There’s lots of talk of reaching out to new audiences these days – especially young adults. I’m wondering what’s being tried out there to reach not just young adults, but any audience that might not think a museum visit or program is something to spend their time or money on.

 

Does your institution take steps to go beyond “preaching to the choir” – reaching the audiences that already appreciate the value of your programs, events and exhibits?  In my situation, that would be people who “love old houses” or are “history fans.”

 

What have you seen or heard of   -either at your place or other institutions  - doing to reach outside the box, to reach audiences that did not know they would benefit from interacting with the museum.  

 

Did it work?  Did it only work for the special program or outreach activity – or did it result in new “converts?”

 

I’d also like to know whether it resulted in changes for your staff or administration – did they see the value of the new audiences, or was there resistance?

 

 

Cindy Boyer

Director of Museums and Education

The Landmark Society of Western New York

133 S. Fitzhugh St.

Rochester NY  14608

(585) 546-7029 ext. 12

[log in to unmask]

 

The Landmark Society:  Revitalizing Yesterday, Protecting Today, and Planning for Tomorrow

 

www.landmarksociety.org

Confessions of a Preservationist: The Landmark Society blog

Facebook / MySpace

 

From: Museum discussion list [mailto:[log in to unmask]] On Behalf Of Max van Balgooy
Sent: Tuesday, June 30, 2009 4:01 PM
To: [log in to unmask]
Subject: [MUSEUM-L] NTHS Blog Highlights for June 2009

 

At James Madison’s Montpelier, a National Trust Historic Site in Virginia, the Museum Educators wear short-sleeve button-front khaki shirts with an embroidered logo above the pocket.  They also wear plastic name badges that are attached with a strong magnet. It’s a nifty solution for situations where the typical name badges with pins can damage clothing, such as a silk blouse or a fine cotton shirt.  Learn more.

 

We’re all exploring how social media (e.g., blogs, Facebook, Flickr, Twitter) can advance our mission and goals, so I’ve compiled the five most relevant comments, observations, and recommendations for historic sites from Blog Potomac (a national conclave in DC for leaders in the field).  Learn more.

 

Thanks to funding from the Ford Foundation, the National Trust for Historic Preservation will be offering Partnership-in-Scholarship Grants to support collaborative projects between African American Historic Places and college/university scholars.  This year, four grants of $15,000 each (no match required) will be awarded in fall 2009 to projects that help sustain current or attract new audiences at historic sites or enhance the interpretation of challenging topics at historic sites.  Learn more.

 

Beginning July 2009 the Frank Lloyd Wright Preservation Trust will introduce an expanded selection of guest experiences for visitors to Wright’s Robie House, a National Trust Historic Site. The new experiences are open to the public and will encourage a more personal connection with the site, allowing guests options to direct their interaction with the Robie House, providing expanded access, and offering opportunities for deeper engagement with Wright’s icon of modern design.  Learn more

 

“A first-rate Lexington builder, Asa Wilgus, is believed to comprise been the distinct architect who implemented Latrobe’s intent, although the Popes most certainly slenderize altered the consequence. (The other two are The Decatur House in Washington D.C.)”  What does this gibberish mean if you’re Decatur House?   Learn more

 

Love a mystery?  Check out this cryptic fence at James Madison's Montpelier.

Max A. van Balgooy

Director of Interpretation and Education, Historic Sites Department | Director, African American Historic Places Initiative 
National Trust for Historic Preservation | 1785 Massachusetts Avenue, NW, Washington, DC  20036
Phone (202) 588-6242
| [log in to unmask] 

Have you visited one of our historic sites?  You'll discover great architecture, extraordinary collections, and unforgettable experiences.  Begin your explorations at PreservationNation.org.

 

========================================================= Important Subscriber Information:

The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).

If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).

========================================================= Important Subscriber Information:

The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).

If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).