This seems to make it less of a conflict if it is one at all. Since the Curator is not the artist, then it may not be a problem. Having said this, the dealer may find this traveling show a boon to his business when he is using artworks he is currently trying to sell. I am not an expert in this area, but it seems to me that if the artwork in question is quite good, and fits the scope and mission of the museum venues where it will exhibit, there ought to be a way to exhibit this art so many more people can see and enjoy it. A well-worded contract would be a good idea in terms of stating exactly what the exhibit purpose is for both parties with limitations on what the dealer can expect in terms of monetary gain or publicity. Why is the dealer interested? To pump up his gallery? To exhibit fine art for arts sake? Maybe a little of both? I don't want to cast aspersions on the art dealer, but everyone should be in agreement on why this potential traveling show is such a great idea and what the results should be overall. Arlyn Danielson -----Original Message----- From: Susan Hapgood [mailto:[log in to unmask]] Sent: Wednesday, February 11, 2004 1:22 PM To: [log in to unmask] Subject: Re: conflict of interest? Actually, I wasn't as clear as I should have been in my first message. The artist acting as a curator would not include his own work at all; and we often work with artists acting as curators in this way. The issue I am specifically asking about it is about the dealer. - - - - - - - - - - - - - Susan Hapgood Director of Exhibitions Independent Curators International 799 Broadway, Suite 205 New York, New York 10003 Phone 212-254-8200 X23 Fax 212-477-4781 _____________________________________ > From: Arlyn Danielson <[log in to unmask]> > Reply-To: Museum discussion list <[log in to unmask]> > Date: Wed, 11 Feb 2004 12:55:06 -0500 > To: [log in to unmask] > Subject: Re: conflict of interest? > > This could be a conflict of interest. If you showcase the artist's work > at various venues, perhaps this artist could use that show to benefit > financially on his work by saying that his work is now so good that it > is seen in several museums around the country and therefore is now worth > more. On the other hand, perhaps it wouldn't matter. A lot depends on > who mostly buys this person's art. If it is just the public at large, > maybe it would not matter, but if other museums are interested, perhaps > this could be unfair advantage for this artist and dealer. Not knowing > any other details, this seems to me a tricky situation. I am curious > what other museum professionals have to say about it. > Arlyn Danielson > Newseum > > -----Original Message----- > From: Susan Hapgood [mailto:[log in to unmask]] > Sent: Tuesday, February 10, 2004 10:14 AM > To: [log in to unmask] > Subject: conflict of interest? > > We have a dilemma -- an artist and dealer have proposed a fabulous > traveling exhibition idea, but it would be a museum exhibition. Is the > dealer acting as curator such an obvious conflict of interest that we > should not even entertain the prospect? We have suggested that the > artist work with someone else, but the artist very badly wants to work > with only this one person, who is quite knowledgable on the subject, > which does fall into the purview of the dealer's gallery program too. > > ========================================================= > Important Subscriber Information: > > The Museum-L FAQ file is located at > http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed > information about the listserv commands by sending a one line e-mail > message to [log in to unmask] . The body of the message should > read "help" (without the quotes). > > If you decide to leave Museum-L, please send a one line e-mail message > to [log in to unmask] . The body of the message should read > "Signoff Museum-L" (without the quotes). > > ========================================================= > Important Subscriber Information: > > The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ > . You may obtain detailed information about the listserv commands by sending a > one line e-mail message to [log in to unmask] . The body of the > message should read "help" (without the quotes). > > If you decide to leave Museum-L, please send a one line e-mail message to > [log in to unmask] . The body of the message should read "Signoff > Museum-L" (without the quotes). ========================================================= Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes). ========================================================= Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).