I am posting this message for my colleague, Frederick Voss, Senior Historian at the National Portrait Gallery. Please respond to him directly either by email ([log in to unmask]), phone (202/357-1673) or mail (National Portrait Gallery, F St. at 8th NW, Washington, DC 20560-0213). National Portrait Gallery Senior Historian Frederick Voss is engaged in research on the career of the nineteenth-century portraitist George P. A. Healy. Among his chief concerns, at the moment, is assembling as complete a listing as possible of the Healy portraits surviving today, in both private and public collections. A good many of theses works have been identified largely via the Portrait Gallery's Catalogue of American Portraits, the Frick Art Reference Library, and the National Museum of American Art's Inventory of American Painting. And the larger concentrations of Healy works at places such as the Chicago Historical Society and the Newberry Library have been surveyed. But there is good reason to suspect that there are many other works yet to be found in both smaller public institutions and private hands. Fred Vo Voss would, therefore, welcome any leads to the whereabouts of Healy portraits, especially those that are to be found in private collections and the collelticitons of the less obvious and smaller museums or historic sites. Thef fuller the informationn h nthese works the better (dimensions, dates, etc.), but equally welcome would be simply the name of a person or institution to contact for further information. ========================================================= Important Subscriber Information: The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes). If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).