Thanks to everyone for your excellent advice.  Our Knabe piano is not
particularly old (it's a classic, not an antique), but it does represent
a significant industry in Baltimore. It has been played for public
events in the past and I thought it was best to re-evaluate this policy
before I scheduled its use again. My next step is to try and find out
how much of its interior workings are original.

 

Thank you all,

Robin

------

Robin H. Gabriel

________________________________

From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Jerrie Clarke
Sent: Friday, June 03, 2011 4:42 PM
To: [log in to unmask]
Subject: Re: [MUSEUM-L] piano playing

 

Robin,

 

I've been told several times that not playing a piano will cause its
insides to freeze up and perhaps crack, making it forever unplayable.  I
think it's good for a piano to be played, and tuned.  However, checking
with antique musical instruments experts as Martha suggested is a very
good idea.  I'd be interested to know what you find out.

 

Jerrie  

Jerrie Clarke
Director
Sheldon Museum
PO Box 269
Haines, AK 99827
(907) 766-2366
fax: (907) 766-2368 
www.sheldonmuseum.org

--- On Thu, 6/2/11, Martha Katz-Hyman <[log in to unmask]>
wrote:

	
	From: Martha Katz-Hyman <[log in to unmask]>
	Subject: Re: piano playing
	To: [log in to unmask]
	Date: Thursday, June 2, 2011, 3:53 PM

	Robin,
	
	This is a question that I dealt with often at Colonial
Williamsburg, with all kinds of instruments (not just keyboards), and I
always discussed the request to play any instrument with CW's
conservator of instruments, John Watson. John has given considerable
thought to this question and even written a book that discusses it,
"Organ Restoration Reconsidered." 
	
	Briefly, his argument is that use of antique instruments, no
matter how carefully they're played and handled, destroys the original
fabric of the instrument and thus lessens its value for studying
manufacturing techniques, tool marks, textile use, construction details,
etc. If your grand piano has never had any restoration whatsoever and is
of historic value (important maker, local importance, etc.), you might
want to consider not playing it.
	
	If it has been extensively restored - new soundboard, modern
strings, new textiles (dampers, etc.), refinished, replaced keys - then
there is most probably little left of the original besides the case, and
playing it will not damage the piano's action or destroy
historically-important material because there's none there.
	
	Then there's the very wide middle: if the instrument has a fair
amount of original components but has had careful and sensitive
conservation/restoration with moden materials, then judicious use of the
instrument, on select occasions, can be considered.
	
	Look at your collections management policy to see what it says
about use of the collections. Discuss it with the curatorial staff and,
if necessary, the director of the museum. Think about the stresses on
the instrument (tuning a piano for a concert is time-consuming and puts
an enormous amount of stress on the soundboard, especially if it's a
wooden one, not a metal one). Then make a decision.
	
	You may want to look at the website of the International
Committee of Musical Instrument Museums and Collections, which is part
of ICOM, for guidance. You can find it here:
	http://www.music.ed.ac.uk/euchmi/cimcim/
	and you might want to talk to colleagues at area museums to find
out what they do. 
	
	Hope this helps.
	
	Martha Katz-Hyman
	Independent Curator

		
		>>> Robin Gabriel <[log in to unmask]
<http:[log in to unmask]> >
6/2/2011 12:49 PM >>>

		What is the current thought on best practices for using
(or not using) a collection item grand piano for a public performance?
The piano is in great shape (other than being out of tune).

		Thanks,

		Robin

		 

		------

	Robin
Gabrielhttp://home.ease.lsoft.com/scripts/wa.exe?SUBED1=MUSEUM-L&A=1 

 

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