Mark,
I attended a class at Harvard University Art Museums (the Fogg) and in the
study room there are works on paper (dry point, other intaglio prints,
lithographs, mezzotints, etc.) stored flat in file cabinets.  They were
placed on mounts ( a heavy cardboard type mount) and covered with tissue
paper to keep the images from rubbing against the matting on top of them.
Hope this helps.
-Jessica


On Tue, 11 Apr 2000, Mark Ryan wrote:

> Thank you all for your advice in regards to preventing acid migration.
>
> I have another quick question for the listers.
>
> What would be the material of choice for interleaving between unframed
> graphic arts pieces when they are stored in flat storage file cabinets?
> Most of the pieces are lithographs, dry point etchings, etc.  A few of them
> are larger scale photographic prints which I believe would require a
> buffered interleaving material (right?).
>
> Any and all advice is welcome.  Thank you all in advance.
>
> Please respond on or off list at [log in to unmask]  Thank you again.
>
> Mark Ryan
> Registrar
> Plains Art Museum
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