Leonard,
We are all taught to try as best as possible to protect
works of art. If we take this to the extreme, we would exclude visitors,
as they pose perhaps the greatest threat. They bring in pests, dirt, human
detritus. And they affect the environment, spewing copious amounts of
moisture and a little bit of heat. So, I would suggest a more practical
approach to your questions. Yes, it is possible that insects could emerge
from the plants. But this probably is no more severe than what comes
through the doors. Yes, moisture could be released from the plants and
their dirt, but unless you have very little visitation, it will be fairly minor
compared to the people. And yes, perhaps light levels will be high, but
depending upon the length of the installation, this may not be a concern,
especially if important works can be moved for the duration. Remember,
light levels fall off with the square of the distance. So at 10 feet they
are 1/100th of what they are at 1 foot. I would imagine (although I do not
know your specific circumstances) that you should not worry too much about
negative effects. And yes, in spite of how it may sound, I AM a
conservator who specializes in environmental issues. [smile]
Marc
American Conservation Consortium, Ltd.
4
Rockville Road
Broad Brook, CT
06016
www.conservator.com
860-386-6058
Marc A. Williams, President
MS in Art
Conservation, Winterthur Museum Program
Former Chief
Wooden Objects Conservator, Smithsonian Institution
Fellow, American Institute for Conservation (AIC)
Sent: Friday, May 27, 2016 5:45 PM
Subject: [MUSEUM-L] Precautions for exhibiting live plants among
other artworks
I have some concerns regarding including a work of art in an
upcoming exhibition that will contain live plants.
1. The materials (i.e. soil, dirt, moss and plants) will be arriving
for installation after other works in the show will be installed.
2. The artwork housing these elements will be open and suspended above the
ground
3. The work will require special lighting needs that may effect more light
sensitive pieces near this one.
While we seem to have figured out how to deal with the special lighting
needs, my questions are:
-has anyone dealt with similar works in an otherwise fine art gallery
environment?
-besides using sterilized (treated) soil, are there any suggestions on how
to mitigate the possibility of insect infestation in the galleries?
-do you think this micro-climate, while mostly encased in a terrarium, but
open on the bottom, will change the overall humidity conditions in the gallery?
(it will need to be occasionally watered to keep the plants alive).
-are there other concerns I have not yet mentioned but should be
considering?
Thanks in advance to all how answer.
Leonard M. Cicero
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