Actually, I'd like to know if the noxious stuff excised from the comment
books is archived. Somehow it seems like such graffiti-esque expressions
might be somehow more telling or anthropologically interesting. I agree that
museums and non-profits should probably do what they can to contain
gratuitously offensive jottings, but might such scribbles be worth keeping?
Ellen Cutler
LNB Associates: Writing, Editing, Research Services
Aberdeen, MD 21001
----- Original Message -----
From: Bernadette Jones <[log in to unmask]>
To: <[log in to unmask]>
Sent: Friday, August 10, 2001 9:34 PM
Subject: Re: Monitoring the comment book
> No.
>
> We at gammaSPACE, a contemporary commercial gallery, have a comments book
and we get a huge variety of different marks and comments; good, bad and
downright ugly. We also get an array of wonderful drawings in the book.
>
> All of it is valid and all contributes to an interesting compedium to be
archived and cherished, even the offensive bits. The best outcome of the
book is that it creates an open forum for people to express their responses
much like going to a football match and yelling at the
> umpire. If people feel comfortable enough to openly express how they are
responding to the work on display then surely this is an indicator that you
have reached your audience. I think expecting them to always agree with you
is a bit presumptuous.
>
> Bernadette Jones
> Curator
>
>
>
> Amy Kleinert wrote:
>
> > Jay brought up that they monitor their comment book
> > and remove "lewd, racist, sexist, etc. comments." Is
> > this common practice in other museums as well?
> >
> > Amy Kleinert
> > Marketing Manager
> > South Bend Regional Museum of Art
> > South Bend, IN
> >
> > --- Jay Heuman <[log in to unmask]> wrote:
> > > Hi Pamela,
> > >
> > > I think the Barnes & Noble or Borders suggestion is
> > > best and
> > > cheapest.
> > >
> > > If you are not already, prepare yourselves to review
> > > the
> > > comment book on a daily basis to remove pages with
> > > offensive
> > > comments. We had a comment book during an
> > > exhibition of
> > > glass work by Dale Chihuly last year -- ended up
> > > with lots
> > > of lewd, racist, sexist, etc. comments (written
> > > mostly by
> > > unsupervised school children). We checked every day
> > > . . .
> > > cut out pages with such comments with an Exacto
> > > knife.
> > >
> > > Sincerely,
> > >
> > > Jay Heuman, Visitor & Volunteer Services Coordinator
> > > Joslyn Art Museum, 2200 Dodge Street, Omaha, NE,
> > > 68102
> > > 342-3300 (telephone) 342-2376 (fax)
> > > http://www.joslyn.org
> > >
> > >
> > >
> > > > -----Original Message-----
> > > > From: Museum discussion list
> > > [mailto:[log in to unmask]]On
> > > > Behalf Of Feltus, Pamela
> > > > Sent: Friday, August 10, 2001 10:19 am
> > > > To: [log in to unmask]
> > > > Subject: Comment book
> > > >
> > > > In an exhibit we're about to open, I included a
> > > comment
> > > book,
> > > > thinking it would be easy to find one. I though I
> > > could
> > > goto
> > > > my local art supply store and buy a blank drawing
> > > book.
> > > Boy-
> > > > was I wrong! I can not find a thing! Does anyone
> > > have any
> > > > recommendations/ sources/ tips on a comment book
> > > for an
> > > > exhibit? What people have used that works well?
> > > >
> > > > Pamela Feltus
> > > > Curator
> > > > National Museum of American Jewish Military
> > > History
> > > > 1811 R Street NW, Washington DC 20009
> > > > 202-265-6280 x201
> > > > www.nmajmh.org
> > >
> > >
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