> -----Original Message-----
> From: Gretchen Buggeln
> Sent: Thursday, May 09, 2002 2:12 PM
> To: [log in to unmask]; [log in to unmask]; [log in to unmask]; [log in to unmask]; [log in to unmask]; [log in to unmask]
> Cc: Gretchen Buggeln
> Subject: Winterthur Research Fellows 2002-2003
>
> Please circulate the following announcement:
>
> Winterthur Museum is pleased to announce twenty-five research fellowship appointments for 2002-2003. For information about the research program, please visit www.winterthur.org.
>
> NATIONAL ENDOWMENT FOR THE HUMANITIES FELLOWS
>
> WILLIAM GLEASON, Associate Professor, Dept. of English, Princeton University
> "> Sites Unseen: Architecture, Race, and American Literature> ">
>
> STEPHANIE FOOTE, Associate Professor, Dept. of English and Women> '> s Studies, University of Illinois, Urbana
> "> Imitation People: Parvenus and Class Desire in Nineteenth-Century American Culture> ">
>
>
> MC NEIL DISSERTATION FELLOWS
>
> PETER JOHN BROWNLEE, Dept. of American Studies, The George Washington University
> "> The Economy of the Eyes: Vision & the Cultural Production of Market Revolution, 1828-1855> ">
>
> ELLEN AVITS MENEFEE, Dept. of Art History, University of Delaware
> "> Live the Dream: The Rhetoric of the Furnished Model Home in Late Twentieth-Century America> ">
>
> CYNTHIA MUNRO, Dept. of English, University of Delaware
> "> Words and Stitches: Language, Labor, and Identity in Women> '> s Literary and Textile Production> ">
>
> CATHERINE L. WHALEN, Dept. of American Studies, Yale University
> "> Anglophilia, Anglo-Saxonism and the Colonial Revival: Rescuing, Recreating and Reappropriating Anglo-American Identity in Connecticut, 1890-1940> ">
>
>
> HAGLEY-WINTERTHUR FELLOWS
>
> CHRISTOPHER AUGERSON, Conservator of Painted and Gilt Surfaces, Coach Museum, Versailles, France
> "> Archival and Related Studies on Carriage Painting in America, 1785-1915> ">
>
> ELAINE EFF, Director, Cultural Conservation Program, Maryland Historical Trust
> "> Landscape Painted Screens: The Union of Art and Wire> ">
>
> LARA KRIEGEL, Assistant Professor, Dept. of History, Florida International University
> "> Britain by Design: Industrial Culture, Imperial Display, and the Making of South Kensington, 1835-1886> ">
>
> MICHAEL MURPHY, Doctoral Candidate, Dept. of Art History and Archaeology, Washington University, St. Louis
> "> J. C. Leyendecker and Arrow Collars: Costume, Advertising, and Male Gender in American Visual Culture> ">
>
>
> FAITH ANDREWS SHAKER FELLOWS
>
> MARY ANN HAAGEN, Visiting Scholar, Dept. of Music, Dartmouth College
> "> J.H. Elkins: Shaker Life and Life after Shaker> ">
>
> ILYON WOO, Doctoral Candidate, Dept. of English and Comparative Literature, Columbia University
> "> Backsliders, Bad Apples, and Troublesome, Unsound, Rotten-hearted Hypocrites: Antebellum Shaker Apostates and the Shaker Literary Tradition> ">
>
>
> ROBERT LEE GILL FELLOWS
>
> LYNNE Z. BASSETT, Costume Specialist, Connecticut Historical Society
> "> Design Influences on American Whole-Cloth Wool Quilts> ">
>
> JOSHUA W. LANE, Assistant Curator of Furniture, Historic Deerfield, Inc.
> "> The Woodworkers of Windsor: A Connecticut Community of Furniture Craftsmen and their World> ">
>
> CATHERINE MILLER LANFORD, Doctoral Candidate, Dept. of History of Art, Yale University
> "> Reflecting Refinement: Silver Metal in Antebellum Boston> ">
>
>
> DWIGHT P. LANMON FELLOW
>
> DAVID ROGER POMFRET, Independent Scholar, Lancashire, England
> "> Exports of Staffordshire Wares to the USA with Particular Reference to the Bleak Hill Site> ">
>
>
> WINTERTHUR FELLOWS
>
> MARILYN CASTO, Associate Professor, Dept. of Near Environments, Virginia Tech
> "> Bringing Nature Indoors: Natural History in Nineteenth and Early Twentieth Century Interiors> ">
>
> MELISSA DUFFES, Independent Scholar, Oakton, VA
> "> A Delicate Balance: Wrought and cast-iron garden furniture at Winterthur> ">
>
> C. DALLETT HEMPHILL, Professor, Dept. of History, Ursinus College
> "> A History of Siblings in Early America> ">
>
> ELIZABETH HUTCHINSON, Assistant Professor, Dept. of Art History, Barnard College/Columbia University
> "> Progressivist Primitivism: Gender, Nationalism, and Native American Art, 1890-1915> ">
>
> JULIA A. KING, Director, Maryland Archaeological Conservation Lab
> "> Collecting Landscapes of History in Eighteenth and Nineteenth-Century America> ">
>
> STEPHEN LONG, Curator, Lower East Side Tenement Museum
> "> Papering over Adversity: Wallpaper in Urban Working-Class Homes, 1880-1930> ">
>
> BARBARA PENNER, Doctoral Candidate, Humanities, University College London
> "> Visions of Love and Luxury: Nineteenth-Century Bridal Trousseaux and Gifts> ">
>
> CHERYL ROBERTSON, Independent Scholar, Cambridge, Massachusetts
> "> Byrdcliffe Arts & Crafts Colony: Architecture for Arcadia> ">
>
> WENDY WEISS, Associate Professor, Dept. of Textiles, Clothing and Design, University of Nebraska
> "> Integrating Handweaving and Electronic Technology in Textile Art Based on French, English, German and American Weaving Manuals and Swatch Books in the Downs Collection> ">
>
>
>
>
>
>
>
>
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