So, lots of press on the swine flu. And reports of some towns closing parks and playgrounds, schools, or other gathering places.

 

We just revamped our disaster plan, and I realize there is nothing in the plan to prepare for the impacts of “social distancing” that may take place.

 

“Social Distancing” – avoiding public gathering places, or keeping a distance of 6 feet from other people, or self- quarantining your family if there is illness is proven to keep illness from spreading, and can help avoid a pandemic.

 

But what about the effect on your institution?

 

Does anyone have a plan in place? Obviously if your public institution is instructed by officials to close to avoid gatherings of people you’ll just be doing that, and take a loss in attendance revenue. But what if your employees are told to not go to work?  Or – if your employees fear going out in public?

 

Does anyone have plans for offsite work, or who are essential personnel that must report?

 

Cindy Boyer

Director of Museums and Education

The Landmark Society of Western New York

133 S. Fitzhugh St.

Rochester NY  14608

(585) 546-7029 ext. 12

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The Landmark Society:  Revitalizing Yesterday, Protecting Today, and Planning for Tomorrow

 

www.landmarksociety.org

Confessions of a Preservationist: The Landmark Society blog

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From: Museum discussion list [mailto:[log in to unmask]] On Behalf Of [log in to unmask]
Sent: Tuesday, April 28, 2009 1:33 PM
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Subject: [MUSEUM-L] NYTimes.com: Preservation Group Lists Most Endangered Places

 

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Great article in the NYT on the new list from the National Trust for Historic Preservation. Patrick TPatrick Brennan [log in to unmask] Kennesaw, Georgia 770.362.2162 http://www.linkedin.com/in/tpbrennan "I'm a great believer in luck and I find the harder I work, the more I have of it." By Thomas Jefferson

ARTS / ART & DESIGN   | April 28, 2009
Preservation Group Lists Most Endangered Places
By ROBIN POGREBIN
When the National Trust for Historic Preservation assembles its annual roster of America's most endangered historic places, it looks for more than aesthetic distinction.

 


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