That's a very good example, Julia.

 

So, I know you can't "copyright an experience". 

 

Interesting comment about proprietary practices. 

 

I would love to learn more about how you define and protect proprietary
practices. Anyone?

 

I am wondering if anyone has ever challenged an imitator out there,
thinking events on a smaller, more local scale.

 

Cindy Boyer

Director of Museums and Education

The Landmark Society of Western New York

133 S. Fitzhugh St.

Rochester NY  14608

(585) 546-7029 ext. 12

[log in to unmask]

 

The Landmark Society:  Revitalizing Yesterday, Protecting Today, and
Planning for Tomorrow

 

www.landmarksociety.org <http://www.landmarksociety.org/> 

Confessions of a Preservationist: The Landmark Society blog
<http://landmarksocietywny.blogspot.com/>  

Facebook <http://www.facebook.com/group.php?gid=12149056258>  / MySpace
<http://www.myspace.com/landmarksociety> 

 

From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Julia Moore
Sent: Tuesday, September 16, 2008 1:09 PM
To: [log in to unmask]
Subject: Re: [MUSEUM-L] protecting program content and title from
imitators?

 

Look at the two touring exhibitions "Body Worlds" vs "Bodies:  The
Exhibition" which are the same concept:  plastinated human remains.  Or
the multiple variants on the "Antiques Roadshow" concept.  Nothing
anyone can do about it, copyright-wise.  You can't copyright an
experience.  But there are other issues involved, such as copyrighted
graphics, proprietary processes, etc. that could be challenged.

 

Julia Muney Moore

Public Art Administrator

Blackburn Architects, Indianapolis, IN

(317) 875-5500 x219

 

 

________________________________

From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of David Harvey
Sent: Tuesday, September 16, 2008 12:32 PM
To: [log in to unmask]
Subject: Re: [MUSEUM-L] protecting program content and title from
imitators?

 

Cindy,

Copyright does not cover titles, slogans, phrases, or concepts. It is
only for works that are rendered into a tangible form. A performance
cannot be copyrighted but when it is rendered in a fixed form such as a
script, film, video, audio recording, or score then it can be
registered. 

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