I have a question for Katherine and any others who have done exterior
yarnbomb projects.

 

What happens after the project's launch?  Did the yarnbombers remove the
work after a time? Did it get really ratty in changeable weather?

 

I have to confess I am sticking a giant crowbar in my head to keep an
open mind about this. All of the projects mentioned in this thread were
with the cooperation and agreement of the location, but I can't help
thinking that yarnbombing , as Deb wrote, is " traditionally done
without the knowledge of the bombee and are hit and run type
activities."

 

I don't understand why so many see this as a positive thing. Yes, it can
be beautiful, pretty, amazing; and I have admiration for the fiber
artists skills.  But I don't understand what makes it different from
tagging or graffiti with paint.  Both seem disrespectful to me.

 

Again - this may be off-topic since you're really discussing consensual
art. But does it encourage the hit and run aspect?

 

 

Cindy Boyer

Director of Public Programs

The Landmark Society of Western New York

133 S. Fitzhugh St.

Rochester NY  14608

(585) 546-7029 ext. 12

[log in to unmask]

Fax:  (585) 546-4788

 

 

 

The Landmark Society:  Celebrating 75 years as one of America's oldest
and most active preservation organizations!

 

www.landmarksociety.org <http://www.landmarksociety.org/> 

Facebook <http://www.facebook.com/group.php?gid=12149056258>  

 

From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Gould, Katherine
Sent: Friday, August 17, 2012 9:33 AM
To: [log in to unmask]
Subject: Re: [MUSEUM-L] Yarnbomb Project

 

Tramia:

 

The Indiana State Museum hosted a yarnbomb installation during the month
of June.  We worked with volunteers from local crochet and knitting
groups to be involved.  They specifically created pieces to go inside
the museum galleries.  Knitters yarnbombed some of our structural
details in the galleries like beams and the crocheters had fun creating
three-dimensional pieces that enhanced our spaces and artifacts.  For
example, they didn't yarnbomb an actual artifact but created a piece to
complement it, such as creating a crochet tea set to sit on top of a
sideboard or an inkwell to sit on an early nineteenth century desk.

 

We also hosted a public yarnbomb day to yarnbomb outdoor aspects of the
museum during International Yarnbomb Day, which was June 9.  We had 17
people who participated and many more who stopped and learned about what
we were doing.  We bombed pedestals, railings, trees and even large
rocks.  

 

What really made this successful, besides the many volunteers who worked
with us and LOVED the chance to yarnbomb the museum, was that I was able
to get buy-in from the museum staff.  Curators, collections managers,
conservators and leadership really embraced the project and our
approach.  Many enjoyed it so much that they have given suggestions on
what to do next time!

 

You may not necessarily need to commission an artist, but see who in
your community would be open to doing a project like this and volunteer.
I found that many enjoyed the fact that we opened our doors to them and
allowed them to be creative, but they also worked well with the few
restrictions that we did have to impose.

 

If you would like more information, please contact Joanna E. Hahn,
Manager of Arts and Culture Programs Office: 317.232.8293

 

-  -  -  -  -  -  -  -  

Katherine Gould

Associate Curator of Cultural History

Indiana State Museum and Historic Sites

650 West Washington St.

Indianapolis, IN 46204

317.233.9980

317.233.8268-fax

[log in to unmask]  

 

From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Tramia Jackson
Sent: Thursday, August 16, 2012 4:37 PM
To: [log in to unmask]
Subject: [MUSEUM-L] Yarnbomb Project

 

Greetings all,

 

My museum is doing two exhibits on Fiber Art and we are interested in
doing a yarnbombing
<http://futureofmuseums.blogspot.com/2011/04/museums-and-spontaneous-eru
ptions-of.html>  in front of our facilities with local artists in our
community.  Has anyone commissioned a yarnbombing in front of their
museum? If so, what was your experience and what advice would you give
to a museum interested in doing this kind of program?

 

Thank you,

Tramia Jackson

 

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