Thank you all! That's what I felt was the case, but wanted to check with other opinions before moving forward as I have never dealt with this situation before!

-Melanie

On Sat, Apr 28, 2018 at 2:08 AM, Angela Kipp <[log in to unmask]> wrote:
Hi Melanie,

I agree with all what William said, especially on developing a policy for your case.

Important is to understand that accessioning and ownership is not the same thing. While you should have well documented ownership to properly accession something (read: invoice or deed of gift and transfer of title), you don't lose ownership when you deaccession something. The desk and chair in your office belong to your museum, yet, they are not accessioned. If you discover a fake you might decide to deaccession it because you don't collect fakes but still use it for educational purposes - you can, it's still yours.

If the objects were deaccessioned but never transfered to another institution, they still belong to the museum. Make very sure they weren't promised to another institution and there already exists a transfer of title but the transport didn't take place, though. If the collection is still yours, I don't see anything that would speak against giving a researcher access to the documentation.

Best wishes
Angela

Angela Kipp
Collection Manager
TECHNOSEUM, Mannheim, Germany
www.technoseum.de

Join the Registrar Trek at http://world.museumsprojekte.de/
Follow us on Twitter @RegistrarTrek

This is a personal opinion, my institution can't be held responsible for anything I write


Quoting William Shepherd <[log in to unmask]>:

Hello Melanie,

                Barring some sort of specifics to your case any records, images, or documentation you have would stay on record with you and could be used by staff or possibly researchers in cases that don’t violate ownership or copyright if they’ve been transferred elsewhere. Especially as you still have everything on site and haven’t transferred ownership to anyone else there shouldn’t be any issue providing access I wouldn’t think. If the items were transferred I’d refer the researcher to the new institution. If they were destroyed that’s a bit more tricky but explain why and the steps taken. You may also have or want to develop a policy around researcher access to deaccessioned records documentation.

William Shepherd
Collections Officer
Swift Current Museum
44 Robert Street West
Swift Current, Saskatchewan
S9H 4M9
Phone: 306-778-4815
Fax: 306-778-4818

Archives: http://sain.scaa.sk.ca/collections/swift-current-museum
Library: https://www.librarything.com/profile/SwiftCurrentMuseum
Website: http://www.swiftcurrent.ca

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byB1bnN1YnNjcmliZSBmcm9tIHRoZSBNVVNFVU0tTCBsaXN0LCBjbGljayB0aGUgZm9sbG93aW5n IGxpbms6PGJyPg0KPGEgaHJlZj0iaHR0cDovL2hvbWUuZWFzZS5sc29mdC5jb20vc2NyaXB0cy93 YS1IT01FLmV4ZT9TVUJFRDE9TVVTRVVNLUwmQT0xIiB0YXJnZXQ9Il9ibGFuayI+aHR0cDovL2hv bWUuZWFzZS5sc29mdC5jb20vc2NyaXB0cy93YS1IT01FLmV4ZT9TVUJFRDE9TVVTRVVNLUwmQT0x PC9hPg0KPC9wPg0K --_000_AFB0F1EACA3E4C058734F5F45AE4C516clirorg_-- ========================================================================Date: Mon, 30 Apr 2018 09:23:13 -0600 Reply-To: Museum discussion list <[log in to unmask]> Sender: Museum discussion list <[log in to unmask]> From: "Ambler, Bridget" <[log in to unmask]> Subject: Re: [EXTERNAL] [MUSEUM-L] Oral History Transcription In-Reply-To: <[log in to unmask]> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="f4f5e8073694af2d9b056b126e15" Message-ID: <[log in to unmask]> --f4f5e8073694af2d9b056b126e15 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable You may consider contacting the Pikes Peak Library District in Colorado Springs, Colorado. They have a massive oral history library, and may be a great source in sharing how they accomplished transcription. See https://ppld.org/contact?key=30 Regards, Bridget Ambler On Sat, Apr 28, 2018 at 3:34 AM, Jack Blanchard <[log in to unmask]> wrote: > Hi All, > > I am presently working with a small, non-profit museum in rural Indiana > that focuses on the history of the county where we are located. As part of > our collection, we have a large number of oral histories that have been > recorded with various figures/groups of note in our community. Moving > forward, our leadership team has determined that it would be ideal to > pursue funding for a professional service transcribe these oral histories > so that those transcriptions can be accessioned into our collection. > > Given that we are a small museum with approximately 1.5 full-time staff, > we lack the experience to properly discern where and what kind of > trancription service to utilze. Perusing online, we've learned that the > most cost-effective options tend to be AI programs that have charge that > start ~10¢ per minute of audio. This does not seem like the best option > because it is unclear if these programs have the ability to differentiate > between various speakers in the select number of group oral histories (I.e. > a panel of retired factory workers) in our collection. Could anyone offer a > suggestion for a transcription service that is cost effective but also > high-quality enough to differentiate between speakers? In the best > circumstance, we would like to spend no more than ~50¢ per minute of audio > but, obviously, that must be flexible in order to ensure a high-quality job. > > Thanks, in advance, > > -Jack > -- > > Jack Blanchard '20 > Bonner Scholar > *Religious Studies* > DePauw University > Greencastle, Indiana > C: (317) 605-5203 > Twitter: @jblanchard_2020 > > ------------------------------ > > To unsubscribe from the MUSEUM-L list, click the following link: > http://home.ease.lsoft.com/scripts/wa-HOME.exe?SUBED1=MUSEUM-L&A=1 > -- *Bridget Ambler* *Supervisory Museum Curator* *Canyons of the Ancients Visitor Center & Museum* *Bureau of Land Management, National Conservation Lands* *27501 Hwy 184, Dolores, CO 81323* (970) 882-5622 (desk) (970) 882-7035 (fax) ========================================================= Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes). --f4f5e8073694af2d9b056b126e15 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable
You may consider contacting the Pikes Peak Library District in Colorado Springs, Colorado.  They have a massive oral history library, and may be a great source in sharing how they accomplished transcription.  See https://ppld.org/contact?key=30
Regards,
Bridget Ambler

On Sat, Apr 28, 2018 at 3:34 AM, Jack Blanchard <[log in to unmask]> wrote:
Hi All,

I am presently working with a small, non-profit museum in rural Indiana that focuses on the history of the county where we are located. As part of our collection, we have a large number of oral histories that have been recorded with various figures/groups of note in our community. Moving forward, our leadership team has determined that it would be ideal to pursue funding for a professional service transcribe these oral histories so that those transcriptions can be accessioned into our collection.

Given that we are a small museum with approximately 1.5 full-time staff, we lack the experience to properly discern where and what kind of trancription service to utilze. Perusing online, we've learned that the most cost-effective options tend to be AI programs that have charge that start ~10¢ per minute of audio. This does not seem like the best option because it is unclear if these programs have the ability to differentiate between various speakers in the select number of group oral histories (I.e. a panel of retired factory workers) in our collection. Could anyone offer a suggestion for a transcription service that is cost effective but also high-quality enough to differentiate between speakers? In the best circumstance, we would like to spend no more than ~50¢ per minute of audio but, obviously, that must be flexible in order to ensure a high-quality job.

Thanks, in advance,

     -Jack
--

Jack Blanchard '20
Bonner Scholar
Religious Studies
DePauw University
Greencastle, Indiana
C: (317) 605-5203
Twitter: @jblanchard_2020

To unsubscribe from the MUSEUM-L list, click the following link:
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--

Bridget Ambler

Supervisory Museum Curator

Canyons of the Ancients Visitor Center & Museum

Bureau of Land Management, National Conservation Lands

27501 Hwy 184, Dolores, CO  81323

 

(970) 882-5622 (desk)

(970) 882-7035 (fax)



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--f4f5e8073694af2d9b056b126e15-- ========================================================================Date: Mon, 30 Apr 2018 09:47:08 -0600 Reply-To: Museum discussion list <[log in to unmask]> Sender: Museum discussion list <[log in to unmask]> From: Collections Research for Museums <[log in to unmask]> Subject: Online courses starting May 7, 2018--there is still time to sign up! MIME-Version: 1.0 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Message-ID: <[log in to unmask]>

Online courses starting May 7, 2018--there is still time to sign up for one of these interesting and informative courses!


MS 011: Gallery Guides

May 7 to 18, 2018

Instructor:  Karin Hostetter

Location: http://museumclasses.org

Description

Self-guided brochures, exhibit labels, docent led tours, guest speakers, and audio tours are only a few of the methods available to guide visitors through an exhibit. Explore the strengths and challenges of many different methods and garner resources for further information. Learn how to determine which method works best with which exhibits and how to provide variety to enhance the visitor experience.

For more information or to sign up: https://www.collectioncare.org/gallery-guides-line-short-course


MS 211: Preservation Environments

May 7 to June 15, 2018

Instructor:  Ernest Conrad

Location: http://museumclasses.org

Description:

The museum's brick exterior wall is crumbling. The powder coated metal storage shelves have active rust under the foam padding. Objects in fur storage are covered in mold. It is raining in the exhibit hall. This is the damage that occurs to museum buildings or collection when staff do not understand preservation environments. Preservation Environments is essential knowledge for any collecting institution. Everyone should understand how humidity and temperature are controlled by a building and its mechanical system. For museum staff considering a new building - and any institution planning to expand or rebuild an existing one - Preservation Environments provide important information for calculating whether the proposed improvements will actually improve the environmental control of your protective enclosure. Participants learn the advantages and disadvantages of numerous methods of temperature and humidity control. Preservation Environments does not try to turn museum professionals into engineers. Rather, it arms them with the knowledge they need to work with engineers and maintenance professionals. And helps explain why damaged occurred and how to keep it from happening again.

For more information or to sign up: https://www.collectioncare.org/preservation-environments-line-course


MS 212: Care of Textiles

May 7 to June 1, 2018

Instructor:  Ann Coppinger

Location: http://museumclasses.org

Description:
Caring for textiles demands an understanding of how and why they deteriorate. This course offers a simplified explanation of the origin and structure of textile fibers as well as the finished textile object; be it either a piece of whole cloth or a finished garment. Care of Textiles teaches students to identify fibers, fabric structures and finishes, write condition reports, and understand the agents of deterioration that are harmful to various fabrics both in storage on exhibit. Topics include preparing textiles for storage and exhibit, the use of archival materials with textiles, and three dimensional supports.

For more information or to sign up: https://www.collectioncare.org/care-textiles-line-course


MS 226: Care of Furniture

May 7 to June 1, 2018

Instructor:  Diana Komejan

Location: http://museumclasses.org

Description:

Caring for furniture and wood artifacts demands an understanding of how and why wood deteriorates. This course offers a simplified explanation of the chemistry and structure of wood as well as the finished wooden object; be it either a totem pole, plow or a French polished table. Care of Furniture and Wood Artifacts teaches students to identify woods, finishes and furniture styles, write condition reports, and understand the agents of deterioration that are harmful to wood both in storage and on exhibit. Topics include preparing wood artifacts for storage and exhibit, the use of archival materials with wood artifacts, housekeeping techniques for furniture and large objects on open display, basic repairs and three dimensional supports for storage or exhibit.

For more information or to sign up: https://www.collectioncare.org/care-furniture-and-wood-artifacts-line-course


MS 234: Archives Management

May 7 to June 1, 2018

Instructor:  Jennifer Edwards

Location: http://museumclasses.org

Description:

Archives include flat paper, photographs, bound pamphlets, books, small 3-dimensional objects, and magnetic media. The Archives Management course covers an introduction to the materials found in archives and typical use of these materials including use patterns, retrieval needs, finding aids, handling and exhibition. The last half of the course details optimum storage options for archival materials. Storage includes furniture, storage techniques, standardized and specialized housing such as folders and boxes and custom-made housings.

For more information or to sign up:  https://www.collectioncare.org/archives-management-line-course


Feel free to contact me with questions

Peggy Schaller
Northern States Conservation Center
www.collectioncare.org
museumclasses.org
[log in to unmask]

and

Collections Research for Museums
4830 E Kansas Dr
Denver, CO 80246
303-757-7962
Toll free: 1-877-757-7962
[log in to unmask]
Website: http://www.museumcollectionmgmt.com/


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========================================================================Date: Mon, 30 Apr 2018 11:24:38 -0600 Reply-To: Museum discussion list <[log in to unmask]> Sender: Museum discussion list <[log in to unmask]> From: Jamie Melissa Wilms <[log in to unmask]> Subject: Position Opening at the Denver Firefighters Museum MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="000000000000e2b70a056b142061" Message-ID: <[log in to unmask]> --000000000000e2b70a056b142061 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable *Job Announcement*: Denver Firefighters Museum *Title*: Associate Director of Visitor & Member Services *Reports to*: Executive Director & Chief Curator *Status*: Full – time *Schedule*: Monday – Friday 8:30 – 5:00; Occasional Weekends & Evenings as needed *Summary*: Responsible for the daily operations of the Museum’s front desk and museum store including greeting the public, answering phones, operating admissions, and store registers and maintaining attractiveness of front desk and store area; stocking merchandise, dusting, and straightening. Provide administrative support for the Museum, including data entry and maintenance of membership, tour and birthday party databases, correspondence, filing and faxing, and website updating. *Duties and Responsibilities*: 1. Greet every customer with an excellent standard of customer care. 2. Procure and disseminate information about our programs in person and over the phone. 3. Update voice-mail menu for special events, holidays, or closures. 4. Reply to general email inquiries as sent to the museums general email account and forward individuals to appropriate staff in a timely manner. 5. Operate admissions/store cash register, collect admission, membership, program and birthday party fees, process store transactions, process opening and closing paperwork. 6. Balance cash register daily with closing weekly and monthly. 7. Copy and maintain literature at front desk. 8. Schedule tours and birthday parties. 9. Assist in creating and mailing new membership packets, renewal notices and newsletters. 10. Maintain organized and attractive front desk. 11. Assist with inventory, ordering, receiving and merchandizing products for store. 12. Purchase and inventory of office and store supplies. 13. Provide basic security support through monitoring cameras. 14. Dust, vacuum and re-supply restrooms when necessary. 15. Train and supervise other front desk personnel, including Saturday staff on Visitor Services/Front Desk tasks and staffing museum rentals and special events. 16. Assist with special and fundraising events. 17. Assist the museum with website updates & adding new webpages using a content management System. 18. Rental scheduling coordinator and maintaining of rental brochure and information. 19. Collaboration and cooperation in other duties not specifically listed desired *Qualifications*: - Excellent oral and written communication skills. - Exceptional organizational skills and attention to detail. - Previous cash handling, retail, customer service, and museum experience required. - Type 35 wpm and familiarity with computers, Word, Publisher and Excel - Team player enthusiastic about history of firefighting, fire safety and prevention. - B.A. in Anthropology, History, Museum Studies or related field required - Experience working with children, volunteers & the public required - Dedication to inclusivity and accessibility within the workplace. Send resume, cover letter, and professional references to Jamie Melissa Wilms, Executive Director [log in to unmask] by May 16th. No telephone calls please. *About the Denver Firefighters Museum*: The DFM is housed in historic Old Station No. 1, which was an active fire station from 1909 to 1975. It interprets the history of both the 151-year-old Denver fire Department and firefighting profession. In addition, the DFM works to educate the members of the community about fire and life safety. This is accomplished through educational programming, interpretive exhibits, and scholarly research. The Denver Firefighters Museum is an equal opportunity employer and does not discriminate against any employee or applicant for employment based on race, color, religion, national origin, age, gender, sex, ancestry, citizenship status, mental or physical disability, genetic information, sexual orientation, veteran status, or military status. ========================================================= Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes). --000000000000e2b70a056b142061 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable

Job Announcement: Denver Firefighters Museum

Title: Associate Director of Visitor & Member Services
Reports to: Executive Director & Chief Curator
Status: Full – time

Schedule: Monday – Friday 8:30 – 5:00; Occasional Weekends & Evenings as needed

Summary: Responsible for the daily operations of the Museum’s front desk and museum store including greeting the public, answering phones, operating admissions, and store registers and maintaining attractiveness of front desk and store area; stocking merchandise, dusting, and straightening. Provide administrative support for the Museum, including data entry and maintenance of membership, tour and birthday party databases, correspondence, filing and faxing, and website updating.

Duties and Responsibilities:

1. Greet every customer with an excellent standard of customer care.
2. Procure and disseminate information about our programs in person and over the phone.
3. Update voice-mail menu for special events, holidays, or closures.
4. Reply to general email inquiries as sent to the museums general email account and forward
individuals to appropriate staff in a timely manner.
5. Operate admissions/store cash register, collect admission, membership, program and birthday
party fees, process store transactions, process opening and closing paperwork.
6. Balance cash register daily with closing weekly and monthly.
7. Copy and maintain literature at front desk.
8. Schedule tours and birthday parties.
9. Assist in creating and mailing new membership packets, renewal notices and newsletters.
10. Maintain organized and attractive front desk.
11. Assist with inventory, ordering, receiving and merchandizing products for store.
12. Purchase and inventory of office and store supplies.
13. Provide basic security support through monitoring cameras.
14. Dust, vacuum and re-supply restrooms when necessary.
15. Train and supervise other front desk personnel, including Saturday staff on Visitor
Services/Front Desk tasks and staffing museum rentals and special events.
16. Assist with special and fundraising events.
17. Assist the museum with website updates & adding new webpages using a content management
System.
18. Rental scheduling coordinator and maintaining of rental brochure and information.
19. Collaboration and cooperation in other duties not specifically listed desired

Qualifications:

  • Excellent oral and written communication skills.
  • Exceptional organizational skills and attention to detail.
  • Previous cash handling, retail, customer service, and museum experience required.
  • Type 35 wpm and familiarity with computers, Word, Publisher and Excel
  • Team player enthusiastic about history of firefighting, fire safety and prevention.
  • B.A. in Anthropology, History, Museum Studies or related field required
  • Experience working with children, volunteers & the public required
  • Dedication to inclusivity and accessibility within the workplace.

Send resume, cover letter, and professional references to Jamie Melissa Wilms, Executive Director [log in to unmask] by May 16th. No telephone calls please.

About the Denver Firefighters Museum:
The DFM is housed in historic Old Station No. 1, which was an active fire station from 1909 to 1975. It interprets the history of both the 151-year-old Denver fire Department and firefighting profession. In addition, the DFM works to educate the members of the community about fire and life safety. This is accomplished through educational programming, interpretive exhibits, and scholarly research.

The Denver Firefighters Museum is an equal opportunity employer and does not discriminate against any employee or applicant for employment based on race, color, religion, national origin, age, gender, sex, ancestry, citizenship status, mental or physical disability, genetic information, sexual orientation, veteran status, or military status.


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--000000000000e2b70a056b142061-- ========================================================================Date: Mon, 30 Apr 2018 15:00:07 -0400 Reply-To: Museum discussion list <[log in to unmask]> Sender: Museum discussion list <[log in to unmask]> From: "Anne W. Ackerson" <[log in to unmask]> Subject: Museum Leadership: Being vs Doing MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0000000000005e12dc056b157698" Message-ID: <[log in to unmask]> --0000000000005e12dc056b157698 Content-Type: text/plain; charset="UTF-8" This week, Leadership Matters' Joan Baldwin considers the opportunities colleagues have to pursue leadership growth and development. https://bit.ly/2HG5nTy Happy reading. -- Anne W. Ackerson Creative Leadership & Management Solutions 1914 Burdett Avenue Troy, New York 12180 T: 518-271-2455 E: [log in to unmask] Co-Author: *Women in the ** Museum: Lessons from the Workplace * ; *Leadership Matters *; and the *Leadership Matters Blog* Co-founder: *Gender Equity in Museums Movement * Read my Blog , *Leading by Design* Follow me on Twitter and on LinkedIn Visit my Website *Subscribe to Take 5 , the newsletter with a fresh take on nonprofit life* *Take 5* Website ========================================================Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes). --0000000000005e12dc056b157698 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable
This week, Leadership Matters' Joan Baldwin considers the opportunities colleagues have to pursue leadership growth and development.


Happy reading.

--
Anne W. Ackerson
Creative Leadership & Management Solutions
1914 Burdett Avenue
Troy, New York  12180
T:  518-271-2455
E:  [log in to unmask]





Read my Blog, Leading by Design
Follow me on Twitter and on LinkedIn
Visit my Website

Subscribe to Take 5, the newsletter with a fresh take on nonprofit life

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--0000000000005e12dc056b157698-- ========================================================================Date: Mon, 30 Apr 2018 15:44:11 -0400 Reply-To: Museum discussion list <[log in to unmask]> Sender: Museum discussion list <[log in to unmask]> From: Jack Blanchard <[log in to unmask]> Subject: Re: [EXTERNAL] [MUSEUM-L] Oral History Transcription Comments: cc: Lisa Harris Mock <[log in to unmask]> In-Reply-To: <[log in to unmask]> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="000000000000f143d9056b161304" Message-ID: [log in to unmask]> --000000000000f143d9056b161304 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Thank you, Bridget! On Mon, Apr 30, 2018 at 11:23 AM, Ambler, Bridget <[log in to unmask]> wrote: > You may consider contacting the Pikes Peak Library District in Colorado > Springs, Colorado. They have a massive oral history library, and may be a > great source in sharing how they accomplished transcription. See > https://ppld.org/contact?key=30 > Regards, > Bridget Ambler > > On Sat, Apr 28, 2018 at 3:34 AM, Jack Blanchard < > [log in to unmask]> wrote: > >> Hi All, >> >> I am presently working with a small, non-profit museum in rural Indiana >> that focuses on the history of the county where we are located. As part of >> our collection, we have a large number of oral histories that have been >> recorded with various figures/groups of note in our community. Moving >> forward, our leadership team has determined that it would be ideal to >> pursue funding for a professional service transcribe these oral histories >> so that those transcriptions can be accessioned into our collection. >> >> Given that we are a small museum with approximately 1.5 full-time staff, >> we lack the experience to properly discern where and what kind of >> trancription service to utilze. Perusing online, we've learned that the >> most cost-effective options tend to be AI programs that have charge that >> start ~10¢ per minute of audio. This does not seem like the best option >> because it is unclear if these programs have the ability to differentiate >> between various speakers in the select number of group oral histories (I.e. >> a panel of retired factory workers) in our collection. Could anyone offer a >> suggestion for a transcription service that is cost effective but also >> high-quality enough to differentiate between speakers? In the best >> circumstance, we would like to spend no more than ~50¢ per minute of audio >> but, obviously, that must be flexible in order to ensure a high-quality job. >> >> Thanks, in advance, >> >> -Jack >> -- >> >> Jack Blanchard '20 >> Bonner Scholar >> *Religious Studies* >> DePauw University >> Greencastle, Indiana >> C: (317) 605-5203 >> Twitter: @jblanchard_2020 >> >> ------------------------------ >> >> To unsubscribe from the MUSEUM-L list, click the following link: >> http://home.ease.lsoft.com/scripts/wa-HOME.exe?SUBED1=MUSEUM-L&A=1 >> > > > > -- > > *Bridget Ambler* > > *Supervisory Museum Curator* > > *Canyons of the Ancients Visitor Center & Museum* > > *Bureau of Land Management, National Conservation Lands* > > *27501 Hwy 184, Dolores, CO 81323* > > > > (970) 882-5622 (desk) > > (970) 882-7035 (fax) > > > ------------------------------ > > To unsubscribe from the MUSEUM-L list, click the following link: > http://home.ease.lsoft.com/scripts/wa-HOME.exe?SUBED1=MUSEUM-L&A=1 > -- Jack Blanchard '20 Bonner Scholar *Religious Studies* DePauw University Greencastle, Indiana C: (317) 605-5203 Twitter: @jblanchard_2020 ========================================================= Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes). --000000000000f143d9056b161304 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable
Thank you, Bridget!

On Mon, Apr 30, 2018 at 11:23 AM, Ambler, Bridget <[log in to unmask]> wrote:
You may consider contacting the Pikes Peak Library District in Colorado Springs, Colorado.  They have a massive oral history library, and may be a great source in sharing how they accomplished transcription.  See https://ppld.org/contact?key=30
Regards,
Bridget Ambler

On Sat, Apr 28, 2018 at 3:34 AM, Jack Blanchard <[log in to unmask]> wrote:
Hi All,

I am presently working with a small, non-profit museum in rural Indiana that focuses on the history of the county where we are located. As part of our collection, we have a large number of oral histories that have been recorded with various figures/groups of note in our community. Moving forward, our leadership team has determined that it would be ideal to pursue funding for a professional service transcribe these oral histories so that those transcriptions can be accessioned into our collection.

Given that we are a small museum with approximately 1.5 full-time staff, we lack the experience to properly discern where and what kind of trancription service to utilze. Perusing online, we've learned that the most cost-effective options tend to be AI programs that have charge that start ~10¢ per minute of audio. This does not seem like the best option because it is unclear if these programs have the ability to differentiate between various speakers in the select number of group oral histories (I.e. a panel of retired factory workers) in our collection. Could anyone offer a suggestion for a transcription service that is cost effective but also high-quality enough to differentiate between speakers? In the best circumstance, we would like to spend no more than ~50¢ per minute of audio but, obviously, that must be flexible in order to ensure a high-quality job.

Thanks, in advance,

     -Jack
--

Jack Blanchard '20
Bonner Scholar
Religious Studies
DePauw University
Greencastle, Indiana
C: (317) 605-5203
Twitter: @jblanchard_2020

To unsubscribe from the MUSEUM-L list, click the following link:
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--

Bridget Ambler

Supervisory Museum Curator

Canyons of the Ancients Visitor Center & Museum

Bureau of Land Management, National Conservation Lands

27501 Hwy 184, Dolores, CO  81323

 

(970) 882-5622 (desk)

(970) 882-7035 (fax)



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--

Jack Blanchard '20
Bonner Scholar
Religious Studies
DePauw University
Greencastle, Indiana
C: (317) 605-5203
Twitter: @jblanchard_2020

To unsubscribe from the MUSEUM-L list, click the following link:
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--000000000000f143d9056b161304-- ========================================================================Date: Mon, 30 Apr 2018 15:47:31 -0400 Reply-To: Museum discussion list <[log in to unmask]> Sender: Museum discussion list <[log in to unmask]> From: Bonni-Dara Michaels <[log in to unmask]> Subject: Programs to create a virtual museum Mime-Version: 1.0 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset="UTF-8" Message-ID: <[log in to unmask]> We are considering creating a virtual museum of our collection. Is anyone familiar with the programs available and their pros and cons? Bonni-Dara Michaels Collections Curator Yeshiva University Museum 212-294-8330 x 8815 [log in to unmask] ========================================================= Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes). ========================================================================Date: Mon, 30 Apr 2018 11:39:55 -0400 Reply-To: Museum discussion list <[log in to unmask]> Sender: Museum discussion list <[log in to unmask]> From: "Toni Frederick-Armstrong (SCNT)" <[log in to unmask]> Subject: Re: Practical Approaches to Disaster Preparations online course begins June 4 on MuseumStudy.com In-Reply-To: <[log in to unmask]> MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Message-ID: <021e01d3e099$7e7d10e0$7b7732a0$@kn> Hi Brad. The link isn't working. .......... Toni Frederick-Armstrong, Director of Visitor Experience St. Christopher National Trust & Museum PO Box 888, Bay Road Basseterre, St. Kitts Phone/Fax (869)465-5584, Mobile/Whatsapp: (869)762-9891/669-0989 Email: [log in to unmask] Website: www.stchristophernationaltrust.kn -----Original Message----- From: Museum discussion list [mailto:[log in to unmask]] On Behalf Of Brad Bredehoft Sent: Monday, April 30, 2018 10:37 AM To: [log in to unmask] Subject: [MUSEUM-L] Practical Approaches to Disaster Preparations online course begins June 4 on MuseumStudy.com Are you do something to prepare for Emergencies on Mayday? How about during Hurricane Preparedness week? Do you have a Disaster Preparedness/Emergency Response Plan, is it up to date? Join Susan Duhl June 4 for the four week online professional development course Practical Approaches to Disaster Preparation where we will discuss initiating an emergency planning effort, writing an emergency plan, assembling and training a recovery team, and evaluating and maintaining readiness. For more information visit our website: http://www.museumstudy.com/courses/course-list/practical-approaches-to-pisaster-preparations-planning-for-the-unexpected/ -- Brad Bredehoft CEO Museum Study, LLC www.MuseumStudy.com ========================================================= Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes). --- This email has been checked for viruses by Avast antivirus software. https://www.avast.com/antivirus ========================================================= Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes). ========================================================================Date: Tue, 1 May 2018 08:31:59 +1200 Reply-To: Museum discussion list <[log in to unmask]> Sender: Museum discussion list <[log in to unmask]> From: Roger Smith <[log in to unmask]> Subject: This Week - Tate Modern's Birth Struggle * 7 Surprising Museum Facts * The Museum Is The Message * Art-Scanning Museum Apps * The Hunt For Museum's Hidden Elves * Extinct Elephant Bird Egg Found Comments: To: Roger Smith <[log in to unmask]> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_000C_01D3E126.E13EC330" Message-ID: <[log in to unmask]> This is a multipart message in MIME format. ------=_NextPart_000_000C_01D3E126.E13EC330 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Welcome back to GLOBAL MUSEUM, your award-winning & free online compendium, read weekly since 1998 by 8,000+ readers in more than 201 countries. http://www.globalmuseum.org ** The struggle behind Tate Modern's birth On the birth of Tate Modern, Nicholas Serota, who retired as the Tate's director in 2017, says today he was concerned about dividing British and international art at a time of increasing European integration. ** 7 Museum Facts That Will Surprise You We've scoured the globe for some of the best-kept museum secrets-ranging from escape hatches designed to foil the Nazis to an underground bowling alley dating back to the Gilded Age. ** Museums get creative to engage new audiences Across the country, you can see a burst of creative approaches within these cultural institutions, all designed to draw in new audiences: yoga classes, pop-ups, custom beer , cat film festivals, night-time parties with signature cocktails and DJs, dog-friendly days, scavenger hunts and more. _______________________________________________________________________ ARE YOU ONE OF THE 4,328? Our Community on the LinkedIn Platform - Join the Global Museum Social Network - Meet & Make Friends, Share Photos & Videos, Blog, Use the Forum. Become one of our first 5,000 members. Join Today at http://www.linkedin.com/groups/Globalmuseum-3968927 ________________________________________________________________________ ** The museum is the message When it comes to arts education, museums and their curatorial staff have the ability to send powerful messages to attendees, especially young people, through the artists they choose to include in their hallowed halls. ** Hidden Elves at the Denver Museum of Nature and Science Back in the 1970s, the Denver Museum of Nature and Science hired an artist to paint the backdrops for many of the museum's wildlife dioramas, unaware of his penchant for hiding tiny mythical creatures in these paintings would add a whole new dimension to the museum experience. ** Augmented Reality Is Transforming Museums Museums have long dealt with unauthorized augmentations of their exhibitions, such as unofficial tours, but technology has opened up new possibilities for activists and art enthusiasts eager to have a part in shaping the museum-going experience. ** Giant, Intact Egg of the Extinct Elephant Bird Found in Buffalo Museum The eggs of the Aepyornis, also known as the elephant bird, were a highly valuable food source for Madagascar's human settlers. ____________________________________________________________________________ _____________ Become a Facebook Follower - Join 2,340 of us who Like Global Museum on Facebook http://www.facebook.com/pages/Global-Museum/129179522574? ____________________________________________________________________________ _____________ ** Dutch museums to conduct new research on the paintings of Pieter de Hooch The technical research conducted by the Rijksmuseum's conservators and researchers is focusing on the six Pieter de Hooch paintings in the museum's collection, which date from around 1650 to 1670. ** The good, the bad, and the ugly of heritage conservation in India It's hard to think of a monument more emblematic of India or more recognisable than the Taj Mahal, although the famed mausoleum has become the focus of an intense campaign to erase the legacy of Muslim rule in the region. ** UK's National Portrait Gallery Makes 24 Staff Redundant Terrorism fears, transport problems and the expense of a trip to central London are believed to be behind a fall in visitor numbers at several of the city's national museums and galleries last year. ** An indoor rainforest for your new museum? Not a problem This UK company built each of the 800 exhibits, from detail-perfect replica dinosaurs to aircraft and a rainforest in each of the four Kuwaiti museums. ____________________________________________________________________________ __ Pin Us on Pinterest. Global Museum's Pinterest Boards - Enjoy! 1.87K Pins, 457 Followers http://pinterest.com/globalmuseum/museums/ ____________________________________________________________________________ __ ** The pros and cons of art-scanning museum apps When it comes to introducing cell phone-based technology into museums, the experiences will live or die on the app-maker's ability to execute a flawless user experience - and on their imaginations. ** The African American History and Culture Museum Wins Gold for Going Green Subtly and in many cases quite cleverly, the design of the museum avoids resource waste without diminishing the visitor experience or imperilling its artifacts. ** Did ancient Mesopotamians get high? New techniques for analysing residues in excavated jars and identifying tiny amounts of plant material suggest that ancient Near Easterners indulged in a range of psychoactive substances. ** A Researcher's Quest to Decode the Specimens on a Museum's Mystery Shelf An assistant curator at the Grant Museum of Zoology in London has set out to take stock of some of the 5,000 specimens housed in what they call the wet storage facility, a chilly basement room packed with 26 shelving units. ____________________________________________________________________________ __ Add Us To Your Google+ Circles - 192,289 in Circles. 14,528 in Community so far - https://plus.google.com/109387399901726606466 ____________________________________________________________________________ __ ** Jewel-encrusted tiaras stolen from Missouri History Museum Like any good museum caper involving stolen jewels, there are many unknowns about the two gem-encrusted tiaras that turned up missing this week at the Missouri History Museum. ** Sir David Attenborough on AMNH Collections Go behind the scenes with Sir David Attenborough in the Museum's Webby Award-nominated360-video as he explains how museum collections help us learn more about-and protect-the natural world. ** Digitally 'restoring' a WWII souvenir textile A Te Papa Textiles conservator discusses the process of digitally restoring colour to a faded Egyptian souvenir from World War II. ** The best European museum exhibits for spring 2018 This spring, Europe's museums are revisiting important artists, including Rubens, Picasso, Rodin, Monet and Delacroix, as well as important moments in ancient and modern history. ____________________________________________________________________________ _______________ Follow Us On Twitter - http://twitter.com/globalmuseum 194K Museum News Tweets from around the Globe, 4,813 Followers worldwide and growing fast ____________________________________________________________________________ ________________ ** At Museum 'Stroller Tours,' Babies Cry, Nap and Admire Kandinsky Museums are looking for ways to expand their visitor base, and the tours offer worn-down parents a ray of intellectual diversion amid diaper changes and feedings. ** An Age of Luxury: the Assyrians to Alexander Exhibition Venue: Special Exhibition Gallery, Hong Kong Museum of History ** Sir David Attenborough on Museum Collections You may know the American Museum of Natural History's exhibits, but only a tiny portion of our world-class collection is on view ** Hyperconnected Museums: New Approaches, New Publics International Museum Day 2018, Hong Kong ** This Week's Horoscopes Pisces - Expect little change from last week, aside from the marauding badgers growing rudimentary thumbs and learning to use chipped flint tools All the latest Museum News, Views & Vacancies plus Bookshop, Museum Store, Resume Postings, Museum Studies Listing & More. Global Museum - since 1998 www.globalmuseum.org ========================================================Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes). ------=_NextPart_000_000C_01D3E126.E13EC330 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Welcome back to GLOBAL MUSEUM, your award-winning & free online compendium, read weekly since 1998 by 8,000+ readers in more than 201 countries.

http://www.globalmuseum.org

 

**  The struggle behind Tate Modern's birth

On the birth of Tate Modern, Nicholas Serota, who retired as the Tate’s director in 2017, says today he was concerned about dividing British and international art at a time of increasing European integration.

 

**  7 Museum Facts That Will Surprise You

We’ve scoured the globe for some of the best-kept museum secrets—ranging from escape hatches designed to foil the Nazis to an underground bowling alley dating back to the Gilded Age.

 

**  Museums get creative to engage new audiences

Across the country, you can see a burst of creative approaches within these cultural institutions, all designed to draw in new audiences: yoga classes, pop-ups, custom beer , cat film festivals, night-time parties with signature cocktails and DJs, dog-friendly days, scavenger hunts and more.

_______________________________________________________________________

 

ARE YOU ONE OF THE 4,328?

Our Community on the LinkedIn Platform - Join the Global Museum Social Network – Meet & Make Friends, Share Photos & Videos, Blog, Use the Forum.

Become one of our first 5,000 members.  Join Today at http://www.linkedin.com/groups/Globalmuseum-3968927

________________________________________________________________________

 

**  The museum is the message

When it comes to arts education, museums and their curatorial staff have the ability to send powerful messages to attendees, especially young people, through the artists they choose to include in their hallowed halls.

 

**  Hidden Elves at the Denver Museum of Nature and Science

Back in the 1970s, the Denver Museum of Nature and Science hired an artist to paint the backdrops for many of the museum’s wildlife dioramas, unaware of his penchant for hiding tiny mythical creatures in these paintings would add a whole new dimension to the museum experience.

 

**  Augmented Reality Is Transforming Museums

Museums have long dealt with unauthorized augmentations of their exhibitions, such as unofficial tours, but technology has opened up new possibilities for activists and art enthusiasts eager to have a part in shaping the museum-going experience.

 

**  Giant, Intact Egg of the Extinct Elephant Bird Found in Buffalo Museum

The eggs of the Aepyornis, also known as the elephant bird, were a highly valuable food source for Madagascar’s human settlers.

_________________________________________________________________________________________

 

Become a Facebook Follower -  Join 2,340 of us who Like Global Museum on Facebook  http://www.facebook.com/pages/Global-Museum/129179522574? 

_________________________________________________________________________________________

 

**  Dutch museums to conduct new research on the paintings of Pieter de Hooch

The technical research conducted by the Rijksmuseum’s conservators and researchers is focusing on the six Pieter de Hooch paintings in the museum’s collection, which date from around 1650 to 1670.

 

**  The good, the bad, and the ugly of heritage conservation in India

It’s hard to think of a monument more emblematic of India or more recognisable than the Taj Mahal, although the famed mausoleum has become the focus of an intense campaign to erase the legacy of Muslim rule in the region.

 

**  UK's National Portrait Gallery Makes 24 Staff Redundant

Terrorism fears, transport problems and the expense of a trip to central London are believed to be behind a fall in visitor numbers at several of the city’s national museums and galleries last year.

 

**  An indoor rainforest for your new museum? Not a problem

This UK company built each of the 800 exhibits, from detail-perfect replica dinosaurs to aircraft and a rainforest in each of the four Kuwaiti museums.

______________________________________________________________________________

 

Pin Us on Pinterest. Global Museum's Pinterest Boards - Enjoy!

1.87K Pins, 457 Followers http://pinterest.com/globalmuseum/museums/

______________________________________________________________________________

 

**  The pros and cons of art-scanning museum apps

When it comes to introducing cell phone-based technology into museums, the experiences will live or die on the app-maker's ability to execute a flawless user experience — and on their imaginations.

 

**  The African American History and Culture Museum Wins Gold for Going Green

Subtly and in many cases quite cleverly, the design of the museum avoids resource waste without diminishing the visitor experience or imperilling its artifacts.

 

**  Did ancient Mesopotamians get high?

New techniques for analysing residues in excavated jars and identifying tiny amounts of plant material suggest that ancient Near Easterners indulged in a range of psychoactive substances.

 

**  A Researcher’s Quest to Decode the Specimens on a Museum’s Mystery Shelf

An assistant curator at the Grant Museum of Zoology in London has set out to take stock of some of the 5,000 specimens housed in what they call the wet storage facility, a chilly basement room packed with 26 shelving units.

______________________________________________________________________________

 

Add Us To Your Google+ Circles – 192,289 in Circles.   14,528 in Community so far - https://plus.google.com/109387399901726606466 

______________________________________________________________________________

 

**  Jewel-encrusted tiaras stolen from Missouri History Museum

Like any good museum caper involving stolen jewels, there are many unknowns about the two gem-encrusted tiaras that turned up missing this week at the Missouri History Museum.

 

**  Sir David Attenborough on AMNH Collections

Go behind the scenes with Sir David Attenborough in the Museum's Webby Award-nominated360-video as he explains how museum collections help us learn more about—and protect—the natural world.

 

**  Digitally ‘restoring’ a WWII souvenir textile

A Te Papa Textiles conservator discusses the process of digitally restoring colour to a faded Egyptian souvenir from World War II.

 

**  The best European museum exhibits for spring 2018

This spring, Europe’s museums are revisiting important artists, including Rubens, Picasso, Rodin, Monet and Delacroix, as well as important moments in ancient and modern history.

___________________________________________________________________________________________

 

Follow Us On Twitter - http://twitter.com/globalmuseum    

194K Museum News Tweets from around the Globe, 4,813 Followers worldwide and growing fast ____________________________________________________________________________________________

 

**  At Museum ‘Stroller Tours,’ Babies Cry, Nap and Admire Kandinsky

Museums are looking for ways to expand their visitor base, and the tours offer worn-down parents a ray of intellectual diversion amid diaper changes and feedings.

 

**  An Age of Luxury: the Assyrians to Alexander

Exhibition Venue: Special Exhibition Gallery, Hong Kong Museum of History

 

**  Sir David Attenborough on Museum Collections

You may know the American Museum of Natural History's exhibits, but only a tiny portion of our world-class collection is on view

 

**  Hyperconnected Museums: New Approaches, New Publics

International Museum Day 2018, Hong Kong

 

**  This Week's Horoscopes

Pisces - Expect little change from last week, aside from the marauding badgers growing rudimentary thumbs and learning to use chipped flint tools

 

All the latest Museum News, Views & Vacancies plus Bookshop, Museum Store, Resume Postings, Museum Studies Listing & More.

Global Museum -  since 1998 www.globalmuseum.org


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------=_NextPart_000_000C_01D3E126.E13EC330-- ========================================================================Date: Mon, 30 Apr 2018 17:59:10 -0500 Reply-To: Museum discussion list <[log in to unmask]> Sender: Museum discussion list <[log in to unmask]> From: Brad Bredehoft <[log in to unmask]> Subject: Re: Practical Approaches to Disaster Preparations online course begins June 4 on MuseumStudy.com In-Reply-To: <021e01d3e099$7e7d10e0$7b7732a0$@kn> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8; format=flowed Content-Transfer-Encoding: 7bit Message-ID: <[log in to unmask]> Toni, Thank you for letting me know. Here is the link http://www.museumstudy.com/courses/course-list/practical-approaches-to-disaster-preparations-planning-for-the-unexpected/ -- Brad Bredehoft CEO Museum Study, LLC www.MuseumStudy.com On 4/30/2018 10:39 AM, Toni Frederick-Armstrong (SCNT) wrote: > Hi Brad. The link isn't working. > > .......... > Toni Frederick-Armstrong, Director of Visitor Experience > > > St. Christopher National Trust & Museum > PO Box 888, Bay Road > Basseterre, St. Kitts > Phone/Fax (869)465-5584, Mobile/Whatsapp: (869)762-9891/669-0989 > Email: [log in to unmask] > Website: www.stchristophernationaltrust.kn > > > > > -----Original Message----- > From: Museum discussion list [mailto:[log in to unmask]] On Behalf Of Brad Bredehoft > Sent: Monday, April 30, 2018 10:37 AM > To: [log in to unmask] > Subject: [MUSEUM-L] Practical Approaches to Disaster Preparations online course begins June 4 on MuseumStudy.com > > Are you do something to prepare for Emergencies on Mayday? How about > during Hurricane Preparedness week? Do you have a Disaster > Preparedness/Emergency Response Plan, is it up to date? Join Susan Duhl > June 4 for the four week online professional development course > Practical Approaches to Disaster Preparation where we will discuss > initiating an emergency planning effort, writing an emergency plan, > assembling and training a recovery team, and evaluating and maintaining > readiness. > For more information visit our website: > http://www.museumstudy.com/courses/course-list/practical-approaches-to-pisaster-preparations-planning-for-the-unexpected/ > ========================================================Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).