log in to unmask] Please include a design or writing
> sample.=20
>
> Jennifer Burns
> Curator of Collections
> High Point Museum
> 1859 E. Lexington Ave.
> High Point, NC 27262
> (336) 883-3024
> www.highpointmuseum.org
>
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C8167B.35BDC222
> Content-Type: text/html;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
> <HTML>
> <HEAD>
> <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
> charset=3Dus-ascii">
> <META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
> 6.5.7651.59">
> <TITLE>Position Opening: Director of Community Affairs, High Point =
> Museum</TITLE>
> </HEAD>
> <BODY>
> <!-- Converted from text/rtf format -->
>
> <P><B><FONT FACE=3D"Times New Roman">High Point Museum</FONT></B>
>
> <BR><B><FONT FACE=3D"Times New Roman">Director of Community =
> Affairs</FONT></B>
> </P>
>
> <P><B><FONT FACE=3D"Times New Roman">Duties</FONT></B>
>
> <BR><FONT FACE=3D"Times New Roman">Develop and manage public relations =
> and marketing campaigns for the High Point Museum and Museum Store, =
> ensuring a consistent message is being sent to the audience. This =
> includes but is not limited to:</FONT></P>
>
> <P><FONT FACE=3D"Times New =
> Roman">· Developing, printing =
> and distributing all promotional and marketing materials for the =
> museum.</FONT>
> <UL><UL>
> <P><FONT FACE=3D"Times New =
> Roman">1 </FONT> <FONT FACE=3D"Times =
> New Roman">Managing the calendar of events with the Curator of =
> Education. </FONT>
>
> <BR><FONT FACE=3D"Times New Roman">2 =
> Writing and disseminating press releases and calendar notices to media =
> and online sites.</FONT>
>
> <BR><FONT FACE=3D"Times New Roman">3 =
> Writing and submitting 500 word bi-weekly article to the News and =
> Record.</FONT>
>
> <BR><FONT FACE=3D"Times New Roman">4 =
> Collecting and tracking media coverage.</FONT>
>
> <BR><FONT FACE=3D"Times New Roman">5 =
> Maintaining media database. </FONT>
>
> <BR><FONT FACE=3D"Times New Roman">6 =
> Overseeing the development of quarterly newsletter,<I> =
> Timepiece</I>. Including writing/editing articles, designing and =
> orchestrating printing and managing advertising. </FONT></P>
>
> <P><FONT FACE=3D"Times New =
> Roman">7 </FONT> <FONT FACE=3D"Times =
> New Roman">Serving as museum’s photographer and maintaining PR =
> photo archive.</FONT>
>
> <BR><FONT FACE=3D"Times New Roman">8 =
> Designing, printing and distributing all museum print materials, or =
> approving those created by others. </FONT>
>
> <UL>
> <LI><FONT FACE=3D"Times New Roman">Maintaining website. </FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Creating and managing budget for =
> promotion/marketing department and special events. </FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Developing and managing promotional =
> opportunities for the museum. </FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Developing and managing audience =
> survey program. </FONT></LI>
> </UL></UL></UL>
> <P><FONT FACE=3D"Times New Roman">Assist the museum board and president =
> by </FONT>
> <UL><UL>
> <UL>
> <LI><FONT FACE=3D"Times New Roman">Designing membership materials =
> </FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Planning and implementing =
> fundraising/sponsorship programs</FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Creating High Point Museum Guild =
> print materials</FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Creating exhibits</FONT></LI>
>
> <LI><FONT FACE=3D"Times New Roman">Serving as the museum’s =
> technology liaison to the city of High Point</FONT></LI>
> <BR>
> </UL></UL></UL>
> <P><B><FONT FACE=3D"Times New Roman">Requirements</FONT></B>
>
> <BR><FONT FACE=3D"Times New Roman">Degree in marketing, communications, =
> English or other related field with an interest in history. Strong =
> writing and design skills are necessary. Knowledge of Quark, =
> Photoshop and Front Page preferred. Successful candidate will be =
> articulate, outgoing, able to multi-task and willing to represent the =
> museum in the community. Minimum two years experience.</FONT></P>
>
> <P><FONT FACE=3D"Times New Roman">40 hour a week position.</FONT>
> </P>
>
> <P><FONT FACE=3D"Times New Roman">Please send resumes to Barbara Taylor, =
> President, High Point Museum, 1859 E. Lexington Ave., High Point, NC =
> 27262 or email to </FONT><A =
> HREF=3D"mailto:[log in to unmask]"><U><FONT =
> COLOR=3D"#0000FF" FACE=3D"Times New =
> Roman">[log in to unmask]</FONT></U></A><FONT FACE=3D"Times =
> New Roman">. Please include a design or writing sample.</FONT> =
> </P>
>
> <P><FONT SIZE=3D2 FACE=3D"Times New Roman">Jennifer Burns<BR>
> Curator of Collections<BR>
> High Point Museum<BR>
> 1859 E. Lexington Ave.<BR>
> High Point, NC 27262<BR>
> (336) 883-3024<BR>
> </FONT><A HREF=3D"file://www.highpointmuseum.org"><U><FONT =
> COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Times New =
> Roman">www.highpointmuseum.org</FONT></U></A>
> </P>
> <BR>
>
> </BODY>
> </HTML>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
> ------_=_NextPart_001_01C8167B.35BDC222--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 16:59:30 -0500
> From: Kate Stilwill <[log in to unmask]>
> Subject: Post-Doctoral Fellowships at The Phillips Collection
>
> This is a multi-part message in MIME format.
>
> ------_=_NextPart_001_01C81689.275F65A5
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> =20
>
> Post-doctoral Fellowships at The Phillips Collection
>
> =20
>
> =20
>
> Two full-time post-doctoral fellowships are available for the 2008-09
> academic year, to support research on topics in American or European art
> from 1880 to the present, including photography. Stipends of $30,000 per
> semester for a maximum of two semesters are provided by the University
> of Illinois, Urbana-Champaign, and fellows are expected to present
> papers on their research at a seminar or colloquium at the museum during
> their fellowship. Untenured scholars who received their PhDs within the
> past five years are encouraged to apply. Preference will be given to
> applicants whose projects focus on subjects related to The Phillips
> Collection's areas of collecting. =20
>
> =20
>
> Deadline for receipt of applications is December 1, 2007.
>
> =20
>
> To apply: send cover letter; CV; a one-page research proposal; and two
> letters of reference to:
>
> Administrative Assistant
>
> Center for the Study of Modern Art
>
> The Phillips Collection
>
> 1600 21st Street, NW
>
> Washington, DC 20009
>
> [log in to unmask]
>
> 202-387-2151 x286
>
> =20
>
> Minorities, women, and members of other designated classes are
> encouraged to apply. The University of Illinois is an Affirmative Action
> Equal Opportunity Employer.
>
> =20
>
> =20
>
> Katherine Stilwill=20
>
> Center for the Study of Modern Art
>
> email:: [log in to unmask]
>
> tel:: 202.387.2151 x 286
>
> fax:: 202.265.4655
>
> web:: www.phillipscollection.org
> <http://www.phillipscollection.org/> =20
>
> =20
>
> T H E P H I L L I P S C O L L E C T I O N=20
> 1600 21st St NW | Washington, DC | 20009
>
> =20
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81689.275F65A5
> Content-Type: text/html;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> <html xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
> xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
> xmlns:st1=3D"urn:schemas-microsoft-com:office:smarttags" =
> xmlns=3D"http://www.w3.org/TR/REC-html40">
>
> <head>
> <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
> charset=3Dus-ascii">
> <meta name=3DGenerator content=3D"Microsoft Word 11 (filtered medium)">
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PostalCode"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceType"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceName"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"Street"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"address"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"State"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"place"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"City"/>
> <!--[if !mso]>
> <style>
> st1\:*{behavior:url(#default#ieooui) }
> </style>
> <![endif]-->
> <style>
> <!--
> /* Font Definitions */
> @font-face
> {font-family:Verdana;
> panose-1:2 11 6 4 3 5 4 4 2 4;}
> @font-face
> {font-family:"Berlin Sans FB";
> panose-1:2 14 6 2 2 5 2 2 3 6;}
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> a:link, span.MsoHyperlink
> {color:blue;
> text-decoration:underline;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;
> text-decoration:underline;}
> span.EmailStyle17
> {mso-style-type:personal-compose;
> font-family:Arial;
> color:windowtext;}
> @page Section1
> {size:8.5in 11.0in;
> margin:1.0in 1.25in 1.0in 1.25in;}
> div.Section1
> {page:Section1;}
> -->
> </style>
>
> </head>
>
> <body lang=3DEN-US link=3Dblue vlink=3Dpurple>
>
> <div class=3DSection1>
>
> <p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
> size=3D4
> face=3D"Berlin Sans FB"><span =
> style=3D'font-size:14.0pt;font-family:"Berlin Sans =
> FB"'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
> size=3D4
> face=3DArial><span =
> style=3D'font-size:14.0pt;font-family:Arial'>Post-doctoral
> Fellowships at The Phillips Collection<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
> size=3D4
> face=3DArial><span =
> style=3D'font-size:14.0pt;font-family:Arial'><o:p> </o:p></span></fo=
> nt></p>
>
> <p class=3DMsoNormal style=3D'line-height:200%'><font size=3D3 =
> face=3DArial><span
> style=3D'font-size:12.0pt;line-height:200%;font-family:Arial'><o:p> =
> </o:p></span></font></p>
>
> <p class=3DMsoNormal style=3D'line-height:200%'><font size=3D3 =
> face=3DArial><span
> style=3D'font-size:12.0pt;line-height:200%;font-family:Arial'>Two =
> full-time
> post-doctoral fellowships are available for the 2008–09 academic =
> year, to
> support research on topics in American or European art from 1880 to the
> present, including photography. Stipends of $30,000 per semester =
> for a
> maximum of two semesters are provided by the <st1:place =
> w:st=3D"on"><st1:PlaceType
> w:st=3D"on">University</st1:PlaceType> of <st1:PlaceName =
> w:st=3D"on">Illinois</st1:PlaceName></st1:place>,
> Urbana-Champaign, and fellows are expected to present papers on their =
> research
> at a seminar or colloquium at the museum during their fellowship. =
> Untenured scholars
> who received their PhDs within the past five years are encouraged to =
> apply. Preference
> will be given to applicants whose projects focus on subjects related to =
> The
> Phillips Collection’s areas of collecting. =
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal style=3D'line-height:200%'><font size=3D3 =
> face=3DArial><span
> style=3D'font-size:12.0pt;line-height:200%;font-family:Arial'><o:p> =
> </o:p></span></font></p>
>
> <p class=3DMsoNormal style=3D'line-height:200%'><b><font size=3D3 =
> face=3DArial><span
> style=3D'font-size:12.0pt;line-height:200%;font-family:Arial;font-weight:=
> bold'>Deadline
> for receipt of applications is December 1, =
> 2007.<o:p></o:p></span></font></b></p>
>
> <p class=3DMsoNormal style=3D'line-height:200%'><font size=3D3 =
> face=3DArial><span
> style=3D'font-size:12.0pt;line-height:200%;font-family:Arial'><o:p> =
> </o:p></span></font></p>
>
> <p class=3DMsoNormal style=3D'line-height:200%'><font size=3D3 =
> face=3DArial><span
> style=3D'font-size:12.0pt;line-height:200%;font-family:Arial'>To apply: =
> send cover
> letter; CV; a one-page research proposal; and two letters of reference =
> to:</span></font><font
> size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;line-height:200%;font-family:
> Arial'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>Administrative Assistant<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>Center for the Study of Modern Art<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>The Phillips Collection<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'> <st1:Street w:st=3D"on"><st1:address w:st=3D"on">1600 =
> 21<sup>st</sup>
> Street, NW</st1:address></st1:Street><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:place w:st=3D"on"><st1:City w:st=3D"on"><font =
> size=3D3
> face=3D"Times New Roman"><span =
> style=3D'font-size:12.0pt'>Washington</span></font></st1:City>,
> <st1:State w:st=3D"on">DC</st1:State> <st1:PostalCode =
> w:st=3D"on">20009</st1:PostalCode></st1:place><o:p></o:p></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'><a href=3D"mailto:[log in to unmask]"
> title=3D"mailto:[log in to unmask]">CSMAprograms@phillip=
> scollection.org</a><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'>202-387-2151 x286<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 face=3DArial><span =
> style=3D'font-size:8.0pt;
> font-family:Arial'>Minorities, women, and members of other designated =
> classes
> are encouraged to apply. The <st1:place w:st=3D"on"><st1:PlaceType =
> w:st=3D"on">University</st1:PlaceType>
> of <st1:PlaceName w:st=3D"on">Illinois</st1:PlaceName></st1:place> is =
> an
> Affirmative Action Equal Opportunity Employer.</span></font><font =
> face=3DArial><span
> style=3D'font-family:Arial'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><b><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500;font-weight:bo=
> ld'>Katherine
> Stilwill</span></font></b><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'> =
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'>Center for =
> the Study
> of Modern Art</span></font><font color=3Dnavy><span =
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span lang=3DFR
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'>email</span><=
> /font><font
> size=3D1 color=3Dblack face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;
> font-family:Verdana;color:black'>::</span></font><font size=3D1 =
> color=3Dnavy
> face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:navy'> <a =
> href=3D"mailto:[log in to unmask]">kstilwill@phillipscollec=
> tion.org</a></span></font><font
> color=3Dnavy><span lang=3DFR =
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span lang=3DFR
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'>tel</span></f=
> ont><font
> size=3D1 color=3Dblack face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;
> font-family:Verdana;color:black'>::</span></font><font size=3D1 =
> color=3Dgray
> face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:gray'> </span></font><font size=3D1
> color=3Dgray face=3DVerdana><span lang=3DFR =
> style=3D'font-size:2.0pt;font-family:Verdana;
> color:gray'> </span></font><font size=3D1
> color=3Dgray face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:gray'>202.387.2151 x 286</span></font><font color=3Dnavy><span =
> lang=3DFR
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span lang=3DFR
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'>fax</span></f=
> ont><font
> size=3D1 color=3Dblack face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;
> font-family:Verdana;color:black'>:</span></font><font size=3D1 =
> color=3Dnavy
> face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:navy'>: </span></font><font size=3D1 color=3Dnavy =
> face=3DVerdana><span
> lang=3DFR =
> style=3D'font-size:2.0pt;font-family:Verdana;color:navy'> &nbs=
> p; </span></font><font
> size=3D1 color=3Dgray face=3DVerdana><span lang=3DFR =
> style=3D'font-size:2.0pt;font-family:
> Verdana;color:gray'> </span></font><font size=3D1 =
> color=3Dgray
> face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:gray'>202.265.4655</span></font><font color=3Dnavy><span lang=3DFR
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'>web</span></f=
> ont><font
> size=3D1 color=3Dblack face=3DVerdana><span =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:black'>::</span></font><font size=3D1 color=3Dgray =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:gray'> =
> </span></font><font
> size=3D1 color=3Dgray face=3DVerdana><span =
> style=3D'font-size:2.0pt;font-family:Verdana;
> color:gray'> </span>=
> </font><font
> size=3D2 color=3Dnavy face=3DVerdana><span =
> style=3D'font-size:10.0pt;font-family:Verdana;
> color:navy'><a href=3D"http://www.phillipscollection.org/"
> title=3D"http://www.phillipscollection.org/"><font color=3Dgray><span
> style=3D'color:gray;text-decoration:none'><span
> title=3D"http://www.phillipscollection.org/"><span
> title=3D"http://www.phillipscollection.org/">www.phillipscollection.org</=
> span></span></span></font></a></span></font><font
> color=3Dnavy><span style=3D'color:navy'> =
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3Dgray face=3DVerdana><span =
> style=3D'font-size:
> 9.0pt;font-family:Verdana;color:gray'> </span></font><font =
> color=3Dnavy><span
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><b><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500;font-weight:bo=
> ld'>T H
> E P H I L L I P S C O L L E C T I O <st1:Street =
> w:st=3D"on"><st1:address
> w:st=3D"on">N<font color=3Dgray><span style=3D'color:gray'> <br>
> 1600 21st St NW</span></font></st1:address></st1:Street><font =
> color=3Dgray><span
> style=3D'color:gray'> | <U1:PLACE u2:st=3D"on"><U1:CITY =
> u2:st=3D"on"><st1:place
> w:st=3D"on"><st1:City w:st=3D"on">Washington</U1:CITY></st1:City>, =
> <U1:STATE u2:st=3D"on"><st1:State
> w:st=3D"on">DC</U1:STATE></U1:PLACE></st1:State></st1:place> | =
> 20009</span></font></span></font><font
> color=3Dnavy><span =
> style=3D'color:navy'><o:p></o:p></span></font></b></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'><o:p> </o:p></span></font></p>
>
> </div>
>
> </body>
>
> </html>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81689.275F65A5--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 16:50:32 -0500
> From: Kate Stilwill <[log in to unmask]>
> Subject: The Phillips Book Prize
>
> This is a multi-part message in MIME format.
>
> ------_=_NextPart_001_01C81687.E6B0BA4B
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> The Phillips Book Prize=20
>
> =20
>
> The Phillips Collection Center for the Study of Modern Art offers an
> annual prize for an unpublished manuscript presenting new research in
> modern or contemporary art from 1880 to the present. Preference will be
> given to applicants whose research focuses on subjects related to The
> Phillips Collection's areas of collecting. The winning author will
> receive $5,000, and his/her manuscript will be published by the
> University of California Press as part of a series of first books
> sponsored by The Phillips Collection's Center for the Study of Modern
> Art. Scholars who received their PhDs within the past five years are
> strongly encouraged to apply.=20
>
> =20
>
> Deadline for receipt of applications is January 15, 2008.=20
>
> To apply, send: a cover letter; CV; abstract of the proposed book (one
> page maximum); and a book proposal (8-10 pages). The book proposal
> should include: a project overview; chapter outlines; a plan for the
> revision of the manuscript; a description of the book's position in the
> literature of modern or contemporary art. Application packages, plus
> three letters of recommendation to be sent under separate cover, should
> be sent to:=20
>
> =20
>
> Center for the Study of Modern Art
>
> The Phillips Collection
>
> 1600 21st Street, NW
>
> Washington, D.C. 20009
>
> 202-387-2151 ext. 286
>
> [log in to unmask]
>
> =20
>
> =20
>
> Katherine Stilwill | Center for the Study of Modern Art
>
> email:: [log in to unmask]
>
> tel:: 202.387.2151 x 286
>
> fax:: 202.265.4655
>
> web:: www.phillipscollection.org
> <http://www.phillipscollection.org/> =20
>
> =20
>
> T H E P H I L L I P S C O L L E C T I O N=20
> 1600 21st St NW | Washington, DC | 20009
>
> =20
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81687.E6B0BA4B
> Content-Type: text/html;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> <html xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
> xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
> xmlns:st1=3D"urn:schemas-microsoft-com:office:smarttags" =
> xmlns=3D"http://www.w3.org/TR/REC-html40">
>
> <head>
> <meta http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <meta name=3DGenerator content=3D"Microsoft Word 11 (filtered medium)">
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PostalCode"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceType"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceName"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"Street"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"address"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"State"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"place"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"City"/>
> <!--[if !mso]>
> <style>
> st1\:*{behavior:url(#default#ieooui) }
> </style>
> <![endif]-->
> <style>
> <!--
> /* Font Definitions */
> @font-face
> {font-family:Verdana;
> panose-1:2 11 6 4 3 5 4 4 2 4;}
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> a:link, span.MsoHyperlink
> {color:blue;
> text-decoration:underline;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;
> text-decoration:underline;}
> span.EmailStyle17
> {mso-style-type:personal-compose;
> font-family:Arial;
> color:windowtext;}
> @page Section1
> {size:8.5in 11.0in;
> margin:1.0in 1.25in 1.0in 1.25in;}
> div.Section1
> {page:Section1;}
> -->
> </style>
>
> </head>
>
> <body lang=3DEN-US link=3Dblue vlink=3Dpurple>
>
> <div class=3DSection1>
>
> <p class=3DMsoNormal =
> style=3D'line-height:200%;text-autospace:none'><b><font
> size=3D3 face=3DArial><span =
> style=3D'font-size:12.0pt;line-height:200%;font-family:
> Arial;font-weight:bold'>The Phillips Book Prize =
> <o:p></o:p></span></font></b></p>
>
> <p class=3DMsoNormal =
> style=3D'line-height:200%;text-autospace:none'><font size=3D3
> face=3DArial><span =
> style=3D'font-size:12.0pt;line-height:200%;font-family:Arial'><o:p> =
> </o:p></span></font></p>
>
> <p class=3DMsoNormal =
> style=3D'line-height:200%;text-autospace:none'><font size=3D3
> face=3DArial><span =
> style=3D'font-size:12.0pt;line-height:200%;font-family:Arial'>The
> <st1:place w:st=3D"on"><st1:PlaceName =
> w:st=3D"on">Phillips</st1:PlaceName> <st1:PlaceName
> w:st=3D"on">Collection</st1:PlaceName> <st1:PlaceType =
> w:st=3D"on">Center</st1:PlaceType></st1:place>
> for the Study of Modern Art offers an annual prize for an unpublished =
> manuscript<font
> color=3Dred><span style=3D'color:red'> </span></font>presenting new =
> research in
> modern or contemporary art from 1880 to the present. Preference =
> will be given
> to applicants whose research focuses on subjects related to The Phillips
> Collection’s areas of collecting.<font color=3Dnavy><span =
> style=3D'color:
> navy'> </span></font>The winning author will receive $5,000, and his/her
> manuscript will be published by the <st1:place =
> w:st=3D"on"><st1:PlaceType w:st=3D"on">University</st1:PlaceType>
> of <st1:PlaceName w:st=3D"on">California =
> Press</st1:PlaceName></st1:place><font
> color=3Dnavy><span style=3D'color:navy'> </span></font>as part of a =
> series of first
> books sponsored by The Phillips Collection’s Center for the Study =
> of
> Modern Art. Scholars who received their PhDs within the past five =
> years
> are strongly encouraged to apply.<font color=3Dnavy><span =
> style=3D'color:navy'> </span></font><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal =
> style=3D'line-height:200%;text-autospace:none'><font size=3D3
> face=3DArial><span =
> style=3D'font-size:12.0pt;line-height:200%;font-family:Arial'><o:p> =
> </o:p></span></font></p>
>
> <p class=3DMsoNormal =
> style=3D'line-height:200%;text-autospace:none'><b><font
> size=3D3 face=3DArial><span =
> style=3D'font-size:12.0pt;line-height:200%;font-family:
> Arial;font-weight:bold'>Deadline for receipt of applications is January =
> 15, 2008.
> </span></font></b><font face=3DArial><span =
> style=3D'font-family:Arial'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal =
> style=3D'line-height:200%;text-autospace:none'><font size=3D2
> face=3DArial><span =
> style=3D'font-size:11.0pt;line-height:200%;font-family:Arial'>To
> apply, send: a cover letter; CV; abstract of the proposed book (one page =
> maximum);
> and a book proposal (8–10 pages). The book proposal should
> include: a project overview; chapter outlines; a plan for the =
> revision of
> the manuscript; a description of the book’s position in the =
> literature of
> modern or contemporary art. Application packages, plus three =
> letters of
> recommendation to be sent under separate cover, should be sent to: =
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3DArial><span =
> style=3D'font-size:12.0pt;
> font-family:Arial'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3DArial><span =
> style=3D'font-size:12.0pt;
> font-family:Arial'>Center for the Study of Modern =
> Art<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3DArial><span =
> style=3D'font-size:12.0pt;
> font-family:Arial'>The Phillips Collection<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:Street w:st=3D"on"><st1:address =
> w:st=3D"on"><font size=3D3
> face=3DArial><span style=3D'font-size:12.0pt;font-family:Arial'>1600 =
> 21<sup>st</sup>
> Street, NW</span></font></st1:address></st1:Street><font =
> face=3DArial><span
> style=3D'font-family:Arial'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:place w:st=3D"on"><st1:City w:st=3D"on"><font =
> size=3D3
> face=3DArial><span =
> style=3D'font-size:12.0pt;font-family:Arial'>Washington</span></font></st=
> 1:City><font
> face=3DArial><span style=3D'font-family:Arial'>, <st1:State =
> w:st=3D"on">D.C.</st1:State>
> <st1:PostalCode =
> w:st=3D"on">20009</st1:PostalCode></span></font></st1:place><font
> face=3DArial><span =
> style=3D'font-family:Arial'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3DArial><span =
> style=3D'font-size:12.0pt;
> font-family:Arial'>202-387-2151 ext. 286<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3DArial><span =
> style=3D'font-size:12.0pt;
> font-family:Arial'><a =
> href=3D"mailto:[log in to unmask]">CSMAprograms@phillips=
> collection.org</a><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><b><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500;font-weight:bo=
> ld'>Katherine
> Stilwill</span></font></b><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'> | Center =
> for the
> Study of Modern Art</span></font><font color=3Dnavy><span =
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span lang=3DFR
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'>email</span><=
> /font><font
> size=3D1 color=3Dblack face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;
> font-family:Verdana;color:black'>::</span></font><font size=3D1 =
> color=3Dnavy
> face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:navy'> <a =
> href=3D"mailto:[log in to unmask]">kstilwill@phillipscollec=
> tion.org</a></span></font><font
> color=3Dnavy><span lang=3DFR =
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span lang=3DFR
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'>tel</span></f=
> ont><font
> size=3D1 color=3Dblack face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;
> font-family:Verdana;color:black'>::</span></font><font size=3D1 =
> color=3Dgray
> face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:gray'> </span></font><font size=3D1
> color=3Dgray face=3DVerdana><span lang=3DFR =
> style=3D'font-size:2.0pt;font-family:Verdana;
> color:gray'> </span></font><font size=3D1
> color=3Dgray face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:gray'>202.387.2151 x 286</span></font><font color=3Dnavy><span =
> lang=3DFR
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span lang=3DFR
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'>fax</span></f=
> ont><font
> size=3D1 color=3Dblack face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;
> font-family:Verdana;color:black'>:</span></font><font size=3D1 =
> color=3Dnavy
> face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:navy'>: </span></font><font size=3D1 color=3Dnavy =
> face=3DVerdana><span
> lang=3DFR =
> style=3D'font-size:2.0pt;font-family:Verdana;color:navy'> &nbs=
> p; </span></font><font
> size=3D1 color=3Dgray face=3DVerdana><span lang=3DFR =
> style=3D'font-size:2.0pt;font-family:
> Verdana;color:gray'> </span></font><font size=3D1 =
> color=3Dgray
> face=3DVerdana><span lang=3DFR =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:gray'>202.265.4655</span></font><font color=3Dnavy><span lang=3DFR
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500'>web</span></f=
> ont><font
> size=3D1 color=3Dblack face=3DVerdana><span =
> style=3D'font-size:9.0pt;font-family:Verdana;
> color:black'>::</span></font><font size=3D1 color=3Dgray =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:gray'> =
> </span></font><font
> size=3D1 color=3Dgray face=3DVerdana><span =
> style=3D'font-size:2.0pt;font-family:Verdana;
> color:gray'> </span>=
> </font><font
> size=3D2 color=3Dnavy face=3DVerdana><span =
> style=3D'font-size:10.0pt;font-family:Verdana;
> color:navy'><a href=3D"http://www.phillipscollection.org/"
> title=3D"http://www.phillipscollection.org/"><font color=3Dgray><span
> style=3D'color:gray;text-decoration:none'><span
> title=3D"http://www.phillipscollection.org/"><span
> title=3D"http://www.phillipscollection.org/">www.phillipscollection.org</=
> span></span></span></font></a></span></font><font
> color=3Dnavy><span style=3D'color:navy'> =
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D1 color=3Dgray face=3DVerdana><span =
> style=3D'font-size:
> 9.0pt;font-family:Verdana;color:gray'> </span></font><font =
> color=3Dnavy><span
> style=3D'color:navy'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><b><font size=3D1 color=3D"#d25500" =
> face=3DVerdana><span
> style=3D'font-size:9.0pt;font-family:Verdana;color:#D25500;font-weight:bo=
> ld'>T H
> E P H I L L I P S C O L L E C T I O <st1:Street =
> w:st=3D"on"><st1:address
> w:st=3D"on">N<font color=3Dgray><span style=3D'color:gray'> <br>
> 1600 21st St NW</span></font></st1:address></st1:Street><font =
> color=3Dgray><span
> style=3D'color:gray'> | <U1:PLACE u2:st=3D"on"><U1:CITY =
> u2:st=3D"on"><st1:place
> w:st=3D"on"><st1:City w:st=3D"on">Washington</U1:CITY></st1:City>, =
> <U1:STATE u2:st=3D"on"><st1:State
> w:st=3D"on">DC</U1:STATE></U1:PLACE></st1:State></st1:place> | =
> 20009</span></font></span></font><font
> color=3Dnavy><span =
> style=3D'color:navy'><o:p></o:p></span></font></b></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'><o:p> </o:p></span></font></p>
>
> </div>
>
> </body>
>
> </html>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81687.E6B0BA4B--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 17:19:13 -0500
> From: Susan Kline <[log in to unmask]>
> Subject: Re: Medals
>
> ------=_Part_10265_8944052.1193264353575
> Content-Type: text/plain; charset=ISO-8859-1
> Content-Transfer-Encoding: 7bit
> Content-Disposition: inline
>
> This is what I was going to suggest. Take several photos of how the medals
> appear on the uniform and store those in the accession folder for those
> items. Or a sketch would work as well.
>
> Susan Kline, MA
>
> On 10/24/07, Sue Garwood <[log in to unmask]> wrote:
>>
>> You might also want to take a photo of the medals as they appear on the
>> uniform to better aid placement and order on the piece when reassembled
>> for
>> exhibition. Consider taking several, including one that makes note of
>> where
>> exactly they go in relation to buttons, pocket, etc.
>>
>> Sue
>> ---------------------
>> Susan Garwood
>> Executive Director
>> Rice County Historical Society
>> 1814 NW 2nd Ave.
>> Faribault, MN 55021
>> 507-332-2121
>> [log in to unmask]
>>
>>
>> -----Original Message-----
>> *From:* Museum discussion list [mailto:[log in to unmask]]*On
>> Behalf Of *Mary Hayes
>> *Sent:* Wednesday, October 24, 2007 1:44 PM
>> *To:* [log in to unmask]
>> *Subject:* Re: [MUSEUM-L] Medals
>>
>> One way would be to assign the unique accession number (i.e. 2007.335).
>> Then assign each associated item (shirt, trouser, medal, anything that is
>> not attached) a unique object ID. For example, the shirt might be
>> 2007.335.01, the trouser might be 2007.335.02, etc. In my world, it's
>> really important for every separate item to have a unique identifier.
>>
>>
>>
>> It also makes life easier if you just want to exhibit medals or boots or
>> whatever.
>>
>>
>>
>> Hope this helps.
>>
>>
>>
>> *Mary Hayes, M.A., C.A. *
>>
>> College and Special Collections Archivist
>> Pearce Collections at Navarro College
>>
>> 3100 West Collin Street
>>
>> Corsicana, Texas 75110-3904
>>
>>
>>
>> 903.875.7655
>>
>> email [log in to unmask]
>>
>> internet www.pearcecollections.us
>>
>>
>>
>> "They that can give up essential liberty to purchase a little temporary
>> safety deserve neither liberty nor safety"
>>
>> - Benjamin Franklin
>> ------------------------------
>>
>> *From:* Museum discussion list [mailto:[log in to unmask]] *On
>> Behalf Of *Jarod Atkins
>> *Sent:* Wednesday, October 24, 2007 1:04 PM
>> *To:* [log in to unmask]
>> *Subject:* [MUSEUM-L] Medals
>>
>>
>>
>> Hello Museum World,
>>
>>
>>
>> I am in the process of accessioning some World War II uniforms. I
>> wondered what would be the proper way to deal with the medals pinned to
>> the
>> uniforms. Leave them as is. Accessioning them separately. Or
>> accessioning
>> them separately but leave them on the uniform and should I use A, B, etc.
>> or
>> next sequential number? Thank you for your responses.
>>
>>
>>
>> Jarod Atkins, Curator of Collections
>>
>> Edmond Historical Society
>>
>> 431 S. Boulevard, Edmond, OK 73034
>>
>> Office: (405)340-0078
>>
>> www.edmondhistory.org
>>
>>
>> ========================================================= Important
>> Subscriber Information:
>>
>> The Museum-L FAQ file is located at
>> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>> information about the listserv commands by sending a one line e-mail
>> message
>> to [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>>
>> If you decide to leave Museum-L, please send a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "Signoff Museum-L" (without the quotes).
>> ========================================================= Important
>> Subscriber Information:
>>
>> The Museum-L FAQ file is located at
>> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>> information about the listserv commands by sending a one line e-mail
>> message
>> to [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>>
>> If you decide to leave Museum-L, please send a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "Signoff Museum-L" (without the quotes).
>>
>> ========================================================= Important
>> Subscriber Information:
>>
>> The Museum-L FAQ file is located at
>> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>> information about the listserv commands by sending a one line e-mail
>> message
>> to [log in to unmask] . The body of the message should read
>> "help" (without the quotes).
>>
>> If you decide to leave Museum-L, please send a one line e-mail message to
>> [log in to unmask] . The body of the message should read
>> "Signoff Museum-L" (without the quotes).
>>
>>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_Part_10265_8944052.1193264353575
> Content-Type: text/html; charset=ISO-8859-1
> Content-Transfer-Encoding: 7bit
> Content-Disposition: inline
>
> This is what I was going to suggest. Take several photos of how the medals
> appear on the uniform and store those in the accession folder for those
> items. Or a sketch would work as well. <br><br>Susan Kline,
> MA<br><br><div>
> <span class="gmail_quote">On 10/24/07, <b class="gmail_sendername">Sue
> Garwood</b> <<a
> href="mailto:[log in to unmask]">[log in to unmask]</a>>
> wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid
> rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
>
>
>
>
>
>
> <div vlink="purple" link="blue" lang="EN-US">
> <div><span><font color="#0000ff" face="Arial" size="2">You
> might also want to take a photo of the medals as they appear on the
> uniform to
> better aid placement and order on the piece when reassembled for
> exhibition. Consider taking several, including one that makes note
> of
> where exactly they go in relation to buttons, pocket,
> etc. </font></span></div>
> <div><span><font color="#0000ff" face="Arial"
> size="2"></font></span> </div>
> <div><span><font color="#0000ff" face="Arial"
> size="2">Sue</font></span></div>
> <div><span><font color="#0000ff" face="Arial"
> size="2">---------------------<br></font></span><span><font size="2">Susan
> Garwood<br>Executive
> Director<br>Rice County Historical Society<br>1814 NW 2nd
> Ave.<br>Faribault, MN
> 55021<br>507-332-2121<br><a href="mailto:[log in to unmask]"
> target="_blank" onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a></font>
> </span></div>
> <div><span><font color="#0000ff" face="Arial"
> size="2"></font></span> </div>
> <blockquote dir="ltr" style="margin-right: 0px;">
> <div dir="ltr" align="left"><font face="Tahoma" size="2"><span
> class="q">-----Original Message-----<br><b>From:</b> Museum discussion
> list
> [mailto:<a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a>]<b>On
> Behalf Of </b>Mary
> Hayes<br><b>Sent:</b> Wednesday, October 24, 2007 1:44 PM<br><b>To:</b>
> <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a><br></span></font><div><span
> class="e" id="q_115d374dbdbf1135_2"><font face="Tahoma" size="2">
> <b>Subject:</b> Re: [MUSEUM-L]
> Medals<br><br></font></span></div></div><div><span class="e"
> id="q_115d374dbdbf1135_4">
> <div>
> <p><font color="navy" face="Verdana" size="2"><span style="font-size:
> 10pt; color: navy; font-family: Verdana;">One way would be to
> assign the unique accession number (i.e. 2007.335). Then
> assign
> each associated item (shirt, trouser, medal, anything that is not
> attached) a
> unique object ID. For example, the shirt might be 2007.335.01, the
> trouser might be 2007.335.02, etc. In my world, it's really
> important
> for every separate item to have a unique identifier.
> </span></font></p>
> <p><font color="navy" face="Verdana" size="2"><span style="font-size:
> 10pt; color: navy; font-family: Verdana;"> </span></font></p>
> <p><font color="navy" face="Verdana" size="2"><span style="font-size:
> 10pt; color: navy; font-family: Verdana;">It also makes life
> easier if you just want to exhibit medals or boots or
> whatever.</span></font></p>
> <p><font color="navy" face="Verdana" size="2"><span style="font-size:
> 10pt; color: navy; font-family: Verdana;"> </span></font></p>
> <p><font color="navy" face="Verdana" size="2"><span style="font-size:
> 10pt; color: navy; font-family: Verdana;">Hope this
> helps.</span></font></p>
> <p><font color="navy" face="Verdana" size="2"><span style="font-size:
> 10pt; color: navy; font-family: Verdana;"> </span></font></p>
> <div>
> <p><strong><b><font color="#0a0709" face="Copperplate Gothic Light"
> size="3"><span style="font-size: 12pt; color: rgb(10, 7,
> 9);">Mary Hayes,
> M.A., C.A. </span></font></b></strong><font color="navy"><span
> style="color: navy;"></span></font></p>
> <p><font color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color: gray;">College
> and Special Collections Archivist <br>Pearce Collections at Navarro
> College</span></font><font color="navy"><span style="color:
> navy;"></span></font></p>
> <p><font color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color: gray;">3100
> West Collin Street</span></font><font color="navy"><span style="color:
> navy;"></span></font></p>
> <p><font color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color: gray;">Corsicana</span></font><font
> color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color: gray;">
> ,
> Texas 75110-3904</span></font><font color="gray" face="Copperplate
> Gothic Light" size="2"><span style="font-size: 10pt; color:
> gray;"> </span></font><font color="navy"><span style="color:
> navy;"></span></font></p>
> <div>
> <p><font color="navy" face="Times New Roman" size="3"><span
> style="font-size: 12pt; color: navy;"> </span></font></p></div>
> <div>
> <p><font color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color: gray;">903.875.7655
> </span></font></p></div>
> <div>
> <p><font color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color:
> gray;">email
> <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a></span></font></p></div>
> <div>
> <p><font color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color: gray;">internet
> <a href="http://www.pearcecollections.us" target="_blank" onclick="return
> top.js.OpenExtLink(window,event,this)">www.pearcecollections.us</a></span></font></p></div>
> <div>
> <p><font color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color: gray;"> </span></font></p></div>
> <div>
> <p><font color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color: gray;">"They
> that can give up essential liberty to purchase a little temporary safety
> deserve neither liberty nor safety" </span></font><font
> color="navy"><span style="color: navy;"></span></font></p></div>
> <p><font color="gray" face="Copperplate Gothic Light" size="2"><span
> style="font-size: 10pt; color:
> gray;">
> - Benjamin Franklin</span></font></p></div>
> <div>
> <div style="text-align: center;" align="center"><font face="Times New
> Roman" size="3"><span style="font-size: 12pt;">
> <hr align="center" size="2" width="100%">
> </span></font></div>
> <p><b><font face="Tahoma" size="2"><span style="font-weight: bold;
> font-size: 10pt; font-family: Tahoma;">From:</span></font></b><font
> face="Tahoma" size="2"><span style="font-size: 10pt; font-family:
> Tahoma;"> Museum
> discussion list [mailto:<a href="mailto:[log in to unmask]"
> target="_blank" onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a>]
> <b><span style="font-weight: bold;">On Behalf Of
> </span></b>Jarod Atkins<br><b><span style="font-weight:
> bold;">Sent:</span></b> Wednesday, October 24, 2007 1:04
> PM<br><b><span style="font-weight: bold;">To:</span></b>
> <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a><br><b><span
> style="font-weight: bold;">Subject:</span></b> [MUSEUM-L]
> Medals</span></font></p></div>
> <p><font face="Times New Roman" size="3"><span style="font-size:
> 12pt;"> </span></font></p>
> <p><font face="Arial" size="2"><span style="font-size: 10pt; font-family:
> Arial;">Hello</span></font><font face="Arial" size="2"><span
> style="font-size: 10pt; font-family: Arial;">
> Museum</span></font><font face="Arial" size="2"><span style="font-size:
> 10pt; font-family: Arial;">
> World,</span></font></p>
> <p><font face="Arial" size="2"><span style="font-size: 10pt; font-family:
> Arial;"> </span></font></p>
> <p><font face="Arial" size="2"><span style="font-size: 10pt; font-family:
> Arial;">I am in the process of
> accessioning some World War II uniforms. I wondered what would be
> the
> proper way to deal with the medals pinned to the uniforms. Leave them as
> is.
> Accessioning them separately. Or accessioning them separately but
> leave
> them on the uniform and should I use A, B, etc. or next sequential
> number?
> Thank you for your responses. </span></font></p>
> <p><font face="Arial" size="2"><span style="font-size: 10pt; font-family:
> Arial;"> </span></font></p>
> <p><font face="Times New Roman" size="3"><span style="font-size:
> 12pt;">Jarod Atkins, Curator of
> Collections</span></font></p>
> <p><font face="Times New Roman" size="3"><span style="font-size:
> 12pt;">Edmond</span></font> Historical
> Society</p>
> <p><font face="Times New Roman" size="3"><span style="font-size:
> 12pt;">431 S. Boulevard, Edmond, OK 73034</span></font></p>
> <p><font face="Times New Roman" size="3"><span style="font-size:
> 12pt;">Office:
> (405)340-0078</span></font></p>
> <p><font face="Times New Roman" size="3"><span style="font-size:
> 12pt;"><a href="http://www.edmondhistory.org" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">www.edmondhistory.org</a></span></font>
> </p>
> <p><font face="Times New Roman" size="3"><span style="font-size:
> 12pt;"> </span></font></p></div>=========================================================
> Important Subscriber Information:
> <p>The Museum-L FAQ file is located at
> <a href="http://www.finalchapter.com/museum-l-faq/" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">http://www.finalchapter.com/museum-l-faq/</a>
> . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message
> to <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a> .
> The body of the message should read "help"
> (without the quotes).
> </p><p>If you decide to leave Museum-L, please send a one line e-mail
> message to
> <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a> .
> The body of the message should read "Signoff
> Museum-L" (without the quotes).
> ========================================================= Important
> Subscriber
> Information:
> </p><p>The Museum-L FAQ file is located at
> <a href="http://www.finalchapter.com/museum-l-faq/" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">http://www.finalchapter.com/museum-l-faq/</a>
> . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message
> to <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a> .
> The body of the message should read "help"
> (without the quotes).
> </p><p>If you decide to leave Museum-L, please send a one line e-mail
> message to
> <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a> .
> The body of the message should read "Signoff
> Museum-L" (without the
> quotes).</p><p></p><p></p><p></p></span></div></blockquote></div><div><span
> class="e" id="q_115d374dbdbf1135_6">
> =========================================================
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at <a
> href="http://www.finalchapter.com/museum-l-faq/" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">http://www.finalchapter.com/museum-l-faq/</a>
> . You may obtain detailed information about the listserv commands by
> sending a one line e-mail message to
> <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a> .
> The body of the message should read "help" (without the quotes).
> </p><p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> <a href="mailto:[log in to unmask]" target="_blank"
> onclick="return
> top.js.OpenExtLink(window,event,this)">[log in to unmask]</a>
> . The body of the message should read "Signoff Museum-L"
> (without the quotes).
> </p><p></p></span></div></blockquote></div><br>
> =========================================================
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------=_Part_10265_8944052.1193264353575--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 17:46:04 -0400
> From: Leah Noce <[log in to unmask]>
> Subject: Re: Position Postings
>
> This is a multi-part message in MIME format.
>
> ------_=_NextPart_001_01C81687.4702A910
> Content-Type: text/plain;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> =20
>
> Mount Vernon Position Announcement
>
> =20
>
> =20
>
> George Washington's Mount Vernon Estate has an open position within our
> Licensing Department. =20
>
> =20
>
> =20
>
> Licensing Specialist=20
>
> Historic Mount Vernon has an opportunity for a Licensing Specialist to
> support and contribute to the development of our nationally recognized
> licensing program. The Licensing Specialist is responsible for
> performing tasks ranging from routine administration to developing
> presentations for current and prospective Mount Vernon Licensees.
> Strong computer and organizational skills are essential to coordinate
> contract information, trademark registrations and to perform basic
> accounting functions. The Specialist will also be responsible for
> writing copy, developing marketing materials, performing research and
> providing hospitality to licensees. =20
>
> =20
>
> Bachelor's Degree
>
> Expertise with Adobe, Photoshop, PowerPoint, Excel, Microsoft Word,
> Scanning
>
> Two years experience in Licensing, Rights Management, or Brand Building
>
> Orientation for Excellent Customer Service=20
>
> Ability to read and analyze legal documents
>
> Strong Attention to Detail
>
> Web Content Management
>
> Availability for light travel
>
> =20
>
> Compensation: low / mid $40's dependant on skills and experience.
> Please send a cover letter and resume with salary history to Mount
> Vernon's Human Resources Department by email to [log in to unmask]
> <mailto:[log in to unmask]> , by fax to 703.780.8320 or by US Mail
> to POB 110, Mount Vernon, VA 22121.
>
> =20
>
> =20
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81687.4702A910
> Content-Type: text/html;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> <html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
> xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
> xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
> xmlns:st1=3D"urn:schemas-microsoft-com:office:smarttags" =
> xmlns=3D"http://www.w3.org/TR/REC-html40">
>
> <head>
> <meta http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <meta name=3DGenerator content=3D"Microsoft Word 11 (filtered medium)">
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PostalCode"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"City"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceType"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceName"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"place"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"State"/>
> <!--[if !mso]>
> <style>
> st1\:*{behavior:url(#default#ieooui) }
> </style>
> <![endif]-->
> <style>
> <!--
> /* Font Definitions */
> @font-face
> {font-family:"Lucida Calligraphy";
> panose-1:3 1 1 1 1 1 1 1 1 1;}
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> p.MsoEnvelopeAddress, li.MsoEnvelopeAddress, div.MsoEnvelopeAddress
> {margin-top:0in;
> margin-right:0in;
> margin-bottom:0in;
> margin-left:2.0in;
> margin-bottom:.0001pt;
> font-size:18.0pt;
> font-family:"Lucida Calligraphy";
> font-weight:bold;
> font-style:italic;}
> a:link, span.MsoHyperlink
> {color:blue;
> text-decoration:underline;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;
> text-decoration:underline;}
> span.EmailStyle18
> {mso-style-type:personal;
> font-family:Arial;
> color:windowtext;}
> span.EmailStyle19
> {mso-style-type:personal;
> font-family:Arial;
> color:navy;}
> span.EmailStyle20
> {mso-style-type:personal-reply;
> font-family:Arial;
> color:navy;}
> @page Section1
> {size:8.5in 11.0in;
> margin:1.0in 1.25in 1.0in 1.25in;}
> div.Section1
> {page:Section1;}
> -->
> </style>
>
> </head>
>
> <body lang=3DEN-US link=3Dblue vlink=3Dpurple>
>
> <div class=3DSection1>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal align=3Dcenter =
> style=3D'text-align:center'><st1:place w:st=3D"on"><st1:State
> w:st=3D"on"><u><font size=3D3 face=3DArial><span =
> style=3D'font-size:12.0pt;font-family:
> Arial'>Mount Vernon</span></font></u></st1:State></st1:place><u><font
> face=3DArial><span style=3D'font-family:Arial'> Position =
> Announcement<o:p></o:p></span></font></u></p>
>
> <p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
> size=3D2
> color=3Dnavy face=3DArial><span =
> style=3D'font-size:10.0pt;font-family:Arial;
> color:navy'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
> Roman"><span
> style=3D'font-size:12.0pt;color:black'><o:p> </o:p></span></font></p=
>>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>George Washington’s Mount =
> Vernon
> Estate has an open position within our Licensing Department. =
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><b><font size=3D3 color=3Dblack face=3DArial><span
> style=3D'font-size:12.0pt;font-family:Arial;color:black;font-weight:bold'=
>><o:p> </o:p></span></font></b></p>
>
> <p class=3DMsoNormal><b><font size=3D2 color=3Dnavy face=3DArial><span
> style=3D'font-size:10.0pt;font-family:Arial;color:navy;font-weight:bold'>=
> <o:p> </o:p></span></font></b></p>
>
> <p class=3DMsoNormal><b><font size=3D3 color=3Dblack face=3DArial><span
> style=3D'font-size:12.0pt;font-family:Arial;color:black;font-weight:bold'=
>>Licensing
> Specialist <o:p></o:p></span></font></b></p>
>
> <p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
> color=3Dblack
> face=3DArial><span =
> style=3D'font-size:12.0pt;font-family:Arial;color:black'>Historic
> <st1:State w:st=3D"on"><st1:place w:st=3D"on">Mount =
> Vernon</st1:place></st1:State> has
> an opportunity for a Licensing Specialist to support and contribute to =
> the
> development of our nationally recognized licensing program. The =
> Licensing
> Specialist is responsible for performing tasks ranging from routine
> administration to developing presentations for current and prospective =
> Mount
> Vernon Licensees. Strong computer and organizational skills are =
> essential
> to coordinate contract information, trademark registrations and to =
> perform
> basic accounting functions. The Specialist will also be =
> responsible for
> writing copy, developing marketing materials, performing research and =
> providing
> hospitality to licensees. <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
> color=3Dblack
> face=3DArial><span =
> style=3D'font-size:12.0pt;font-family:Arial;color:black'><o:p> </o:p=
>></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>Bachelor’s =
> Degree<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>Expertise with Adobe, Photoshop,
> PowerPoint, Excel, Microsoft Word, Scanning<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>Two years experience in Licensing, =
> Rights
> Management, or <st1:place w:st=3D"on"><st1:PlaceName =
> w:st=3D"on">Brand</st1:PlaceName>
> <st1:PlaceType =
> w:st=3D"on">Building</st1:PlaceType></st1:place><o:p></o:p></span></font>=
> </p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>Orientation for Excellent Customer
> Service <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>Ability to read and analyze legal
> documents<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>Strong Attention to =
> Detail<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>Web Content =
> Management<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>Availability for light =
> travel<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:black'><o:p> </o:p></span></font></p>=
>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'>Compensation: low / mid =
> $40’s
> dependant on skills and experience. Please send a cover letter and =
> resume
> with salary history to <st1:State w:st=3D"on">Mount =
> Vernon</st1:State>’s
> Human Resources Department by email to <a =
> href=3D"mailto:[log in to unmask]"
> title=3D"mailto:[log in to unmask]"><font color=3Dblack><span =
> style=3D'color:
> black'>[log in to unmask]</span></font></a>, by fax to 703.780.8320 =
> or by
> US Mail to POB 110, <st1:place w:st=3D"on"><st1:City w:st=3D"on">Mount =
> Vernon</st1:City>,
> <st1:State w:st=3D"on">VA</st1:State> <st1:PostalCode =
> w:st=3D"on">22121</st1:PostalCode></st1:place>.<o:p></o:p></span></font><=
> /p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 12.0pt;font-family:Arial;color:black'><o:p> </o:p></span></font></p>=
>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:black'><o:p> </o:p></span></font></p>=
>
>
> </div>
>
> </body>
>
> </html>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81687.4702A910--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 16:04:15 -0400
> From: Shaker Heritage Society <[log in to unmask]>
> Subject: New Buildings in Historic Districts
>
> Greetings,
>
> I am trying to find examples of office buildings that have been
> constructed within a historic district. I am particularly interested in
> examples that use historic architectural design vocabulary or are
> innovative reflections of historic architecture. I have been told that
> corporate america wants square office buildings with flat roofs. I would
> like to be able to challange that idea with examples of other projects (in
> addition to any market data that I can find). If you know of any good
> examples please contact me asap. Thank you.
>
> Starlyn D'Angelo,
> Executive Director
> Shaker Heritage Society
> 875 Watervliet Shaker Rd. Suite 2
> Albany, NY 12211
>
> The mission of the Shaker Heritage Society is to celebrate and interpret
> America's first Shaker settlement and to preserve it for the benefit of
> future generations.
>
> The vision of the Shaker Heritage Society is to be a nationally
> recognized interpretive center dedicated to educational programming
> regarding the Shakers, their history, their innovative spirit and
> influence on American culture.
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 16:53:44 -0600
> From: "Susan B. Moldenhauer" <[log in to unmask]>
> Subject: Postion Announcement - Curator of Collections
>
> This is a multi-part message in MIME format.
>
> ------_=_NextPart_001_01C81690.BADA9B66
> Content-Type: text/plain;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> Curator of Collections #1897
> University of Wyoming Art Museum
> Academic Professional | Assisstant Research Scientist | 12-month,
> benefited position
>
> Background. The Curator of Collections is an Academic Professional
> position (for description, see UW Unireg 408 -
> www.uwyo.edu/legal/Uniregs/ur408rev2.htm) positioned in the Art Museum
> with a teaching assignment in the Art Department. An exicitng addition
> to the museum and department, the Curator of Collections will have the
> opportunity to further develop the museum's collection of 7,000 objects
> and contribute to the art history curriculum in the department. The
> museum and the department welcome the opportunity to further their
> academic connections and to increase the scholarship of art collections
> and art history at the University of Wyoming.
>
> Structure. The position reports to the Art Museum Director. Assessment
> of art department teaching will be made by the department and reported
> to the Art Museum Director on an annual basis.
>
> Responsibilities.
>
> 1. Art Museum Collections Scholarship and Development
>
> The Art Museum seeks a qualified and enthusiastic curator with an
> interest in collection development, curation, interpretation, and access
> to oversee and implement a vision for the Art Museum collections.
> Currently comprised of American and European art; contemporary art; and
> art from the Americas, Africa, and Asia, collection strengths include
> the Mavor and Rivolo Collections of works on paper (American and
> European; 17th C - 20th C); James Nolan Collection of Southwestern
> Native American Art; and collections of Japanese woodblock prints and
> Persian miniatures. Collection exhibitions comprise 30% of the annual
> program schedule. Now in the second year of an IMLS grant, the Art
> Museum is implementing a Collection Advancement Project to assess the
> collection for content and value, identify and analyze priority
> collecting areas, and lay the foundation for future collection
> development. Recent endowment support and the successful search for a
> Curator of Collections will enable the Collection Advancement Project to
> progress into the next phase of implementation.
>
> Collection responsibilities. Oversee and advance the Art Museum's
> collection, its scholarship, interpretation, publication, access, and
> development. The Curator of Collections will research, curate, and
> interpret exhibitions from the permanent collection for the museum's
> exhibition schedule and its Touring Exhibition Service. Contribute to
> museum publications and promotional material. Chair the Collections
> Advisory Committee and research and advise the Director on issues of
> collection development (content, provenance, deaccession).
>
> Interpretation includes docent training, museum tours, gallery talks,
> and working with faculty to provide intellectual access to the museum's
> collection and integrate the use of the museum's collection and
> exhibitions as primary resource material for curricular goals and needs
> of the university. =20
>
> Additional responsibilities include writing grants for collections-based
> projects and supervising interns and independents study students in
> collection research.
>
> Attend and participate in professional conferences, symposia, and other
> meetings pertinent to the collection's development, management, and
> administration as appropriate and as available funds allow.
>
> 2. Teaching=09
>
> The focus of the art history faculty is on curricular and research
> development grounded in the study of primary works and critical theory.
> Individuals interested in contributing to a strong, diverse
> undergraduate curriculum in art history and promoting scholarly research
> through the university's collections are particularly encouraged to
> apply.=20
>
> Teaching responsibilities. 3 credits per year (1 course load) in the
> Art Department. Possibilities include an American Art Survey, 16th
> century to the present; upper-division courses in research area; survey
> course in minor area (preferably Asian or Latin American); and
> supervision/coordination of internships in the museum. Other possible
> courses based on qualifications and experience. =20
>
> Additional responsibilities include participation in committee
> activities leading to art history program development.
>
> Knowledge, Skills, Experience. Earned masters or commensurate level of
> professional accomplishment in Art History with an emphasis in American
> Art and teaching experience beyond graduate assistantship required.
> Interdisciplinary background a plus. Museum experience in a position
> with technical duties including object handling, documentation,
> research, and interpretation. Experience in collection stewardship and
> development. Knowledge of museum standards and practices. Ability to
> retain confidentiality, work with a National Advisory Board and a
> Collections Advisory Committee, be a team player. Abilty to organize and
> multitask projects and responsibilities. Excellent interpersonal
> skills, problem solving abilities, organizational skills, writing and
> speaking skills, and grantwiritng experience. Working knowledge of
> Word, Excel, Photoshop, and Past Perfect.
>
> Application. Review of applicants will begin in December 2007.
> 12-month appointment, 22 days vacation; sick leave, group health
> insurance, state and TIAA-CREF retirement plans, no state income tax.
> Salary competitive. Send letter of application, resume, three
> professional references, and examples of materials pertinent to
> collection research, curation, interpretation, and development and
> curricular materials to: Susan Moldenhauer, Director/Chief Curator, UW
> Art Museum, Dept 3807, 1000 E University Ave, Laramie, WY 82071-3807,
> [log in to unmask] Hard copy apps should follow email submisison. EOE/AA
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C81690.BADA9B66
> Content-Type: text/html;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
> <HTML>
> <HEAD>
> <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
> charset=3Dus-ascii">
> <META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
> 6.5.7652.24">
> <TITLE>Postion Announcement - Curator of Collections</TITLE>
> </HEAD>
> <BODY>
> <!-- Converted from text/rtf format -->
>
> <P DIR=3DLTR ALIGN=3DCENTER><SPAN LANG=3D"en-us"><B></B></SPAN><SPAN =
> LANG=3D"en-us"><B></B></SPAN><B><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Curator of Collections #1897</FONT></SPAN></B><SPAN =
> LANG=3D"en-us"><B></B></SPAN><SPAN LANG=3D"en-us"><B></B></SPAN><B><SPAN =
> LANG=3D"en-us"></SPAN></B></P>
>
> <P DIR=3DLTR ALIGN=3DCENTER><B><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">University of Wyoming Art Museum</FONT></SPAN></B><SPAN =
> LANG=3D"en-us"><B></B></SPAN><SPAN LANG=3D"en-us"><B></B></SPAN><B><SPAN =
> LANG=3D"en-us"></SPAN></B></P>
>
> <P DIR=3DLTR ALIGN=3DCENTER><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Academic Professional | Assisstant Research Scientist | =
> 12-month, benefited position</FONT></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><B></B></SPAN><SPAN =
> LANG=3D"en-us"><B></B></SPAN><B><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Background</FONT></SPAN></B><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">. The Curator of =
> Collections is an Academic Professional position (for description, see =
> UW Unireg 408 - =
> www.uwyo.edu/legal/Uniregs/ur408rev2.htm)</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">positioned in the Art Museum with a =
> teaching assignment in the Art Department. An exicitng addition to =
> the museum and department, the Curator of Collections will have the =
> opportunity to further develop the museum’s collection of 7,000 =
> objects and contribute to the art history curriculum in the =
> department. The</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">museum and the department welcome the opportunity to =
> further the</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">ir</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> academic connections</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">and</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial"> to increase the =
> scholarship</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"></FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">of</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">art collections and</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">art history at the University of =
> Wyoming.</FONT></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><B></B></SPAN><SPAN =
> LANG=3D"en-us"><B></B></SPAN><B><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Structure.</FONT></SPAN></B><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial"> The =
> position</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">reports to the Art Museum Director. Assessment of =
> art department teaching</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">will be made by the department and reported to the Art =
> Museum Director on an annual basis.</FONT></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><B></B></SPAN><SPAN =
> LANG=3D"en-us"><B></B></SPAN><B><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Responsibilities.</FONT></SPAN></B><SPAN =
> LANG=3D"en-us"><B></B></SPAN><SPAN LANG=3D"en-us"><B></B></SPAN><B><SPAN =
> LANG=3D"en-us"></SPAN></B></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><B></B></SPAN><SPAN =
> LANG=3D"en-us"><B></B></SPAN><B><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">1. Art Museum Collections Scholarship and =
> Development</FONT></SPAN></B></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">The Art =
> Museum</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> seeks a qualified and enthusiastic curator with an =
> interest in collection development, curation, interpretation, and access =
> to oversee and implement a vision for the Art Museum collections. =
> Currently</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">comprised of American and European art; contemporary art; =
> and art from the Americas, Africa, and Asia</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">, c</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">ollection strengths include =
> the Mavor and Rivolo Collections of works on paper (American and =
> European; 17th C – 20th C); James Nolan Collection of Southwestern =
> Native American Art; and collections of Japanese woodblock prints and =
> Persian miniatures. </FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">Collection e</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">xhibitions =
> c</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">o</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">mprise 30% of the annual program =
> schedule. </FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">Now in the second year of an</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">IMLS grant, the Art Museum is implementing =
> a Collection Advancement Project</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">to</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">assess the collection for content and =
> value</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">, identify and analyze priority collecting areas, =
> and</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">lay the foundation for future collection =
> development.</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> Recent endowment support and the successful search =
> for a Curator of Collections will enable the Collection Advancement =
> Project to progress into the next phase of =
> implementation.</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><B><I></I></B></SPAN><SPAN =
> LANG=3D"en-us"><B><I></I></B></SPAN><B><I><SPAN LANG=3D"en-us"><FONT =
> SIZE=3D2 FACE=3D"Arial">Collection =
> responsibilities</FONT></SPAN></I></B><SPAN =
> LANG=3D"en-us"><B><I></I></B></SPAN><SPAN =
> LANG=3D"en-us"><B><I></I></B></SPAN><B><I><SPAN LANG=3D"en-us"><FONT =
> SIZE=3D2 FACE=3D"Arial">. </FONT></SPAN></I></B><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">Oversee and advance</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">the Art Museum’s collection, its =
> scholarship, interpretation, publication, access, and development. =
> The Curator of Collections will research, curate, and interpret =
> exhibitions</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> from the permanent collection</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">for the museum’s exhibition schedule =
> and its</FONT></SPAN><SPAN LANG=3D"en-us"><I></I></SPAN><SPAN =
> LANG=3D"en-us"><I></I></SPAN><I><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">Touring Exhibition Service</FONT></SPAN></I><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">. Contribute to =
> museum publications and promotional material. </FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">Chair</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial"> the Collections Advisory =
> Committee and research</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"></FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">and advis</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">e</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> the Director on issues of collection development =
> (content, provenance, deaccession).</FONT></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Interpretation include</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">s</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial"> docent training, museum =
> tours, gallery talks, and working with faculty to provide intellectual =
> access to the museum’s collection and integrate the use of the =
> museum’s collection and exhibitions as primary resource material =
> for curricular goals and needs</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial"> of the =
> university</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">. </FONT></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Additional responsibilities include writing grants for =
> collections-based projects and</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">supervising interns and independents study =
> students in collection research.</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">Attend =
> and participate</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">i</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">n professional conferences, symposia, and other meetings =
> pertinent to the collection’s development, management, and =
> administration as appropriat</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">e and as available funds =
> allow.</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><B></B></SPAN><SPAN =
> LANG=3D"en-us"><B></B></SPAN><B><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">2. Teaching =
> </FONT></SPAN></B></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">The =
> focus of the art history faculty is on curricular and research =
> development grounded in the study of primary works and critical =
> theory. Individuals interested in contributing to a strong, =
> diverse undergraduate curriculum in art history and promoting scholarly =
> research through the university’s collections are particularly =
> encouraged to apply. </FONT></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><B><I></I></B></SPAN><SPAN =
> LANG=3D"en-us"><B><I></I></B></SPAN><B><I><SPAN LANG=3D"en-us"><FONT =
> SIZE=3D2 FACE=3D"Arial">Teaching =
> responsibilities</FONT></SPAN></I></B><SPAN =
> LANG=3D"en-us"><B></B></SPAN><SPAN LANG=3D"en-us"><B></B></SPAN><B><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">.</FONT></SPAN></B><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"> <FONT SIZE=3D2 FACE=3D"Arial"></FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">3</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial"> credits</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">per year</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial"> (</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">1</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial"> course load) =
> in</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> the</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> Art Department. Possibilities include an American Art =
> Survey, 16th century to the present; upper-division courses in research =
> area; survey course in minor area (preferably Asian or Latin American); =
> and supervision/coordination of</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">i</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">nternships</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> in the museum</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">. Other possible =
> courses based on qualifications and experience. </FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> </SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Additional responsibilities include participation in =
> committee activities leading to art history program =
> development.</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><B></B></SPAN><SPAN =
> LANG=3D"en-us"><B></B></SPAN><B><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Knowledge, Skills, Experience</FONT></SPAN></B><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">. =
> Earned</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">masters</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> or commensurate level of professional accomplishment in =
> Art History with an emphasis in American Art and teaching experience =
> beyond g</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">raduate assistantship required. </FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">Interdisciplinary background a plus. =
> Museum experience</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">in a position with technical duties including object =
> handling, documentation, research, and =
> interpretation. </FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial"></FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">Experience in collection stewardship and =
> development. Knowledge of museum standards and =
> practices. </FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">Ability to retain confidentiality, work with a National =
> Advisory Board</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial"> and a Collections Advisory Committee</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">, be a team =
> player</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">. Abilty to organize and m</FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">ultitask projects and =
> responsibilities. </FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> <FONT SIZE=3D2 =
> FACE=3D"Arial">Excellent interpersonal skills, problem solving =
> abilities, organizational skills, writing and speaking skills, and =
> grantwiritng experience. </FONT></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"> =
> <FONT SIZE=3D2 FACE=3D"Arial">Working knowledge of Word, Excel, =
> Photosh</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">op, and Past Perfect.</FONT></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"><B></B></SPAN><SPAN =
> LANG=3D"en-us"><B></B></SPAN><B><SPAN LANG=3D"en-us"></SPAN></B></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><B></B></SPAN><SPAN LANG=3D"en-us"><B></B></SPAN><B><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">Application</FONT></SPAN></B><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"><FONT SIZE=3D2 FACE=3D"Arial">. Review of =
> applicants will begin in December 2007. 12-month appointment, 22 =
> days vacation; sick leave, group health insurance, state and TIAA-CREF =
> retirement plans, no state income tax. Salary competitive. Send =
> letter of application, resume, three professional references, and =
> examples of materials pertinent to collection research, curation, =
> interpretation, and development and curricular materials to: Susan =
> Moldenhauer, Director/Chief Curator, UW Art Museum, Dept 3807, 1000 E =
> University Ave, Laramie, WY 82071-3807,</FONT></SPAN><SPAN =
> LANG=3D"en-us"> </SPAN><A HREF=3D"mailto:[log in to unmask]"><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><U></U></SPAN><U><SPAN =
> LANG=3D"en-us"><FONT COLOR=3D"#0000FF" SIZE=3D2 =
> FACE=3D"Arial">[log in to unmask]</FONT></SPAN></U><SPAN =
> LANG=3D"en-us"></SPAN></A><SPAN LANG=3D"en-us"></SPAN><SPAN =
> LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us"><FONT SIZE=3D2 =
> FACE=3D"Arial">. Hard copy apps should follow email =
> submisison. EOE/AA</FONT></SPAN><SPAN LANG=3D"en-us"></SPAN></P>
>
> <P DIR=3DLTR><SPAN LANG=3D"en-us"></SPAN></P>
>
> </BODY>
> </HTML>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
> ------_=_NextPart_001_01C81690.BADA9B66--
>
> ------------------------------
>
> Date: Wed, 24 Oct 2007 16:23:51 -0700
> From: Alice Duckworth <[log in to unmask]>
> Subject: Re: New Buildings in Historic Districts
>
> Try the City of Prescott Historic Preservation Office.
> http://www.cityofprescott.net/services/community/preservation.php=20
> They have a new multi-use building in the planning stages for their
> courthouse square. Nancy Burgess might be able to help you.
>
> Alice Duckworth
> Museum Outreach Coordinator
> Arizona Capitol Museum
> Phone: 602-926-3620
> Fax: 602-256-7985
> =20
> =20
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]] On
> Behalf Of Shaker Heritage Society
> Sent: Wednesday, October 24, 2007 1:04 PM
> To: [log in to unmask]
> Subject: [MUSEUM-L] New Buildings in Historic Districts
>
> Greetings,
>
> I am trying to find examples of office buildings that have been
> constructed within a historic district. I am particularly interested in
> examples that use historic architectural design vocabulary or are
> innovative reflections of historic architecture. I have been told that
> corporate america wants square office buildings with flat roofs. I
> would like to be able to challange that idea with examples of other
> projects (in addition to any market data that I can find). If you know
> of any good examples please contact me asap. Thank you.
>
> Starlyn D'Angelo,
> Executive Director
> Shaker Heritage Society
> 875 Watervliet Shaker Rd. Suite 2
> Albany, NY 12211
>
> The mission of the Shaker Heritage Society is to celebrate and interpret
> America's first Shaker settlement and to preserve it for the benefit of
> future generations.
>
> The vision of the Shaker Heritage Society is to be a nationally
> recognized interpretive center dedicated to educational programming
> regarding the Shakers, their history, their innovative spirit and
> influence on American culture.=20
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message
> to [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> ------------------------------
>
> End of MUSEUM-L Digest - 23 Oct 2007 to 24 Oct 2007 (#2007-288)
> ***************************************************************
>
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
|
