Jason Jones wrote: "The following hinges on: I don't believe the dresses
were museum objects." and goes on to conclude that it "wasn't harming
anything". 

 

But that's an assumption that you have no evidence for - the evidence of
impropriety was the blogger's own statement "My friend Lesley and I used
to work at a museum and one day after work we snuck some brilliant
dresses off some mannequins". 

 

Textile collections are incredibly fragile, and historic clothing worn
for the trivial reason of a few photographs in a blog was without a
doubt damaged - stress, sweat, grass, dirt - without the consent of the
museum. It is inexcusable, and it's not art, or at least not art that
should be supported by museum professionals. 

 

If the items were reproductions, fine, or the blogger's own vintage, OK,
but that's not what she said. 

 

Costume collections seem to tempt people more than other sorts of
objects. It's a struggle for those who manage collections to protect
them from inappropriate and damaging wear.


And that has nothing to do with creative expression, or education. There
are professional and appropriate ways to share clothing collections with
the public. This is not one of them.

 

Carol Ely

Louisville

 

 

 

From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Jason B. Jones
Sent: Friday, February 25, 2011 12:00 PM
To: [log in to unmask]
Subject: Re: Concerning Blog Post

 


The following hinges on: I don't believe the dresses were museum
objects. As explained before.

Considering they took it down off the original site, the way I see it:
this group of museum professionals just helped to censor an artist's
creative expression.  An expression the wasn't harming anything, but the
museum professionals' own sense of decorum regarding the sacredness of
language about collections. Even if it was "real", shouldn't museum
professionals know how important it is to challenge popular conceptions?
Were would we be without artists and academics challenging our beliefs? 

I find condemning artist expression of this nature to be a very slippery
slope. Were does it end? No more loaning of objects? No receptions in
galleries? No more visitors in the museum?

How do we use our objects to educate, if we can't use our objects (or in
this case the idea of the object)?

We should protect artistic expression (especially challenging
expression), and find ways to use to create an educational dialog - not
keep it from being seen. 


I'm 100% for protecting our collections. I'm 100% for protecting
artistic expression. I'm 100% for using objects and ideas to educate. 

I believe more than 100% that museums' have an obligation to make sure
these 3 happen, and never disappear. Even at our own expense. 


I think this points to the larger issue of museum survival. If museum
professionals and current practices can't be questioned (especially
artistically), then how do we expect to adapt our institutions to meet
the demands of a changing society?  



Jason





On Fri, Feb 25, 2011 at 9:22 AM, . . <[log in to unmask]> wrote:


Thankfully, it got reblogged a few times.  It's available at
http://reevesy.tumblr.com/post/3498026123/a-pair-of-kindred-spirits
(For those that are unsure as to what reblogging is, think of it as a
"reply" function on a blog.  It preserves the original message but you
can add to it as well.  The link I've included, it's fairly easy -to me-
to be able to tell where the "reply" ends and the original post begins.)


-Isabella






________________________________

Date: Fri, 25 Feb 2011 11:15:25 -0500
From: [log in to unmask]


Subject: Re: Concerning Blog Post

To: [log in to unmask]

By the way, it looks like those bloggers took down that post. When you
click on the link you get this message: The URL you requested could not
be found.

 

 

 

 

 

 

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