The Contemporary Jewish Museum in San Francisco was a PG& E power station that was redesigned by Daniel Libeskin. About the Building In 1998, the Contemporary Jewish Museum selected architect Daniel Libeskind to design its new home, which was to include an adaptive reuse of the landmark Jessie Street Power Substation, designed by Willis Polk in 1907. In his design for the Contemporary Jewish Museum, his first commissioned project in North America, Libeskind responded to the Museum's mission to be a lively center that fosters community among people of diverse backgrounds through shared experiences with the arts by focusing on the celebratory nature of the Jewish experience. Unveiled in 2005, Daniel Libeskind's design for the new Museum combines the history of an early 20th-century San Francisco landmark building with the dynamism of contemporary architecture. The design for the new 63,000-square-foot facility marries many of the character- defining features of the original substation, including the brick southern façade, trusses, and skylights, with bold contemporary spaces. The building, with its integration of architectural styles, emanates a powerful connection between tradition and innovation and reflects the Museum's mission to celebrate Jewish culture, history, art, and ideas within the context of 21st-century perspectives. The building embodies a number of symbolic references to Jewish concepts. Most notably, Libeskind was inspired by the Hebrew phrase "L'Chaim" (To Life), because of its connection to the role the substation played in restoring energy to the city after the 1906 earthquake and the Museum's mission to be a lively center for engaging audiences with Jewish culture. The architect based the extension's conceptual organizing principles on the two symbolic Hebrew letters of “chai” (life), the “chet” and the “yud.” From the outside, the extension is most remarkable for its unique shape, as well as its skin: a vibrant blue metallic steel, which changes color depending on the time of day, weather, or one's vantage point. Featuring over 10,000-square-feet of exhibition space as well as a multipurpose room, the new facility greatly increases the Museum's space for exhibitions and innovative programs in visual, performing, and media arts. At the heart of the new facility is a large education center, which allows the Museum to provide ongoing education programs in conjunction with its exhibitions for children, youth, adults, and seniors. The new facility also includes theMuseum Store and Cafe on the Square with seating on Jessie Square when the weather permits. Ted A. Greenberg Museum Consultant/Collection Management/Registration Specialist 535 S Curson 3E Los Angeles, CA 90036 323-934-9771 323-203-7023 (cell) [log in to unmask] On Aug 22, 2009, at 1:50 PM, Robin White wrote: > And of course, the Rubin Museum of Himalayan Art in NYC was once > Barney's department store, designed by Andree Putnam! > On Aug 21, 2009, at 8:05 PM, Paul Koenig wrote: > >> Monterey Bay Aquarium adapted some industrial buildings. >> Beyond Baroque Literary Arts Center in Venice, CA was once Venice >> City Hall (thus beating politics into poetics). >> The Marylou and George Boone Gallery at the Huntington Library,... >> was a garage building. >> The old May Co. building at LACMA. >> The Gallery of Modern Art at the Tate Museum in London was once a >> power station. >> >> On Aug 21, 2009, at 4:26 PM, Heather Cochran wrote: >> >>> I would love to hear from anyone who knows of a successful or >>> striking museum or cultural space in a building that once housed >>> something completely unrelated. >>> >>> For example, the Museum of Latin American Art (MoLAA) in Long >>> Beach was created by the retrofit of a roller-rink. The MOCA's >>> Geffen Contemporary in Los Angeles is housed in a building which >>> used to be a hardware store and later, a police car garage. >>> >>> Surely, there are many others. Which do you think are the best >>> building "re-imagingings" out there? >>> >>> Thanks, >>> Heather Cochran >>> Academy of Motion Picture Arts & Sciences >> >> ========================================================= >> Important Subscriber Information: >> >> The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ >> . You may obtain detailed information about the listserv commands >> by sending a one line e-mail message to >> [log in to unmask] . The body of the message should read >> "help" (without the quotes). >> >> If you decide to leave Museum-L, please send a one line e-mail >> message to [log in to unmask] . 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You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).