Generally, I agree with David. Use rarely results
in better preservation. The example given of a Stradivarius violin being
played does not enhance its preservation or survival - tensioning the strings
can cause damage and does not prevent other deterioration, and in
fact promotes it. Does enhanced wear off-set the risk of parts
"freezing"? It depends upon one's perspective. Frozen parts are
often recoverable in the future, with most of their features intact. Worn
parts are often not recoverable and information can be lost. This is most
severe when a "restorer" replaces worn parts in an effort to keep an object
functional, rather than historically intact.
If stable, reversible techniques and materials are used
to keep an object minimally functional to prevent freeze-up, but yet safely
preserve the original components, both needs can be met. However, keeping
string tension on a piano definitely leads to distortion and other
deterioration, so this level of functionality must be avoided. The
specific object needs must be carefully evaluated to determine the best course
of preservation. It is best to err in the direction of preservation of
original/historic components, rather than functionality.
Marc
American Conservation Consortium, Ltd.
4
Rockville Road
Broad Brook, CT
06016
www.conservator.com
860-386-6058
*Collections Preservation Consultation
*Conservation Assessments &
Surveys
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Management Solutions
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*Conservation Treatment of:
Furniture
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Marc A. Williams, President
MS in Art
Conservation, Winterthur Museum Program
Former Chief
Wooden Objects Conservator, Smithsonian Institution
Fellow, American Institute for Conservation (AIC)
There are some classes
of objects—such as musical instruments and machinery—that a museum might want to
maintain in working condition, even if they are in the permanent collection. In
order to do this, they have to be (carefully) “used” and maintained from time to
time. How much is a Stradivarius worth if it’s deteriorated to the point that
it’s not playable?
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