Liverpool
University Press is pleased to inform you of the latest content in SCULPTURE
JOURNAL,
a highly regarded publication that is essential reading for those working in and researching sculpture in all its aspects from prehistory to the present across the globe.
Volume 32.4 is a Special Issue
titled 'Valuing sculpture: art, craft and industry, 1660–1860'. Contributions reconsider the significance of the interrelationships between art, craft & industry from the seventeenth to the nineteenth centuries.
This Special Issue is a response
to the discussions that arose from the ‘Valuing Sculpture: Art, Craft and Industry, 1660–1860’ conference held in July 2021. The conference would not have been possible without the generous support of WRoCAH and the Henry Moore Institute.
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Table of contents
INTRODUCTION
VALUING
SCULPTURE: ART, CRAFT AND INDUSTRY, 1660–1860
SAMANTHA LUKIC-SCOTT AND CHARLOTTE DAVIS
MATERIALITY AND TECHNOLOGY
VALUING
SCULPTURE IN THE LONG EIGHTEENTH CENTURY: MATERIALS AND TECHNOLOGY
M. G. SULLIVAN
CAROLINE STANFORD
REPRODUCTION AND RECEPTION
THE
YOUNG NATURALIST BY HENRY WEEKES: INTERMEDIALITY, INDUSTRY AND INTERNATIONAL EXHIBITIONS
REBECCA WADE
LIBERTY PATERSON
ORNAMENT AND DECORATION
VALUING
ORNAMENT: JEAN-BAPTISTE PLANTAR (1790–1879) BETWEEN ART, CRAFT AND INDUSTRY
JUSTINE GAIN
PATRICIA MONTEIRO
ILLUSION AND WONDER
FABRICATING
ENCHANTMENT: ANTOINE BENOIST’S WAX COURTIERS IN LOUIS XIV’S PARIS
DAVID MARK MITCHELL
REVIEW
JENNIFER DUDLEY
NOTES ON CONTRIBUTORS
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On behalf of Liverpool University Press
Natasha Bikkul
(she/her/hers)
Journals Marketing Manager
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