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Subject:
From:
vadwyers <[log in to unmask]>
Reply To:
Museum discussion list <[log in to unmask]>
Date:
Fri, 29 Dec 2006 18:51:38 -0500
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Dear Dawn:

Might I suggest that sensitive historical topics in the museum exhibition
setting might best be related to present day visitors by using the
authentic, contradictory voices of the entire range of the historical
participants, e.g., M.L. King/Ross Barnett or, in a different day, Frederick
Douglass/Nathan Bedford Forrest.  Lots of care and prudential judgment is
required here- there is no shortcut to good curatorial work.  To conclude
such an exhibit, pose questions to your audience rather than providing
answers.  Provide a forum for discussion/reaction.  Real education, if that
be our mission, presupposes thought.  Provoke it!

Dave Dwyer
V.P. Programs
The Mariners' Museum  

-----Original Message-----
From: Museum discussion list [mailto:[log in to unmask]] On Behalf
Of Dawn Distasio
Sent: Monday, December 18, 2006 3:16 PM
To: [log in to unmask]
Subject: [MUSEUM-L] Presenting Culturally Sensitive Topics

Hello,

I am a graduate student in Museum Studies and doing a final paper on how 
museums present culturally sensitive topics--specifically slavery and the 
treatment of black people in America in the early 1900's. 

If anyone has a moment, could you please give me your 
opinions/experiences/insight on the following topics:

1) Should museums present the truth and risk offending people or make the 
material 'palatable' for the easy consumption of everyone?
2) Does/Should the type of museum affect how they present the topic? (For 
example, a historical society vs. an art museum.)
3) Should a museum present different aspects to different audiences or have 
a consistent 'presentation' of material (I don't mean children vs adults, 
although i'd be happy to hear of how museums are reaching out to school 
children of different races to present this material. What I do mean is
different 
audiences of race, class, etc.)
4) Where do you see the 'trend' going in presenting culturally sensitive 
material? (I hate to use the word 'trend', but I'm interested to see what 
direction museums are leaning towards (see question #1).

Any information you can provide will be greatly appreciated.

Sincerely,
Dawn
Tufts University

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