Some weeks ago Robert A. Baron wrote: > Here is a hypothetical question regarding stolen art and copyright: > > A work of art, under copyright, is stolen from a museum which owns the > object, but not the rights of reproduction. Might the copyright holder > successfully claim infringement if the object owner places reproductions of > the stolen work on the various databases and lists maintained to help > identify and find stolen works? > > I see nothing in the "fair use" provisions of the U.S. copyright law which > might apply here. Normally copies of such works are allowed for "internal" > object management and insurance; but public databases of stolen art, > especially if placed on the Web, may be thrown into the same basket of > infringing usages as public dababases of artworks that are not stolen. I think I can provide a partial answer. Under the new revisions to Canadian Copyright law (1997) there are specific exemptions to infringement of copyright for museums, libraries and archives which do not require the changes to the fair dealing provisions of the Act, and which permit publication to support a plice investigation, plus a host of other collection management related activities. The proviso being (and there always is one) that the object be in the institutions permanent collection. The section of the act is quoted below can be found at, http://www.parl.gc.ca/bills/government/C-32/C-32_4/12472b-4E.html#23 "30.1 (1) It is not an infringement of copyright for a library, archive or museum or a person acting under the authority of a library, archive or museum to make, in accordance with the regulations made under subsection (4), for the maintenance or management of its permanent collection or the permanent collection of another library, archive or museum, a copy of a work or other subject-matter, whether published or unpublished, in its permanent collection (a) if the original is rare or unpublished and is (i) deteriorating, damaged or lost, or (ii) at risk of deterioration or becoming damaged or lost; (b) for the purposes of on-site consultation if the original cannot be viewed, handled or listened to because of its condition or because of the atmospheric conditions in which it must be kept; (c) in an alternative format if the original is currently in an obsolete format or the technology required to use the original is unavailable; (d) for the purposes of internal record-keeping and cataloguing; (e) for insurance purposes or police investigations; or (f) if necessary for restoration." These are not the only changes and I recommend anyone interested refer to the Department of Canadian Heritage's web site for further review. Richard Gerrard