We use guest curators frequently, and there are a variety of scenarios we have experienced. Best case, the curator already has the show developed somewhat, and I work with them to make their show fit with the institution. We use a contract to outline responsibilities, and it changes depending upon the exhibit, curator, or expectations. Absolute freedom is not always the best scenario especially if your budget is tight, but independent curators are looking for a degree of freedom.

As a small museum with a few people wearing a lot of hats, we really benefit from independent curators' work. I curate one of four shows a year, and the research is a time consuming labor of love. Many independent curators work with pre-existing research they already have.

I'm looking forward to hearing other opinions and experiences with this as well. Maybe I'll learn something.

Rusty Baker

Executive Director

Susquehanna Art Museum

Harrisburg, PA

----- Original Message -----

From: [log in to unmask] href="mailto:[log in to unmask]">Carrie Snow

To: [log in to unmask] href="mailto:[log in to unmask]">[log in to unmask]

Sent: Tuesday, July 26, 2005 6:14 PM

Subject: [MUSEUM-L] Guest Curators

Our institution is discussing the possibilities of using guest curators at a future date for some our exhibits. If we were to do so, how do we "shepherd" them through our development process. Do they work in tandem with an in-house curator, are they given a set of development guides, or are they given absolute freedom to work in a manner that suits their work style?

Thanks,

Carrie Snow

Carrie Snow
Senior Registrar
Museum of Church History and Art
45 North West Temple Street
Salt Lake City, UT 84150
(801) 240-4619

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