Hi Elizabeth,

I teach an online course for museum professionals "Copyright and
Intellectual Property 101 for Museums". I developed the course recently and
had the first class back at the end of Sept. and have another class
scheduled for Nov. 9th. (www.copyrightclass2.eventbrite.com). I have
experience in copyright issues as a published author and editor, a
videographer, my long career as a professional conservator, and in 4 years
as the executive director of a large international non-profit organizations
for songwriters and composers where we did numerous educational programs on
copyrights, licensing, and intellectual property.

To answer your question. Property is not copyright. While copyright is
automatic when a recording, book, music, film, poem, sculpture, or other
work is rendered into tangible form, owning the work as physical property
does not give you the copyright. Copyright can only be transferred from the
creator(s) be an express legal document, If you do not have a legal
copyright provision in your deed of gift expressly transferring all rights
in the copyright, then the creator of the tapes / recordings still owns it.
If your museum owns paintings, sculptures, videos, photographs, or
documents you do not own the copyright unless it has legally transferred to
you either by contract or if it is a commissioned work, by a work for hire
contract. Currently copyright lasts for the life of the author plus 70
years in the majority of cases - so when the creator(s) die, you are
dealing with heirs or foundations who were assigned the rights. Also,
copyright is a separate legal issue from releases from people who are
recorded or whose image appears in a photo or film. Those clearances for
likeness of voice or image do not change the copyright of the work, they
just may give the copyright holder legal issues. Some organizations think
that if they are nonprofit then copyright clearances are not an issue. They
are. Nonprofits are required to comply under the law. There is the doctrine
of Fair Use, which has guidelines but is largely based on case law. In Fair
Use you can use short sections, or cite, copyrighted works if the use is
for news, commentary, criticism, parody, with some exceptions for education
uses such as in classrooms, training, and limited use in blogs. Courts
usually limit Fair Use to an appropriate and limited use in context for the
commentary, news, or criticism, so usually whole works are not likely to
win in a court case. So in your circumstance you do not need copyright
permission from the participants who were recorded (including the
interviewer), you need either a transfer of copyright or a license to use
the material by the creator of the recordings. For documentary recordings
like oral history or songs recorded for documentary purposes it is pretty
straight forward, For songs or music produced there a layers of rights -
from the lyrics and composition (which are often full of co-creators), to
the sound recording (usually owned by music labels), to the mechanical
rights (albums, CD's, and Jukeboxes), to digital rights. So you're issues
are pretty simple and straight-forward.

Cheers!
Dave

David Harvey
Senior Conservator & Museum Consultant
Los Angeles CA  USA
www.cityofangelsconservation.weebly.com

On Tue, Oct 27, 2015 at 2:46 PM, Elizabeth Thrond <
[log in to unmask]> wrote:

> Good afternoon, everyone,
>
> What are the copyright implications for oral history interviews when you
> have a deed of gift signed by the interviewer, giving your institution the
> recording and/or transcript, but no release form signed by the interviewees
> at the time of interview?
>
> My question is in relation to interviews spanning from the 1970s to 2013,
> with the specific intent of digitizing a portion for our digital
> collections.  What can/can't we do?
>
> ~Liz Thrond
> Collections Assistant
> Center for Western Studies
> Augustana University
> 2001 S. Summit Ave.
> Sioux Falls, SD 57197
> www.augie.edu/cws
>
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