On Mon, 4 Mar 1996 16:50:01 GMT Claudia Nicholson wrote: >Perhaps it is wierd to be following up to my own post, but here goes. > >Now that we have had some discussions about licensing our images to CD- >ROM, we would like to develop some policy. One big question is how much >we should charge for the right to use our stuff in CD-ROM programs? (We >currently charge $50/image for out-of-staters [SD is nothing if not pro- >vincial!] and $10/image for in-staters, for profits for use in public- >ations.) Should we charge more, or less, for CD imaging? > >And, what about use in videotapes--either for broadcast or for home use? > >Anybody have any ideas??? > >Thanks. > >Claudia > >[log in to unmask] >++++++++++++++++++++++++++++++++++++++++++ >In article <[log in to unmask]>, [log in to unmask] (Claudia >Nicholson) says: >> >>Does anyone have any practical experience in licensing images from their >>collections for use in a CD-ROM format? I have the "Sample CD-ROM >>Licensing Agreements for Museums" from Muse, but I would like to hear >>about actual experiences. >> >>What are the pitfalls of participating in these type of projects? What >>are the opportunities? >> >> >>Claudia Nicholson >>Curator of Collections >>South Dakota State Historical Society, Pierre >> >>[log in to unmask] > $60 is the price we've found CD-ROM developers here can or will pay per image. $10 of that is a non-refundable service fee, $50 is repro rights --and we will probably soon change that to $20/$40. Remember: CD-ROM projects often don't get off the ground in the end, and you can be stuck with a lot of work for nothing. 20% discount for quantity orders is standard in the stock photography business. Below this, it simply doesn't pay for us to supply. This price is for off-the-shelf stock supply; any additional work or expenses (special photography, quantities of 4x5 transparency dupes, special search for obscure images, supply of text beyond caption, etc) are additional. What is the reason for your distinction between out-of-state orders and SD orders? $10 will barely cover the cost of the paperwork involved. Use in videotapes: there's a BIG difference between broadcast and home video. Broadcast is, well, broadcast -- whereas a home video cassette is a physical, commercial product. Clients will try to persuade you otherwise (the usual trick here is the attempt to persuade us that the video cassette is is some whay about Israel, and therefore will "encourage tourism," and therefore we should patriotically give them the material free.) We usually charge $75 per image. (Same 20% quantity discount). Broadcast fees vary tremendously: US clients have paid us as much as $300 per image in the past, but lately the market price seems to be much lower lower: around $100 per image. British clients pay the most.(Israeli clients pay the least...) When in doubt, use the method I picked up from a colleague: tell the client you are willing to accept their "usual rate for broadcast" -- it will often be more than you had thought of charging. Good luck! ------------------------------------- Name: amalyah keshet visual resources / the israel museum, jerusalem E-mail: [log in to unmask] Date: 03/07/96 Time: 08:22:38 -------------------------------------