We are not familiar with this product. You may want to consult with a
conservator at the American Institute for Conservation of Historic &
Artistic Works (AIC), their phone number is 202-452-9545.
Rosemary Ganci
At 7/29/04 12:00 AM, you wrote:
>There are 20 messages totalling 2392 lines in this issue.
>
>Topics of the day:
>
> 1. Outdoor audio experiences?
> 2. Looking for Links to California Museums for California Arts List
> 3. Peace and bonobos
> 4. Research fee
> 5. Un-du adhesive remover
> 6. Museum Storage Symposium
> 7. cupi (or cuppie) dolls (6)
> 8. New Archaeology Publication
> 9. cupi (or cuppie) .. or Kewpie .. dolls
> 10. cupi (or cuppie) dolls (sorry to bother the whole list)
> 11. Great Tours workshop coming to Kentucky in September
> 12. Contemporary printmaking exhibition available to travel
> 13. DINOSAURNEWS - Dinosaur Man's 200th Birthday * Racing against the Tide *
> Tracks found on Croatian Resort Island * Japanese Pterosaur discovery on
> display
> 14. studies of visitor habits
> 15. Outdoor audio experiences
>
>=========================================================
>Important Subscriber Information:
>
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>----------------------------------------------------------------------
>
>Date: Tue, 27 Jul 2004 21:05:18 -0500
>From: "Hiller, Rebecca Eileen" <[log in to unmask]>
>Subject: Re: Outdoor audio experiences?
>
>Jake,=20
>=20
>We do not have audio tours at the museum I work at but the Field Museum =
>in Chicago has two exhibits that they utilize mobil audio technology =
>for. You might try contacting the curator for their Splendors of China =
>exhibit. I used the "phones" and found them to be fine.=20
>=20
>Good Luck,=20
>Becca
>
>________________________________
>
>From: Museum discussion list on behalf of Jake Barton
>Sent: Tue 7/27/2004 9:36 AM
>To: [log in to unmask]
>Subject: Outdoor audio experiences?
>
>
>
>Hi list--
>
>I am developing audio interactives at Ground Zero for StoryCorps, and am
>wondering if anyone has recommendations of other outdoor audio =
>experiences
>they have seen, or specific technologies.
>
>We are thinking about audio sticks, but would love to find a single =
>audio
>cup that fits over one ear, since we are concerned about the noise from =
>the
>site. Also, an audio piece that has a volume control on it would be
>helpful. Any case studies on how to weather proof any of this would be
>really appreciated.
>
>For more information on Local Projects visit www.localprojects.net, and =
>for
>StoryCorps, visit www.storycorps.net.
>
>Best,
>Jake Barton
>Principal
>
>
>Jake Barton | www.localprojects.net | [log in to unmask] | 646 =
>408
>2585
>
>_________________________________________________________________
>Overwhelmed by debt? Find out how to 'Dig Yourself Out of Debt' from MSN
>Money. http://special.msn.com/money/0407debt.armx
>
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
>
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>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
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>------------------------------
>
>Date: Tue, 27 Jul 2004 21:43:26 -0700
>From: Judy Malloy <[log in to unmask]>
>Subject: Re: Looking for Links to California Museums for California Arts List
>
>This looks very good. Thanks, Roy!
>
>I'll put your list in the Portals section and also look through it!
>
>Also thanks to Michelle, Mario, Robert, and Emily.
>
>Best,
>Judy Malloy
>http://www.well.com/user/jmalloy/
>
>
>At 09:01 PM 7/26/04 -0700, you wrote:
> >Hi Judy,
> >
> >Here's the California Museums page from one of my own sites .. (in the
> process of
> >being reorganized and moved .. but the links were recently checked and
> verified)
> >
> >http://www.museumstuff.com/museums/usa/california/index.html
> >
> >
> >Roy Hemmat
> >Discovery Media
> >
> >=========================================================
> >Important Subscriber Information:
> >
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>
>=========================================================
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>------------------------------
>
>Date: Wed, 28 Jul 2004 08:56:02 -0500
>From: Mark Janzen <[log in to unmask]>
>Subject: Re: Peace and bonobos
>
>All,
>
>Actually, there are a large number of anthropological and natural history
>museums out there that might have found that brief struggle interesting.
>They may be planning their next exhibition comparing apes and humans right
>now thanks to us.
>
>As indicated by Jay and Indigo, according to prevailing thought, we are
>indeed evolved from the same line as chimps, and therefore share many of
>their inherent traits. They and bonobos and even gorillas are studied so
>carefully because they serve so well as animalistic versions of
>ourselves(sans the higher cognitive functions). I have seen this theme in
>numerous exhibitions, both well-done and deeply misinformed.
>
>By the way, since we are all now aware that bonobos are less aggressive
>than their larger cousins, but not entirely peaceful, perhaps it might be
>interesting to note a couple other interesting chimp traits. Said larger
>cousins have been know to canibalize their own kind after murdering them,
>and they regularly engage in what relates directly to tribal warfare.
>Chimps and bonobos also make and use simple tools in their daily lives, and
>chimps have been observed to use weapons (typically thrown) in combat.
>Through their actions, they exhibit greed, envy, hate, ambition, and
>intentional cruelty, in addition to kindness, love, loyalty, friendship,
>and grief.
>
>Sound familiar?
>
>Mark Janzen
>Registrar/Collections Manager
>Edwin A. Ulrich Museum of Art
>Martin H. Bush Outdoor Sculpture Collection
>Wichita State University
>(316)978-5850
>
>
>
> Jay Heuman
> <[log in to unmask]
> DU> To
> Sent by: Museum [log in to unmask]
> discussion list cc
> <[log in to unmask]
> SE.LSOFT.COM> Subject
> Re: Peace
>
> 07/27/2004 06:19
> PM
>
>
> Please respond to
> Museum discussion
> list
> <[log in to unmask]
> SE.LSOFT.COM>
>
>
>
>
>
>
>Stephen,
>
>At core, there are ideas that have museological implications in these
>messages -- about human nature, the world in which we live, the
>assumptions we make about our visitor's base knowledge and capacity to
>comprehend, etc.
>
>How about contributing content (rather than stilted humor) to this
>discussion? What are your thoughts concerning the 'peace museum'? Or
>how about war and war museums?
>
>Sincerely,
>
>j heuman
>Education Curator
>Nora Eccles Harrison Museum of Art
>Utah State University
>4020 Old Main Hill
>Logan, UT 84322-4020
>t 435.797.0165 | f 435.797.3423
>
>Education costs money, but then so does ignorance.
>Sir Charles Moser, b. 1922
>
>
>
> > -----Original Message-----
> > From: Museum discussion list
> > [mailto:[log in to unmask]] On Behalf Of Stephen Lockwood
> > Sent: Tuesday, July 27, 2004 4:54 PM
> > To: [log in to unmask]
> > Subject: Re: Peace
> >
> > You two must have absolutely nothing satisfying going in in
> > your own lives at the moment. Could it be mid-summer boredom?
> > Your bonobos and chimps would be too busy trying to stay
> > warm, if they were in San Francisco today.......
> >
> > Stephen Lockwood
> > Senior Museum Registrar
> > Fine Arts Museums of San Francisco
>
>=========================================================
>Important Subscriber Information:
>
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>=========================================================
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>
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>
>------------------------------
>
>Date: Wed, 28 Jul 2004 10:44:43 -0400
>From: jmarks <[log in to unmask]>
>Subject: Re: Research fee
>
>Hi,
>
>We're a small historical society - budget under $500,000/yr, 6 FT staff
>- with an archives and reading room. Access to the reading room stacks
>is free, access to archive files (brought out by archivist) is $5 for
>non-residents, $3 for city residents, and free for society members and
>students of any age. For research requests by e-mail/phone/ mail, we
>charge $15 an hour and report all our findings including negative ones
>(we checked the following resources and found nothing). We charge 25
>cents a page for photocopies, $5 for computer scans of photographs
>(printed on good inkjet photo paper), and a $25 use fee per image. The
>use fee is regardless of use - many places charge more for use in a
>television show, less for postcards, etc. We do waive the fee for
>scholarly articles and publications. We have a separate income line
>item in our budget for Archives - the research, copy, and use fees go
>into it - last fiscal year we "made a profit" - brought in more than we
>spent on archival supplies. We're constantly improving our storage and
>spend a lot on archival folders, paper, photo and ephemera sleeves,
>boxes, etc. - so offsetting that expense with our fees is a big deal for us.
>
>I encourage you to establish reasonable fees. Few people balk at our
>fees, and we always explain the money goes directly to preserving the
>collection. We have no significant costs in processing the fees - money
>goes in an envelope, our bookkeeper counts it and enters the amount
>under Archive Income. Free publicity from appearing in publications
>only generates more researchers, more work, more impact on the
>materials, without the money to buy supplies.
>
>John Marks
>Curator
>Geneva (NY) Historical Society
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
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>
>------------------------------
>
>Date: Wed, 28 Jul 2004 10:20:55 -0500
>From: Heather-Marie Wells <[log in to unmask]>
>Subject: Un-du adhesive remover
>
>Hi all,
>
>Has anyone heard of or had any experience with a product called "un-du"? We
>have been asked if it is ok to use when removing photos from magnetic
>albums, which is one of its advertised uses.
>
>Our concern is that, even though the website (www.un-du.com) says it is 100%
>acid free, it does not say what the solution is made of; there for we are
>leary about telling people its ok to use.
>
>We are hoping that maybe some of you might know a little more about this
>product.
>
>Heather Marie Wells
>Shiloh Museum of Ozark History
>
>_________________________________________________________________
>Overwhelmed by debt? Find out how to 'Dig Yourself Out of Debt' from MSN
>Money. http://special.msn.com/money/0407debt.armx
>
>=========================================================
>Important Subscriber Information:
>
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>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
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>
>------------------------------
>
>Date: Wed, 28 Jul 2004 13:42:14 -0400
>From: David Harvey <[log in to unmask]>
>Subject: Museum Storage Symposium
>
>Hi Everyone!
>
>I am cross-posting this announcement from the Objects Specilaty Group
>(AIC) Listserve.
>
>Cheers!
>Dave
>
>David Harvey
>Conservator
>Los Angeles, California USA
>_______________________________________________
>The Midwest Regional Conservation Guild is pleased to announce our fall
>pre-conference symposium: The Latest Trends in Museum Storage, to be held
>November 5, 2004 at the Cleveland Museum of Art, Cleveland Ohio. The
>annual fall MRCG meeting (open to members only) follows on November 6 and 7th.
>
>List of Speakers:
>
>Martin Radecki: Planning Museum Storage Areas
>
>Stephen Bonadies: Choosing Museum Storage Furniture
>
>To be announced: Storage for the Small Museum
>
>Barbara Heller: Storage of Oversized Artifacts
>
>Debbie Hess Norris: Storage of Photographic Materials
>
>Emily Kaplan: Storage of Ethnographic Artifacts
>
>Toby Raphael: Internal Storage Cabinet Environments
>
>Sherelyn Ogden/ Ann Frisina: Textile Storage
>
>Hilary Kaplan: The Storage of Paper and Archival Artifacts
>
>
>For more information on the symposium content or for general information,
>please contact Laurie Booth, Midwest Conservation Services, at
>[log in to unmask] or at (440) 543-2202.
>
>Early Registration Information, until September 30, 2004 (includes lunch):
>
>MRCG Members: US$ 100
>American Institute for Conservation (AIC) Members US$135
>All Others: US$160
>
>Late Registration (September 16-November 5, 2004)
>
>All Registrants: US$195
>
>Please note that registration for this symposium is limited to 140, so
>register early! To register please send your payment with the following
>information, for each registrant, to:
>
>James Cutrone
>Secretary/Treasurer, MRCG
>1274 W. 76th St.
>Cleveland, OH 44102
>[log in to unmask]
>
>Name
>Affiliation
>Mailing Address
>Telephone No./Fax No.
>Email address
>Lunch preference: Vegetarian or non-vegetarian
>
>Checks should be made out to "MRCG" and must be received by September 30th
>to qualify for the discount.
>
>Hotel Information
>
>A limited number of rooms have been reserved at the InterContinental
>Suites Hotel in nearby Unversity Circle. To reserve a room there at the
>special symposium price of $99/day, please contact the hotel at (216)
>707-4000 or (800) 707-8999 and mention the museum storage symposium in
>order to receive the discounted rate.
>
>=========================================================
>Important Subscriber Information:
>
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>
>------------------------------
>
>Date: Wed, 28 Jul 2004 12:12:18 -0600
>From: Jay Heuman <[log in to unmask]>
>Subject: cupi (or cuppie) dolls
>
>This is a multi-part message in MIME format.
>
>------_=_NextPart_001_01C474CE.6BA7D7FF
>Content-Type: text/plain;
> charset="us-ascii"
>Content-Transfer-Encoding: quoted-printable
>
>Greetings!
>=20
>A few unusual questions from me: Might someone be able to enlighten me
>about the history/origin of cupi (or cuppie) dolls? Does "cupi" (or
>"cuppie") originate in Latin and, if so, with what specific root/word?
>=20
>(No, I'm not playing with dolls or dreaming of the new horror flick
>"Seed of Chucky." LOL! I'm doing some research about a painting in our
>collection which relates - peripherally - to this topic.)
>=20
>Thank you in advance for any help in this regard.
>=20
>Sincerely,
>=20
>j heuman
>Education Curator
>Nora Eccles Harrison Museum of Art
>Utah State University
>4020 Old Main Hill
>Logan, UT 84322-4020
>t 435.797.0165 | f 435.797.3423
>=20
>Education costs money, but then so does ignorance.
>Sir Charles Moser, b. 1922
>=20
>
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
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>information about the listserv commands by sending a one line e-mail
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>[log in to unmask] . The body of the message should read
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>Content-Type: text/html;
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>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>Greetings!
>
>A=20 few unusual questions from me: Might someone be = able to=20
>enlighten me about the history/origin of cupi (or cuppie) dolls? = Does=20 "
>
>
>Thank = you in=20 advance for any help in this regard.
>
>Sincerely,
>
>j=20 heuman
>Education = Curator
>Nora Eccles Harrison = Museum of=20 Art
>Utah State = University
>4020 Old Main = Hill
>Logan,=20 UT 84322-4020
>t 435.797.0165 = |=20 f 435.797.3423
>
>Education costs money,=20 but then so does ignorance.
>Sir = Charles Moser, b.=20 1922
>
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
><p>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
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>------_=_NextPart_001_01C474CE.6BA7D7FF--
>
>------------------------------
>
>Date: Wed, 28 Jul 2004 13:20:36 -0500
>From: Rachel Roberts <[log in to unmask]>
>Subject: Re: cupi (or cuppie) dolls
>
>This is a multi-part message in MIME format.
>
>------=_NextPart_000_002D_01C474A5.AB221560
>Content-Type: text/plain;
> charset="us-ascii"
>Content-Transfer-Encoding: 7bit
>
>Jay,
>
>Do you by any chance mean "Kewpie" dolls?
>
>If you don't, I hope someone posts an answer to your question, as I would be
>interested in that type of doll, too (I've never hear of a cuppie doll).
>
>Rachel Roberts
>
>Dallas Historical Society
>[log in to unmask]
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
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>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>Jay,
>
>Do you = by any chance=20 mean "Kewpie" dolls?
>
>If you = don't, I hope=20 someone posts an answer to your question, as I
>would be interested = in that=20 type of doll, too (I've never hear of a
>cuppie = doll).
>
>Rachel = Roberts
>
>Dallas = Historical=20 Society
><3d.htm>[log in to unmask]
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
><p>
>The Museum-L FAQ file is located at
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>information about the listserv commands by sending a one line e-mail
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>------=_NextPart_000_002D_01C474A5.AB221560--
>
>------------------------------
>
>Date: Wed, 28 Jul 2004 14:24:00 -0400
>From: Jennifer Wexler <[log in to unmask]>
>Subject: New Archaeology Publication
>
>Dear Museum-L members:
>I'm writing to announce the first issue of Archaeology World
>Report. Archaeology World Report is a new publication focusing on
>archaeological and cultural heritage projects/issues throughout the world.
>
>Articles include:
>
>- Here be Penguins: Archaeology in the Antarctic
>
>- Comparison and History of the Works of Maginot and Siegfried Line
>
>- Archaeology of the Mapungubwe: A World Heritage Site in the central
>Limpopo Valley Republic of South Africa
>
>- Leg Irons and the Lash: Port Arthur's Historic Convict Site
>
>- The Yoshinogari Site: Japan's Largest Site of an Ancient Moat-enclosed
>Settlement
>
>-Summaries of projects in Greenland, USA, Iraq, Egypt, East Timor,
>Australia, Britain, Alaska, Cyprus, Canada, and Belgium
>
>-Book Reviews of "Ancient Ochres: Aboriginal Rock Paintings of Mount
>Borradaile", "Pottery in Britain 4000 BC to AD 1900", and "Britain 3000 BC"
>
>Individual Issues are avaliable for AUD$10, US$7 or 4 pounds.
>
>Subscriptions are also available at a discounted price (AUD$45, US$35).
>
>If you are in the U.S. contact me for details/orders at:
>[log in to unmask]
>Shipping is included in the price.
>
>If you are from elsewhere contact Karl-James Langford at:
>[log in to unmask]
>
>At Archaeology World Report we aim to promote campaigns and to undertake
>the same, to STOP the illegal trade in antiquities. Also we aim to secure
>governmental support to legislate for Metal Detecting. Eventually we will
>use funds from sales of the magazine, to establish new archaeological
>services and museums in third world countries.
>
>Visit: www.archaeologyworldreport.com
>
>Thank you,
>Jennifer
>
>
>__________________________________________________________________
>Switch to Netscape Internet Service.
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>=========================================================
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>
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>------------------------------
>
>Date: Wed, 28 Jul 2004 13:25:51 -0500
>From: "Baker, Anne Marie" <[log in to unmask]>
>Subject: Re: cupi (or cuppie) dolls
>
>This is a multi-part message in MIME format.
>
>------_=_NextPart_001_01C474D0.501C2CAC
>Content-Type: text/plain;
> charset="us-ascii"
>Content-Transfer-Encoding: quoted-printable
>
>If you do mean "kewpie" visit the Bonniebrook site at
>http://www.kewpie-museum.com/default.asp
>
>=20
>
>This is Rose O'Neill's home. I've never visited it (though it's only
>about 30 miles from here, near Branson, Missouri).
>
>=20
>
>Hope this helps,
>
>=20
>
>Anne
>
>=20
>
>* * * * * * * * * * * * * * *
>Anne M. Baker, Archivist
>Southwest Missouri State University
>Duane G. Meyer Library
>901 S National Ave.
>Springfield, MO 65804
>
>Phone:(417) 836-4298 FAX:(417) 836-4764
>Email: [log in to unmask]
>http://library.smsu.edu/Meyer/SpecColl/spcindex.htm
>
>________________________________
>
>From: Museum discussion list [mailto:[log in to unmask]] On
>Behalf Of Jay Heuman
>Sent: Wednesday, July 28, 2004 1:12 PM
>To: [log in to unmask]
>Subject: cupi (or cuppie) dolls
>
>=20
>
>Greetings!
>
>=20
>
>A few unusual questions from me: Might someone be able to enlighten me
>about the history/origin of cupi (or cuppie) dolls? Does "cupi" (or
>"cuppie") originate in Latin and, if so, with what specific root/word?
>
>=20
>
>(No, I'm not playing with dolls or dreaming of the new horror flick
>"Seed of Chucky." LOL! I'm doing some research about a painting in our
>collection which relates - peripherally - to this topic.)
>
>=20
>
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>=3D=3D=3D=3D=3D=3D=3D Important
>Subscriber Information:=20
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).=20
>
>If you decide to leave Museum-L, please send a one line e-mail message
>to [log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
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>------_=_NextPart_001_01C474D0.501C2CAC
>Content-Type: text/html;
> charset="us-ascii"
>Content-Transfer-Encoding: quoted-printable
>
>xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
>xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
>xmlns:st1=3D"urn:schemas-microsoft-com:office:smarttags" =
>xmlns=3D"http://www.w3.org/TR/REC-html40">
>
>If you do mean kewpie = visit the Bonniebrook site at
><3d.htm>http://www.kewpie-museu= m.com/default.asp
>
>
>
>This is Rose O Neill s = home. I ve never visited it (though it s only
>about 30 miles from = here, near Branson, = Missouri).
>
>
>
>Hope this = helps,
>
>
>
>Anne
>
>
>
>* * * * * * * * * * * * * * *
>Anne M. Baker, Archivist
>Southwest Missouri State University
>Duane G. Meyer Library
>901 S National = Ave.
>Springfield, = MO 65804
>
>Phone:(417) 836-4298 FAX:(417) 836-4764
>Email: [log in to unmask]
><3d.htm>http://libra= ry.smsu.edu/Meyer/SpecColl/spcindex.htm
>
>From: = Museum discussion list [mailto:[log in to unmask]] On
>Behalf Of Jay Heuman
>Sent: Wednesday, July 28, = 2004 1:12 PM
>To: = [log in to unmask]
>Subject: cupi (or cuppie) = dolls
>
>
>
>
>
>A few unusual questions from = me: Might someone be able to enlighten me
>about the history/origin of cupi (or = cuppie) dolls? Does "cupi" (or
>"cuppie") originate in = Latin and, if so, with what specific = root/word?
>
>
>
>(No, I'm not = playing with dolls or dreaming of the new horror flick
>"Seed of = Chucky." LOL! I'm doing some research about a painting in our
>= collection which relates - peripherally - to this = topic.)
>
>
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
><p>
>The Museum-L FAQ file is located at =
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
>information about the listserv commands by sending a one line e-mail =
>message to [log in to unmask] . The body of the message should =
>read "help" (without the quotes).
><p>
>If you decide to leave Museum-L, please send a one line e-mail message =
>to [log in to unmask] . The body of the message should read =
>"Signoff Museum-L" (without the quotes).
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
><p>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
><p>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
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>------_=_NextPart_001_01C474D0.501C2CAC--
>
>------------------------------
>
>Date: Wed, 28 Jul 2004 11:25:06 -0700
>From: Adrienne DeAngelis <[log in to unmask]>
>Subject: Re: cupi (or cuppie) dolls
>
>Hello--
> Those are Kewpie dolls! Developed by illustrator Rose O'Neill in 1912.
>Madly popular for decades. Now I will let the 3,000 other people who
>are responding have their say...
>
>Adrienne DeAngelis
>[log in to unmask]
>
> > Greetings!
> >
> > A few unusual questions from me: Might someone be able to enlighten me
> > about the history/origin of cupi (or cuppie) dolls? Does "cupi" (or
> > "cuppie") originate in Latin and, if so, with what specific root/word?
> >
> > (No, I'm not playing with dolls or dreaming of the new horror flick
> > "Seed of Chucky." LOL! I'm doing some research about a painting in our
> > collection which relates - peripherally - to this topic.)
> >
> > Thank you in advance for any help in this regard.
> >
> > Sincerely,
> >
> > j heuman
> > Education Curator
> > Nora Eccles Harrison Museum of Art
> > Utah State University
> > 4020 Old Main Hill
> > Logan, UT 84322-4020
> > t 435.797.0165 | f 435.797.3423
> >
> > Education costs money, but then so does ignorance.
> > Sir Charles Moser, b. 1922
> >
> >
> > ========================================================Important
> > Subscriber Information:
> >
> > The Museum-L FAQ file is located at
> > http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> > information about the listserv commands by sending a one line e-mail
> > message to [log in to unmask] . The body of the message should
> > read "help" (without the quotes).
> >
> > If you decide to leave Museum-L, please send a one line e-mail message to
> > [log in to unmask] . The body of the message should read
> > "Signoff Museum-L" (without the quotes).
> >
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
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>
>------------------------------
>
>Date: Wed, 28 Jul 2004 11:32:36 -0700
>From: Roy Hemmat <[log in to unmask]>
>Subject: Re: cupi (or cuppie) .. or Kewpie .. dolls
>
>Hey Jay .. If it be "Kewpie" ye seek ..
>
>According to the "bad fads museum" page on the subject .. Kewpie is
>derived from
>cupid ... (a joy it is to learn something new each day!)
>
>http://www.badfads.com/pages/collectibles/kewpie.html
>
>Now I'm wondering if "cutie pie" is derived from Kewpie .. not that I'm
>suggesting a
>new thread on the subject ;)
>
>
>--
>Roy Hemmat
>Director, Discovery Media
>** http://www.MuseumStuff.com
>
>
> > Greetings!
> >
> > A few unusual questions from me: Might someone be able to enlighten me
> > about the history/origin of cupi (or cuppie) dolls? Does "cupi" (or
> > "cuppie") originate in Latin and, if so, with what specific root/word?
> >
> > (No, I'm not playing with dolls or dreaming of the new horror flick
> > "Seed of Chucky." LOL! I'm doing some research about a painting in our
> > collection which relates - peripherally - to this topic.)
> >
> > Thank you in advance for any help in this regard.
> >
> > Sincerely,
> >
> > j heuman
> > Education Curator
> > Nora Eccles Harrison Museum of Art
> > Utah State University
> > 4020 Old Main Hill
> > Logan, UT 84322-4020
> > t 435.797.0165 | f 435.797.3423
> >
> > Education costs money, but then so does ignorance.
> > Sir Charles Moser, b. 1922
> >
> >
> > ========================================================Important
> Subscriber
> > Information:
> >
> > The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You
> > may obtain detailed information about the listserv commands by sending
> a one line
> > e-mail message to [log in to unmask] . The body of the
> message should read
> > "help" (without the quotes).
> >
> > If you decide to leave Museum-L, please send a one line e-mail message to
> > [log in to unmask] . The body of the message should read "Signoff
> > Museum-L" (without the quotes).
> >
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
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>
>------------------------------
>
>Date: Wed, 28 Jul 2004 13:32:41 -0500
>From: Janice Klein <[log in to unmask]>
>Subject: Re: cupi (or cuppie) dolls (sorry to bother the whole list)
>
>It's a variant of "kewpie" doll (which was trade-marked and therefore
>unavailable to use for imitation dolls) and comes from Cupid since the dolls
>were supposed to be little cherubs. Read more about it at:
>
>http://www.dollmakersite.com/archives~march011.htm
><http://www.dollmakersite.com/archives~march011.htm>
>
>
>And yet another plea to put your e-mail address in the BODY of your message.
>
>thanks,
>
>janice
>
>Janice Klein
>Director, Mitchell Museum of the American Indian
>[log in to unmask] <mailto:[log in to unmask]>
>www.mitchellmuseum.org <http://www.mitchellmuseum.org>
>
>
>-----Original Message-----
>From: Museum discussion list [mailto:[log in to unmask]]On Behalf
>Of Jay Heuman
>Sent: Wednesday, July 28, 2004 1:12 PM
>To: [log in to unmask]
>Subject: cupi (or cuppie) dolls
>
>
>Greetings!
>
>A few unusual questions from me: Might someone be able to enlighten me about
>the history/origin of cupi (or cuppie) dolls? Does "cupi" (or "cuppie")
>originate in Latin and, if so, with what specific root/word?
>
>(No, I'm not playing with dolls or dreaming of the new horror flick "Seed of
>Chucky." LOL! I'm doing some research about a painting in our collection
>which relates - peripherally - to this topic.)
>
>Thank you in advance for any help in this regard.
>
>Sincerely,
>
>j heuman
>Education Curator
>Nora Eccles Harrison Museum of Art
>Utah State University
>4020 Old Main Hill
>Logan, UT 84322-4020
>t 435.797.0165 | f 435.797.3423
>
>Education costs money, but then so does ignorance.
>Sir Charles Moser, b. 1922
>
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>
>------------------------------
>
>Date: Wed, 28 Jul 2004 12:35:57 -0600
>From: Jay Heuman <[log in to unmask]>
>Subject: Re: cupi (or cuppie) dolls
>
>This is a multi-part message in MIME format.
>
>------_=_NextPart_001_01C474D1.B961D554
>Content-Type: text/plain;
> charset="us-ascii"
>Content-Transfer-Encoding: quoted-printable
>
>Yes, Kewpie. Actually, this artist painted "CUPI" which I suspected was
>related to the dolls. But I admit to not knowing the correct spelling
>was Kewpie.
>=20
>Thanks to everyone for the swift responses. My suspicions have been
>proven correct.
>=20
>Sincerely,
>=20
>j heuman
>Education Curator
>Nora Eccles Harrison Museum of Art
>Utah State University
>4020 Old Main Hill
>Logan, UT 84322-4020
>t 435.797.0165 | f 435.797.3423
>=20
>Education costs money, but then so does ignorance.
>Sir Charles Moser, b. 1922
>
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>
>------_=_NextPart_001_01C474D1.B961D554
>Content-Type: text/html;
> charset="us-ascii"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>"urn:schemas-microsoft-com:vml" xmlns:o =3D=20
>"urn:schemas-microsoft-com:office:office" xmlns:w =3D=20
>"urn:schemas-microsoft-com:office:word" xmlns:st1 =3D=20
>"urn:schemas-microsoft-com:office:smarttags">
>Yes,=20 Kewpie. Actually, this artist painted "CUPI" which I = suspected
>was=20 related to the dolls. But I admit to not knowing the correct =
>spelling was=20 Kewpie.
>
>
>Sincerely,
>
>j heuman
>Education = Curator
>Nora Eccles Harrison = Museum of=20 Art
>Utah State = University
>4020 Old Main = Hill
>Logan,=20 UT 84322-4020
>t 435.797.0165 = |=20 f 435.797.3423
>
>Education costs money,=20 but then so does ignorance.
>Sir = Charles Moser, b.=20 1922
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
><p>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
><p>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
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>
>------_=_NextPart_001_01C474D1.B961D554--
>
>------------------------------
>
>Date: Wed, 28 Jul 2004 15:14:17 -0400
>From: Max van Balgooy <[log in to unmask]>
>Subject: Great Tours workshop coming to Kentucky in September
>
>This is a multi-part message in MIME format.
>
>------_=_NextPart_001_01C474D7.140575FF
>Content-Type: text/plain;
> charset="us-ascii"
>Content-Transfer-Encoding: quoted-printable
>
>Great Tours, the popular one-day workshop on creating thematic tours at
>historic sites, will be held on Monday, September 27, 2004 from 9 am to
>5 pm at the Hyatt Regency Hotel in Lexington, Kentucky. Large and small
>group interactive exercises are based on a case study of an historic
>site, providing participants with practical experience. Registration is
>$60 per person and includes the 159-page bestselling book, Great Tours!
>Thematic Tours and Guide Training for Historic Sites (AltaMira Press,
>2002), all materials, lunch, and refreshments. Attendance is limited.
>To register, call the National Preservation Conference at (800) 944-6847
>or visit www.nthpconference.org.
>
>=20
>
>Successful historic site tours have a number of characteristics in
>common, most importantly, that they are organized around the three to
>five significant themes. Through a combination of presentations,
>activities, and discussions, in this one-day workshop you will learn how
>to select topics and construct themes; understand the principles of
>thematic interpretation; integrate material culture and historical
>biography; and develop a thematic tour outline. To ensure your thematic
>tours are a success, you'll discover how to respond to the varied needs
>of visitors as well as how to develop and maintain an outstanding guide
>program.
>
>=20
>
>This workshop is specifically designed for educators, interpreters,
>curators, program directors, and other staff and volunteers responsible
>for the content and management of tours at historic sites, districts, or
>heritage areas who have at least 2-4 years experience in developing or
>presenting guided tours. Instructors will be Sandy Lloyd, author of
>Great Tours and museum education consultant based in Philadelphia, and
>Max A. van Balgooy, Director of Intepretation and Education at the
>National Trust.
>
>=20
>
>Great Tours! is sponsored by the National Trust for Historic
>Preservation and American Association for State and Local History and
>funded in part by the National Endowment for the Humanities. This
>workshop is part of the National Preservation Conference being held in
>Lexington from September 28-October 4.
>
>=20
>
>The National Trust for Historic Preservation is a private, nonprofit
>membership organization dedicated to protecting the irreplaceable.
>Recipient of the National Humanities Medal, the Trust was founded in
>1949 and provides leadership, education and advocacy to save America's
>diverse historic places and revitalize communities. Its Washington, DC
>headquarters staff, six regional offices and 25 historic sites work with
>the Trust's 200,000 members and thousands of local community groups in
>all 50 states. For more information, visit the Trust's web site at
>www.nationaltrust.org <http://www.nationaltrust.org/> .
>
>=20
>
>
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
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>------_=_NextPart_001_01C474D7.140575FF
>Content-Type: text/html;
> charset="us-ascii"
>Content-Transfer-Encoding: quoted-printable
>
>Great Tours, the popular one-day workshop on creating thematic tours at
>historic sites, will be held on Monday, September 27, = 2004 from 9 am to
>5 pm at the Hyatt Regency Hotel in Lexington, = Kentucky. Large and small
>group interactive exercises are based on a case study of an = historic
>site, providing participants with practical experience. = Registration is
>$60 per person and includes the 159-page bestselling book, Great Tours!
>Thematic Tours and Guide = Training for Historic Sites (AltaMira Press,
>2002), all materials, lunch, = and refreshments. Attendance is
>limited. To register, call the = National Preservation Conference at
>(800) 944-6847 or visit = www.nthpconference.org.
>
>
>
>Successful historic site tours have a number of characteristics in common,
>most importantly, that they are organized = around the three to five
>significant themes. Through a combination of = presentations, activities,
>and discussions, in this one-day workshop you will learn how = to select
>topics and construct themes; understand the principles of = thematic
>interpretation; integrate material culture and historical biography; and
>develop a thematic tour outline. To ensure your thematic tours are = a
>success, you ll discover how to respond to the varied needs of visitors as
>= well as how to develop and maintain an outstanding guide = program.
>
>
>
>This workshop is specifically designed for educators, interpreters,
>curators, program directors, and other staff and = volunteers responsible
>for the content and management of tours at historic sites, districts, or
>heritage areas who have at least 2-4 years experience in developing or
>presenting guided tours. Instructors will be Sandy = Lloyd, author of
>Great Tours and museum education consultant based in Philadelphia, = and
>Max A. van Balgooy, Director of Intepretation and Education at the
>National = Trust.
>
>
>
>Great Tours! is sponsored by the National Trust for Historic Preservation
>and American Association for State and Local History and funded in part by
>the = National Endowment for the Humanities. This workshop is part of the
>= National Preservation Conference being held in Lexington from September
>= 28-October 4.
>
>
>
>The National = Trust for Historic Preservation is a private, nonprofit
>membership organization dedicated to protecting the irreplaceable.
>Recipient of the = National Humanities Medal, the Trust was founded in
>1949 and provides leadership, education and advocacy to save America s =
>diverse historic places and revitalize communities. Its = Washington, DC
>headquarters staff, six regional offices and 25 historic sites work with =
>the Trust s 200,000 members and thousands of local community groups in =
>all 50 states. For more information, visit the Trust s web site at =
><3d.htm>www.nationaltrust.org.<= /font>
>
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>=3D=3D=3D=3D=3D=3D=3D
>Important Subscriber Information:
><p>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
><p>
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>------_=_NextPart_001_01C474D7.140575FF--
>
>------------------------------
>
>Date: Wed, 28 Jul 2004 14:49:01 -0500
>From: Julie Moore <[log in to unmask]>
>Subject: Contemporary printmaking exhibition available to travel
>
>This message is in MIME format. Since your mail reader does not understand
>this format, some or all of this message may not be legible.
>
>------_=_NextPart_001_01C474DB.EE068100
>Content-Type: text/plain;
> charset="iso-8859-1"
>
>Please pass this on to any interested parties. This exhibition is ideal for
>a small college- or university-based museum. We are targeting locations in
>the Midwest and Southeast in particular.
>
>
>-----------
>TRAVELING EXHIBITION AVAILABLE<?xml:namespace prefix = o ns =
>"urn:schemas-microsoft-com:office:office" />
>
>October 15, 2004-December 31, 2005
>
>
>
>Prints from the Clark Family Collection
>
>Curated by Mark A. Hall, Printmaker and
>
>
>Head of the Fine Arts Division, Maryville (TN) College
>
>
>
>
>
>
> Fine art prints have gone through periods of great creativity,
>advancement in technique and popularity since their beginnings in the late
>14th and early 15th centuries. Few institutions have had a greater impact
>on the production of prints as works of art than the Graphic Chemical and
>Ink Company. Founded in Chicago in 1920 by Robert P. Faulkner and currently
>owned by Dean and Susan Clark in Villa Park, Illinois, since World War II
>Graphic Chemical and Ink Company has been the major supplier of printmaking
>supplies and equipment to artists and to art students in the United States.
>Today, the company also distributes to Canada and to much of Western Europe.
>
>
>
>
>The first print that came into the collection arrived in the early 1930s,
>during the Depression, when an artist offered to send a print in return for
>a pound of ink. Immediately after the war the university-based print class
>taught a new generation of art students about the print as an art form.
>Besides supplying needed materials, the Clark family sponsored countless
>exhibition awards beginning in 1948 and subsequently received prints from
>these exhibitions, from artist friends, from clients showing their thanks
>and from personal purchases.
>
>
>
>This exhibition of 35 prints, drawn from the Clark Family/Graphic Chemical
>and Ink Co.'s collection of over 1500 prints, focuses on prints from the 2nd
>half of the 20th century and includes such masters as Warrington Colescott,
>John Noble, David Bumbeck and Bruno Bak. A full range of printmaking
>techniques are on view, including several popular reproductive "prints" as
>an instructive device. The presentation is a good introduction to
>printmaking for beginning students or the general public, and is ideal for a
>small university gallery. An online catalogue is available at
>http://faculty.maryvillecollege.edu/theprint/
>
>
>
>Availability: October 15, 2004 through December 31, 2005.
>
>Number of venues: Four maximum in the Midwest and Southeast United States
>
>Booking period: Six to eight weeks
>
>Rental fee: $500 plus one-way transportation to next exhibition venue
>
>Crating: Fully crated in one plywood, wheeled crate with condition
>notebook, labels ready for mounting, display and interpretive signage and
>fresh repacking material
>
>Insurance value: $7,645
>
>For more information or to book the exhibition:
>
>Julia Muney Moore, Director of Exhibitions and Artist Services
>
>Indianapolis Art Center
>
>820 E. 67th St., Indianapolis, IN 46220
>
>(317) 255-2464 x233 FAX (317) 254-0486
>
>[log in to unmask] <mailto:[log in to unmask]>
>
>
>-----------
>
>Julia Muney Moore
>Director of Exhibitions and Artist Services
>Indianapolis Art Center
>820 E. 67th St.
>Indianapolis, IN 46220
>(317) 255-2464 x233
>FAX (317) 254-0486
>email <[log in to unmask]>
>website < http://www.indplsartcenter.org <http://www.indplsartcenter.org/> >
>
>
>
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>
>------_=_NextPart_001_01C474DB.EE068100
>Content-Type: text/html;
> charset="iso-8859-1"
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>Please pass this on to any interested parties. This exhibition is ideal
>for a small college- or university-based museum. We are targeting
>locations in the Midwest and Southeast in particular.
>
>
>-----------
>
>TRAVELING EXHIBITION AVAILABLE<?xml:namespace prefix = o ns =
>"urn:schemas-microsoft-com:office:office" />
>
>October 15, 2004-December 31, 2005
>
>
>
>Prints from the Clark Family Collection
>
>Curated by Mark A. Hall, Printmaker and
>
>
>Head of the Fine Arts Division, Maryville (TN) College
>
>
>
>
>
>
>
>
> Fine art prints have gone through periods of great creativity,
> advancement in technique and popularity since their beginnings in the
> late 14th and early 15th centuries. Few institutions have had a greater
> impact on the production of prints as works of art than the Graphic
> Chemical and Ink Company. Founded in Chicago in 1920 by Robert P.
> Faulkner and currently owned by Dean and Susan Clark in Villa Park,
> Illinois, since World War II Graphic Chemical and Ink Company has been
> the major supplier of printmaking supplies and equipment to artists and
> to art students in the United States. Today, the company also
> distributes to Canada and to much of Western Europe.
>
>
>
>The first print that came into the collection arrived in the early 1930s,
>during the Depression, when an artist offered to send a print in return
>for a pound of ink. Immediately after the war the university-based print
>class taught a new generation of art students about the print as an art
>form. Besides supplying needed materials, the Clark family sponsored
>countless exhibition awards beginning in 1948 and subsequently received
>prints from these exhibitions, from artist friends, from clients showing
>their thanks and from personal purchases.
>
>
>
>This exhibition of 35 prints, drawn from the Clark Family/Graphic Chemical
>and Ink Co.'s collection of over 1500 prints, focuses on prints from the
>2nd half of the 20th century and includes such masters as Warrington
>Colescott, John Noble, David Bumbeck and Bruno Bak. A full range of
>printmaking techniques are on view, including several popular reproductive
>"prints" as an instructive device. The presentation is a good
>introduction to printmaking for beginning students or the general public,
>and is ideal for a small university gallery. An online catalogue is
>available at http://faculty.maryvillecollege.edu/theprint/
>
>
>
>Availability: October 15, 2004 through December 31, 2005.
>
>Number of venues: Four maximum in the Midwest and Southeast United States
>
>Booking period: Six to eight weeks
>
>Rental fee: $500 plus one-way transportation to next exhibition venue
>
>Crating: Fully crated in one plywood, wheeled crate with condition
>notebook, labels ready for mounting, display and interpretive signage and
>fresh repacking material
>
>Insurance value: $7,645
>
>For more information or to book the exhibition:
>
>Julia Muney Moore, Director of Exhibitions and Artist Services
>
>Indianapolis Art Center
>
>820 E. 67th St., Indianapolis, IN 46220
>
>(317) 255-2464 x233 FAX (317) 254-0486
>
><mailto:[log in to unmask]>[log in to unmask]
>
>-----------
>
>Julia Muney Moore
>Director of Exhibitions and Artist Services
>Indianapolis Art Center
>820 E. 67th St.
>Indianapolis, IN 46220
>(317) 255-2464 x233
>FAX (317) 254-0486
>email <[log in to unmask]>
>website <<http://www.indplsartcenter.org/>http://www.indplsartcenter.org>
>
>=========================================================
>Important Subscriber Information:
><p>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
><p>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>
>------_=_NextPart_001_01C474DB.EE068100--
>
>------------------------------
>
>Date: Thu, 29 Jul 2004 08:29:34 +1200
>From: Roger Smith <[log in to unmask]>
>Subject: DINOSAURNEWS - Dinosaur Man's 200th Birthday * Racing against the
>Tide * Tracks found on Croatian Resort Island * Japanese Pterosaur
>discovery on display
>
>This Week's Headlines (For the FULL STORY visit the NEWS section of the
>webzine at this address: http://www.dinosaurnews.org )
>
>** Two hundred birthday of dinosaur man
>The 200th birthday of the Lancashire-born scientist who coined the word
>"dinosaur" has been celebrated at London's Natural History Museum.
>
>** Family enjoying vacation reveals rare reptile fossil
>Last month, a Virginia mother and her 8-year-old twins uncovered what every
>camper dreams of finding: the skeleton of a previously unknown creature
>
>** Dinosaur Hunters race against Fundy tide to rescue rare bones
>Palaeontologists hope to unearth a complete set of bones from a
>200-million-year-old dinosaur before fall tides from the Bay of Fundy damage
>the site
>
>** Jurassic Super Giants
>Opening at the New Mexico Museum of Natural History and Science on August
>7th. See also the Age of Super Giants Lecture Series
>
>** Scarborough's world class geology collection
>With over 5500 fossils and 3000 minerals, the strengths of the collection
>include: numerous type specimens, which were the first of their kind ever to
>be described and one finest collections of Middle Jurassic fossil plants in
>the country
>
>** Dinosaur stampede added to heritage list
>The world's only recorded dinosaur stampede has been added to Australia's
>new National Heritage List
>______________________________________________________________
>
>FREE SUBSCRIPTION TO DINOSAURNEWS - Join one of the World's largest dino
>mail lists. Simply send an email to: [log in to unmask]
>______________________________________________________________
>
>** 90-million-year-old Dino Tracks Found On Resort Island
>During fieldwork conducted throughout the month of June, an international
>team of Canadian and Croatian palaeontologists and geologists, led by Dr.
>Michael Caldwell of the University of Alberta in Edmonton, Canada, and Mr.
>Jakov Radovcic of the Croatian Museum of Natural History in Zagreb, found 90
>million year old dinosaur tracks and trackways on the island of Hvar,
>Croatia
>
>** Pterosaur discovery on display
>The municipal government of Midoricho, Hyogo Prefecture, is displaying a
>pterosaur fossil--the first one excavated in the Kansai region
>
>** Feature Site: GIANTS: African Dinosaurs at the Garfield Park
>Conservatory
>This major exhibition premiers the first-ever display of new African
>dinosaurs, renders skeletons as garden sculptures and immerses visitors in a
>prehistoric world full of wonder
>
>** Europe's Largest Dinosaur Rises from Spanish Fields
>Farmers in Riodeva cleared stones from their almond orchards for
>generations, never dreaming they were tossing aside dinosaur bones - and
>laying a trail for one of Spain's greatest fossil finds.
>_________________________________________________________________
>
>DINOSAURNEWS webzine now read in 80 countries. Hundreds of Dinosaur Books,
>The latest Dinosaur News, Dinosaur Games, Dinolinks and a Dinomall. Read
>something ferocious this week: http://www.dinosaurnews.org
>
>SEND US YOUR NEWS: Does your Museum have a dinosaur focus? Put us on your
>media database. We welcome your news of events, discoveries and exhibitions
>[log in to unmask]
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>
>------------------------------
>
>Date: Wed, 28 Jul 2004 16:32:53 -0400
>From: "Susan L. Maltby" <[log in to unmask]>
>Subject: Re: cupi (or cuppie) dolls
>
>I would like to throw my 2 cents in as a conservator on the Kewpie doll
>postings. These dolls are made from cellulose nitrate which is an inherently
>unstable material. When cellulose nitrate degrades it gives off nitric acid
>which can damage other collections. So, they may be cute but they don't play
>well with other artifacts.
>
>Susan Maltby, Conservator
>Maltby & Associates Inc.
>
>Quoting Jay Heuman <[log in to unmask]>:
>
> > Greetings!
> >
> > A few unusual questions from me: Might someone be able to enlighten me
> > about the history/origin of cupi (or cuppie) dolls? Does "cupi" (or
> > "cuppie") originate in Latin and, if so, with what specific root/word?
> >
> > (No, I'm not playing with dolls or dreaming of the new horror flick
> > "Seed of Chucky." LOL! I'm doing some research about a painting in our
> > collection which relates - peripherally - to this topic.)
> >
> > Thank you in advance for any help in this regard.
> >
> > Sincerely,
> >
> > j heuman
> > Education Curator
> > Nora Eccles Harrison Museum of Art
> > Utah State University
> > 4020 Old Main Hill
> > Logan, UT 84322-4020
> > t 435.797.0165 | f 435.797.3423
> >
> > Education costs money, but then so does ignorance.
> > Sir Charles Moser, b. 1922
> >
> >
> > =========================================================
> > Important Subscriber Information:
> >
> > The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/
> > . You may obtain detailed information about the listserv commands by
> sending
> > a one line e-mail message to [log in to unmask] . The body of the
> > message should read "help" (without the quotes).
> >
> > If you decide to leave Museum-L, please send a one line e-mail message to
> > [log in to unmask] . The body of the message should read "Signoff
> > Museum-L" (without the quotes).
> >
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>
>------------------------------
>
>Date: Wed, 28 Jul 2004 20:16:17 -0400
>From: Susannah West <[log in to unmask]>
>Subject: studies of visitor habits
>
>Arminta Neal wrote a bit about visitor behavior and attention spans in her
>books; the title I specifically remember is Help! for the Small Museum but
>the title of her other book I read escapes me. She was writing
>specifically about how long (or actually, how short) interpretive labels
>should be for visitors to be able to absorb them.
>
>Susannah West
>John Rankin House, Ripley, OH
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>
>------------------------------
>
>Date: Wed, 28 Jul 2004 19:14:47 -0700
>From: "A. Glazier" <[log in to unmask]>
>Subject: Outdoor audio experiences
>
>--0-728084366-1091067287=:77338
>Content-Type: text/plain; charset=us-ascii
>
>Jake, when I was at the Getty, we used Antenna's Gallery Guides - portable
>CD-ROM players - and rarely had problems with outdoor use. Our visitors
>carried the players all around the site and they were occasionally dropped
>in fountains (not to mention the hard travertine floors). I'm sure
>Acoustiguide's sticks could work well, too. So, I think either co. could
>provide outdoor durable equip. - perhaps, they can provide the players
>with waterproof skins as is done with I-Pods and handheld Palms. Re:
>audio, you'll probably want to have dual headphones so that both ears are
>covered to both provide higher-quality stereo audio and limit external
>noise (of which I'm sure there will be a lot there) as much as
>possible. Also, you can get headphones that have volume control in the
>headphone's cable.
>
>Alison Glazier
>[log in to unmask]
>
>
>---------------------------------
>Do you Yahoo!?
>New and Improved Yahoo! Mail - 100MB free storage!
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>--0-728084366-1091067287=:77338
>Content-Type: text/html; charset=us-ascii
>
><DIV>Jake, when I was at the Getty, we used Antenna's Gallery Guides -
>portable CD-ROM players - and rarely had problems with outdoor use.
>Our visitors carried the players all around the site and they were
>occasionally dropped in fountains (not to mention the hard travertine
>floors). I'm sure Acoustiguide's sticks could work well, too.
>So, I think either co. could provide outdoor durable equip. -
>perhaps, they can provide the players with waterproof skins as is done
>with I-Pods and handheld Palms. Re: audio, you'll probably want to
>have dual headphones so that both ears are covered to both provide
>higher-quality stereo audio and limit external noise (of which I'm sure
>there will be a lot there) as much as possible. Also, you can
>get headphones that have volume control in the headphone's cable.</DIV>
><DIV> </DIV>
><DIV>Alison Glazier</DIV>
><DIV><A
>href="mailto:[log in to unmask]">[log in to unmask]</A></DIV><p>
> <hr size=1>Do you Yahoo!?<br>
><a
>href="http://us.rd.yahoo.com/mail_us/taglines/100/*http://promotions.yahoo.
>com/new_mail/static/efficiency.html">New and Improved Yahoo! Mail</a> -
>100MB free storage!
>=========================================================
>Important Subscriber Information:
><p>
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>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
><p>
>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>--0-728084366-1091067287=:77338--
>
>------------------------------
>
>End of MUSEUM-L Digest - 27 Jul 2004 to 28 Jul 2004 (#2004-187)
>***************************************************************
Benchmark
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