Response to "Headhunters" -- At Thomas & Associates, Inc., we provide
staffing, consulting and professional development training for museums
and art businesses nationwide. After working in museums both here and
abroad for many years, my experienced staff and I know the challenges of
the industry, and offer cost-effective services. Coming from the
industry provides immense value for our clients and candidates. We tend
to be client-driven, filling specific positions for our clients, but
keep an extensive databases of talent and positions all over the
country. Also, we prefer not to use the term "headhunter" -- a
perjorative term referring to some tribal peoples in the past. We are in
the search and recruitment business. All best, Cheers! Geri Thomas
Geri Thomas, President
Thomas & Associates, Inc.
www.artstaffing.com
-----Original Message-----
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of MUSEUM-L automatic digest system
Sent: Wednesday, November 02, 2005 12:11 AM
To: [log in to unmask]
Subject: MUSEUM-L Digest - 31 Oct 2005 to 1 Nov 2005 (#2005-303)
There are 21 messages totalling 3064 lines in this issue.
Topics of the day:
1. Spectral Shapes * Tut's Poison * KGB Attrocities * Getting Waxed *
Pope's
Escort * Committee Probes Getty * Museum Walk Out
2. Polishing silver
3. cleaning silver (2)
4. Education Job Opening in upstate New York
5. Museum job headhunters (2)
6. Care of Collections & Silver
7. Job Description info. (2)
8. France Extends a Cultural Hand to Arts Projects in New Orleans
9. call for papers
10. Table Top Artifact Display Cases
11. Registrarial programs
12. Scanning vs. microfilming
13. Seeking New Challenge and Job- Senior Exhibit, Admin, lots more!
14. help with Tibetan/Bhutanese/Buddhist object (2) 15. Current Case of
Censorship (2) 16. job posting
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----------------------------------------------------------------------
Date: Tue, 1 Nov 2005 20:06:43 +1300
From: Roger Smith <[log in to unmask]>
Subject: Spectral Shapes * Tut's Poison * KGB Attrocities * Getting
Waxed * Pope's Escort * Committee Probes Getty * Museum Walk Out
Welcome back to GLOBAL MUSEUM, your award-winning & free webzine
compendium,
read weekly by 7,400 readers in more than 109 countries .
*** "As far as I am concerned it is the best source for museum
professionals in search of employment " ***
Free Online subscription. http://www.globalmuseum.org
The international headlines (FOR THE FULL STORY VISIT THE WEBZINE at
this
address http://www.globalmuseum.org and click on the NEWS button) in
this
week's edition include:
** Pompidou, Guggenheim join forces to build Hong Kong museum The
Centre Pompidou of Paris and New York's Guggenheim Foundation announced
an agreement to jointly submit a proposal to build in Hong Kong a
"world-class" modern and contemporary arts museum
** Low pay culture will cause job losses, says union
Dozens of staff at National Museums Liverpool are preparing to quit
because
of penny-pinching bosses, union chiefs warn
** Startling spectral shapes seen in photos shot near gallows site
Somewhere in north Edmonton, the remains of Florence Losandro, the only
woman hanged in Alberta for murder, lie in an unmarked grave, and some
believe her restless spirit now haunts the grounds of the Fort
Saskatchewan
Museum 82 years later
** Tut's poison was a little red
King Tutankhamen was partial to wine at the end of a hard day, it has
long
been assumed
** US museums to sell off art treasures
America's art museums are poised to put up for auction huge amounts of
artwork by some of the world's most revered painters next week,
prompting
accusations from critics that they are neglecting their role as cultural
custodians in search of short-term financial gains
** Lithuanians remember atrocities by KGB
The dreaded KGB Soviet secret political police is remembered here by
thousands of people who visit a special museum designed to help
Lithuanians
know about the arrests, torture and deportation of their countrymen
under
Moscow's rule
** Museum's eerie past to be recreated
The Roots of Norfolk museum at Gressenhall was a workhouse from the
1770s,
up until the 1930s
________________________________________________________________
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Airfares, Car Rentals, Accommodation, Destination Guides, Condo's and
Cruises! Provider is a member of I.A.T.A.
________________________________________________________________
** Movieland Wax Museum gets waxed
John Lennon looks like the stern woman in the "American Gothic" painting
and
Robin Williams looks like the embalmed love child of Boris Karloff and
Jay
Leno
** Acropolis Museum rising
The long-awaited and much-delayed Acropolis Museum will be ready by the
end
of next year, the government says, while insisting that it would keep up
its
efforts toward the return of the Elgin Marbles so they can be housed in
the
new building
** Museums Helping Museums: A National Relief Effort for the Gulf
Region As a result of the 2005 hurricane season, communities along the
Gulf coast
have suffered a tremendous loss of natural and cultural heritage
** Pyramid lies under Bosnian hill, explorer says
The self-styled explorer with an Indiana Jones-like hat and clothes
began
his Bosnian pyramid crusade in April after visiting the remnants of a
medieval royal palace at the top of Visocica Hill
** Pope's old car sparked bidding frenzy
A light blue 1975 Ford Escort GL once owned by Pope John Paul II sold at
auction in Las Vegas for $690 000 to a Houston multimillionaire who said
he
plans to put it in a museum he wants to build in his hometown
________________________________________________________________________
GLOBAL PANDEMIC NEWS - live news feeds & information on the spread of
Bird
Flu"
http://www.pandemic-news.info
________________________________________________________________________
** Festival of Light at World Museum Liverpool
The performances promise to be a fitting celebration for this year's
Festival of Light, combining different styles of movement, music and
dress
from various regions of India
** New exhibit features the best of Bristol's museums
The treasures tucked away in Bristol's nearly dozen museums trace the
history of Bristol back to its formative days in the late 1600s, all the
way
to its emergence as a manufacturing centre in the late 1800s, and a new
land
of opportunity throughout the 20th century
** Celebrating American Indian and Alaska Native Heritage Month To
celebrate American Indian and Alaska Native Heritage Month in November,
the Smithsonian's National Museum of the American Indian on the National
Mall in Washington, D.C., and the George Gustav Heye Center in New York
City
will host a variety of free public programs, including lectures, panel
discussions, demonstrations, films and more
** Museum Ready for Rosa Parks Viewing
At the request of her family, her casket will be open, as thousands
people
file by to pay their respects
** Museum staff walks off the job
Three workers at the Douglas County Museum walked off the job late last
week
after saying they could no longer work with recently reinstated Museum
Director Stacey McLaughlin
** That's The Last Time Private Collector Loans Painting To Guggenheim
Walter Vaifale has, more than once, had his paintings returned to him
scratched, stained, or covered in peanut butter
** Committee to probe Getty museum antiquities
A panel appointed by the overseers of the J. Paul Getty Museum will look
into how it built up its antiquities collection and whether a top
official
of the J. Paul Getty Trust misused funds
** Feature Site: The Three Emperors
The Royal Academy's forthcoming landmark exhibition, China: The Three
Emperors, 1662-1795, will present imperial treasures of the Qing dynasty
** This Week's GLOBAL MUSEUM CAPTION CONTEST
** Africom is very pleased to announce that its web site has been
completely reconstructed and redesigned
** The 2005 NEMA Annual Conference in Burlington, MA is coming up!
** Precious Metals - News Zealand Design in Gold and Silver opening at
Te
Papa
** Electronic Records Take Centre Stage at the Second Annual NHPRC
Electronic Records Research Fellowship Symposium
All this and more for you at Global Museum - See the latest museum JOBS,
BOOKSHOP, RESOURCES, HOT JOB TIPS, great people posting their RESUMES,
FORUM, Cheap and reliable WORLD TRAVEL, Museum Accredited Courses,
Products
& Services.
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------------------------------
Date: Tue, 1 Nov 2005 08:12:19 -0500
From: Michelle Zupan <[log in to unmask]>
Subject: Polishing silver
According to Katherine Singley, a Georgia objects conservator -- Orvus
paste or Ivory soap can remove light tarnish. If you have a heavier
tarnish accumulation on the silver, you can use 3M Tarni-Shield
(available at
Wal-mart) -- it is less toxic and the least abrasive of commercial
polishes and leaves behind a corrosion inhibitor. If you want to mix
your own, precipitated chalk is available from several conservation
supply stores online and some art supply stores. Be very careful when
cleaning pieces with artificial patination as a harsh tarnish remover
can damage the patination. Be sure to dry everything thoroughly; pieces
with hollow handles and feet can trap water and magnify your corrosion
issues. Store them in Rubbermaid tubs, wrapped in felt or pacificloth
bags with a Haggerty's silver strip or silica gel pouches inside --
you'll polish less when you get ready to exhibit.
Michelle Zupan
Curator
Hickory Hill
The historic home of Senator Thomas E. Watson.
502 Hickory Hill Drive
Thomson, GA 30824
Phone: 706.595.7777
FAX: 706.595.7177
Visit us at www.hickory-hill.org
=========================================================
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------------------------------
Date: Tue, 1 Nov 2005 10:02:04 -0500
From: Deb Fuller <[log in to unmask]>
Subject: Re: cleaning silver
Dave,
Just out of curiousity, I remember a lady in my old church who had a
silver cleaning pan which was I think made of magnesium. I forget what
you fill it with but all you had to do was dunk your silver and it came
out clean. I think she also used like borax and aluminum mixed together
in a glass jar which did something similar.
Do you know of these methods and would they be safe for historic pieces?
Thanks!
deb
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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------------------------------
Date: Tue, 1 Nov 2005 10:22:06 -0500
From: Megan Kirkpatrick <[log in to unmask]>
Subject: Education Job Opening in upstate New York
This is a multi-part message in MIME format.
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A job opportunity at the New York State Historical Association. Please
use the contact listed in the ad, apologies for cross postings.
=20
Outreach Coordinator
=20
The New York State Historical Association has an immediate opening in
the Statewide Programs office for an Outreach Coordinator. The Outreach
Coordinator works primarily with New York State History Day, a statewide
history competition for students in grades 6-12. The individual must be
enthusiastic and willing to travel across the state to recruit teachers
and schools to use the museum=92s programs. Responsibilities include
researching, cultivating and maintaining productive educational
collaborations with school districts, museums, and other educational
organizations in the region. Successful candidate will create and
coordinate educational programming to support the state=92s K-12
curriculum standards using museum resources.
=20
Qualifications include a Masters Degree in History, Museum Studies,
Education or related discipline, or equivalent museum or education
experience; experience in conception and planning of museum programs for
student and teacher audiences; writing and editing skills; computer
literacy, i.e. basic word processing and data management skills;
interpersonal skills, and volunteer and staff management skills; ability
to plan multiple events and programs simultaneously; ability to work
with diverse audiences; creativity and attention to detail. This
position offers a competitive salary and a fringe benefits package. Send
resum=E9 and cover letter along with three professional references
to: Barbara Fischer, Director, Human Resources, New York State
Historical Association, PO Box 800, Cooperstown, NY 13326.
=20
The New York State Historical Association is a private, non-profit,
education institution founded in 1899 and dedicated to the collection,
preservation and interpretation of objects significant to New York
history and American culture.
=20
=20
Megan Kirkpatrick
Manager of Statewide Programs
New York State Historical Association
607.547.1534
[log in to unmask]
=20
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<div class=3DSection1>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'>A job opportunity at the
New York State Historical = Association.=A0 Please use the contact
listed in the ad, apologies for cross = postings.</span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'> </span></font></p>
<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-weight:bold !msorm'><font size=3D3 face=3DArial><span =
style=3D'font-size:
12.0pt;font-family:Arial'>Outreach Coordinator</span></font></span></p>
<p class=3DMsoNormal style=3D'text-align:justify'><span =
style=3D'font-weight:bold !msorm'><font size=3D3 face=3DArial><span =
style=3D'font-size:12.0pt;font-family:Arial'> </span></font></span>
<=
/p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3DArial><span style=3D'font-size:12.0pt;font-family:Arial'>The New
York State = Historical Association has an immediate opening in the
Statewide Programs office = for an Outreach Coordinator.=A0 The Outreach
Coordinator works primarily with = New York State History Day, a
statewide history competition for students in = grades 6-12.=A0 The
individual must be enthusiastic and willing to travel across the = state
to recruit teachers and schools to use the museum’s programs.=A0 =
Responsibilities include researching, cultivating and maintaining
productive educational collaborations with school districts, museums,
and other educational organizations in the region.=A0 Successful
candidate will create and = coordinate educational programming to
support the state’s K-12 curriculum standards using = museum
resources.</span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3DArial><span style=3D'font-size:12.0pt;font-family:Arial'>=A0
</span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3DArial><span
style=3D'font-size:12.0pt;font-family:Arial'>Qualifications include a =
Masters Degree in History, Museum Studies, Education or related
discipline, or equivalent museum or education experience; experience in
conception and planning of museum programs for student and teacher
audiences; writing = and editing skills; computer literacy, i.e. basic
word processing and data management skills; interpersonal skills, and
volunteer and staff = management skills; ability to plan multiple events
and programs simultaneously; = ability to work with diverse audiences;
creativity and attention to detail.=A0 This = position offers a
competitive salary and a fringe benefits package.=A0 Send = resum=E9 and
cover letter along with three professional references to: =
</span></font><font face=3DArial><span
style=3D'font-family:Arial'>Barbara = Fischer</span></font><font
face=3DArial><span style=3D'font-family:Arial'>, Director, Human =
Resources, New York State Historical Association, </span></font><font =
face=3DArial><span
style=3D'font-family:Arial'>PO Box 800</span></font><font =
face=3DArial><span style=3D'font-family:Arial'>, </span></font><font
face=3DArial><span
style=3D'font-family:Arial'>Cooperstown</span></font><font =
face=3DArial><span style=3D'font-family:Arial'>, </span></font><font
face=3DArial><span
style=3D'font-family:Arial'>NY</span></font><font face=3DArial><span
style=3D'font-family:Arial'> </span></font><font face=3DArial><span
style=3D'font-family:Arial'>13326</span></font><font =
face=3DArial><span style=3D'font-family:Arial'>.</span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3DArial><span
style=3D'font-size:12.0pt;font-family:Arial'> </span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3DArial><span style=3D'font-size:12.0pt;font-family:Arial'>The New
York State = Historical Association is a private, non-profit, education
institution founded in = 1899 and dedicated to the collection,
preservation and interpretation of objects significant to
</span></font><font face=3DArial><span = style=3D'font-family:Arial'>New
York</span></font><font face=3DArial><span =
style=3D'font-family:Arial'> history and American
culture.</span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'> </span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'> </span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'>Megan
Kirkpatrick</span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'>Manager of Statewide
Programs</span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>New York</span></font><font size=3D2 =
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>
</span></font><font = size=3D2
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>State</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> Historical
Association</span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>607.547.1534</span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>[log in to unmask]</span></font></p>
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------------------------------
Date: Tue, 1 Nov 2005 07:54:22 -0800
From: David Harvey <[log in to unmask]>
Subject: Re: cleaning silver
Deb,
What you describe is electrochemical cleaning, where you set up a
galavanic reaction between two dissimilar metals in the electromotive
series in an electrolyte solution to allow the current to flow. The
metal that is the cathode (-) will become stripped and if the reaction
is allowed to continue then it can actually erode tiny pits and holes
into the metal. This technique is used sometimes in conservation but
very carefully and only usually for more problematic metal treatments,
as it is more aggressive, and actually destroys patina, and can cause
uneven surface appearance. Often silver treated this way will have a
dull matte appearance and is then polished again to try to restore the
bright surface. By using this technique you are essentially exposing
fresh atoms of metal to the air to react and reoxidize or corrode, as
any stable oxides have been removed. This also tends to destroy historic
surfaces. We control this technique in conservation by using applied DC
current via a DC power unit with fine controls - so we can locally
electrolytically clean a very aggressive spot of corrosion with a
handheld electrode, for example, or do the overall cleaning but at a
much lower current that is monitored and adjusted. I am much more likely
to employ this on a problematicve iron, tinplate, or bronze piece than I
even am on a silver object.
Basically, this is nothing I would really advise someone to mess with
unless they have some non-collections, non-heirloom metal objects in the
garage that they want to play with. Usually the electrolytes are caustic
so you've got to wear rubber gloves and you also have a hazardous
disposal issue too.
Cheers!
Dave
David Harvey
Conservator
Los Angeles, California, USA
On 11/1/05, Deb Fuller <[log in to unmask]> wrote:
> Dave,
>
> Just out of curiousity, I remember a lady in my old church who had a
> silver cleaning pan which was I think made of magnesium. I forget what
> you fill it with but all you had to do was dunk your silver and it
> came out clean. I think she also used like borax and aluminum mixed
> together in a glass jar which did something similar.
>
> Do you know of these methods and would they be safe for historic
> pieces?
>
> Thanks!
>
> deb
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> 3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
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Date: Tue, 1 Nov 2005 02:49:42 EST
From: Kevin Clutter <[log in to unmask]>
Subject: Museum job headhunters
-------------------------------1130831382
Content-Type: text/plain; charset="US-ASCII"
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Dear Museum List:
I am aware that people use so called headhunters. Are there such
headhunters for the museum/history field. If so, could you give me the
email
addresses for said agencies. I am trying to enter the field and I
could use all
the help I can get. I appreciate any help you could provide.
Thanks,
Kevin
Clutter M.A./History
[log in to unmask] (mailto:[log in to unmask])
=========================================================
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-------------------------------1130831382
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leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20 face=3DArial color=3D#000000 size=3D2> <DIV>Dear Museum
List:</DIV> <DIV> </DIV> <DIV> I am aware
that people use so called=20 headhunters. Are there such
headhunters for the museum/history=20 field. If so, could you give
me the email addresses for said=20 agencies. I am trying to enter
the field and I could use all the help=20= I=20 can get. I
appreciate any help you could provide.</DIV> <DIV> </DIV>
<DIV> </DIV>
<DIV> &
nbsp=
;  
;&nb=
sp; &nb
sp;&=
nbsp; &
nbsp=
;  
;&nb=
sp; Thanks,</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> &
nbsp=
;  
;&nb=
sp; &nb
sp;&=
nbsp; &
nbsp=
;  
;&nb=
sp; Kevin=20
Clutter M.A./History</DIV>
<DIV> &
nbsp=
;  
;&nb=
sp; &nb
sp;&=
nbsp; &
nbsp=
;  
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sp; <A=20
href=3D"mailto:[log in to unmask]">[log in to unmask]</A>=20
</DIV></FONT></BODY></HTML>
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-------------------------------1130831382--
------------------------------
Date: Tue, 1 Nov 2005 12:39:32 -0500
From: Krista Kohlhausen <[log in to unmask]>
Subject: Re: Museum job headhunters
This is a multi-part message in MIME format.
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Please post to list- this may be helpful to those looking to fill
positions as well.
Thanks,
=20
Krista Ann Kohlhausen
Intrepid Sea, Air & Space Museum
Vice President, Education=20
Ph 212.957.7050/ Fx 212.957.3729
=20
November 8th is our next School's Out, Ship's In program:=20
Totally Spaced Out . This drop off program is for 1st through=20
5th graders and runs from 9:00am to 5:30pm.
Please call 212.245.0072 x8313 for reservations.
=20
-----Original Message-----
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Kevin Clutter
Sent: Tuesday, November 01, 2005 2:50 AM
To: [log in to unmask]
Subject: Museum job headhunters
=20
Dear Museum List:
=20
I am aware that people use so called headhunters. Are there such
headhunters for the museum/history field. If so, could you give me the
email addresses for said agencies. I am trying to enter the field and I
could use all the help I can get. I appreciate any help you could
provide.
=20
=20
Thanks,
=20
=20
Kevin
Clutter M.A./History
=20
[log in to unmask]
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=3D=
=3D=3D=3D=3D=3D=3D=3D Important
Subscriber Information:=20
The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail
message to [log in to unmask] . The body of the message should
read "help" (without the quotes).=20
If you decide to leave Museum-L, please send a one line e-mail message
to [log in to unmask] . The body of the message should read
"Signoff Museum-L" (without the quotes).
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Important Subscriber Information:
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<head>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<meta name=3DGenerator content=3D"Microsoft Word 10 (filtered)">
<style>
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font-size:12.0pt;
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</head>
<body lang=3DEN-US link=3Dblue vlink=3Dblue id=3D"role_body" =
bottomMargin=3D7 leftmargin=3D7 topmargin=3D7 rightMargin=3D7>
<div class=3DSection1>
<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman" id=3D"role_document"><span
style=3D'font-size:12.0pt;color:black'>Please = post to
list- this may be helpful to those looking to fill positions as =
well.</span></font></p>
<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:black'>Thanks,</span></font></p>
<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:black'> </span></font></p>
<div>
<p class=3DMsoNormal><strong><b><font size=3D4 color=3Dblack =
face=3D"Times New Roman"><span
style=3D'font-size:13.5pt;color:black'>Krista Ann =
Kohlhausen</span></font></b></strong></p>
<p class=3DMsoNormal><strong><b><font size=3D3 color=3Dblack =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt;color:black'>Intrepid Sea, Air & Space =
Museum</span></font></b></strong></p>
<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span style=3D'font-size:12.0pt;color:black'>Vice President,
Education = </span></font></p>
<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Times New =
Roman"><span style=3D'font-size:10.0pt;color:black'>Ph 212.957.7050/ Fx
= 212.957.3729</span></font></p>
<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:black'> </span></font></p>
<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Times New =
Roman"><span style=3D'font-size:10.0pt;color:black'>November 8th is our
next = <em><i><font face=3D"Times New Roman">School's Out, Ship's
In</font></i></em> =
program: </span></font></p>
<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Times New =
Roman"><span style=3D'font-size:10.0pt;color:black'>Totally Spaced
Out . This = drop off program is for 1st through </span></font></p>
<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Times New =
Roman"><span style=3D'font-size:10.0pt;color:black'>5th graders and runs
from 9:00am to 5:30pm.</span></font></p>
<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Times New =
Roman"><span style=3D'font-size:10.0pt;color:black'>Please call
212.245.0072 x8313 = for reservations.</span></font></p>
<h2><b><font size=3D5 color=3Dblack face=3D"Times New Roman"><span =
style=3D'font-size: 18.0pt;color:black'> </span></font></b></h2>
</div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'>-----Original =
Message-----<br> <b><span style=3D'font-weight:bold'>From:</span></b>
Museum discussion = list [mailto:[log in to unmask]] <b><span
= style=3D'font-weight:bold'>On Behalf Of </span></b>Kevin Clutter<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, November =
01, 2005 2:50 AM<br> <b><span style=3D'font-weight:bold'>To:</span></b>
= [log in to unmask]<br> <b><span
style=3D'font-weight:bold'>Subject:</span></b> Museum job =
headhunters</span></font></p>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'> </span></font></p>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>Dear
Museum List:</span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'> </span></
f=
ont></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'> &nb
s=
p; I
am aware that people use so called headhunters. Are there such
headhunters for the museum/history field. If so, could you give me
= the email addresses for said agencies. I am trying to enter the
field = and I could use all the help I can get. I appreciate any
help you could provide.</span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'> </span></
f=
ont></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'> </span></
f=
ont></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'> &nb
s=
p; &nbs
p=
;  
;=
&=
nbsp; &
n=
bsp; &n
b=
sp;Thanks,</span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'> </span></
f=
ont></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'> </span></
f=
ont></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'> &nb
s=
p; &nbs
p=
;  
;=
&=
nbsp; &
n=
bsp; &n
b=
sp;Kevin
Clutter M.A./History</span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'> &nb
s=
p; &nbs
p=
;  
;=
&=
nbsp; &
n=
bsp; &n
b=
sp;<a
href=3D"mailto:[log in to unmask]">[log in to unmask]</a> =
</span></font></p>
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message to [log in to unmask] . The body of the message should
= read "help" (without the quotes). <p> If you decide to leave Museum-L,
please send a one line e-mail message = to [log in to unmask]
. The body of the message should read = "Signoff Museum-L" (without the
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<p>
The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail
message to [log in to unmask] . The body of the message should
read "help" (without the quotes). <p> If you decide to leave Museum-L,
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------_=_NextPart_001_01C5DF0B.37E93036--
------------------------------
Date: Tue, 1 Nov 2005 11:35:14 -0600
From: Jon Austin <[log in to unmask]>
Subject: Care of Collections & Silver
This is a multi-part message in MIME format.
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Fellow Listers and Collections Managers:
Having seen a recent reference to Bruce MacLeisch's The Care of Antiques
and Historical Collections (Nashville: AASLH Press, 1985), I would
suggest reading Barbara Appelbaum's Guide to the Environmental
Protection of Collections (Madison, CT: Sound View Press, 1991), which
I've found to be equally helpful for small institutions. As a former
student, I refer to it often. For silver, Appelbaum recommends using a
commercial liquid or paste cleaning polish followed by careful rinsing.
Chemical "dips" such as Tarnex are too aggressive, and as we've seen
from David Harvey, the magnesium pan and powdered laundry detergent, can
lead to surface damage. At one time, the conservation staff at the
Cooperstown Graduate Program recommended the use of a product called
Never Dull, which is a chemical impregnated in cotton wadding. I've
used the latter for twenty years with success and have seen no apparent
harm.
Jon
Jon N. Austin, Director
Museum of Funeral Customs
1440 Monument Avenue
Springfield, Illinois 62702
www.funeralmuseum.org <http://www.funeralmuseum.org/>
The Museum opened in April 2001 and is operated by the Illinois Funeral
Service Foundation, a 501 c 3 educational organization, and the Illinois
Funeral Directors Association, a professional membership organization.
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at
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message to [log in to unmask] . The body of the message should
read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD> <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii"> <TITLE>Message</TITLE>
<META content=3D"MSHTML 6.00.2900.2769" name=3DGENERATOR></HEAD> <BODY>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D990071517-01112005>Fellow
= Listers and=20 Collections Managers:</SPAN></FONT></DIV> <DIV><FONT
face=3DArial size=3D2><SPAN=20
class=3D990071517-01112005></SPAN></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D990071517-01112005>Having
= seen a recent=20 reference to Bruce MacLeisch's The Care of Antiques
and Historical=20 Collections (Nashville: AASLH Press, 1985), I
would suggest = reading Barbara=20 Appelbaum's Guide to the
Environmental Protection of Collections = (Madison,=20
CT: Sound View Press, 1991), which I've found to be equally helpful
= for=20 small institutions. As a former student, I refer to it =
often. For=20 silver, Appelbaum recommends using a
commercial liquid or = paste=20 cleaning polish followed
by careful rinsing. = Chemical=20 "dips" such as Tarnex
are too aggressive, and as we've seen from = David=20
Harvey, the magnesium pan and powdered laundry detergent,
= can=20 lead to surface damage. At one time, the
conservation staff = at the=20 Cooperstown Graduate Program recommended
the use of a product called = Never Dull,=20 which is a chemical
impregnated in cotton wadding. I've used the = latter=20 for
twenty years with success and have seen no apparent=20
harm.</SPAN></FONT></DIV> <DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D990071517-01112005></SPAN></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D990071517-01112005>Jon </SPAN></FONT></DIV>
<DIV> </DIV>
<DIV align=3Dleft><FONT face=3DArial size=3D2>Jon N. Austin, =
Director</FONT></DIV> <DIV align=3Dleft><FONT face=3DArial
size=3D2>Museum of Funeral = Customs</FONT></DIV> <DIV
align=3Dleft><FONT face=3DArial size=3D2>1440 Monument =
Avenue</FONT></DIV> <DIV align=3Dleft><FONT face=3DArial
size=3D2>Springfield, = Illinois =20 62702</FONT></DIV> <DIV
align=3Dleft><FONT face=3DArial size=3D2><A=20
href=3D"http://www.funeralmuseum.org/">www.funeralmuseum.org</A></FONT><
/=
DIV>
<DIV align=3Dleft><FONT face=3DArial size=3D2></FONT> </DIV> <DIV
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------------------------------
Date: Tue, 1 Nov 2005 10:59:48 -0700
From: Carrie Snow <[log in to unmask]>
Subject: Job Description info.
--=__PartE5C7CC04.0__=
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charset=us-ascii
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I am looking for institutions with both Registrars and Collections
Managers.
Currently, my museum only has registrars, but a number of institutions
that I have been researching have both positions. Unfortunately, I
haven't been able to locate job descriptions for the two positions. I
am trying to get a feel for how job duties are divided between the two
positions and what additional ones may be added.
Would anyone be able to provide me with some job descriptions?
Thanks,
Carrie
Carrie Snow
Senior Registrar
Museum of Church History and Art
45 North West Temple Street
Salt Lake City, UT 84150
(801) 240-4619
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name=3DGENERATOR></HEAD> <BODY style=3D"MARGIN: 4px 4px 1px; FONT: 10pt
Tahoma"> <DIV>I am looking for institutions with both Registrars and
Collections = Managers. Currently, my museum only has
registrars, but a numbe= r= of institutions that I have been
researching have both = positions. Unfortunately, I haven't
been able to locate job = descriptions for the two positions. I am
trying to get a feel = =66or how job duties are divided between the
two positions and what = additional ones may be added. </DIV>
<DIV>Would anyone be able to provide me with some job
descriptions=3F</DIV> <DIV> </DIV> <DIV>Thanks, </DIV>
<DIV>Carrie</DIV> <DIV> </DIV><BR> <DIV style=3D"COLOR:
#000000"> </DIV> <DIV> </DIV> <DIV style=3D"COLOR:
#000000">Carrie Snow<BR>Senior Registrar <BR>Museum of= = Church
History and Art<BR>45 North West Temple Street<BR>Salt Lake City, UT= =
84150<BR>(801) 240-4619</DIV></BODY></HTML>
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Date: Tue, 1 Nov 2005 13:21:20 -0500
From: Patti Davis-Perkins <[log in to unmask]>
Subject: Re: Job Description info.
This message is in MIME format. Since your mail reader does not
understand this format, some or all of this message may not be legible.
------_=_NextPart_001_01C5DF11.0ED45A73
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Carrie:
My institution has both positions. In a nutshell, our Registrars do
just, they register the collections. Our Collection Managers manage the
collections in terms of movement and storage. We also have an
acquisitions officer who facilitates an acquisition and deals with all
the legal issues associated with that.
I will try and drum up some job descriptions for you.
Patti
Patricia Davis-Perkins | Multimedia Documentalist | Canadian Museum of
Civilization | 100 Laurier Street, P.O. Box 3100, Station B, Gatineau,
Quebec, Canada, J8X 4H2 | Phone: 819.776.8456 | Fax: 819.776.8491 |
<mailto:[log in to unmask]>
[log in to unmask]
Learn more about the Canadian Museum of Civilization at
<http://www.civilization.ca/> www.civilization.ca
_____
From: Carrie Snow [mailto:[log in to unmask]]
Sent: Tuesday, November 01, 2005 1:00 PM
To: [log in to unmask]
Subject: Job Description info.
I am looking for institutions with both Registrars and Collections
Managers. Currently, my museum only has registrars, but a number of
institutions that I have been researching have both positions.
Unfortunately, I haven't been able to locate job descriptions for the
two positions. I am trying to get a feel for how job duties are divided
between the two positions and what additional ones may be added.
Would anyone be able to provide me with some job descriptions?
Thanks,
Carrie
Carrie Snow
Senior Registrar
Museum of Church History and Art
45 North West Temple Street
Salt Lake City, UT 84150
(801) 240-4619
------------------------------------------------------------------------
----
--
This message may contain confidential information, and is intended only
for the use of the individual(s) to whom it is addressed.
------------------------------------------------------------------------
----
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Subscriber Information:
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=========================================================
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<body lang=3DEN-US link=3Dblue vlink=3Dpurple =
style=3D'margin-left:3.0pt;margin-top:
3.0pt;margin-right:3.0pt;margin-bottom:.75pt'>
<div class=3DSection1>
<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt; font-family:Tahoma'>Carrie:</span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt; font-family:Tahoma'>My institution has both
positions. In a = nutshell, our Registrars do just, they register
the collections. Our Collection = Managers manage the collections
in terms of movement and storage. We also = have an acquisitions
officer who facilitates an acquisition and deals with all = the legal
issues associated with that.</span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt; font-family:Tahoma'>I will try and drum up
some job descriptions for = you.</span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt; font-family:Tahoma'>Patti</span></font></p>
<div>
<p class=3DMsoNormal><b><font size=3D1 color=3D"#8080c0" =
face=3DTahoma><span
style=3D'font-size:9.0pt;font-family:Tahoma;color:#8080C0;font-weight:bo
=
ld'>Patricia
Davis-Perkins </span></font></b><font size=3D1 color=3Dgray =
face=3DTahoma><span
style=3D'font-size:9.0pt;font-family:Tahoma;color:gray'>|</span></font><
=
strong><b><font
size=3D1 color=3Dgray face=3D"Times New Roman"><span =
style=3D'font-size:9.0pt;
color:gray'> </span></font></b></strong><font size=3D1 =
color=3Dgray face=3DTahoma><span =
style=3D'font-size:9.0pt;font-family:Tahoma;color:gray'>Multimedia
Documentalist </span></font><font size=3D1 color=3Dgray =
face=3DTahoma><span
style=3D'font-size:9.0pt;font-family:Tahoma;color:gray'>| Canadian
= Museum of Civilization | 100 Laurier Street, P.O. Box 3100,
= Station B, Gatineau, Quebec, Canada, J8X 4H2 |
</span></font><font = size=3D1 color=3D"#8080c0" face=3DTahoma><span =
style=3D'font-size:9.0pt;font-family:Tahoma;color:#8080C0'>Phone: 8
=
19.776.8456
</span></font><font size=3D1 color=3Dgray face=3DTahoma><span =
style=3D'font-size:9.0pt; font-family:Tahoma;color:gray'>|
</span></font><font size=3D1 = color=3D"#8080c0" face=3DTahoma><span =
style=3D'font-size:9.0pt;font-family:Tahoma;color:#8080C0'>Fax: 819
=
.776.8491</span></font><font
size=3D1 color=3Dgray face=3DTahoma><span =
style=3D'font-size:9.0pt;font-family:Tahoma;
color:gray'> |</span></font><font size=3D1 color=3D"#a3a3ff" =
face=3DTahoma><span
style=3D'font-size:9.0pt;font-family:Tahoma;color:#A3A3FF'> =
</span></font><font size=3D1 color=3D"#8894ee" face=3DTahoma><span =
style=3D'font-size:9.0pt;font-family:
Tahoma;color:#8894EE'><a =
href=3D"mailto:[log in to unmask]"
title=3D"http://www.nationaltrust.org/"><font color=3D"#8894ee"><span
style=3D'color:#8894EE'><span =
title=3D"http://www.nationaltrust.org/">patti.davis-perkins@civilization
=
.ca</span></span></font></a></span></font></p>
<p class=3DMsoNormal><font size=3D1 color=3Dgray face=3DTahoma><span =
style=3D'font-size:
9.0pt;font-family:Tahoma;color:gray'>Learn more about the Canadian
= Museum of Civilization at </span></font><font size=3D1 =
color=3D"#8894ee" face=3DTahoma><span =
style=3D'font-size:9.0pt;font-family:Tahoma;color:#8894EE'><a
href=3D"http://www.civilization.ca/" =
title=3D"http://www.nationaltrust.org/"><font
color=3D"#8894ee"><span style=3D'color:#8894EE'><span
title=3D"http://www.nationaltrust.org/">www.civilization.ca</span></span
=
></font></a></span></font><font
size=3D1 face=3DTahoma><span =
style=3D'font-size:9.0pt;font-family:Tahoma'> </span></font></p>
</div>
<div style=3D'border:none;border-left:solid blue 1.5pt;padding:0in 0in =
0in 4.0pt'>
<div>
<div class=3DMsoNormal align=3Dcenter =
style=3D'margin:0in;margin-bottom:.0001pt;
text-align:center'><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>
<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>
</span></font></div>
<p class=3DMsoNormal =
style=3D'margin:0in;margin-bottom:.0001pt'><b><font size=3D2
face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:bold'>From:</sp
=
an></font></b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'> Carrie Snow
[mailto:[log in to unmask]] <br> <b><span
style=3D'font-weight:bold'>Sent:</span></b> Tuesday, November = 01, 2005
1:00 PM<br> <b><span style=3D'font-weight:bold'>To:</span></b> =
[log in to unmask]<br> <b><span
style=3D'font-weight:bold'>Subject:</span></b> Job Description =
info.</span></font></p>
</div>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'> </span></font></p>
<div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'>I am = looking for
institutions with both Registrars and Collections Managers.
Currently, my museum only has registrars, but a number of institutions =
that I have been researching have both positions.
Unfortunately, I = haven't been able to locate job descriptions for the
two positions. I am = trying to get a feel for how job duties
are divided between the two = positions and what additional ones may be
added. </span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'>Would = anyone be able to
provide me with some job descriptions?</span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'> </span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>Thanks, =
</span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>Carrie</span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'> </span></font></p>
</div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'> </span></font></p>
<div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 color=3Dblack face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;
color:black'> </span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'> </span></font></p>
</div>
<div>
<p class=3DMsoNormal style=3D'margin:0in;margin-bottom:.0001pt'><font =
size=3D2 color=3Dblack face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;
color:black'>Carrie Snow<br>
Senior Registrar <br>
Museum of Church History and Art<br>
45 North West Temple Street<br>
Salt Lake City, UT 84150<br>
(801) 240-4619</span></font></p>
</div>
</div>
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------------------------------
Date: Tue, 1 Nov 2005 13:41:43 -0600
From: Ann Meehan <[log in to unmask]>
Subject: France Extends a Cultural Hand to Arts Projects in New Orleans
--=__Part6F4D46E7.0__=
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France Extends a Cultural Hand to Arts Projects in New Orleans by Carol
= Vogel, New York Times, November 1, 2005 To show support for the city
of New Orleans, the French culture minister, = Renaud Donnedieu de
Vabres, and the president of the Louvre, Henri = Loyrette, are planning
to visit New Orleans on Friday to announce a series = of cultural
initiatives. Among the projects expected to be announced is an =
exhibition of some 50 works of art lent by the Louvre to the New Orleans
= Museum of Art for an exhibition tentatively scheduled for late 2006 or
= early 2007.=20 Neither officials in New Orleans nor those at the
French Consulate in New = York would confirm details of the exhibition,
but Deborah de la Houssaye, = an artistic attach=E9 at the French
Consulate in New Orleans, confirmed = that the New Orleans Museum has
requested works spanning the Louvre's = collection. Talks between the
two museums are in progress, she said, so it = is too early to say what
specific art will come to New Orleans or exactly = when the exhibition
will take place.=20 Meanwhile, French officials in New York said that
the French government = was planning to help restore the National D-Day
Museum in New Orleans and = support the area's schools and
universities.=20 As soon as Hurricane Katrina hit New Orleans, the
French government sent a = team of military divers and one of the
world's largest aircrafts, the = Airbus Beluga, to New Orleans to
deliver about 20 tons of emergency = supplies. In addition, French
companies and their American subsidiaries = have contributed $18.5
million to the city of New Orleans. French government officials are
expected to announce on Friday specific = details of other cultural
initiatives, including a program to help = musicians by sponsoring a
concert featuring the French singer Francis = Cabrel and the Louisiana
singer and songwriter Zachary Richard at the = Palais des Congr=E8s in
Paris on Nov. 7. They hope the concert will raise = more than $130,000
for Louisiana musicians. The Ministry of Foreign = Affairs and the
Ministry of Culture and Communications, along with French = musical
institutions, will also be creating residencies for musicians from = New
Orleans. Starting Dec. 1, four musicians will be given apartments and =
stipends enabling them to work in Paris, and in January 15 other
residences= throughout France will be provided for musicians.=20
Ann M. Meehan
Curator of Education
Loyola University Museum of Art
820 North Michigan Avenue
Chicago IL 60611
312.915.7604 (direct)
312.915.6388 (fax)
http://www.luc.edu/luma/
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<META content=3D"MSHTML 6.00.2900.2769" name=3DGENERATOR></HEAD> <BODY
style=3D"MARGIN: 4px 4px 1px; FONT: 10pt Tahoma"> <H1><NYT_HEADLINE
version=3D"1.0" type=3D" "><FONT size=3D2>France Extends = a Cultural
Hand to Arts Projects in New Orleans by Carol Vogel, New York =
<EM>Times</EM>, November 1, 2005</FONT></H1></NYT_BYLINE><NYT_TEXT>
<DIV id=3DarticleBody>
<P>To show support for the city of New Orleans, the French culture =
minister, Renaud Donnedieu de Vabres, and the president of the Louvre, =
Henri Loyrette, are planning to visit New Orleans on Friday to announce
a = series of cultural initiatives. Among the projects expected to be =
announced is an exhibition of some 50 works of art lent by the Louvre to
= the New Orleans Museum of Art for an exhibition tentatively scheduled
for = late 2006 or early 2007. </P> <P>Neither officials in New Orleans
nor those at the French Consulate in = New York would confirm details of
the exhibition, but Deborah de la = Houssaye, an artistic attach=E9 at
the French Consulate in New Orleans, = confirmed that the New Orleans
Museum has requested works spanning the = Louvre's collection. Talks
between the two museums are in progress, she = said, so it is too early
to say what specific art will come to New Orleans = or exactly when the
exhibition will take place. </P> <P>Meanwhile, French officials in New
York said that the French government = was planning to help restore the
National D-Day Museum in New Orleans and = support the area's schools
and universities. </P> <P>As soon as Hurricane Katrina hit New Orleans,
the French government = sent a team of military divers and one of the
world's largest aircrafts, = the Airbus Beluga, to New Orleans to
deliver about 20 tons of emergency = supplies. In addition, French
companies and their American subsidiaries = have contributed $18.5
million to the city of New Orleans.</P> <P>French government officials
are expected to announce on Friday specific = details of other cultural
initiatives, including a program to help = musicians by sponsoring a
concert featuring the French singer Francis = Cabrel and the Louisiana
singer and songwriter Zachary Richard at the = Palais des Congr=E8s in
Paris on Nov. 7. They hope the concert will raise = more than $130,000
for Louisiana musicians. The Ministry of Foreign = Affairs and the
Ministry of Culture and Communications, along with French = musical
institutions, will also be creating residencies for musicians from = New
Orleans. Starting Dec. 1, four musicians will be given apartments and =
stipends enabling them to work in Paris, and in January 15 other
residences= throughout France will be provided for musicians. </P>
<P><BR>Ann M. Meehan<BR>Curator of Education<BR>Loyola University Museum
= of Art<BR>820 North Michigan Avenue<BR>Chicago IL
60611<BR>312.915.76= 04 (direct)<BR>312.915.6388 (fax)<BR><A
href=3D"http://www.luc.edu/luma/">h=
ttp://www.luc.edu/luma/</A></P></DIV></BODY></HTML>
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--=__Part6F4D46E7.0__=--
------------------------------
Date: Tue, 1 Nov 2005 14:40:20 -0500
From: Rett Lorance <[log in to unmask]>
Subject: call for papers
This is the final call for papers in the area of Popular Art,
Architecture and Design for the 36th Annual Popular Culture Association
Conference, April 12-15, 2006 in Atlanta, Georgia. Popular Art,
Architecture and Design is concerned with the aesthetics of popular
material culture in the everyday world of the past, present and future.
Scholars from such disciplines as Architecture, Art History, Fine Art,
Industrial Design, and Interior Design are invited to submit proposals.
At previous conferences topics have included World Fairs, architectural
follies, urban image, Buckminster Fuller, Tadao Ando, urban memory,
Disneyland, railroad stations, literary architecture, Vietnamese
shop-houses, mobile homes, and the effect of television on home and
clothing design. It is truly a broad arena! Popular Art, Architecture
and Design papers may be published in an e-zine after the conference.
Please e-mail a cover letter with contact information and 150-word
abstract of your proposed paper to Dr. Rett Lorance at
<[log in to unmask]> and Dr. Derham Groves at
<[log in to unmask]>. NO ATTACHMENTS. The deadline for abstracts is
November 15, 2005. Registration fees apply.
For information about the Popular Culture Association, please go to:
http://www.h-net.org/~pcaaca/pca/pcahistory.htm
Apologies for duplicate postings.
Rett Lorance, Ph.D.
[log in to unmask]
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------------------------------
Date: Tue, 1 Nov 2005 12:02:28 -0800
From: "Clevenger, Liz" <[log in to unmask]>
Subject: Table Top Artifact Display Cases
This is a multi-part message in MIME format.
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Content-Type: text/plain;
charset="us-ascii"
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Hi All:=20
=20
I am looking to purchase a few table top display cases for
archaeological artifacts that will be used primarily for off-site
displays (at conferences, educational events and so forth), and would
greatly value any recommendations for suppliers.=20
=20
Since the cases will be used to house artifacts only temporarily, I am
not super concerned about archival issues. Sturdiness or durability is
more of a concern, so I am looking for something more substantial than,
say, Riker boxes - something more along the lines of the flat top
locking showcases shown here:
http://www.storefixtures2000.com/images/pio1463a.jpg and here
http://www.storefixtures2000.com/Acrylic/Showcases/ac_sc_countertop.htm=
20
=20
I'm a bit overwhelmed by the plethora of vendors out there, and the
seeming variability in the quality of products, so any advice you all
might have is much appreciated. Thanks in advance!
=20
aloha
~liz
=20
Liz Clevenger
Archaeological Collections Specialist
The Presidio Trust
415-561-5086
lclevenger (at) presidiotrust (dot) gov
=20
=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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=3D=3D=3D=3D=3D=3D=3D=3D=3D
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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'>Hi All:
<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'>I am looking to purchase a
few table top display = cases for archaeological artifacts that will be
used primarily for off-site = displays (at conferences, educational
events and so forth), and would greatly value = any recommendations for
suppliers. <o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'>Since the cases will be
used to house artifacts only temporarily, I am not super concerned about
archival issues. Sturdiness = or durability is more of a concern, so I
am looking for something more = substantial than, say, Riker boxes
– something more along the lines of the = flat top locking
showcases shown here: <a
href=3D"http://www.storefixtures2000.com/images/pio1463a.jpg">http://www
.=
storefixtures2000.com/images/pio1463a.jpg</a>
and here <a
href=3D"http://www.storefixtures2000.com/Acrylic/Showcases/ac_sc_counter
t=
op.htm">http://www.storefixtures2000.com/Acrylic/Showcases/ac_sc_counter
t=
op.htm</a>
<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'>I’m a bit
overwhelmed by the plethora of = vendors out there, and the seeming
variability in the quality of products, so any = advice you all might
have is much appreciated. Thanks in =
advance!<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>aloha<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>~liz<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D1 face=3DArial><span =
style=3D'font-size:7.5pt; font-family:Arial'>Liz
Clevenger</span></font><o:p></o:p></p>
<p class=3DMsoNormal><font size=3D1 face=3DArial><span =
style=3D'font-size:7.5pt; font-family:Arial'>Archaeological Collections
= Specialist</span></font><o:p></o:p></p>
<p class=3DMsoNormal><font size=3D1 face=3DArial><span =
style=3D'font-size:7.5pt; font-family:Arial'>The Presidio
Trust</span></font><o:p></o:p></p>
<p class=3DMsoNormal><font size=3D1 face=3DArial><span =
style=3D'font-size:7.5pt;
font-family:Arial'>415-561-5086</span></font><o:p></o:p></p>
<p class=3DMsoNormal><font size=3D1 face=3DArial><span =
style=3D'font-size:7.5pt; font-family:Arial'>lclevenger (at)
presidiotrust (dot) = gov<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
</div>
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------------------------------
Date: Tue, 1 Nov 2005 10:37:33 -0800
From: Lee Gray <[log in to unmask]>
Subject: Registrarial programs
--0-1736343722-1130870253=:88986
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Dear List Members:
I have just recently heard about a museum registrarial program called
Embark. Can anyone speak to the advantages or disadvantages of using
this program over Past Perfect or Filemaker Pro?
Thanks!
L. A. Gray
---------------------------------
Yahoo! FareChase - Search multiple travel sites in one click.
=========================================================
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<DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px;
BORDER-LEFT: #1010ff 2px solid"> <P>Dear List Members:</P> <P> </P>
<P>I have just recently heard about a museum registrarial program called
Embark. Can anyone speak to the advantages or disadvantages of using
this program over Past Perfect or Filemaker Pro?</P> <P> </P>
<P>Thanks!</P> <P> </P> <P>L. A. Gray</P></BLOCKQUOTE></DIV><p>
<hr size=1> <a
href="http://us.lrd.yahoo.com/_ylc=X3oDMTFqODRtdXQ4BF9TAzMyOTc1MDIEX3MDO
TY2ODgxNjkEcG9zAzEEc2VjA21haWwtZm9vdGVyBHNsawNmYw--/SIG=110oav78o/**http
%3a//farechase.yahoo.com/">Yahoo! FareChase - Search multiple travel
sites in one click.</a>
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--0-1736343722-1130870253=:88986--
------------------------------
Date: Tue, 1 Nov 2005 20:37:17 GMT
From: "[log in to unmask]" <[log in to unmask]>
Subject: Scanning vs. microfilming
I have a question put to me by someone at a small local archive. Would
i= t would be better to scan their documents or to put them on
microfilm? = Her concern is that they do not have the money to keep up
with the techn= ology involved in scanning. What do other small
museums/archives do? If= you have your documents microfilmed, is it
something that you do yourse= lf or do you hire someone to come in and
do it for you? You can respond privately to me at [log in to unmask]
Thanks!
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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------------------------------
Date: Tue, 1 Nov 2005 17:55:26 -0500
From: Marty Matin <[log in to unmask]>
Subject: Seeking New Challenge and Job- Senior Exhibit, Admin, lots
more!
My employment will be ending December 1, 2005. I can be in your
organization in two weeks and four days or less...commercial,
government,
private offers welcome.
I have several years of the following experience:
- exhibit designer, preparator, mountmaker, exhibit curator...
- layout, elevation, light and sound, case and vitrene construction,
- Twelve+ years practical problem solving, planning, operations and
production: Designer, fabricator, improviser
- unique and changing situations requiring safeguards to personnel and
priceless artifacts, in time-sensitive environments.
- Bachelor of Arts, anthropology, museum studies minor
- amateur in painting, pop-music, philosophy
- good dad and grandpa, love cats and dogs (and any vertebrate)
[log in to unmask]
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------------------------------
Date: Tue, 1 Nov 2005 17:58:19 EST
From: Kyle McQuilkin <[log in to unmask]>
Subject: help with Tibetan/Bhutanese/Buddhist object
-------------------------------1130885899
Content-Type: text/plain; charset="US-ASCII"
Content-Transfer-Encoding: 7bit
Are there any list members that can help authenticate a carved skull,
presumably of Tibetan origin? I have not had much luck translating the
script, so it
could be from Bhutan instead.
Any advice will be appreciated. Please reply off list.
Kyle McQuilkin
Texas Tech University
School of Art
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-------------------------------1130885899
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Content-Transfer-Encoding: quoted-printable
<HTML><HEAD>
<META charset=3DUS-ASCII http-equiv=3DContent-Type content=3D"text/html;
cha= rset=3DUS-ASCII"> <META content=3D"MSHTML 6.00.2900.2769"
name=3DGENERATOR></HEAD> <BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY:
Arial; BACKGROUND-COLOR: #fffff= f"> <DIV>Are there any list members
that can help authenticate a carved skull, p= resumably of Tibetan
origin? I have not had much luck translating the=20= script, so it
could be from Bhutan instead.</DIV> <DIV> </DIV> <DIV>Any advice
will be appreciated. Please reply off list.</DIV>
<DIV> </DIV> <DIV>Kyle McQuilkin</DIV> <DIV>Texas Tech
University</DIV> <DIV>School of Art</DIV></BODY></HTML>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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-------------------------------1130885899--
------------------------------
Date: Tue, 1 Nov 2005 15:45:49 -0700
From: Jay Heuman <[log in to unmask]>
Subject: Current Case of Censorship
Pardon the cross-posting of this article (see below), but I feel this is
relevant to ongoing discussions about censorship in museum practice.
[The postscript to the article below is that the museum's Board of
Directors decided to pull the artwork from the juried exhibition. If
anyone is interested in contacting the artist directly, please contact
me directly.]
Jay Heuman
Curator of Education
Salt Lake Art Center
20 South West Temple
Salt Lake City, UT 84101
T 801-328-4201 x 21
F 801-322-4323
W www.slartcenter.org
BIBLES AND BULLETS
Cody Clark / The Daily Herald
Saturday, October 29, 2005 (page B1)
The annual Spiritual and Religious Art of Utah exhibit at the
Springville Museum of Art has a tendency to inspire strong feelings.
"This show is always a little controversial," said museum director Vern
Swanson. Religious and spiritual convictions, he said, are not something
that many people regard lightly. To say the least.
One piece that may or may not be displayed during this year's exhibit
has already caused controversy. It's a sculpture that consists of an oil
drum, a Koran and a Bible. That in itself might be enough to make some
people hot beneath the collar, but the artist has gone one step further
-- the Koran contains a bomb, while the Bible is filled with bullets.
The piece, by Logan resident Adam Bradshaw, is called "Improper Use May
Result in Injury or Death."
Swanson said that "Improper Use" is "tough," and that the museum tries
to "not allow artists to be disrespectful of others' faiths." The fact
that the piece doesn't indict one religion more than the other is in
large part what convinced jurors to accept it for the show.
"If it was just the Koran or just the Bible," said Swanson, "I don't
think we would have" chosen to display it.
And visitors to the exhibit may not have the opportunity to judge the
piece's merits for themselves. Because it is a non-profit,
community-sponsored organization, the museum has an executive board that
has final approval regarding potentially offensive exhibits. But even if
the board agrees with the jurors, the work in question might not be in
the show for long.
"If the board accepts it and the public doesn't," said Swanson, "we
would probably take it down."
Swanson said that artists often assert controversial opinions in work
submitted for the Spiritual and Religious Art show. "It's almost like an
editorial show," he said.
Frank McEntire, a Salt Lake City sculptor who has two pieces in the
show, said that everything he does expresses his opinions about the
world. Almost all of his art, he said, explores "contemporary life
issues involving politics, the environment, intersections where commerce
meets values systems."
Provo resident J. Kirk Richards, a painter, said that he generally
doesn't have a specific message in mind when he paints. On the other
hand, Richards said, "I think it's appropriate for an artist to use art
any way that he or she wants. That's their prerogative."
=========================================================
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------------------------------
Date: Tue, 1 Nov 2005 18:10:48 -0500
From: Julia Moore <[log in to unmask]>
Subject: Re: Current Case of Censorship
Sounds pretty mild to me. Or maybe I've just seen too much strong
stuff.
Julia Muney Moore
Public Art Administrator
Blackburn Architects, Indianapolis, IN
(317) 875-5500 x230
=20
-----Original Message-----
From: Museum discussion list [mailto:[log in to unmask]] On
Behalf Of Jay Heuman
Sent: Tuesday, November 01, 2005 5:46 PM
To: [log in to unmask]
Subject: Current Case of Censorship
Pardon the cross-posting of this article (see below), but I feel this is
relevant to ongoing discussions about censorship in museum practice.
[The postscript to the article below is that the museum's Board of
Directors decided to pull the artwork from the juried exhibition. If
anyone is interested in contacting the artist directly, please contact
me directly.]
Jay Heuman
Curator of Education
Salt Lake Art Center
20 South West Temple
Salt Lake City, UT 84101
=20
T 801-328-4201 x 21
F 801-322-4323
W www.slartcenter.org
BIBLES AND BULLETS
Cody Clark / The Daily Herald
Saturday, October 29, 2005 (page B1)
The annual Spiritual and Religious Art of Utah exhibit at the
Springville Museum of Art has a tendency to inspire strong feelings.
"This show is always a little controversial," said museum director Vern
Swanson. Religious and spiritual convictions, he said, are not something
that many people regard lightly. To say the least.
One piece that may or may not be displayed during this year's exhibit
has already caused controversy. It's a sculpture that consists of an oil
drum, a Koran and a Bible. That in itself might be enough to make some
people hot beneath the collar, but the artist has gone one step further
-- the Koran contains a bomb, while the Bible is filled with bullets.
The piece, by Logan resident Adam Bradshaw, is called "Improper Use May
Result in Injury or Death."
Swanson said that "Improper Use" is "tough," and that the museum tries
to "not allow artists to be disrespectful of others' faiths." The fact
that the piece doesn't indict one religion more than the other is in
large part what convinced jurors to accept it for the show.
"If it was just the Koran or just the Bible," said Swanson, "I don't
think we would have" chosen to display it.
And visitors to the exhibit may not have the opportunity to judge the
piece's merits for themselves. Because it is a non-profit,
community-sponsored organization, the museum has an executive board that
has final approval regarding potentially offensive exhibits. But even if
the board agrees with the jurors, the work in question might not be in
the show for long.
"If the board accepts it and the public doesn't," said Swanson, "we
would probably take it down."
Swanson said that artists often assert controversial opinions in work
submitted for the Spiritual and Religious Art show. "It's almost like an
editorial show," he said.
Frank McEntire, a Salt Lake City sculptor who has two pieces in the
show, said that everything he does expresses his opinions about the
world. Almost all of his art, he said, explores "contemporary life
issues involving politics, the environment, intersections where commerce
meets values systems."
Provo resident J. Kirk Richards, a painter, said that he generally
doesn't have a specific message in mind when he paints. On the other
hand, Richards said, "I think it's appropriate for an artist to use art
any way that he or she wants. That's their prerogative."
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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------------------------------
Date: Tue, 1 Nov 2005 17:13:39 -0600
From: Ann Meehan <[log in to unmask]>
Subject: Re: help with Tibetan/Bhutanese/Buddhist object
--=__Part092B20B3.0__=
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You should contact the Rubin Museum of Art: http://www.rmanyc.org/ =20
Ann M. Meehan
Curator of Education
Loyola University Museum of Art
820 North Michigan Avenue
Chicago IL 60611
312.915.7604 (direct)
312.915.6388 (fax)
http://www.luc.edu/luma/
>>> [log in to unmask] 11/1/2005 4:58 PM >>>
Are there any list members that can help authenticate a carved skull, =
presumably of Tibetan origin? I have not had much luck translating the
= script, so it could be from Bhutan instead. =20 Any advice will be
appreciated. Please reply off list. =20 Kyle McQuilkin Texas Tech
University School of Art
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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=3D=
=3D=3D=3D=3D=3D=3D=3D Important Subscriber Information:=20
The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-fa=
q/ . You may obtain detailed information about the listserv commands by
= sending a one line e-mail message to [log in to unmask] .
The = body of the message should read "help" (without the quotes).=20 If
you decide to leave Museum-L, please send a one line e-mail message to =
[log in to unmask] . The body of the message should read =
"Signoff Museum-L" (without the quotes).=20
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style=3D"MARGIN: 4px 4px 1px; FONT: 10pt Tahoma; BACKGROUND-COLOR: =
#ffffff"> <DIV>You should contact the Rubin Museum of Art: <A
href=3D"http://www.rman= yc.org/">http://www.rmanyc.org/</A></DIV>
<DIV> </DIV>
<DIV><BR>Ann M. Meehan<BR>Curator of Education<BR>Loyola University
Museum = of Art<BR>820 North Michigan Avenue<BR>Chicago IL
60611<BR>312.915.76= 04 (direct)<BR>312.915.6388 (fax)<BR><A
href=3D"http://www.luc.edu/luma/">h=
ttp://www.luc.edu/luma/</A><BR><BR>>>> [log in to unmask] =
11/1/2005 4:58 PM >>><BR></DIV> <DIV style=3D"COLOR: #000000">
<DIV>Are there any list members that can help authenticate a carved
skull, = presumably of Tibetan origin? I have not had much luck
translating = the script, so it could be from Bhutan instead.</DIV>
<DIV> </DIV> <DIV>Any advice will be appreciated. Please
reply off list.</DIV> <DIV> </DIV> <DIV>Kyle McQuilkin</DIV>
<DIV>Texas Tech University</DIV> <DIV>School of
Art</DIV>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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------------------------------
Date: Tue, 1 Nov 2005 14:08:57 -0800
From: Page Harrington <[log in to unmask]>
Subject: job posting
This is a multi-part message in MIME format.
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Hello,
Please forward the following job description to any interested parties,
thank you.
The Coronado Historical Association, Museum of History & Art in
Coronado, California seeks a full-time Executive Director to provide
leadership in fundraising as well as overall direction in all aspects of
operations. The association has an $800,000 annual budget which includes
the contract with the City of Coronado ($350,000) to operate as the
city's Visitor Center, a staff of eight and volunteer base of 30+.
Primary duties include all aspects of fundraising and planned giving,
grant writing, membership development, daily and long range financial
management, and budget planning, as well as oversight of all
programming, exhibits and events and public relations. The director
will oversee the day-to-day aspects of the Visitor Center service
contract with the City of Coronado, manage relationship with the
building owner and tenants, including the on-site rstaurant.
Management experience with an advanced degree in museum administration
or history is preferred. The successful candidate will be a skilled
communicator able to build positive relationhips between the association
and various constituencies. We need a multi-talented flexible
individual who is able to inspire others and is excited about the
opportunity to grow a young organization into a regional asset. Position
is open until filled, salary range is $35,000-$50,000 commensurate with
qualifications and experience, health benefits are
offered. Relocation costs not covered. Forward cover letter and resume
to: Executive Director Search, Coronado Historical Association, 1100
Orange Avenue, Coronado, CA 92118 or email to
[log in to unmask]
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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hello,<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt; font-family:Arial'>Please forward the
following job description to any interested parties, thank
you.<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3D"Book Antiqua"><span style=3D'font-size:12.0pt;font-family:"Book
= Antiqua";mso-bidi-font-weight:bold'>The
Coronado Historical Association, Museum of History & Art in =
</span></font><st1:place><st1:City><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua";mso-bidi-font-weight:
bold'>Coronado</span></font></st1:City><font face=3D"Book =
Antiqua"><span style=3D'font-family:"Book
Antiqua";mso-bidi-font-weight:bold'>, = </span></font><st1:State><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua";mso-bidi-font-weight:
bold'>California</span></font></st1:State></st1:place><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua";mso-bidi-font-weight:
bold'> seeks a full-time Executive Director to provide leadership in
fundraising as well as overall direction in all aspects of operations. =
The association has an $800,000 annual budget which includes the
contract with the City = of Coronado ($350,000) to operate as the city's
Visitor Center, a staff of = eight and volunteer base of
30+.<o:p></o:p></span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3D"Book Antiqua"><span style=3D'font-size:12.0pt;font-family:"Book
=
Antiqua";mso-bidi-font-weight:bold'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3D"Book Antiqua"><span style=3D'font-size:12.0pt;font-family:"Book
Antiqua"'>Primary duties = include all aspects of fundraising and
planned giving, grant writing, membership development, daily and long
range financial management, and budget = planning, as well as oversight
of all programming, exhibits and events and public relations.<span
style=3D'mso-spacerun:yes'> </span>The director = will oversee the
day-to-day aspects of the =
</span></font><st1:place><st1:PlaceName><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua"'>Visitor</span></font></st1:PlaceName><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book Antiqua"'> =
</span></font><st1:PlaceType><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua"'>Center</span></font></st1:PlaceType></st1:place><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book Antiqua"'> =
service contract with the City of
</span></font><st1:City><st1:place><span = class=3DGramE><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua"'>Coronado</span></font></span></st1:place></st1:City><span
class=3DGramE><font face=3D"Book Antiqua"><span =
style=3D'font-family:"Book Antiqua"'>,</span></font></span><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book Antiqua"'> manage
relationship with the building owner and tenants, including the on-site
rstaurant. <o:p></o:p></span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3D"Book Antiqua"><span style=3D'font-size:12.0pt;font-family:"Book
=
Antiqua";mso-bidi-font-weight:bold'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
face=3D"Book Antiqua"><span style=3D'font-size:12.0pt;font-family:"Book
= Antiqua";mso-bidi-font-weight:bold'>Management
experience with an advanced degree in museum administration or history =
is preferred.<span style=3D'mso-spacerun:yes'> </span>The
successful = candidate will be a skilled communicator able to build
positive relationhips = between the association and various
constituencies.<span = style=3D'mso-spacerun:yes'> </span>We need
a multi-talented flexible individual who is able to = inspire others and
is excited about the opportunity to grow a young organization = into a
regional asset.<span style=3D'mso-spacerun:yes'> </span>Position =
is open until filled, salary range is $35,000-$50,000 commensurate with
= qualifications and experience, health benefits are offered.<span
style=3D'mso-spacerun:yes'> </span><span
style=3D'mso-spacerun:yes'> </span>Relocation costs not covered. =
Forward cover letter and resume to:<span
style=3D'mso-spacerun:yes'> </span>Executive Director Search,
Coronado Historical Association, =
</span></font><st1:address><st1:Street><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua";mso-bidi-font-weight:
bold'>1100 Orange Avenue</span></font></st1:Street><font face=3D"Book
= Antiqua"><span style=3D'font-family:"Book
Antiqua";mso-bidi-font-weight:bold'>, = </span></font><st1:City><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua";mso-bidi-font-weight:
bold'>Coronado</span></font></st1:City><font face=3D"Book =
Antiqua"><span style=3D'font-family:"Book
Antiqua";mso-bidi-font-weight:bold'>, = </span></font><st1:State><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua";mso-bidi-font-weight:
bold'>CA</span></font></st1:State><font face=3D"Book Antiqua"><span
style=3D'font-family:"Book Antiqua";mso-bidi-font-weight:bold'><span
style=3D'mso-spacerun:yes'> =
</span></span></font><st1:PostalCode><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua";mso-bidi-font-weight:
bold'>92118</span></font></st1:PostalCode></st1:address><font
face=3D"Book Antiqua"><span style=3D'font-family:"Book =
Antiqua";mso-bidi-font-weight:
bold'> or email to =
[log in to unmask]<o:p></o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=3DMsoAutoSig><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt;mso-no-proof:yes'><o:p> </o:p></span></font></p>
<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>
</div>
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<p>
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------=_NextPart_000_0046_01C5DEED.CD32EF90--
------------------------------
End of MUSEUM-L Digest - 31 Oct 2005 to 1 Nov 2005 (#2005-303)
**************************************************************
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
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