I've been told several times that not playing a
piano will cause its insides to freeze up and perhaps crack, making it
forever unplayable. I think it's good for a piano to be
played, and tuned. However, checking with antique musical
instruments experts as Martha suggested is a very good
idea. I'd be interested to know what you find out.
Jerrie
Jerrie Clarke
Director
Sheldon Museum
PO Box 269
Haines, AK
99827
(907) 766-2366
fax: (907) 766-2368
www.sheldonmuseum.org
--- On Thu, 6/2/11, Martha Katz-Hyman <[log in to unmask]>
wrote:
From: Martha Katz-Hyman <[log in to unmask]>
Subject: Re: piano playing
To: [log in to unmask]
Date: Thursday, June 2, 2011, 3:53 PM
Robin,
This is a question that I dealt with often at Colonial Williamsburg, with all
kinds of instruments (not just keyboards), and I always discussed the request
to play any instrument with CW's conservator of instruments, John Watson.
John has given considerable thought to this question and even written a book
that discusses it, "Organ Restoration Reconsidered."
Briefly, his argument is that use of antique instruments, no matter how
carefully they're played and handled, destroys the original fabric of the
instrument and thus lessens its value for studying manufacturing techniques,
tool marks, textile use, construction details, etc. If your grand piano has
never had any restoration whatsoever and is of historic value (important
maker, local importance, etc.), you might want to consider not playing it.
If it has been extensively restored - new soundboard, modern strings, new
textiles (dampers, etc.), refinished, replaced keys - then there is most
probably little left of the original besides the case, and playing it will
not damage the piano's action or destroy historically-important material
because there's none there.
Then there's the very wide middle: if the instrument has a fair amount of
original components but has had careful and sensitive
conservation/restoration with moden materials, then judicious use of the instrument,
on select occasions, can be considered.
Look at your collections management policy to see what it says about use of
the collections. Discuss it with the curatorial staff and, if necessary, the
director of the museum. Think about the stresses on the instrument (tuning a
piano for a concert is time-consuming and puts an enormous amount of stress
on the soundboard, especially if it's a wooden one, not a metal one). Then
make a decision.
You may want to look at the website of the International Committee
of Musical Instrument Museums and Collections, which is part of
ICOM, for guidance. You can find it here:
http://www.music.ed.ac.uk/euchmi/cimcim/
and you might want to talk to colleagues at area museums to find out what
they do.
Hope this helps.
Martha Katz-Hyman
Independent Curator
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