The two biggest and best regarded groups in the country that train and test
their members for appraisal methodology are the International Society of
Appraisers and the American Society of Appraisers. Both have web sites.
The International Society is composed of the "art, residential contents,
weird old stuff, jewelry and machinery/equipment" experts and their group
focuses on this type of material in specialty courses. The American Society
of Appraisers includes business valuation and real estate experts.
Sara Conklin, ISA CAPP
Registrar and Certified Appraiser
800-464-4208
===================================================================
>
> Copyright (c) 2005 The Seattle Times Company
>
> www.seattletimes.com
> Your Life. Your Times.
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 08:31:03 -0500
> From: Paul J Eisloeffel <[log in to unmask]>
> Subject: Re: Film usage fees?
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_00A3_01C59285.86CC2A80
> Content-Type: text/plain;
> charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> Hi Lindsey,=20
>
> We've developed use fees for moving images and video to mesh with those =
> for photos and other graphics. For our current fees, see =
> http://www.nebraskahistory.org/lib-arch/services/refrence/license.htm =
> (our research and duplication fees are at =
> http://www.nebraskahistory.org/lib-arch/services/refrence/fees.htm#Photog=
> raphs). You'll note that our policy is as follows:=20
>
> "Permission for use of duplicates of materials from the collections of =
> the Nebraska State Historical Society is granted for a one-time use. . . =
> . Users are responsible for clearing any issues of copyright. There are =
> no license fees for use of materials for research or personal enjoyment, =
> in not-for-profit projects, or by Nebraska news media. All other uses =
> are charged according to the fee schedule. . . . Not-for-profit =
> producers creating for-profit projects will be charged half the license =
> fees. . . . Use fees are paid in advance and are not refundable."
>
> You'll also notice that we charge for rather large increments of moving =
> images or audio used (specifically, 7.5-minute increments of a moving =
> image and 30-minute increments of an audio recording). Most commercial =
> stock houses charge by the second used, but we found that to be way too =
> hard to administer to some of our clients, so we opted for larger =
> chunks.=20
>
> Hope this helps! If I can be of service with any other moving image =
> matters (preservation, reformatting, digitizing, etc.) please let me =
> know. Thanks! =20
>
> -Paul
>
> Paul Eisloeffel
> Curator of Visual & Audio Collections
> Nebraska State Historical Society
> 1500 R Street
> Box 82554
> Lincoln, NE 68501
> Voice: 402.471.4750
> Fax: 402.471.8922
> [log in to unmask]
> www.nebraskahistory.org
>
>
>
> ----- Original Message -----=20
> From: "Lindsey MacAllister" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Tuesday, July 26, 2005 11:57 AM
> Subject: [MUSEUM-L] Film usage fees?
>
>
> > Hi Everyone,
> > I'm looking to update our usage fee schedule in order
> > to standardize our usage and reproduction fees for
> > archived film footage. I've found some good
> > information online, but I was hoping to get a few more
> > sources from which I can make some confident
> > descisions.
> >
> > Our photograph fees are in order, but actual moving
> > film fees have me stumped. I would really, really
> > appreciate any fee schedules or advice you can offer.
> >
> > Thanks in advance,
> > Lindsey
> >
> >
> > Lindsey MacAllister
> > Archivist
> > Museum of Science and Industry, Chicago
> >
> >
> >
> > ____________________________________________________
> > Start your day with Yahoo! - make it your home page
> > http://www.yahoo.com/r/hs
> >
> >
> > =
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> > Important Subscriber Information:
> >
> > The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail =
> message
> to [log in to unmask] . The body of the message should read =
> "help"
> (without the quotes).
> >
> > If you decide to leave Museum-L, please send a one line e-mail message =
> to
> [log in to unmask] . The body of the message should read =
> "Signoff
> Museum-L" (without the quotes).
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> ------=_NextPart_000_00A3_01C59285.86CC2A80
> Content-Type: text/html;
> charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dwindows-1252">
> <META content=3D"MSHTML 6.00.2800.1505" name=3DGENERATOR>
> <STYLE></STYLE>
> </HEAD>
> <BODY bgColor=3D#ffffff>
> <DIV><FONT size=3D2>Hi Lindsey, </FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>We've developed use fees for moving images and video =
> to mesh=20
> with those for photos and other graphics. For our current =
> fees, see=20
> <A=20
> href=3D"http://www.nebraskahistory.org/lib-arch/services/refrence/license=
> .htm">http://www.nebraskahistory.org/lib-arch/services/refrence/license.h=
> tm</A> (our=20
> research and duplication fees are at <A=20
> href=3D"http://www.nebraskahistory.org/lib-arch/services/refrence/fees.ht=
> m#Photographs">http://www.nebraskahistory.org/lib-arch/services/refrence/=
> fees.htm#Photographs</A>). =20
> You'll note that our policy is as follows: </FONT></DIV>
> <DIV> </DIV>
> <DIV>"Permission for use of duplicates of materials from the collections =
> of the=20
> Nebraska State Historical Society is granted for a one-time use. . .=20
> . Users are responsible for clearing any issues of copyright. There =
> are no=20
> license fees for use of materials for research or personal enjoyment, in =
>
> not-for-profit projects, or by Nebraska news media. All other uses are =
> charged=20
> according to the fee schedule. . . . Not-for-profit producers creating=20
> for-profit projects will be charged half the license fees. . . . Use =
> fees are=20
> paid in advance and are not refundable."</DIV>
> <DIV> </DIV>
> <DIV><FONT size=3D2>You'll also notice that we charge for rather large =
> increments=20
> of moving images or audio used (specifically, <FONT size=3D3>7.5-minute =
> increments=20
> of a moving image and 30-minute increments of an audio recording). =
> Most=20
> commercial stock houses charge by the second used, but we found that to =
> be way=20
> too hard to administer to some of our clients, so we opted for larger =
> chunks.=20
> </FONT></FONT></DIV>
> <DIV> </DIV>
> <DIV><FONT size=3D2>Hope this helps! If I can be of service with =
> any other=20
> moving image matters (preservation, reformatting, digitizing, etc.) =
> please let=20
> me know. Thanks! </FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>-Paul</FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>Paul Eisloeffel<BR>Curator of Visual & Audio=20
> Collections<BR>Nebraska State Historical Society<BR>1500 R Street<BR>Box =
>
> 82554<BR>Lincoln, NE 68501<BR>Voice: 402.471.4750<BR>Fax: =
> 402.471.8922<BR><A=20
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A><BR><A=
> =20
> href=3D"http://www.nebraskahistory.org">www.nebraskahistory.org</A><BR></=
> FONT></DIV>
> <P><FONT size=3D2></FONT></P>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV>----- Original Message ----- <BR>From: "Lindsey MacAllister" <<A =
>
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A>><BR>To: =
> <<A=20
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> </A>><BR>Sent:=20
> Tuesday, July 26, 2005 11:57 AM<BR>Subject: [MUSEUM-L] Film usage=20
> fees?<BR><BR><BR>> Hi Everyone,<BR>> I'm looking to update our =
> usage fee=20
> schedule in order<BR>> to standardize our usage and reproduction fees =
>
> for<BR>> archived film footage. I've found some good<BR>>=20
> information online, but I was hoping to get a few more<BR>> sources =
> from=20
> which I can make some confident<BR>> descisions.<BR>><BR>> Our=20
> photograph fees are in order, but actual moving<BR>> film fees have =
> me=20
> stumped. I would really, really<BR>> appreciate any fee =
> schedules or=20
> advice you can offer.<BR>><BR>> Thanks in advance,<BR>>=20
> Lindsey<BR>><BR>><BR>> Lindsey MacAllister<BR>> =
> Archivist<BR>>=20
> Museum of Science and Industry, Chicago<BR>><BR>><BR>><BR>>=20
> ____________________________________________________<BR>> Start your =
> day with=20
> Yahoo! - make it your home page<BR>> <A=20
> href=3D"http://www.yahoo.com/r/hs">http://www.yahoo.com/r/hs</A><BR>><=
> BR>><BR>>=20
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D<BR>> Important=20
> Subscriber Information:<BR>><BR>> The Museum-L FAQ file is located =
>
> at<BR><A=20
> href=3D"http://www.finalchapter.com/museum-l-faq/">http://www.finalchapte=
> r.com/museum-l-faq/</A>=20
> . You may obtain detailed<BR>information about the listserv commands by =
> sending=20
> a one line e-mail message<BR>to <A=20
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> </A> .=20
> The body of the message should read "help"<BR>(without the=20
> quotes).<BR>><BR>> If you decide to leave Museum-L, please send a =
> one line=20
> e-mail message to<BR><A=20
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> </A> .=20
> The body of the message should read "Signoff<BR>Museum-L" (without the=20
> quotes).</DIV></BODY></HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_00A3_01C59285.86CC2A80--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 10:01:30 -0400
> From: Diane Gutenkauf <[log in to unmask]>
> Subject: Re: A flap in Gettysburg?
>
> Deb,
>
> Perhaps you wouldn't mind defining what you mean by dialogue.
>
> It's a term we use quite often in relation to exhibits, especially when we
> try to incorporate ways for visitors to share their thoughts. I believe it
> is possible to use exhibitions to create opportunities for sharing
> thougths and feelings in a verbal or written manner (my definition of
> dialogue). The exhibition on lynching at the Chicago Historical Society
> attempts to do this.
>
> Why can't lynching (or genocide, or anything else that makes us
> uncomfortable) be appropriate topics for "dialogue"
>
> Diane Gutenkauf
>
> On Tue, 26 Jul 2005 14:15:58 +0200, Deb Fuller <[log in to unmask]>
wrote:
> <snip>
> But on the flip side, when has anything relating to
> >lynching opened up a dialogue? <snip>
> >Deb
> >
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 10:24:15 -0400
> From: L Dewey <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> Regardless of how some might want to re-characterize it, the the U.S.
> civil war, like any war, was a continuation of politics by violent
> means.
>
> Any survey of the decades leading up to 1860 surely shows that it was
> very much grounded in slavery as an economic and political system - and
> the terms cited in this thread are references to that system.
>
> 'States rights' was the code for maintaining legal slavery in those
> jurisdictions where it was established. That was an bloody issue as the
> U.S. formally annexed territory in it's westward expansion. Texas is a
> prime example; the periodically re-valorized heroes of the Alamo
> (Bowie, Crockett, et al) were in fact slavers interested in annexing
> Texas to become a slave state. Consider also the so-called Missouri
> Compromise, the Kansas-Nebraska Act, the Dred Scott Decision, etc.
>
> That the war commenced on the matter of secession only requires that we
> ask why the southern confederacy was formed in the first place - to
> maintain legalized slavery.
>
> Between 1620 and 1860 tens of millions, perhaps hundreds of millions of
> people were kidnapped from Africa and brought to North and South
> America. Millions died during the middle passage. Millions more were
> brutalized, raped, and murdered by their slavemasters in the New World.
>
> What does it mean to characterize the Civil War as a 'tragedy' or an
> 'unpleasantness' - to fight to bring slavery to an end?
>
> However this might relate to quaint issues of family loyalty, in the
> afterglow, it is surely superseded by issues of human rights. To
> celebrate or commemorate the cause of slavery at any time, much less in
> 2005, is not just questionable, its abhorrent.
>
> In the present-day US political and cultural climate, it is also not
> surprising. For example the U.S. president and central government
> promote the slogan of 'states' rights' - when it suits their agenda -
> and veneer the concept with additional ideological signs such as
> 'family values', 'traditional morality', and 'god'. Meanwhile
> conservative cultural voices advocate a similar prism be used to
> re-interpret the past.
>
> I'd rather not ...
>
> - L.D.
>
>
> On Jul 27, 2005, at 12:02 AM, MUSEUM-L automatic digest system wrote:
>
> > Date: Tue, 26 Jul 2005 17:04:30 -0400
> > From: Carol Ely <[log in to unmask]>
> > Subject: Re: Gettysburg and the Sons of Confederate Veterans
> >
> > The mere fact that it's the "CIVIL WAR" to Northerners and the "WAR
> > BETWEEN THE STATES" to Southerners shows that each side had a different
> > perception of what the conflict was about.
> >
> > The war initially was not about ending slavery, at least not
> > explicitly. The Emancipation Proclamation in 1863 made it about
> > slavery,
> > and I think today we tend to adopt that retrospective view of it.
> >
> > For many Southerners, support was for their state, their community,
> > their people, who had - as they saw it - been attacked. It was simple
> > loyalty, that they saw as patriotism. Any of us might react the same
> > way, regardless of the larger abstract principles involved. I'm not
> > denying that ultimately the sense that there were two distinct nations
> > within the concept of "America" was due largely to the fact that the
> > North and South had different attitudes and laws about slavery. It was
> > both about slavery, and about many other factors - AS PERCEIVED by the
> > participants.
> >
> > Today's "Confederate" enthusiasts as individuals have many agendas,
> > from
> > overt racism, to basic family loyalty. Some have learned more from the
> > past than others. Some organizations may have hidden agendas. But many
> > want to make "Confederate" not automatically mean shame, and racism.
> >
> > The artist is challenging and deconstructing all these meanings. It's
> > all very complex. Maybe because I've lived and worked and taught on
> > both
> > sides of the Mason-Dixon line, and have ancestors on both sides of the
> > "late unpleasantness," the Civil War has come to seem to be an American
> > tragedy, in which wrongs are so twisted with rights that none of us
> > comes out of it with the right to be self-righteous.
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 08:39:15 -0600
> From: John Martinson <[log in to unmask]>
> Subject: Re: A flap in Gettysburg?
>
> Agreed. If they exhibit a Christian cross in urine, box cars that=20
> held Jews on their way to gas chambers, death row cells with=20
> gallows or the death room, etc. Yes, why not * they bring forth dialogue
> such as *- exhibits on Big Foot, UFOs, Enola Gay, Big Foot,=20
> and theories of evolution and creationism. ;o) It is all part of the
> museum learning process.
>
> John
>
> >>> [log in to unmask] 7/27/2005 8:01:30 AM >>>
> Deb,=20
>
> Perhaps you wouldn't mind defining what you mean by dialogue.=20
>
> It's a term we use quite often in relation to exhibits, especially when =
> we=20
> try to incorporate ways for visitors to share their thoughts. <snip>
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 07:46:59 -0700
> From: carey stumm <[log in to unmask]>
> Subject: Multilevel cataloging in PastPerfect
>
> The institution I work for is just starting out with
> PastPerfect and I am trying to work out in advance how
> everything should be cataloged.
> I'm having some organizational problems because
> currently I have everything organized into SERIES such
> as Museum Admin Records, Elevated Railroad
> photographs, Subway Construction photographs, Transit
> Police, ect.
> THEN I have collection descriptions based on a
> collection that came into the Archives as a single
> accession.
> SO, I have about 5 collections that make up one
> series. PastPerfect does not allow several Collections
> to be attached to a single series. I need to figure
> out a way to reorganize the records for our
> collection. Does anyone have any advice or has dealt
> with this sort of problem before?
> Thanks,
> Carey Stumm
>
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 10:30:09 -0400
> From: Deb Fuller <[log in to unmask]>
> Subject: Re: A flap in Gettysburg?
>
> On 7/27/05, Diane Gutenkauf <[log in to unmask]> wrote:
>
> > Why can't lynching (or genocide, or anything else that makes us
> > uncomfortable) be appropriate topics for "dialogue"
>
> It wasn't the topic of the Confederate flag that I thought was
> inappropriate or even lynching but it was the "lynching of the flag"
> exhibit which I thought was deliberately inflamatory. It would be like
> a foreigner burning a US flag to start a discussion on the war in
> Iraq.
>
> A critical look at difficult periods in history is definitely needed
> as history shouldn't be overlooked because it wasn't a happy time. But
> there's a way to appropriately hold such a discussion.
>
> And I'm all for "difficult" art which display disturbing images but
> again, there's an appropriate time and place to display such art. Like
> Candace's experience with her "gay frakktur" exhibit, I thought it was
> extremely rude for the artist to include pieces in his exhibit which
> he knew would be against the host institution's religious beliefs. If
> the exhibit were being held in a public institution or one that
> clearly had an all-inclusion type policy, I'd say that the artist
> could display whatever he wanted.
>
> Likewise, the part of the confederate flag exhibit that is about
> different ways to color the flag is interesting and creates diaglogue.
> But since the exhibit is being hosted at an institution where people
> take their flag seriously, exhibiting a "flag lynching" can only be
> seen as inflamatory. Hence my example of trying to start a
> conversation by punching someone in the face.
>
> So to get back to your original question, I guess I was wrong when I
> said "when has the subject of lynching ever opened up a dialogue." I
> should have said, "when has lynching someone or something ever opened
> up a dialogue?" Perhaps it will long after the unfortunate event and
> when tempers have cooled down but not at the time that it originally
> happens.
>
> deb
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 08:56:43 -0600
> From: John Martinson <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> Though I personally am against slavery, it does not harm institutions such
=
> as museums or
> schools to teach the subject. In my graduate work, I had an excellent =
> class on the
> Jewish Holocaust (taught by a Jew) and was one of my most enjoyable, but =
> difficult
> to see the films and learn of how man treat other peoples because of =
> economical,
> political or religious differences. =20
>
> But, let us understand * America was built on slavery, and it was not just
=
> in the South. =20
>
> "Slavery was a legal institution in all of the 13 American colonies. A =
> majority of the founding fathers owned slaves, including the author of the
=
> Declaration of Independence, the Father of the Constitution, and the =
> commander of the Continental Army."=20
>
> "Slavery during the colonial era was not a static, unchanging institution.
=
> It was a dynamic, evolving institution that varied radically across time =
> and space. During the early seventeenth century, slavery was far different
=
> from what it would later become. Anthony Johnson was one of Virginia's =
> first slaves. Arriving in 1621, he was put to work on a plantation along =
> the James River, where he took a wife, Mary, and raised at least four =
> children. During the 1630s, Johnson and his family gained their freedom, =
> probably by purchasing their own freedom. Johnson subsequently acquired an
=
> estate of 250 acres, which he farmed with the help of white indentured =
> servants and at least one slave. Just as remarkably, Johnson successfully
=
> sued in court for the return of a slave, who he claimed had been stolen by
=
> two white neighbors." Source:
http://www.digitalhistory.uh.edu/black_voice=
> s/voices_display.cfm?id=3D14
>
> When the first Europeans arrived in the New World, they subjugated the =
> Native people into
> slavery, destroying their culture, religion and life ways. We destroyed =
> these people *- by
> sending dogs to rip them a part, drawing and quartering them, burning them
=
> at the stake, and removing
> them from their family and tradition home land. We (noble white man) =
> raided their villages and massacred their women and children, and sent =
> many tribes and peoples on harsh Trails of Tears and into slavery. =20
>
> To bring forth meaningful dialogue is the mission of a museum. As museum
=
> professional, we
> even may not agree with what we present, but it does bring forth means to
=
> discuss and talk
> about sad times in our history and past. =20
>
> John
> Boise, ID =20
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 07:34:51 -0700
> From: Mieke Fay <[log in to unmask]>
> Subject: Manager of Literary Programs position, Washington, DC
>
> --0-1056035381-1122474891=:52514
> Content-Type: text/plain; charset=iso-8859-1
> Content-Transfer-Encoding: 8bit
>
>
> Hi All!
>
> The National Museum of Women in the Arts seeks a Manager of Literary
Programs. Please see below for qualifications and application procedures.
>
> Thanks!
>
> Mieke
>
>
>
> Department: Education
>
> Supervisor: Curator of Education
>
>
>
>
>
> The Manager of Literary Programs will have a combination of education and
experience in the application of literature and the visual arts in a museum
setting. Responsibilities include:
>
>
>
> · Managing the museum’s Literary Series: selecting writers,
overseeing the public readings and creative writing workshops, writing
funding proposals and reports, coordinating writing workshops with teachers,
organizing receptions for book signings, evaluating the program, editing
student anthology, organizing book discussion groups, writing book reviews,
and planning and implementing related programs;
>
> · Planning and implementing programs to complement special
exhibitions;
>
> · Producing education materials related to literary series,
permanent collection, and special exhibitions: materials for website,
resource packets, study prints, gallery guides, etc.;
>
> · Writing funding proposals and reports;
>
> · Assist in planning and implementing teacher workshops and writing
teacher newsletters;
>
> · Participating in docent training program and conducting
exhibition tours, as needed;
>
> · Taking part in other projects of the Education Department, the
Arts and Programs Division, and the museum.
>
>
>
> Qualifications: An advanced degree in English or literature, knowledge of
contemporary literature, and a minimum of three years experience programming
literary programs are required. Excellent organizational and project
management skills, proficiency in oral and written communications, and the
ability to work independently and as part of a team are required.
Familiarity with work in a museum setting is ideal. Also desirable are a
knowledge of fine arts and an ability to develop collaborative
relationships. Competitive salary and benefits.
>
>
>
> Email cover letter, resume, and salary requirements to [log in to unmask] EOE
>
>
>
> ---------------------------------
> Start your day with Yahoo! - make it your home page
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> --0-1056035381-1122474891=:52514
> Content-Type: text/html; charset=iso-8859-1
> Content-Transfer-Encoding: 8bit
>
> <DIV>
> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE:
12pt; FONT-FAMILY: 'Times New Roman'">Hi All!</SPAN></P>
> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE:
12pt; FONT-FAMILY: 'Times New Roman'">The National </SPAN><?xml:namespace
prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags"
/><st1:place><st1:PlaceType><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY:
'Times New Roman'">Museum</SPAN></st1:PlaceType></st1:place><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'"> of Women in the
Arts seeks a </SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times
New Roman'">Manager of Literary Programs. Please see below for
qualifications and application procedures.</SPAN></P>
> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE:
12pt; FONT-FAMILY: 'Times New Roman'">Thanks!</SPAN></P>
> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE:
12pt; FONT-FAMILY: 'Times New Roman'">Mieke</SPAN></P>
> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE:
12pt; FONT-FAMILY: 'Times New Roman'"></SPAN> </P>
> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><B
style="mso-bidi-font-weight: normal"><SPAN style="FONT-SIZE: 12pt;
FONT-FAMILY: 'Times New Roman'">Department:</SPAN></B><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'"><SPAN
style="mso-tab-count:
2"> &
nbsp; </SPAN>Education<?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><B
style="mso-bidi-font-weight: normal"><SPAN style="FONT-SIZE: 12pt;
FONT-FAMILY: 'Times New Roman'">Supervisor:</SPAN></B><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'"><SPAN
style="mso-tab-count:
2"> &
nbsp; </SPAN>Curator of Education <o:p></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE:
12pt; FONT-FAMILY: 'Times New Roman'"><o:p></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><?xml:namespace prefix = v
ns = "urn:schemas-microsoft-com:vml" /><v:line id=_x0000_s1026
style="Z-INDEX: 1; POSITION: absolute" to="454.05pt,2pt"
from="4.05pt,2pt"></v:line><FONT size=3><FONT face="Bookman Old Style"><SPAN
style="mso-no-proof: yes"><SPAN style="mso-spacerun:
yes"> </SPAN></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times
New Roman'"><o:p></o:p></SPAN></FONT></FONT></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'">The Manager of
Literary Programs will have a combination of education and experience in the
application of literature and the visual arts in a museum setting.<SPAN
style="mso-spacerun: yes"> </SPAN>Responsibilities
include:<o:p></o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt 0.5in"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'"><o:p> </o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt 0.5in;
TEXT-INDENT: -0.25in; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Symbol; mso-fareast-font-family:
Symbol; mso-bidi-font-family: Symbol"><SPAN style="mso-list: Ignore">·<SPAN
style="FONT: 7pt 'Times New
Roman'">
</SPAN></SPAN></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'">Managing the museum’s Literary Series: selecting writers, overseeing
the public readings and creative writing workshops, writing funding
proposals and reports, coordinating writing workshops with teachers,
organizing receptions for book signings, evaluating the program, editing
student anthology, organizing book discussion groups, writing book reviews,
and planning and implementing related programs;<o:p></o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt 0.5in;
TEXT-INDENT: -0.25in; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Symbol; mso-fareast-font-family:
Symbol; mso-bidi-font-family: Symbol"><SPAN style="mso-list: Ignore">·<SPAN
style="FONT: 7pt 'Times New
Roman'">
</SPAN></SPAN></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'">Planning and implementing programs to complement special
exhibitions;<o:p></o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt 0.5in;
TEXT-INDENT: -0.25in; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Symbol; mso-fareast-font-family:
Symbol; mso-bidi-font-family: Symbol"><SPAN style="mso-list: Ignore">·<SPAN
style="FONT: 7pt 'Times New
Roman'">
</SPAN></SPAN></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'">Producing education materials related to literary series, permanent
collection, and special exhibitions: materials for website, resource
packets, study prints, gallery guides, etc.;<o:p></o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt 0.5in;
TEXT-INDENT: -0.25in; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Symbol; mso-fareast-font-family:
Symbol; mso-bidi-font-family: Symbol"><SPAN style="mso-list: Ignore">·<SPAN
style="FONT: 7pt 'Times New
Roman'">
</SPAN></SPAN></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'">Writing funding proposals and reports;<o:p></o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt 0.5in;
TEXT-INDENT: -0.25in; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Symbol; mso-fareast-font-family:
Symbol; mso-bidi-font-family: Symbol"><SPAN style="mso-list: Ignore">·<SPAN
style="FONT: 7pt 'Times New
Roman'">
</SPAN></SPAN></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'">Assist in planning and implementing teacher workshops and writing
teacher newsletters;<o:p></o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt 0.5in;
TEXT-INDENT: -0.25in; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Symbol; mso-fareast-font-family:
Symbol; mso-bidi-font-family: Symbol"><SPAN style="mso-list: Ignore">·<SPAN
style="FONT: 7pt 'Times New
Roman'">
</SPAN></SPAN></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'">Participating in docent training program and conducting exhibition
tours, as needed;<o:p></o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt 0.5in;
TEXT-INDENT: -0.25in; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Symbol; mso-fareast-font-family:
Symbol; mso-bidi-font-family: Symbol"><SPAN style="mso-list: Ignore">·<SPAN
style="FONT: 7pt 'Times New
Roman'">
</SPAN></SPAN></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'">Taking part in other projects of the Education Department, the Arts
and Programs Division, and the museum.<o:p></o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt 0.5in"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'"><o:p> </o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman';
mso-bidi-font-weight: bold">Qualifications:</SPAN><SPAN style="FONT-SIZE:
12pt; FONT-FAMILY: 'Times New Roman'"> An advanced degree in English or
literature, knowledge of contemporary literature, and a minimum of three
years experience programming literary programs are required.<SPAN
style="mso-spacerun: yes"> </SPAN>Excellent organizational and project
management skills, proficiency in oral and written communications, and the
ability to work independently and as part of a team are required.
Familiarity with work in a museum setting is ideal.<SPAN
style="mso-spacerun: yes"> </SPAN>Also desirable are a knowledge of
fine arts and an ability to develop collaborative relationships. Competitive
salary and benefits.<o:p></o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
Roman'"><o:p> </o:p></SPAN></P>
> <P class=MsoBodyTextIndent style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'">Email cover letter,
resume, and salary requirements to <A
href="mailto:[log in to unmask]">[log in to unmask]</A>.
EOE<o:p></o:p></SPAN></P></DIV><p>
> <hr size=1> <a
href="http://us.rd.yahoo.com/evt=34442/*http://www.yahoo.com/r/hs">Start
your day with Yahoo! - make it your home page </a>
> =========================================================
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> --0-1056035381-1122474891=:52514--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 10:09:07 -0500
> From: "Mary L. Kirby" <[log in to unmask]>
> Subject: Re: Multilevel cataloging in PastPerfect
>
> PastPerfect may not follow your exact arrangement of series, but it does
> allow you to catalogue multiple collections.
>
> Have you considered that through its extensive data search capacity you
can
> list the "series" term on each item accessed in that series so that a
search
> using that term will bring up a listing of all those items? Would that
help?
>
> Mary Kirby
> [log in to unmask]
> ----- Original Message -----
> From: "carey stumm" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Wednesday, July 27, 2005 9:46 AM
> Subject: Multilevel cataloging in PastPerfect
>
>
> > The institution I work for is just starting out with
> > PastPerfect and I am trying to work out in advance how
> > everything should be cataloged.
> > I'm having some organizational problems because
> > currently I have everything organized into SERIES such
> > as Museum Admin Records, Elevated Railroad
> > photographs, Subway Construction photographs, Transit
> > Police, ect.
> > THEN I have collection descriptions based on a
> > collection that came into the Archives as a single
> > accession.
> > SO, I have about 5 collections that make up one
> > series. PastPerfect does not allow several Collections
> > to be attached to a single series. I need to figure
> > out a way to reorganize the records for our
> > collection. Does anyone have any advice or has dealt
> > with this sort of problem before?
> > Thanks,
> > Carey Stumm
> >
> >
> >
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam? Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> > =========================================================
> > Important Subscriber Information:
> >
> > The Museum-L FAQ file is located at
> > http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> > information about the listserv commands by sending a one line e-mail
> > message to [log in to unmask] . The body of the message should
> > read "help" (without the quotes).
> >
> > If you decide to leave Museum-L, please send a one line e-mail message
to
> > [log in to unmask] . The body of the message should read
> > "Signoff Museum-L" (without the quotes).
> >
> >
> >
> > --
> > No virus found in this incoming message.
> > Checked by AVG Anti-Virus.
> > Version: 7.0.323 / Virus Database: 267.9.2/54 - Release Date: 7/21/2005
> >
> >
>
>
>
> --
> No virus found in this outgoing message.
> Checked by AVG Anti-Virus.
> Version: 7.0.323 / Virus Database: 267.9.2/54 - Release Date: 7/21/2005
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 09:14:51 -0600
> From: Jay Heuman <[log in to unmask]>
> Subject: Re: A flap in Gettysburg?
>
> If I may add, context matters.
>
> Visitors to the US Holocaust Memorial Museum in Washington ought to be
> expecting displays that disturb. Visitors visiting Alcatraz are prepared
to
> see prison cells, execution chambers, etc.
>
> But are visitors expecting to see Confederate flags -- with one hanging
from
> a 13-foot tall gallows entitled "The Proper Way to Hang a Confederate
Flag"
> -- when going to the Schmucker Art Gallery at Gettysburg College to see an
> exhibition entitled "The Recoloration Proclamation: The Gettysburg
Redress"?
> For an artist who claims the Confederate flag is a part of his heritage
and
> is not viewed by a majority of Americans as a symbol of bigotry and
racism,
> conceiving this artwork as a part of reconciliatory dialogue but giving a
> title like that . . . there's a severe disconnect.
>
> No wonder the artist decided not to attend the opening. He explains he
will
> not attend because he's offended the school decided to move his lynching
> installation inside. Whatever. I'm sure he just doesn't want to end up
> mobbed and, well, we know what can happen when a 'mob mentality' builds.
>
> Best wishes,
> Jay
>
>
>
> On 7/27/05 8:39 AM, "John Martinson" <[log in to unmask]> wrote:
> > Agreed. If they exhibit a Christian cross in urine, box cars that
> > held Jews on their way to gas chambers, death row cells with
> > gallows or the death room, etc. Yes, why not * they bring forth
dialogue
> > such as *- exhibits on Big Foot, UFOs, Enola Gay, Big Foot,
> > and theories of evolution and creationism. ;o) It is all part of the
> > museum learning process.
> >
> > John
> >
> >
> >
> >>>> [log in to unmask] 7/27/2005 8:01:30 AM >>>
> > Deb,
> > Perhaps you wouldn't mind defining what you mean by dialogue.
> > It's a term we use quite often in relation to exhibits, especially when
we
> > try to incorporate ways for visitors to share their thoughts. <snip>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 08:31:03 -0700
> From: carey stumm <[log in to unmask]>
> Subject: Re: Multilevel cataloging in PastPerfect
>
> You mean in the classification field?
> I've thought about that.
> Putting
> Museum Administration Records
> or
> Photographs/Elevated Railroad
>
> in the classification field to help organize what goes
> together.
> hmmm.... just trying to weigh all my options here
> before I commit to something.
> Thanks for the advice Mary.
> -Carey
>
> --- "Mary L. Kirby" <[log in to unmask]> wrote:
>
> > PastPerfect may not follow your exact arrangement of
> > series, but it does
> > allow you to catalogue multiple collections.
> >
> > Have you considered that through its extensive data
> > search capacity you can
> > list the "series" term on each item accessed in that
> > series so that a search
> > using that term will bring up a listing of all those
> > items? Would that help?
> >
> > Mary Kirby
> > [log in to unmask]
> > ----- Original Message -----
> > From: "carey stumm" <[log in to unmask]>
> > To: <[log in to unmask]>
> > Sent: Wednesday, July 27, 2005 9:46 AM
> > Subject: Multilevel cataloging in PastPerfect
> >
> >
> > > The institution I work for is just starting out
> > with
> > > PastPerfect and I am trying to work out in advance
> > how
> > > everything should be cataloged.
> > > I'm having some organizational problems because
> > > currently I have everything organized into SERIES
> > such
> > > as Museum Admin Records, Elevated Railroad
> > > photographs, Subway Construction photographs,
> > Transit
> > > Police, ect.
> > > THEN I have collection descriptions based on a
> > > collection that came into the Archives as a single
> > > accession.
> > > SO, I have about 5 collections that make up one
> > > series. PastPerfect does not allow several
> > Collections
> > > to be attached to a single series. I need to
> > figure
> > > out a way to reorganize the records for our
> > > collection. Does anyone have any advice or has
> > dealt
> > > with this sort of problem before?
> > > Thanks,
> > > Carey Stumm
> > >
> > >
> > >
> > >
> > >
> > > __________________________________________________
> > > Do You Yahoo!?
> > > Tired of spam? Yahoo! Mail has the best spam
> > protection around
> > > http://mail.yahoo.com
> > >
> > >
> >
> =========================================================
> > > Important Subscriber Information:
> > >
> > > The Museum-L FAQ file is located at
> > > http://www.finalchapter.com/museum-l-faq/ . You
> > may obtain detailed
> > > information about the listserv commands by sending
> > a one line e-mail
> > > message to [log in to unmask] . The body
> > of the message should
> > > read "help" (without the quotes).
> > >
> > > If you decide to leave Museum-L, please send a one
> > line e-mail message to
> > > [log in to unmask] . The body of the
> > message should read
> > > "Signoff Museum-L" (without the quotes).
> > >
> > >
> > >
> > > --
> > > No virus found in this incoming message.
> > > Checked by AVG Anti-Virus.
> > > Version: 7.0.323 / Virus Database: 267.9.2/54 -
> > Release Date: 7/21/2005
> > >
> > >
> >
> >
> >
> > --
> > No virus found in this outgoing message.
> > Checked by AVG Anti-Virus.
> > Version: 7.0.323 / Virus Database: 267.9.2/54 -
> > Release Date: 7/21/2005
> >
> >
> =========================================================
> > Important Subscriber Information:
> >
> > The Museum-L FAQ file is located at
> > http://www.finalchapter.com/museum-l-faq/ . You may
> > obtain detailed information about the listserv
> > commands by sending a one line e-mail message to
> > [log in to unmask] . The body of the
> > message should read "help" (without the quotes).
> >
> > If you decide to leave Museum-L, please send a one
> > line e-mail message to [log in to unmask]
> > . The body of the message should read "Signoff
> > Museum-L" (without the quotes).
> >
>
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 12:14:03 -0400
> From: Rhonda Kohl <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> Actually there were three European countries that colonized North America:
> England, France, and Spain. All three used different methods with Native
> Americans. It was the English that enslaved, slaughtered, and destroyed
the
> indigenous cultures in the Northeast and Central states. England wanted
the
> land and resources, and nothing stood in her way, not even human lives.
> France pretty much left the Native American cultures and their peoples
alone
> except for trade. The Spanish were just as vicious as the English, but
they
> justified the destruction of Native American cultures because they were
> unchristian. The Spanish destruction was to save the Native American
souls
> by converting them to Christianity. Destroy a people's religion, and you
> destroy the culture. But it was the federal government of the United
> States, not Europeans, that finally destroyed the cultures, raped and
> massacred Native Americans, confiscated land, and sent the Five Civilized
> Tribes on the Trail of Tears to Oklahoma. Though the federal government
> treated Native Americans with contempt, they were never enslaved and used
as
> fodder to support social and economic institutions as were Blacks.
>
> RMK
>
> ----- Original Message -----
> From: "John Martinson" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Wednesday, July 27, 2005 10:56 AM
> Subject: Re: [MUSEUM-L] Gettysburg and the Sons of Confederate Veterans
>
>
> Though I personally am against slavery, it does not harm institutions such
> as museums or
> schools to teach the subject. In my graduate work, I had an excellent
> class on the
> Jewish Holocaust (taught by a Jew) and was one of my most enjoyable, but
> difficult
> to see the films and learn of how man treat other peoples because of
> economical,
> political or religious differences.
>
> But, let us understand * America was built on slavery, and it was not just
> in the South.
>
> "Slavery was a legal institution in all of the 13 American colonies. A
> majority of the founding fathers owned slaves, including the author of the
> Declaration of Independence, the Father of the Constitution, and the
> commander of the Continental Army."
>
> "Slavery during the colonial era was not a static, unchanging institution.
> It was a dynamic, evolving institution that varied radically across time
and
> space. During the early seventeenth century, slavery was far different
from
> what it would later become. Anthony Johnson was one of Virginia's first
> slaves. Arriving in 1621, he was put to work on a plantation along the
James
> River, where he took a wife, Mary, and raised at least four children.
During
> the 1630s, Johnson and his family gained their freedom, probably by
> purchasing their own freedom. Johnson subsequently acquired an estate of
250
> acres, which he farmed with the help of white indentured servants and at
> least one slave. Just as remarkably, Johnson successfully sued in court
for
> the return of a slave, who he claimed had been stolen by two white
> neighbors." Source:
> http://www.digitalhistory.uh.edu/black_voices/voices_display.cfm?id=14
>
> When the first Europeans arrived in the New World, they subjugated the
> Native people into
> slavery, destroying their culture, religion and life ways. We destroyed
> these people *- by
> sending dogs to rip them a part, drawing and quartering them, burning them
> at the stake, and removing
> them from their family and tradition home land. We (noble white man)
raided
> their villages and massacred their women and children, and sent many
tribes
> and peoples on harsh Trails of Tears and into slavery.
>
> To bring forth meaningful dialogue is the mission of a museum. As museum
> professional, we
> even may not agree with what we present, but it does bring forth means to
> discuss and talk
> about sad times in our history and past.
>
> John
> Boise, ID
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
message
> to [log in to unmask] . The body of the message should read
"help"
> (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
"Signoff
> Museum-L" (without the quotes).
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 12:27:31 -0400
> From: Rhonda Kohl <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> Mary,
>
> I think you are confusing the 1850 Fugitive Slave Law, and supported by a
> decision of the Supreme Court, with the 1860 Democratic Platform. The Act
> gave federal marshals the power to enforce the return of slaves to their
> owners, and made it unlawful for civilians to aid slaves seeking freedom.
> The Democratic Party actually split because the Northern faction (under
> Stephen Douglas) would not pass proslavery resolutions and, in response,
the
> Southern faction (under Breckinridge) created their own platform. You are
> right, though, about the rights of Northern states, and its citizens,
being
> violated in order to fulfill the rights of Southern states. If you want
> more info about the 1860 platform, go to these two sites:
> http://members.aol.com/jfepperson/demo_d.html
> http://members.aol.com/jfepperson/demo_b.html
>
> RMK
>
> FSL----- Original Message -----
> From: "Mary L. Kirby" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Tuesday, July 26, 2005 9:37 PM
> Subject: Re: [MUSEUM-L] Gettysburg and the Sons of Confederate Veterans
>
>
> > From Indigo Nights: "For the South, these folks tell me the issues
leading
> > up to the Civil War were more related to states' rights (from the
> > perspective of the South) than
> > anything else."
> >
> > As a child of the South, with two dead Confederate grandfathers on my
> > mother's side, I well grew up with the states rights argument. In fact,
> > while I do not remember the Dixiecrat rebellion, in 1952 as a young
> > enthusiast of politics, I urge everyone I could find to vote for
> > Eisenhower because he supported "States Rights" and would let Texas and
> > Louisiana to keep the mineral rights to off shore oil drilled out to the
> > Spanish 3 league limit, ca. 30 miles, not the standard US 3 mile
> > international limit.
> >
> > Imagine my shock when I learn during the 2004 Democratic convention that
> > the argument which split the Democratic Convention of 1860 was the
> > Southerners insistence that there be a party plank that the Federal
> > government would not only allow Blacks captured in the North to be
> > returned to the South (on the assumption by the South that all Blacks
were
> > runaway slaves) but that the Federal government would actively seek and
> > return slaves to the South.
> >
> > That meant that what John C Calhoun considered "States Rights" to
protect
> > "their Peculiar Institution" meant Southerners wanted the States Rights
of
> > the Free States to be violated at the expense of all taxpayers. That
> > detail about the aftermath of the Dred Scott decision was never taught
in
> > the textbooks of the South.
> >
> > I agree there are those who believe that States Rights was the primary
> > thing the Southerners were protecting (or Granddaddy, should I say we
> > Southerners?), but they do not choose to analyze that gravitated around
> > the right to have slavery.
> >
> > Many do get interested in a broader history once they get past the
> > geneology, and in Texas a past State President was the descendant of a
> > slave who won his freedom fighting for the CSA, but they can easily fall
> > prey to people who want to play Scalett O'Hara (Daughters of the
> > Confederate Veterans) or perpetuators of some of the negative "ideals"
of
> > the South. It can be tricky ground to trod.
> >
> > I find just plane living history reenactor more open minded.
> >
> > Mary L. Kirby
> > [log in to unmask]
> >
> >
> > --
> > No virus found in this outgoing message.
> > Checked by AVG Anti-Virus.
> > Version: 7.0.323 / Virus Database: 267.9.2/54 - Release Date: 7/21/2005
> >
> > =========================================================
> > Important Subscriber Information:
> >
> > The Museum-L FAQ file is located at
> > http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> > information about the listserv commands by sending a one line e-mail
> > message to [log in to unmask] . The body of the message should
> > read "help" (without the quotes).
> >
> > If you decide to leave Museum-L, please send a one line e-mail message
to
> > [log in to unmask] . The body of the message should read
> > "Signoff Museum-L" (without the quotes).
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 10:24:05 -0400
> From: Shannon Lindridge <[log in to unmask]>
> Subject: Re: Guest Curators
>
> This is a multi-part message in MIME format.
>
>
> ------=_NextPart_000_0076_01C59295.50E5B160
> Content-Type: text/plain;
> charset="US-ASCII"
> Content-Transfer-Encoding: 7bit
>
> I would be interested in hearing about this topic as well. Our
institution
> currently does not have a curator and we experimented using guest
curators.
> We had three guest curators on three exhibits: 5 Museum graduate students,
1
> archeology student, and two individuals with no museum background. Some of
> the exhibits were more successful then others and it was defiantly
learning
> experience. However, due to our difficulty in managing the amount of
> freedom the guest curators would have, and finding that guest curators
over
> all created more work and stress in general, we will probably not be using
> guest curators until we have a paid curator on staff.
>
> --Shannon
>
> from generation to generation
> The History Center in Tompkins County
> Shannon Lindridge, Collections Manager
> 401 East State Street, Suite 100, Ithaca, NY 14850
> 607.273.8284 ext.7 (FAX) 607.273.6107
> www.TheHistoryCenter.net <http://www.thehistorycenter.net/>
> Please note my new email address: [log in to unmask]
> <mailto:[log in to unmask]>
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]]On
> Behalf Of Carrie Snow
> Sent: Tuesday, July 26, 2005 6:15 PM
> To: [log in to unmask]
> Subject: Guest Curators
>
>
> Our institution is discussing the possibilities of using guest curators
at
> a future date for some our exhibits. If we were to do so, how do we
> "shepherd" them through our development process. Do they work in tandem
> with an in-house curator, are they given a set of development guides, or
are
> they given absolute freedom to work in a manner that suits their work
style?
>
> Thanks,
> Carrie Snow
>
>
>
>
>
> Carrie Snow
> Senior Registrar
> Museum of Church History and Art
> 45 North West Temple Street
> Salt Lake City, UT 84150
> (801) 240-4619
> ------------------------------------------------------------------------
--
> ----
> This message may contain confidential information, and is
> intended only for the use of the individual(s) to whom it
> is addressed.
> ------------------------------------------------------------------------
--
> ----
>
>
> ========================================================= Important
> Subscriber Information:
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
message
> to [log in to unmask] . The body of the message should read
"help"
> (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message
to
> [log in to unmask] . The body of the message should read
"Signoff
> Museum-L" (without the quotes).
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_0076_01C59295.50E5B160
> Content-Type: text/html;
> charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <META content=3D"MSHTML 6.00.2900.2668" name=3DGENERATOR></HEAD>
> <BODY style=3D"MARGIN: 4px 4px 1px; FONT: 10pt Tahoma">
> <DIV><SPAN class=3D600190914-27072005>I would be interested in hearing =
> about this=20
> topic as well. Our institution currently does not have a curator =
> and we=20
> experimented using guest curators. We had three guest =
> curators on=20
> three exhibits: 5 Museum graduate students, 1 archeology student, =
> and two=20
> individuals with no museum background. Some of the exhibits were more =
> successful=20
> then others and it was defiantly learning experience. However, due =
>
> to our difficulty in managing the amount of freedom the guest =
> curators=20
> would have, and finding that guest curators over all created more work =
> and=20
> stress in general, we will probably not be using guest curators until we =
> have a=20
> paid curator on staff.</SPAN></DIV>
> <DIV><SPAN class=3D600190914-27072005></SPAN> </DIV>
> <DIV><SPAN class=3D600190914-27072005>--Shannon</SPAN></DIV>
> <DIV> </DIV>
> <P><I><FONT face=3DArial>from generation to generation</FONT></I><FONT=20
> face=3D"Times New Roman"> </FONT><BR><B><FONT face=3DArial>The History =
> Center in=20
> Tompkins County</FONT></B><FONT face=3D"Times New Roman"> =
> </FONT><BR><FONT=20
> face=3DArial>Shannon Lindridge, Collections Manager</FONT> <BR><FONT=20
> face=3DArial>401 East State Street, Suite 100, Ithaca, NY =
> 14850</FONT><FONT=20
> face=3D"Times New Roman"> </FONT><BR><FONT face=3DArial>607.273.8284 =
> ext.7 (FAX)=20
> 607.273.6107</FONT><FONT face=3D"Times New Roman"> </FONT><BR><U><FONT =
> face=3DArial=20
> color=3D#0000ff>www.TheHistoryCenter.net <<A=20
> href=3D"http://www.thehistorycenter.net/"=20
> target=3D_blank>http://www.thehistorycenter.net/</A>></FONT></U><FONT =
>
> face=3D"Times New Roman"> </FONT><BR><FONT face=3D"Times New =
> Roman">Please note my=20
> new email address:</FONT><U> <FONT face=3D"Times New Roman"=20
> color=3D#0000ff>[log in to unmask] <<A=20
> href=3D"mailto:[log in to unmask]">mailto:collections@thehi=
> storycenter.net</A>></FONT></U>=20
> </P>
> <BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
> <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT=20
> face=3DTahoma>-----Original Message-----<BR><B>From:</B> Museum =
> discussion list=20
> [mailto:[log in to unmask]]<B>On Behalf Of </B>Carrie=20
> Snow<BR><B>Sent:</B> Tuesday, July 26, 2005 6:15 PM<BR><B>To:</B>=20
> [log in to unmask]<BR><B>Subject:</B> Guest=20
> Curators<BR><BR></FONT></DIV>
> <DIV>Our institution is discussing the possibilities of using =
> guest=20
> curators at a future date for some our exhibits. If =
> we were=20
> to do so, how do we "shepherd" them through our development=20
> process. Do they work in tandem with an in-house curator, are =
> they given=20
> a set of development guides, or are they given absolute freedom to =
> work in a=20
> manner that suits their work style?</DIV>
> <DIV> </DIV>
> <DIV>Thanks, </DIV>
> <DIV>Carrie Snow</DIV>
> <DIV> </DIV>
> <DIV> </DIV>
> <DIV> </DIV>
> <DIV> </DIV>
> <DIV> </DIV>
> <DIV>Carrie Snow<BR>Senior Registrar <BR>Museum of Church History and=20
> Art<BR>45 North West Temple Street<BR>Salt Lake City, UT =
> 84150<BR>(801)=20
> 240-4619</DIV>
> =
> <P>----------------------------------------------------------------------=
> --------<BR>This=20
> message may contain confidential information, and is<BR>intended only =
> for the=20
> use of the individual(s) to whom it<BR>is=20
> =
> addressed.<BR>-----------------------------------------------------------=
> -------------------<BR></P>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=20
> Important Subscriber Information:=20
> <P>The Museum-L FAQ file is located at=20
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed=20
> information about the listserv commands by sending a one line e-mail =
> message=20
> to [log in to unmask] . The body of the message should read =
> "help"=20
> (without the quotes).=20
> <P>If you decide to leave Museum-L, please send a one line e-mail =
> message to=20
> [log in to unmask] . The body of the message should read =
> "Signoff=20
> Museum-L" (without the quotes).</P></BLOCKQUOTE></BODY></HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_0076_01C59295.50E5B160--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 17:35:03 +0100
> From: "REYNOLDS, Trevor" <[log in to unmask]>
> Subject: Re: flag burning (was A flap in Gettysburg?)
>
> One should of course be careful about understanding the meanings
> (especially symbolic meanings) of different acts in different cultures.
>
> > It would be like
> > a foreigner burning a US flag to start a discussion on the war in
> > Iraq.
>
> It is only very recently that I began to understand how much of an issue
> this would be to people from the USA (In fact after discussing an
> episode of the Simpsons in which Homer burns the Union Jack (the flag of
> the United Kingdom) with some American friends).
>
> Generally as far as people from the UK are concerned you can do what you
> like with our countries flag and we won't feel insulted (mostly we won't
> care very much at all). If we do see people burning the Union Jack then
> we would understand that they were rather annoyed with something the
> Government had done.
>
> However this view of our flag will mean that the average person in the
> UK won't understand that if they decided to burn an American flag it
> would be seen as close to an act of war by Americans.
>
> Trevor Reynolds
>
>
>
>
___________________________________________________________________________=
> ____
> English Heritage is subject to the Freedom of Information Act.
> All information held by the organisation will be accessible in response to
a
> Freedom of Information request, unless one of the exemptions in the Act
app=
> lies.
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 17:40:44 +0100
> From: "REYNOLDS, Trevor" <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> Not to forget the Dutch, the Danes and the Russians
>
> Trevor Reynolds
> Collections Registrar, English Heritage, Room 530, 23 Savile Row, London
> W1S 2ET, United Kingdom
> Tel: +44 (0) 20 7973 3482 Fax: +44 (0) 20 7973 3209
>
> > -----Original Message-----
> > From: Museum discussion list [mailto:[log in to unmask]] On
> > Behalf Of Rhonda Kohl
> > Sent: 27 July 2005 17:14
> > To: [log in to unmask]
> > Subject: Re: Gettysburg and the Sons of Confederate Veterans
> >=20
> > Actually there were three European countries that colonized North
> America:
> > England, France, and Spain.=20=20
>
>
___________________________________________________________________________=
> ____
> English Heritage is subject to the Freedom of Information Act.
> All information held by the organisation will be accessible in response to
a
> Freedom of Information request, unless one of the exemptions in the Act
app=
> lies.
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 09:10:56 -0400
> From: Rusty Baker <[log in to unmask]>
> Subject: Re: Guest Curators
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_004A_01C5928B.18EAFD10
> Content-Type: text/plain;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> We use guest curators frequently, and there are a variety of scenarios =
> we have experienced. Best case, the curator already has the show =
> developed somewhat, and I work with them to make their show fit with the =
> institution. We use a contract to outline responsibilities, and it =
> changes depending upon the exhibit, curator, or expectations. Absolute =
> freedom is not always the best scenario especially if your budget is =
> tight, but independent curators are looking for a degree of freedom.
>
> As a small museum with a few people wearing a lot of hats, we really =
> benefit from independent curators' work. I curate one of four shows a =
> year, and the research is a time consuming labor of love. Many =
> independent curators work with pre-existing research they already have.
>
> I'm looking forward to hearing other opinions and experiences with this =
> as well. Maybe I'll learn something.=20
>
> Rusty Baker
> Executive Director
> Susquehanna Art Museum
> Harrisburg, PA
> ----- Original Message -----=20
> From: Carrie Snow=20
> To: [log in to unmask]
> Sent: Tuesday, July 26, 2005 6:14 PM
> Subject: [MUSEUM-L] Guest Curators
>
>
> Our institution is discussing the possibilities of using guest =
> curators at a future date for some our exhibits. If we were to do so, =
> how do we "shepherd" them through our development process. Do they =
> work in tandem with an in-house curator, are they given a set of =
> development guides, or are they given absolute freedom to work in a =
> manner that suits their work style?
>
> Thanks,=20
> Carrie Snow
>
>
>
>
>
> Carrie Snow
> Senior Registrar=20
> Museum of Church History and Art
> 45 North West Temple Street
> Salt Lake City, UT 84150
> (801) 240-4619
> =
> -------------------------------------------------------------------------=
> -----
> This message may contain confidential information, and is
> intended only for the use of the individual(s) to whom it
> is addressed.
> =
> -------------------------------------------------------------------------=
> -----
>
>
> =
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D Important Subscriber Information:=20
> The Museum-L FAQ file is located at =
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
> information about the listserv commands by sending a one line e-mail =
> message to [log in to unmask] . The body of the message should =
> read "help" (without the quotes).=20
>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to [log in to unmask] . The body of the message should read =
> "Signoff Museum-L" (without the quotes).
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_004A_01C5928B.18EAFD10
> Content-Type: text/html;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Diso-8859-1">
> <META content=3D"MSHTML 6.00.2800.1505" name=3DGENERATOR>
> <STYLE></STYLE>
> </HEAD>
> <BODY style=3D"MARGIN: 4px 4px 1px; FONT: 10pt Tahoma" =
> bgColor=3D#ffffff>
> <DIV><FONT color=3D#000080 size=3D3>We use guest curators frequently, =
> and there are=20
> a variety of scenarios we have experienced. Best case, the curator =
> already=20
> has the show developed somewhat, and I work with them to make their show =
> fit=20
> with the institution. We use a contract to outline =
> responsibilities, and=20
> it changes depending upon the exhibit, curator, or expectations. =
> Absolute=20
> freedom is not always the best scenario especially if your budget is =
> tight, but=20
> independent curators are looking for a degree of freedom.</FONT></DIV>
> <DIV><FONT color=3D#000080 size=3D3></FONT> </DIV>
> <DIV><FONT color=3D#000080 size=3D3>As a small museum with a few people =
> wearing a=20
> lot of hats, we really benefit from independent curators' work. I =
> curate=20
> one of four shows a year, and the research is a time consuming labor of=20
> love. Many independent curators work with pre-existing research=20
> they already have.</FONT></DIV>
> <DIV> </DIV>
> <DIV><FONT color=3D#000080 size=3D3>I'm looking forward to hearing other =
> opinions=20
> and experiences with this as well. Maybe I'll learn=20
> something.</FONT> </DIV>
> <DIV><FONT color=3D#000080 size=3D3></FONT> </DIV>
> <DIV><FONT color=3D#000080 size=3D3>Rusty Baker</FONT></DIV>
> <DIV><FONT color=3D#000080 size=3D3>Executive Director</FONT></DIV>
> <DIV><FONT color=3D#000080 size=3D3>Susquehanna Art Museum</FONT></DIV>
> <DIV><FONT color=3D#000080 size=3D3>Harrisburg, PA</FONT></DIV>
> <BLOCKQUOTE dir=3Dltr=20
> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
> <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
> <DIV=20
> style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
> black"><B>From:</B>=20
> <A [log in to unmask] =
> href=3D"mailto:[log in to unmask]">Carrie=20
> Snow</A> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
> [log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> </A>=20
> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 26, 2005 =
> 6:14=20
> PM</DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> [MUSEUM-L] Guest =
> Curators</DIV>
> <DIV><BR></DIV>
> <DIV>Our institution is discussing the possibilities of using =
> guest=20
> curators at a future date for some our exhibits. If =
> we were=20
> to do so, how do we "shepherd" them through our development=20
> process. Do they work in tandem with an in-house curator, are =
> they given=20
> a set of development guides, or are they given absolute freedom to =
> work in a=20
> manner that suits their work style?</DIV>
> <DIV> </DIV>
> <DIV>Thanks, </DIV>
> <DIV>Carrie Snow</DIV>
> <DIV> </DIV>
> <DIV> </DIV>
> <DIV> </DIV>
> <DIV> </DIV>
> <DIV> </DIV>
> <DIV>Carrie Snow<BR>Senior Registrar <BR>Museum of Church History and=20
> Art<BR>45 North West Temple Street<BR>Salt Lake City, UT =
> 84150<BR>(801)=20
> 240-4619</DIV>
> =
> <P>----------------------------------------------------------------------=
> --------<BR>This=20
> message may contain confidential information, and is<BR>intended only =
> for the=20
> use of the individual(s) to whom it<BR>is=20
> =
> addressed.<BR>-----------------------------------------------------------=
> -------------------<BR></P>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=20
> Important Subscriber Information:=20
> <P>The Museum-L FAQ file is located at=20
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed=20
> information about the listserv commands by sending a one line e-mail =
> message=20
> to [log in to unmask] . The body of the message should read =
> "help"=20
> (without the quotes).=20
> <P>If you decide to leave Museum-L, please send a one line e-mail =
> message to=20
> [log in to unmask] . The body of the message should read =
> "Signoff=20
> Museum-L" (without the quotes).</P></BLOCKQUOTE></BODY></HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_004A_01C5928B.18EAFD10--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 11:52:59 -0400
> From: Aaron Goldblatt <[log in to unmask]>
> Subject: Education program facilities
>
> Hello All,
>
> Please forgive cross posting.
>
> Does anyone know of museums with thriving school visit programs using
> little or no classroom space? In developing the space program for a new
> museum with difficult space limitations we are looking at alternative
> means to deliver high quality school group activities with little to no
> dependency on classrooms - for both orientation and programs. Ideas
> (pro and con) and contact information would be most helpful.
>
> Thanks in advance for your help!
>
> Aaron
>
> Aaron Goldblatt
> Metcalfe Architecture & Design
> 211 North 13th Street, Suite 503
> Philadelphia, PA 19107-1610
> 215-557-9200 p
> 215-557-8383 f
> [log in to unmask]
> www.metarchdesign.com=20
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 13:04:54 -0400
> From: Sabrina Henneman <[log in to unmask]>
> Subject: Re: Multilevel cataloging in Past Perfect
>
> I have not been trained as an archivist, though I have taken several
> classes and have to care for our archives. My understanding is that each
> collection (meaning one donor/source) has its own series, even if
> different collections have the same names for their series. I believe
> the goal is to keep the archive intact, while sorting it into manageable
> series for accessibility, but if you go mixing photographs from one
> source in with photographs from another, then the whole point of
> original structure and source is invalidated. That is not to say that
> all photographs can't be stored in the same location for proper storage
> conditions, just that each box, folder, etc. needs to reference its
> single source. Also, you can't have volunteers or researchers just
> mixing everything up from folder to folder.
>
> Perhaps an archivist could be more clear?
>
> Also, if an archivist has experience with Past Perfect, I am interested
> in learning more on how to use the archive database better. It appears
> that you have to create a new record for each sublevel of a collection,
> and not a way of nesting more detailed information within a single
> record. Most of our archive collections are small, so usually a folder
> or item level is sufficient and I don't need to sort using many layers.
>
> Sabrina
>
> -----Original Message-----
> From: carey stumm [mailto:[log in to unmask]]
> Sent: Wednesday, July 27, 2005 10:47 AM
> To: [log in to unmask]
> Subject: [MUSEUM-L] Multilevel cataloging in PastPerfect
>
>
> The institution I work for is just starting out with
> PastPerfect and I am trying to work out in advance how
> everything should be cataloged.
> I'm having some organizational problems because
> currently I have everything organized into SERIES such
> as Museum Admin Records, Elevated Railroad
> photographs, Subway Construction photographs, Transit
> Police, ect.=20
> THEN I have collection descriptions based on a
> collection that came into the Archives as a single
> accession.=20
> SO, I have about 5 collections that make up one
> series. PastPerfect does not allow several Collections
> to be attached to a single series. I need to figure
> out a way to reorganize the records for our
> collection. Does anyone have any advice or has dealt
> with this sort of problem before?=20
> Thanks,
> Carey Stumm
>
>
> =20
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around=20
> http://mail.yahoo.com=20
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message
> to [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 12:49:39 -0400
> From: Carol Ely <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> >>>>What does it mean to characterize the Civil War as a 'tragedy' or an
>
> 'unpleasantness' - to fight to bring slavery to an end?>>>
>
> I agree with most of what you said - slavery was the root cause of the
> War. But the Northern and Southern colonies and states had been on
> different cultural, political, economic tracks since the 17th century.
> Two nations with two different interpretations of the meaning of the
> Revolution had evolved. It's true, though appalling in retrospect, to
> say that Southerners were fighting to uphold the intent of the
> Constitution - which allowed slavery. And, in their minds, allowed for
> secession, just as America seceded from the British empire. (I'm not
> saying they were "right" in any way, or that slavery is in any way
> excusable, just what they were thinking.)
>
> In 1861 the issue on the table was NOT ending slavery. That was not the
> declared goal of the North - preserving the Union was the goal. Lincoln
> himself said if he could have preserved the Union and kept slavery, he
> would have done it. In fact, he tried to do just that until 1863.
>
> My point was about the motives of the Confederate soldiers whose
> descendents wish to honor them, and the motives of those descendents.
> When soldiers came wearing blue uniforms and shooting at their
> neighbors, it would have been very hard for the average Southerner to
> take a reasoned, neutral approach. They weren't ALL defending slavery as
> an institution. They thought they were defending their land. Maybe in
> retrospect, that shouldn't be honored, but I think there's a way to do
> it without honoring the ideology of the larger argument. But of course
> there are the more racist and extremist pro-Confederate groups, who
> conflate the Confederate flag, nostalgia, family, and patriotism in
> lethal ways, and it is a slippery slope.
>
> The original issue was both the flag as a symbol - and I agree that it's
> racist to display it, because it does make a political point that's
> abhorrent. But the other issue was the Sons of the Confederacy, and the
> legacy and heritage of ancestry - which is more than nostalgia, it's
> identity.
>
> Which of these ancestors of mine is more worthy of memory? One
> great-great-great grandfather was a farmer, who owned no slaves, in
> Murfreesboro, Tennessee. He did not rush to join the Confederate Army -
> but when the Battle of Stone's River took place in his back yard, he
> signed up. One battle. He was captured, released, and went back to
> farming. End of story. Another great-great-great grandfather was a
> carpenter in a Pennsylvania town, with a wife and three children. He
> also did not rush to sign up. But he was drafted - he was too poor to
> pay the fee to avoid the draft. He tried to get out of it by arguing
> that his poor vision prevented his firing a gun ("I tried to tell them
> that I couldn't see, but they wouldn't let me slip," he wrote to his
> wife). He was assigned to the Ambulance Corps, served for six months in
> the 1864 campaign through Virginia - Wilderness, Cold Harbor, Petersburg
> - was captured, and died of dysentery in a prison camp in North
> Carolina. So... Which one is more worthy of the respect and praise of
> his descendents? One "gave his life to end slavery" - but unwillingly.
> One fought to protect his community, and took no interest in the larger
> cause.
>
> It's complicated. And it is tragic.
>
> There's a good and amusing book called "Confederates in the Attic," by
> Tony Horwitz, who argues that the Civil War is still very much with us
> in America today. He's right!
>
> Ok, enough from me, I have a museum to run.
>
> Carol Ely
> Louisville, KY
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 11:20:14 -0600
> From: Susanne Lambert <[log in to unmask]>
> Subject: Re: Guest Curators
>
> This is a multi-part message in MIME format.
>
> ------_=_NextPart_001_01C592CF.752B50AA
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> Carrie-
> =20
> I echo the comments from Rusty.=20
> We often enjoy the fruits of independent curators and spend a
> considerable amount of time together developing the scope and logistics
> of an exhibition. Any expectation such as fees, associated publication
> or essay, opening reception, presentation to the public, etc. is
> discussed. The curator then has freedom to work within the time / budget
> / staff assistance available. We then outline our expectations and
> provisions in a contract. This procedure has proven sucessful many times
> over.
> =20
> -Susanne
> =20
> Susanne Lambert
> Collections Manager/Registrar
> Nora Eccles Harrison Museum of Art
> t 435 797 0166
> f 435 797 3423
> e [log in to unmask]
> =20
>
> ________________________________
>
> From: Museum discussion list [mailto:[log in to unmask]] On
> Behalf Of Rusty Baker
> Sent: Wednesday, July 27, 2005 7:11 AM
> To: [log in to unmask]
> Subject: Re: Guest Curators
>
>
> We use guest curators frequently, and there are a variety of scenarios
> we have experienced. Best case, the curator already has the show
> developed somewhat, and I work with them to make their show fit with the
> institution. We use a contract to outline responsibilities, and it
> changes depending upon the exhibit, curator, or expectations. Absolute
> freedom is not always the best scenario especially if your budget is
> tight, but independent curators are looking for a degree of freedom.
> =20
> As a small museum with a few people wearing a lot of hats, we really
> benefit from independent curators' work. I curate one of four shows a
> year, and the research is a time consuming labor of love. Many
> independent curators work with pre-existing research they already have.
> =20
> I'm looking forward to hearing other opinions and experiences with this
> as well. Maybe I'll learn something.=20
> =20
> Rusty Baker
> Executive Director
> Susquehanna Art Museum
> Harrisburg, PA
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C592CF.752B50AA
> Content-Type: text/html;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <META content=3D"MSHTML 6.00.2800.1505" name=3DGENERATOR>
> <STYLE></STYLE>
> </HEAD>
> <BODY style=3D"MARGIN: 4px 4px 1px; FONT: 10pt Tahoma" =
> bgColor=3D#ffffff>
> <DIV dir=3Dltr align=3Dleft><SPAN class=3D693061117-27072005><FONT=20
> color=3D#000080>Carrie-</FONT></SPAN></DIV>
> <DIV dir=3Dltr align=3Dleft><SPAN class=3D693061117-27072005><FONT=20
> color=3D#000080></FONT></SPAN> </DIV>
> <DIV dir=3Dltr align=3Dleft><SPAN class=3D693061117-27072005><FONT =
> color=3D#000080>I=20
> echo the comments from Rusty. </FONT></SPAN></DIV>
> <DIV dir=3Dltr align=3Dleft><SPAN class=3D693061117-27072005><FONT =
> color=3D#000080>We=20
> often enjoy the fruits of independent curators and spend a considerable =
> amount=20
> of time together developing the scope and logistics of an =
> exhibition.=20
> Any expectation such as fees, associated publication or =
> essay, opening=20
> reception, presentation to the public, etc. is discussed. The curator =
> then has=20
> freedom to work within the time / budget / staff assistance available. =
> We=20
> then outline our expectations and provisions in a =
> contract. This=20
> procedure has proven sucessful many times over.</FONT></SPAN></DIV>
> <DIV dir=3Dltr align=3Dleft><SPAN class=3D693061117-27072005><FONT=20
> color=3D#000080></FONT></SPAN> </DIV>
> <DIV dir=3Dltr align=3Dleft><SPAN class=3D693061117-27072005><FONT=20
> color=3D#000080> -Susanne</FONT></SPAN></DIV>
> <DIV> </DIV>
> <DIV align=3Dleft><FONT face=3DArial color=3D#000080 size=3D1>Susanne=20
> Lambert</FONT></DIV>
> <DIV align=3Dleft><FONT face=3DArial color=3D#000080 =
> size=3D1>Collections=20
> Manager/Registrar</FONT></DIV>
> <DIV align=3Dleft><FONT face=3DArial color=3D#000080 size=3D1>Nora =
> Eccles Harrison=20
> Museum of Art</FONT></DIV>
> <DIV align=3Dleft><FONT face=3DArial color=3D#000080 size=3D1>t =
> 435 797=20
> 0166</FONT></DIV>
> <DIV align=3Dleft><FONT face=3DArial color=3D#000080 size=3D1>f =
> 435 797=20
> 3423</FONT></DIV>
> <DIV align=3Dleft><FONT face=3DArial color=3D#000080 size=3D1>e =20
> [log in to unmask]</FONT></DIV>
> <DIV><FONT size=3D1></FONT> </DIV><BR>
> <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
> <HR tabIndex=3D-1>
> <FONT face=3DTahoma><B>From:</B> Museum discussion list=20
> [mailto:[log in to unmask]] <B>On Behalf Of </B>Rusty=20
> Baker<BR><B>Sent:</B> Wednesday, July 27, 2005 7:11 AM<BR><B>To:</B>=20
> [log in to unmask]<BR><B>Subject:</B> Re: Guest=20
> Curators<BR></FONT><BR></DIV>
> <DIV></DIV>
> <DIV><FONT color=3D#000080 size=3D3>We use guest curators frequently, =
> and there are=20
> a variety of scenarios we have experienced. Best case, the curator =
> already=20
> has the show developed somewhat, and I work with them to make their show =
> fit=20
> with the institution. We use a contract to outline =
> responsibilities, and=20
> it changes depending upon the exhibit, curator, or expectations. =
> Absolute=20
> freedom is not always the best scenario especially if your budget is =
> tight, but=20
> independent curators are looking for a degree of freedom.</FONT></DIV>
> <DIV><FONT color=3D#000080 size=3D3></FONT> </DIV>
> <DIV><FONT color=3D#000080 size=3D3>As a small museum with a few people =
> wearing a=20
> lot of hats, we really benefit from independent curators' work. I =
> curate=20
> one of four shows a year, and the research is a time consuming labor of=20
> love. Many independent curators work with pre-existing research=20
> they already have.</FONT></DIV>
> <DIV> </DIV>
> <DIV><FONT color=3D#000080 size=3D3>I'm looking forward to hearing other =
> opinions=20
> and experiences with this as well. Maybe I'll learn=20
> something.</FONT> </DIV>
> <DIV><FONT color=3D#000080 size=3D3></FONT> </DIV>
> <DIV><FONT color=3D#000080 size=3D3>Rusty Baker</FONT></DIV>
> <DIV><FONT color=3D#000080 size=3D3>Executive Director</FONT></DIV>
> <DIV><FONT color=3D#000080 size=3D3>Susquehanna Art Museum</FONT></DIV>
> <DIV><FONT color=3D#000080 size=3D3>Harrisburg, =
> PA</FONT></DIV></BODY></HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C592CF.752B50AA--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 11:24:42 -0600
> From: Art Harris <[log in to unmask]>
> Subject: Re: flag burning (was A flap in Gettysburg?)
>
> Please be a little careful about generalizations. There are many
> Americans who don't feel that the right of protest should be limited to
> subjects or actions that can be viewed as pablum by the average citizen.
> Much of the hyteria over flag-burning is from right-wing super patriots
> who are much more interested in showing how much more patriotic they are
> than anyone else than they are in affirming free speech (or free
> political expression if you prefer).
>
> Obviously my opinion and not necessarily that of my institution.
>
> Art Harris
>
>
> Laboratory for Environmental Biology, Centennial Museum
> University of Texas at El Paso, El Paso, TX 79968-0915
> [log in to unmask] http://museum.utep.edu/
> http://museum.utep.edu/chih/chihdes.htm
>
> REYNOLDS, Trevor wrote:
> > ...
> > However this view of our flag will mean that the average person in the
> > UK won't understand that if they decided to burn an American flag it
> > would be seen as close to an act of war by Americans.
> >
> > Trevor Reynolds
> >
> >
> >
> >
____________________________________________________________________________
___
> > English Heritage is subject to the Freedom of Information Act.
> > All information held by the organisation will be accessible in response
to a
> > Freedom of Information request, unless one of the exemptions in the Act
applies.
> >
> > =========================================================
> > Important Subscriber Information:
> >
> > The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> >
> > If you decide to leave Museum-L, please send a one line e-mail message
to [log in to unmask] . The body of the message should read
"Signoff Museum-L" (without the quotes).
> >
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 12:29:29 -0500
> From: Cindy Stanford <[log in to unmask]>
> Subject: Re: Education program facilities
>
> We have an area called the Kemper Creative Learning Studio that has padded
> theatre chairs set at an angle (like stadium seating) with a large open
> "stage" area that can be used in a variety of ways.
>
> A large table on casters is plumbed for water & compressed air (no gas).
We
> roll it into the middle for presentations or leave it off to the side. We
> have many ways to project images and such from a projection room. We have
> cameras in the ceiling with high zoom capability so close-up images of a
> presentation can be projected onto a large screen for the audience or
> recorded for broadcast television.
>
> The studio/theatre has the capacity for 140 people and is located in the
> middle of our exhibit building. We use it for every single school visit
for
> "teachable moments". This summer we're using it for day-long workshops
> during the week as well as short workshops on Saturdays.
>
> If you'd like to know more about this area, contact Steve Kimball, our
> School & Group Experiences Developer. He practically lives in the studio
and
> would love to help you know more about it. His email address is
> [log in to unmask] and his phone number is 316-266-4277. If you need
> technical information about our facilities, contact Marty Sigwing, our
> Director of Exhibits and Tech Services, at [log in to unmask] and
> 316-266-4234.
>
> I hope that helps.
>
> Cindy Stanford
> Content Developer
> Exploration Place
> ~^~^~^~^~^~^~^~^~^~
> 300 North McLean Blvd.
> Wichita, KS 67203 USA
> ~^~^~^~^~^~^~^~^~^~
> (316) 266-4208 Phone
> (316) 263-4545 Fax
> ~^~^~^~^~^~^~^~^~^~
> [log in to unmask]
> www.exploration.org
>
> ~^~^~^~^~^~^~^~^~^~
> CONFIDENTIALITY NOTICE:
> This message from Exploration Place, Inc. contains information which is
> privileged and confidential and is solely for the use of the intended
> recipient. If you are not the intended recipient, be aware that any
review,
> disclosure, copying, distribution, or use of the contents of this message
is
> strictly prohibited. If you have received this in error, please destroy it
> immediately and please notify us immediately at 316-263-3373. Thank you.
> ~^~^~^~^~^~^~^~^~^~
>
>
> -----Original Message-----
> From: Aaron Goldblatt [mailto:[log in to unmask]]
> Sent: Wednesday, July 27, 2005 10:53 AM
> To: [log in to unmask]
> Subject: [MUSEUM-L] Education program facilities
>
>
> Hello All,
>
> Please forgive cross posting.
>
> Does anyone know of museums with thriving school visit programs using
> little or no classroom space? In developing the space program for a new
> museum with difficult space limitations we are looking at alternative
> means to deliver high quality school group activities with little to no
> dependency on classrooms - for both orientation and programs. Ideas
> (pro and con) and contact information would be most helpful.
>
> Thanks in advance for your help!
>
> Aaron
>
> Aaron Goldblatt
> Metcalfe Architecture & Design
> 211 North 13th Street, Suite 503
> Philadelphia, PA 19107-1610
> 215-557-9200 p
> 215-557-8383 f
> [log in to unmask]
> www.metarchdesign.com
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
message
> to [log in to unmask] . The body of the message should read
"help"
> (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
"Signoff
> Museum-L" (without the quotes).
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 13:50:34 -0400
> From: Elizabeth Moore <[log in to unmask]>
> Subject: FW: job posting
>
> This is a multi-part message in MIME format.
>
> ------_=_NextPart_001_01C592D3.B0193384
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> Please do not contact me in response to this job post. Please contact
> the Human Resources Officers whose information is at the bottom of the
> message.
> Elizabeth Moore
> =20
> =20
>
> July 27, 2005
> =20
> Public Relations & Marketing Manager
> (Role Title: Public Relations & Marketing Specialist III)
> =20
> Salary Range: Pay Band 4
> Location: Martinsville, VA
> Position #00043
> =20
> The Virginia Museum of Natural History is seeking an outstanding Public
> Relations and Marketing professional to promote all the current
> activities of the Museum and raise significant new awareness of the
> Museum in a larger market as we prepare for our move to a new facility
> in late 2006. This person will develop and implement public relations,
> marketing and advertising plans to increase attendance, visibility and
> revenue by promoting educational programs, exhibits, events, membership
> and the accomplishments of the Museum, as well as develop and implement
> a major campaign to launch the new Museum.
> =20
> The duties include: all aspects of public relations - writing press
> releases, developing and maintaining media relations, community
> outreach, and acting as spokesperson for the Museum as appropriate.
> Write and edit newsletter, develop advertising, all collateral and
> identity materials and work with graphics professional to produce the
> final product. Oversee marketing and communications budgets. Develop
> range of partnerships in support of tourism, create and implement
> special promotions to increase attendance and awareness. Work
> collaboratively with the Special Events Manager to develop sponsorships
> for exhibits and events.
> =20
> The position reports to the Director of Planning and External Affairs.
> The successful candidate will: have 3-5 years of marketing and
> communications experience preferably in nonprofit cultural
> organizations; have excellent written and verbal communication, time
> management and organizational skills; have the ability to think
> strategically as well as entrepreneurially; be able to make
> well-educated decisions about using limited resources; the ability to
> work on many projects simultaneously and to meet frequent deadlines. He
> or she needs to understand the intertwined roles of development and
> marketing in nonprofit organizations as well as have a working knowledge
> of nonprofits, particularly cultural organizations. Budget experience
> (both in revenue projections as well as expenses).=20
> Bachelor's degree, preferably in marketing, communications or related
> field. Knowledge of MS Office, and Adobe required. Corel Draw useful.
> To apply, submit a completed Commonwealth of Virginia Employment
> Application via email at [log in to unmask], fax to 276-632-6487 or mail to
> Human Resources, 1001 Douglas Avenue, Martinsville, VA 24112. Download
> a state employment application at: http://www.jobs.state.va.us.
> Applications must be received in our office by 5 p.m. August 19, 2005.=20
> =20
> We are an equal opportunity employer. All qualified applicants are
> afforded equal opportunities without regard to sex, race, color,
> religion, national origin, age or disability. The successful applicant
> must furnish proof of identity and employment eligibility and is subject
> to a background check.
> =20
> =20
> ______________________________
> Rhonda Casey
> Human Resources Manager
> Virginia Museum of Natural History
> 1001 Douglas Avenue
> Martinsville, VA 24112
> 276-666-8617 (phone)
> 276-632-6487 (fax)
> [log in to unmask] <mailto:[log in to unmask]>=20
> =20
> =20
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C592D3.B0193384
> Content-Type: text/html;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> <html xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
> xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
> xmlns:st1=3D"urn:schemas-microsoft-com:office:smarttags" =
> xmlns=3D"http://www.w3.org/TR/REC-html40">
>
> <head>
> <meta http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <meta name=3DProgId content=3DWord.Document>
> <meta name=3DGenerator content=3D"Microsoft Word 10">
> <meta name=3DOriginator content=3D"Microsoft Word 10">
> <link rel=3DFile-List href=3D"cid:filelist.xml@01C592B2.29034000">
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"time"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"date"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceType"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceName"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"City"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PostalCode"
> downloadurl=3D"http://www.5iamas-microsoft-com:office:smarttags"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"State" =
> downloadurl=3D"http://www.5iamas-microsoft-com:office:smarttags"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"Street" =
> downloadurl=3D"http://www.5iantlavalampft-com:office:smarttags"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"address" =
> downloadurl=3D"http://www.5iamas-microsoft-com:office:smarttags"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"place" downloadurl=3D"http://www.5iantlavalamp.com/"/>
> <!--[if gte mso 9]><xml>
> <o:OfficeDocumentSettings>
> <o:DoNotRelyOnCSS/>
> </o:OfficeDocumentSettings>
> </xml><![endif]--><!--[if gte mso 9]><xml>
> <w:WordDocument>
> <w:SpellingState>Clean</w:SpellingState>
> <w:GrammarState>Clean</w:GrammarState>
> <w:DocumentKind>DocumentEmail</w:DocumentKind>
> <w:EnvelopeVis/>
> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel>
> </w:WordDocument>
> </xml><![endif]--><!--[if !mso]>
> <style>
> st1\:*{behavior:url(#default#ieooui) }
> </style>
> <![endif]-->
> <style>
> <!--
> /* Font Definitions */
> @font-face
> {font-family:"Lucida Sans";
> panose-1:2 11 6 2 3 5 4 2 2 4;
> mso-font-charset:0;
> mso-generic-font-family:swiss;
> mso-font-pitch:variable;
> mso-font-signature:3 0 0 0 1 0;}
> @font-face
> {font-family:"Palatino Linotype";
> panose-1:2 4 5 2 5 5 5 3 3 4;
> mso-font-charset:0;
> mso-generic-font-family:roman;
> mso-font-pitch:variable;
> mso-font-signature:-536870009 1073741843 0 0 415 0;}
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {mso-style-parent:"";
> margin:0in;
> margin-bottom:.0001pt;
> mso-pagination:widow-orphan;
> font-size:12.0pt;
> font-family:"Times New Roman";
> mso-fareast-font-family:"Times New Roman";}
> a:link, span.MsoHyperlink
> {color:blue;
> text-decoration:underline;
> text-underline:single;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;
> text-decoration:underline;
> text-underline:single;}
> span.EmailStyle17
> {mso-style-type:personal;
> mso-style-noshow:yes;
> font-family:"Lucida Sans";
> mso-ascii-font-family:"Lucida Sans";
> mso-hansi-font-family:"Lucida Sans";
> color:blue;
> mso-text-animation:none;
> font-weight:normal;
> font-style:normal;
> text-decoration:none;
> text-underline:none;
> text-decoration:none;
> text-line-through:none;}
> span.EmailStyle19
> {mso-style-type:personal-reply;
> mso-style-noshow:yes;
> mso-ansi-font-size:10.0pt;
> mso-bidi-font-size:10.0pt;
> font-family:Arial;
> mso-ascii-font-family:Arial;
> mso-hansi-font-family:Arial;
> mso-bidi-font-family:Arial;
> color:navy;}
> @page Section1
> {size:8.5in 11.0in;
> margin:1.0in 1.25in 1.0in 1.25in;
> mso-header-margin:.5in;
> mso-footer-margin:.5in;
> mso-paper-source:0;}
> div.Section1
> {page:Section1;}
> -->
> </style>
> <!--[if gte mso 10]>
> <style>
> /* Style Definitions */=20
> table.MsoNormalTable
> {mso-style-name:"Table Normal";
> mso-tstyle-rowband-size:0;
> mso-tstyle-colband-size:0;
> mso-style-noshow:yes;
> mso-style-parent:"";
> mso-padding-alt:0in 5.4pt 0in 5.4pt;
> mso-para-margin:0in;
> mso-para-margin-bottom:.0001pt;
> mso-pagination:widow-orphan;
> font-size:10.0pt;
> font-family:"Times New Roman";}
> </style>
> <![endif]-->
> </head>
>
> <body lang=3DEN-US link=3Dblue vlink=3Dpurple =
> style=3D'tab-interval:.5in'>
>
> <div class=3DSection1>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";color:navy'>Please =
> do not
> contact me in response to this job post.<span =
> style=3D'mso-spacerun:yes'>
> </span>Please contact the Human Resources Officers whose information is =
> at the
> bottom of the message.<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:navy'>Elizabeth Moore<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:navy'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'> &=
> nbsp; &n=
> bsp; &nb=
> sp; &nbs=
> p;  =
> ; =
> &=
> nbsp; &n=
> bsp; &nb=
> sp;
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:date Month=3D"7" Day=3D"27" =
> Year=3D"2005"><font size=3D2
> color=3Dblue face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>July 27, 2005</span></font></st1:date><font size=3D2 =
> color=3Dblue
> face=3D"Lucida Sans"><span style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";
> color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'> &=
> nbsp;
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D4 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:14.0pt;font-family:"Lucida Sans";color:blue'>Public =
> Relations
> & Marketing Manager<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";color:blue'>(Role =
> Title:
> Public Relations & Marketing Specialist =
> III)<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:place><st1:PlaceName><font size=3D2 =
> color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>Salary</span></font></st1:PlaceName><font size=3D2 =
> color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'> </span></font><st1:PlaceType><font size=3D2 color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>Range</span></font></st1:PlaceType></st1:place><font =
> size=3D2
> color=3Dblue face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>: Pay Band =
> 4 =
> &=
> nbsp; &n=
> bsp; &nb=
> sp;
> Location: </span></font><st1:place><st1:City><font size=3D2 color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>Martinsville</span></font></st1:City><font size=3D2 =
> color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>, </span></font><st1:State><font size=3D2 color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>VA</span></font></st1:State></st1:place><font size=3D2 =
> color=3Dblue
> face=3D"Lucida Sans"><span style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";
> color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";color:blue'>Position =
> #00043<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";color:blue'>The =
> Virginia
> Museum of Natural History is seeking an outstanding Public Relations and =
> Marketing
> professional to promote all the current activities of the Museum and =
> raise
> significant new awareness of the Museum in a larger market as we prepare =
> for
> our move to a new facility in late 2006. This person will develop and =
> implement
> public relations, marketing and advertising plans to increase =
> attendance,
> visibility and revenue by promoting educational programs, exhibits, =
> events,
> membership and the accomplishments of the Museum, as well as develop and
> implement a major campaign to launch the new =
> Museum.<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";color:blue'>The =
> duties
> include: all aspects of public relations – writing press releases,
> developing and maintaining media relations, community outreach, and =
> acting as
> spokesperson for the Museum as appropriate. Write and edit newsletter, =
> develop
> advertising, all collateral and identity materials and work with =
> graphics
> professional to produce the final product. Oversee marketing and =
> communications
> budgets. Develop range of partnerships in support of tourism, =
> create and
> implement special promotions to increase attendance and awareness. =
> Work
> collaboratively with the Special Events Manager to develop sponsorships =
> for
> exhibits and events.<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";color:blue'>The =
> position
> reports to the Director of Planning and External =
> Affairs.<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";color:blue'>The =
> successful
> candidate will: have 3-5 years of marketing and communications =
> experience
> preferably in nonprofit cultural organizations; have excellent written =
> and
> verbal communication, time management and organizational skills; have =
> the
> ability to think strategically as well as entrepreneurially; be able to =
> make
> well-educated decisions about using limited resources; the ability to =
> work on
> many projects simultaneously and to meet frequent deadlines. He or =
> she
> needs to understand the intertwined roles of development and marketing =
> in
> nonprofit organizations as well as have a working knowledge of =
> nonprofits,
> particularly cultural organizations. Budget experience (both in =
> revenue
> projections as well as expenses). <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'>Bachelor's
> degree, preferably in marketing, communications or related field. =
> Knowledge of
> MS Office, and Adobe required. Corel Draw =
> useful.<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";color:blue'>To =
> apply, submit
> a completed </span></font><st1:place><st1:PlaceType><font size=3D2 =
> color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>Commonwealth</span></font></st1:PlaceType><font size=3D2
> color=3Dblue face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'> of </span></font><st1:PlaceName><font size=3D2 =
> color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>Virginia Employment =
> Application</span></font></st1:PlaceName></st1:place><font
> size=3D2 color=3Dblue face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:
> "Lucida Sans";color:blue'> via email at [log in to unmask], fax to 276-632-6487 =
> or
> mail to Human Resources, </span></font><st1:address><st1:Street><font =
> size=3D2
> color=3Dblue face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>1001 Douglas Avenue</span></font></st1:Street><font =
> size=3D2
> color=3Dblue face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>, </span></font><st1:City><font size=3D2 color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>Martinsville</span></font></st1:City><font size=3D2 =
> color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>, </span></font><st1:State><font size=3D2 color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>VA</span></font></st1:State><font size=3D2 color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'> </span></font><st1:PostalCode><font size=3D2 color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>24112</span></font></st1:PostalCode></st1:address><font =
> size=3D2
> color=3Dblue face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>. Download a state employment application at:
> http://www.jobs.state.va.us. Applications must be received in our =
> office
> by </span></font><st1:time Hour=3D"17" Minute=3D"0"><font size=3D2 =
> color=3Dblue
> face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:"Lucida Sans";
> color:blue'>5 p.m.</span></font></st1:time><font size=3D2 color=3Dblue
> face=3D"Lucida Sans"><span style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";
> color:blue'> </span></font><st1:date Month=3D"8" Day=3D"19" =
> Year=3D"2005"><font
> size=3D2 color=3Dblue face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:
> "Lucida Sans";color:blue'>August 19, 2005</span></font></st1:date><font
> size=3D2 color=3Dblue face=3D"Lucida Sans"><span =
> style=3D'font-size:10.0pt;font-family:
> "Lucida Sans";color:blue'>. <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><i><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue;font-style:italic'>We
> are an equal opportunity employer. All qualified applicants are =
> afforded
> equal opportunities without regard to sex, race, color, religion, =
> national
> origin, age or disability. The successful applicant must furnish =
> proof of
> identity and employment eligibility and is subject to a background =
> check.<o:p></o:p></span></font></i></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3D"Lucida =
> Sans"><span
> style=3D'font-size:10.0pt;font-family:"Lucida =
> Sans";color:blue'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3D"Palatino =
> Linotype"><span
> style=3D'font-size:10.0pt;font-family:"Palatino =
> Linotype";color:navy'>______________________________</span></font><font
> color=3Dblue><span style=3D'color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><em><b><i><font size=3D2 color=3Dnavy =
> face=3D"Palatino Linotype"><span
> style=3D'font-size:10.0pt;font-family:"Palatino =
> Linotype";color:navy;font-weight:
> bold'>Rhonda Casey</span></font></i></b></em><font color=3Dblue><span
> style=3D'color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><em><b><i><font size=3D2 color=3Dnavy =
> face=3D"Palatino Linotype"><span
> style=3D'font-size:10.0pt;font-family:"Palatino =
> Linotype";color:navy;font-weight:
> bold'>Human Resources Manager</span></font></i></b></em><font =
> color=3Dblue><span
> style=3D'color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:place><st1:PlaceName><font size=3D2 =
> color=3Dnavy
> face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";
> color:navy'>Virginia</span></font></st1:PlaceName><font size=3D2 =
> color=3Dnavy
> face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";
> color:navy'> </span></font><st1:PlaceName><font size=3D2 color=3Dnavy
> face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";
> color:navy'>Museum</span></font></st1:PlaceName></st1:place><font =
> size=3D2
> color=3Dnavy face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:
> "Palatino Linotype";color:navy'> of Natural History</span></font><font
> color=3Dblue><span style=3D'color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:Street><st1:address><font size=3D2 =
> color=3Dnavy
> face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";
> color:navy'>1001 Douglas =
> Avenue</span></font></st1:address></st1:Street><font
> color=3Dblue><span style=3D'color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><st1:place><st1:City><font size=3D2 color=3Dnavy
> face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";
> color:navy'>Martinsville</span></font></st1:City><font size=3D2 =
> color=3Dnavy
> face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";
> color:navy'>, </span></font><st1:State><font size=3D2 color=3Dnavy
> face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";
> color:navy'>VA</span></font></st1:State><font size=3D2 color=3Dnavy
> face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";
> color:navy'> </span></font><st1:PostalCode><font size=3D2 =
> color=3Dnavy
> face=3D"Palatino Linotype"><span =
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";
> color:navy'>24112</span></font></st1:PostalCode></st1:place><font =
> color=3Dblue><span
> style=3D'color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3D"Palatino =
> Linotype"><span
> style=3D'font-size:10.0pt;font-family:"Palatino =
> Linotype";color:navy'>276-666-8617
> (phone)</span></font><font color=3Dblue><span =
> style=3D'color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3D"Palatino =
> Linotype"><span
> style=3D'font-size:10.0pt;font-family:"Palatino =
> Linotype";color:navy'>276-632-6487
> (fax)</span></font><font color=3Dblue><span =
> style=3D'color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3D"Palatino =
> Linotype"><span
> style=3D'font-size:10.0pt;font-family:"Palatino Linotype";color:navy'><a
> href=3D"mailto:[log in to unmask]"><font size=3D3><span =
> style=3D'font-size:12.0pt'>[log in to unmask]</span></font></a></span></font=
> ><font
> color=3Dblue><span style=3D'color:blue'><o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblue face=3D"Times New =
> Roman"><span
> style=3D'font-size:12.0pt;color:blue'> </span></font><o:p></o:p></p>=
>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'><o:p> </o:p></span></font></p>
>
> </div>
>
> </body>
>
> </html>
> =00
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> ------_=_NextPart_001_01C592D3.B0193384--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 12:40:22 -0500
> From: "Mary L. Kirby" <[log in to unmask]>
> Subject: Re: flag burning (was A flap in Gettysburg?)
>
> Trevor Reynolds said:
>
> " It is only very recently that I began to understand how much of an issue
> this would be to people from the USA (In fact after discussing an episode
of
> the Simpsons in which Homer burns the Union Jack (the flag of the United
> Kingdom) with some American friends)."
>
> How totally appropriate for you to join the discussion, Trevor. Some of
the
> professors I had lo' these many years ago pointed out that the Americans
> were at a loss as to what to pledge their allegiance when they no longer
had
> a crown as the symbol of the united government. Therefore, the flag in the
> United States has taken the position of a secular icon with many layers of
> emotion entangled in its threads. One such banner, "the Star Spangled
> Banner" of the anthems fame, is enshrined in the National History Museum
of
> the Smithsonian Institution after many hours of careful restoration.
>
> For the British, perhaps the bomb (or was it a V-2?) that struck
Buckingham
> Palace or perhaps the bombing of Parliament during World War II evoked
> similar heart-felt anguish.(I'm not sure members of the royal family,
> especially those younger than Elizabeth and Phillip, would engender the
same
> anguish today.)
>
> As you can see from this thread, for many Americans today, respect for any
> flag of a subdivision of the US other than the Stars and Stripes is
> tantamount to treason.
>
> On the other hand, a guest speaker last fall at the Texas Institute of
> Letters when discussion the occupation of Iraq and its long term
> consequences pointed out to his audience that it is in the former
> Confederate states that one most commonly sees the Stars and Bars.
>
> Mary Kirby
> [log in to unmask]
>
>
>
>
> --
> No virus found in this outgoing message.
> Checked by AVG Anti-Virus.
> Version: 7.0.323 / Virus Database: 267.9.2/54 - Release Date: 7/21/2005
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 12:51:57 -0500
> From: "Mary L. Kirby" <[log in to unmask]>
> Subject: Re: Multilevel cataloging in PastPerfect
>
> Carey Stumm said:
>
> " You mean in the classification field?
> I've thought about that. Putting
> Museum Administration Records
> or
> Photographs/Elevated Railroad
>
> in the classification field to help organize what goes
> together.
> hmmm.... just trying to weigh all my options here
> before I commit to something.
> Thanks for the advice Mary.
> -Carey"
>
> Carey,
>
> If you can, talk to Brian, Ginger or one of the folks at PastPerfect. I
> think I was meaning something else, but I do not have a PastPerfect manual
> handy anymore.
>
> After the initial assesioning information, you create a listing for each
> items. Among the multiple "pages" of information which you fill including
> the condition report and others, there is one section where you can list
the
> relationships of the item. There are four divisions of which I remember
> subject, people, --something else- and yes, maybe, classification. In the
> case of the museum where I was working we had 11,500 negatives from a
photo
> studio which had closed, but I would list the photographer's name under
> people each time, also negative, glass or negative, gelatine which ever
was
> appropriate, and they were all in the Hays Studio Collection. If I knew
the
> name(s) of the people in the photo, I would list them under people. Under
> subject, I would state portrait or portrait, child when ever it applied,
> etc.
>
> Thus I was developing a tremendous resource to have available at the click
> of a search command to give me all children's portraits.
>
> Perhaps you can use one of the fields to your benefit similarly. As I
said,
> the folks at PastPerfect could help quicker than I.
>
> Mary Kirby
> [log in to unmask]
>
>
>
>
> --
> No virus found in this outgoing message.
> Checked by AVG Anti-Virus.
> Version: 7.0.323 / Virus Database: 267.9.2/54 - Release Date: 7/21/2005
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 13:59:59 -0400
> From: Eric Johnson <[log in to unmask]>
> Subject: Re: flag burning (was A flap in Gettysburg?)
>
> Agreed, Art. I heard it put elegantly recently: it's a shame when a
symbol
> of freedom is elevated above the freedom itself.
>
> --Eric
>
> Eric D. M. Johnson
> Proprietor
> The Village Factsmith Historical Research & Consulting
> http://www.factsmith.com/
> [log in to unmask]
>
> ----- Original Message -----
> From: "Art Harris" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Wednesday, July 27, 2005 1:24 PM
> Subject: Re: [MUSEUM-L] flag burning (was A flap in Gettysburg?)
>
>
> > Please be a little careful about generalizations. There are many
Americans
> > who don't feel that the right of protest should be limited to subjects
or
> > actions that can be viewed as pablum by the average citizen. Much of the
> > hyteria over flag-burning is from right-wing super patriots who are much
> > more interested in showing how much more patriotic they are than anyone
> > else than they are in affirming free speech (or free political
expression
> > if you prefer).
> >
> > Obviously my opinion and not necessarily that of my institution.
> >
> > Art Harris
> >
> >
> > Laboratory for Environmental Biology, Centennial Museum
> > University of Texas at El Paso, El Paso, TX 79968-0915
> > [log in to unmask] http://museum.utep.edu/
> > http://museum.utep.edu/chih/chihdes.htm
> >
> > REYNOLDS, Trevor wrote:
> >> ...
> >> However this view of our flag will mean that the average person in the
> >> UK won't understand that if they decided to burn an American flag it
> >> would be seen as close to an act of war by Americans.
> >>
> >> Trevor Reynolds
> >>
> >>
> >>
> >>
____________________________________________________________________________
___
> >> English Heritage is subject to the Freedom of Information Act.
> >> All information held by the organisation will be accessible in response
> >> to a
> >> Freedom of Information request, unless one of the exemptions in the Act
> >> applies.
> >>
> >> =========================================================
> >> Important Subscriber Information:
> >>
> >> The Museum-L FAQ file is located at
> >> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> >> information about the listserv commands by sending a one line e-mail
> >> message to [log in to unmask] . The body of the message
should
> >> read "help" (without the quotes).
> >>
> >> If you decide to leave Museum-L, please send a one line e-mail message
to
> >> [log in to unmask] . The body of the message should read
> >> "Signoff Museum-L" (without the quotes).
> >>
> >
> > =========================================================
> > Important Subscriber Information:
> >
> > The Museum-L FAQ file is located at
> > http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> > information about the listserv commands by sending a one line e-mail
> > message to [log in to unmask] . The body of the message should
> > read "help" (without the quotes).
> >
> > If you decide to leave Museum-L, please send a one line e-mail message
to
> > [log in to unmask] . The body of the message should read
> > "Signoff Museum-L" (without the quotes).
> >
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 14:02:24 -0400
> From: "Cascio, Chris" <[log in to unmask]>
> Subject: Re: Upcoming National Law Enforcement Museum seeks art
ifacts/images/documents
>
> This message is in MIME format. Since your mail reader does not understand
> this format, some or all of this message may not be legible.
>
> ------_=_NextPart_001_01C592D5.575959D0
> Content-Type: text/plain
>
> Delaware was one of the last states-if not THE LAST-to do away with public
> executions and whippings. If memory serves me correctly, the Historical
> Society of Delaware has one of the last whips used in the 1930's. Also, I
> believe the State operates a police museum in Dover.
>
>
>
> Hope this helps!
>
>
>
> Chris Cascio
>
> Assistant Administrator
>
> Pottsgrove Manor historic site
>
> Pottstown, PA
>
>
>
> _____
>
> From: Kimberly Nelson Hanser [mailto:[log in to unmask]]
> Sent: Monday, July 11, 2005 4:06 PM
> To: [log in to unmask]
> Subject: [MUSEUM-L] Upcoming National Law Enforcement Museum seeks
> artifacts/images/documents
>
>
>
> I didn't see any rules suggesting that this type of posting is
> inappropriate. I apologize in advance if it is. -Kim
>
>
>
>
> The National Law Enforcement Museum is scouring the country to obtain
> objects, documents, and law enforcement images that will tell the story of
> law enforcement from the 17th century to the present. Here's a sample of
> what we are looking for:
>
> * Uniforms, gear, equipment, communications tools, badges, vehicles,
> and weapons, particularly items involved in interesting events or that
have
> historical significance (e.g., first examples, those that show changes in
> technology, or etc.)
> * Evidence from significant 19th and 20th century crimes-such as items
> belonging to notorious criminals (Bonnie and Clyde, Al Capone, etc.)
> * Pieces of evidence used for the first time or in significant cases
> utilizing forensic methodology (fingerprints, tread analysis, hair
samples,
> type comparisons, etc.)
> * Items showing law enforcement in pop culture (contemporary and
> historical), including movie posters, comic books, pulp fiction, action
> figures, general memorabilia
> * Academy training manuals, textbooks, videos, and equipment
> demonstrating the breadth of instruction law enforcement officers receive
> * Objects or documents from notable law enforcement officers (e.g.,
> Wyatt Earp, Teddy Roosevelt, Eliot Ness)
> * Objects, documents, and images that reflect the experiences of
> contemporary law enforcement officers
> * Law enforcement gazettes, newspapers, broadsides, unpublished
> memoirs, and photographs
>
>
>
>
>
>
>
>
> A complete wish list can be found at
> http://nleomf.com/TheMuseum/MuseumArtifactsWishList.pdf
> <http://nleomf.com/TheMuseum/MuseumArtifactsWishList.pdf> .
>
> Items accessioned into the NLEM's collection will receive the highest
> standards of care, and will enable the general public and generations to
> come to have a greater understanding of the law enforcement profession and
> its relationship with American society. All items accepted into the NLEM
> collection will be properly acknowledged and will be tax deductible to the
> full extent allowed by law.
>
> Please feel free to share this with any potential donors you know of, or
if
> you have something you would like to discuss, please don't hesitate to
> contact me via one of the methods listed below. Donation and loan forms
are
> available at http://nleomf.com/TheMuseum/donations.htm
> <http://nleomf.com/TheMuseum/donations.htm> .
>
> Thank you,
>
>
>
> Kimberly Nelson Hanser
>
> Exhibitions Coordinator
>
> <http://nleomf.com/TheMuseum/museum.htm> National Law Enforcement Museum
>
> <http://nleomf.com> National Law Enforcement Officers Memorial Fund
>
> P: 703.278.0791
>
> F: 703.832.0483
>
> <mailto:[log in to unmask]> [log in to unmask]
>
>
>
> ========================================================= Important
> Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
message
> to [log in to unmask] . The body of the message should read
"help"
> (without the quotes).
>
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
"Signoff
> Museum-L" (without the quotes).
> Confidentiality Notice: This e-mail message, including any attachments, is
> for the sole use of the intended recipient(s) and may contain confidential
> and privileged information. Any unauthorized review, use, disclosure,
> forwarding or distribution is prohibited. If you are not the intended
> recipient, please contact the sender by reply e-mail and destroy all
copies
> of the original message.
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C592D5.575959D0
> Content-Type: text/html
> Content-Transfer-Encoding: quoted-printable
>
> <html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
> xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
> xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
> xmlns:st1=3D"urn:schemas-microsoft-com:office:smarttags" =
> xmlns=3D"http://www.w3.org/TR/REC-html40">
>
> <head>
> <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
> charset=3Dus-ascii">
>
>
> <meta name=3DGenerator content=3D"Microsoft Word 11 (filtered medium)">
> <!--[if !mso]>
> <style>
> v\:* {behavior:url(#default#VML);}
> o\:* {behavior:url(#default#VML);}
> w\:* {behavior:url(#default#VML);}
> .shape {behavior:url(#default#VML);}
> </style>
> <![endif]--><o:SmartTagType
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags" =
> name=3D"City"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"State"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"place"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceType"/>
> <o:SmartTagType =
> namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags"
> name=3D"PlaceName"/>
> <!--[if !mso]>
> <style>
> st1\:*{behavior:url(#default#ieooui) }
> </style>
> <![endif]-->
> <style>
> <!--
> /* Font Definitions */
> @font-face
> {font-family:Tahoma;
> panose-1:2 11 6 4 3 5 4 4 2 4;}
> @font-face
> {font-family:Perpetua;
> panose-1:2 2 5 2 6 4 1 2 3 3;}
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> h3
> {mso-margin-top-alt:auto;
> margin-right:0in;
> mso-margin-bottom-alt:auto;
> margin-left:0in;
> font-size:13.5pt;
> font-family:"Times New Roman";
> font-weight:bold;}
> a:link, span.MsoHyperlink
> {color:blue;
> text-decoration:underline;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;
> text-decoration:underline;}
> p
> {mso-margin-top-alt:auto;
> margin-right:0in;
> mso-margin-bottom-alt:auto;
> margin-left:0in;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> span.EmailStyle18
> {mso-style-type:personal;
> font-family:Perpetua;
> color:windowtext;
> font-weight:normal;
> font-style:normal;
> text-decoration:none none;}
> span.EmailStyle19
> {mso-style-type:personal;
> font-family:Arial;
> color:blue;
> font-weight:normal;
> font-style:normal;
> text-decoration:none none;}
> span.EmailStyle20
> {mso-style-type:personal-reply;
> font-family:Arial;
> color:navy;}
> @page Section1
> {size:8.5in 11.0in;
> margin:1.0in 1.25in 1.0in 1.25in;}
> div.Section1
> {page:Section1;}
> /* List Definitions */
> @list l0
> {mso-list-id:472337185;
> mso-list-template-ids:-306929010;}
> @list l0:level1
> {mso-level-number-format:bullet;
> mso-level-text:\F0B7;
> mso-level-tab-stop:.5in;
> mso-level-number-position:left;
> text-indent:-.25in;
> mso-ansi-font-size:10.0pt;
> font-family:Symbol;}
> @list l1
> {mso-list-id:1817870138;
> mso-list-template-ids:864960360;}
> @list l1:level1
> {mso-level-number-format:bullet;
> mso-level-text:\F0B7;
> mso-level-tab-stop:.5in;
> mso-level-number-position:left;
> text-indent:-.25in;
> mso-ansi-font-size:10.0pt;
> font-family:Symbol;}
> @list l1:level2
> {mso-level-tab-stop:1.0in;
> mso-level-number-position:left;
> text-indent:-.25in;}
> @list l1:level3
> {mso-level-tab-stop:1.5in;
> mso-level-number-position:left;
> text-indent:-.25in;}
> @list l1:level4
> {mso-level-tab-stop:2.0in;
> mso-level-number-position:left;
> text-indent:-.25in;}
> @list l1:level5
> {mso-level-tab-stop:2.5in;
> mso-level-number-position:left;
> text-indent:-.25in;}
> @list l1:level6
> {mso-level-tab-stop:3.0in;
> mso-level-number-position:left;
> text-indent:-.25in;}
> @list l1:level7
> {mso-level-tab-stop:3.5in;
> mso-level-number-position:left;
> text-indent:-.25in;}
> @list l1:level8
> {mso-level-tab-stop:4.0in;
> mso-level-number-position:left;
> text-indent:-.25in;}
> @list l1:level9
> {mso-level-tab-stop:4.5in;
> mso-level-number-position:left;
> text-indent:-.25in;}
> ol
> {margin-bottom:0in;}
> ul
> {margin-bottom:0in;}
> -->
> </style>
>
> </head>
>
> <body lang=3DEN-US link=3Dblue vlink=3Dpurple>
>
> <div class=3DSection1>
>
> <p class=3DMsoNormal><st1:State w:st=3D"on"><st1:place =
> w:st=3D"on"><font size=3D2
> color=3Dnavy face=3DArial><span =
> style=3D'font-size:10.0pt;font-family:Arial;
> color:navy'>Delaware</span></font></st1:place></st1:State><font =
> size=3D2
> color=3Dnavy face=3DArial><span =
> style=3D'font-size:10.0pt;font-family:Arial;
> color:navy'> was one of the last states-if not THE LAST-to do away
> with public executions and whippings. If memory serves me =
> correctly, the Historical
> Society of Delaware has one of the last whips used in the 1930's.
> Also, I believe the State operates a police museum in <st1:place =
> w:st=3D"on"><st1:City
> w:st=3D"on">Dover</st1:City></st1:place>. =
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>=
>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:navy'>Hope this =
> helps!<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>=
>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:navy'>Chris =
> Cascio<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:navy'>Assistant =
> Administrator<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:navy'>Pottsgrove Manor historic site =
> <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:navy'>Pottstown, =
> PA<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>=
>
>
> <div>
>
> <div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
> size=3D3
> face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>
>
> <hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>
>
> </span></font></div>
>
> <p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
> style=3D'font-size:10.0pt;
> font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
> size=3D2
> face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
> Kimberly Nelson
> Hanser [mailto:[log in to unmask]] <br>
> <b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 11, =
> 2005 4:06
> PM<br>
> <b><span style=3D'font-weight:bold'>To:</span></b> =
> [log in to unmask]<br>
> <b><span style=3D'font-weight:bold'>Subject:</span></b> [MUSEUM-L] =
> <st1:place
> w:st=3D"on"><st1:PlaceName w:st=3D"on">Upcoming</st1:PlaceName> =
> <st1:PlaceName
> w:st=3D"on">National</st1:PlaceName> <st1:PlaceName =
> w:st=3D"on">Law</st1:PlaceName>
> <st1:PlaceName w:st=3D"on">Enforcement</st1:PlaceName> <st1:PlaceType =
> w:st=3D"on">Museum</st1:PlaceType></st1:place>
> seeks artifacts/images/documents</span></font><o:p></o:p></p>
>
> </div>
>
> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
> style=3D'font-size:
> 12.0pt'><o:p> </o:p></span></font></p>
>
> <div style=3D'border:none;border-bottom:solid windowtext =
> 1.5pt;padding:0in 0in 1.0pt 0in'>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:blue'>I didn't see any rules suggesting
> that this type of posting is inappropriate. I apologize in =
> advance if it
> is. -Kim<o:p></o:p></span></font></p>
>
> </div>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:blue'><o:p> </o:p></span></font></p>=
>
>
> <table class=3DMsoNormalTable border=3D0 cellspacing=3D10 =
> cellpadding=3D0 width=3D"100%"
> style=3D'width:100.0%'>
> <tr>
> <td valign=3Dtop style=3D'padding:7.5pt 7.5pt 7.5pt 7.5pt'>
> <p><font size=3D3 face=3DPerpetua><span =
> style=3D'font-size:12.0pt;font-family:Perpetua'>The
> <st1:place w:st=3D"on"><st1:PlaceName =
> w:st=3D"on">National</st1:PlaceName> <st1:PlaceName
> w:st=3D"on">Law</st1:PlaceName> <st1:PlaceName =
> w:st=3D"on">Enforcement</st1:PlaceName>
> <st1:PlaceType w:st=3D"on">Museum</st1:PlaceType></st1:place> is =
> scouring the
> country to obtain objects, documents, and law enforcement images that =
> will
> tell the story of law enforcement from the 17th century to the =
> present.
> Here's a sample of what we are looking =
> for:<o:p></o:p></span></font></p>
> <ul type=3Ddisc>
> <li class=3DMsoNormal =
> style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt;
> mso-list:l1 level1 lfo3'><font size=3D3 face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua'>Uniforms, gear, =
> equipment,
> communications tools, badges, vehicles, and weapons, =
> particularly items
> involved in interesting events or that have historical =
> significance
> (e.g., first examples, those that show changes in technology, or =
> etc.)<o:p></o:p></span></font></li>
> <li class=3DMsoNormal =
> style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt;
> mso-list:l1 level1 lfo3'><font size=3D3 face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua'>Evidence from =
> significant
> 19th and 20th century crimes-such as items belonging to =
> notorious
> criminals (Bonnie and <st1:place w:st=3D"on">Clyde</st1:place>, =
> Al Capone,
> etc.)<o:p></o:p></span></font></li>
> <li class=3DMsoNormal =
> style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt;
> mso-list:l1 level1 lfo3'><font size=3D3 face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua'>Pieces of =
> evidence used
> for the first time or in significant cases utilizing forensic
> methodology (fingerprints, tread analysis, hair samples, type
> comparisons, etc.)<o:p></o:p></span></font></li>
> <li class=3DMsoNormal =
> style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt;
> mso-list:l1 level1 lfo3'><font size=3D3 face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua'>Items showing =
> law
> enforcement in pop culture (contemporary and historical), =
> including
> movie posters, comic books, pulp fiction, action figures, =
> general
> memorabilia<o:p></o:p></span></font></li>
> <li class=3DMsoNormal =
> style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt;
> mso-list:l1 level1 lfo3'><font size=3D3 face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua'>Academy training =
> manuals,
> textbooks, videos, and equipment demonstrating the breadth of
> instruction law enforcement officers =
> receive<o:p></o:p></span></font></li>
> <li class=3DMsoNormal =
> style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt;
> mso-list:l1 level1 lfo3'><font size=3D3 face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua'>Objects or =
> documents from
> notable law enforcement officers (e.g., Wyatt Earp, Teddy =
> Roosevelt,
> Eliot Ness)<o:p></o:p></span></font></li>
> <li class=3DMsoNormal =
> style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt;
> mso-list:l1 level1 lfo3'><font size=3D3 face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua'>Objects, =
> documents, and
> images that reflect the experiences of contemporary law =
> enforcement
> officers<o:p></o:p></span></font></li>
> <li class=3DMsoNormal =
> style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt;
> mso-list:l1 level1 lfo3'><font size=3D3 face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua'>Law enforcement =
> gazettes,
> newspapers, broadsides, unpublished memoirs, and =
> photographs<o:p></o:p></span></font></li>
> </ul>
> </td>
> <td valign=3Dtop style=3D'padding:7.5pt 7.5pt 7.5pt 7.5pt'>
> <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3 =
> face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua'><br>
> <br>
> <br>
> <br>
> <o:p></o:p></span></font></p>
> </td>
> </tr>
> <tr>
> <td colspan=3D2 style=3D'padding:7.5pt 7.5pt 7.5pt 7.5pt'>
> <p><font size=3D3 face=3DPerpetua><span =
> style=3D'font-size:12.0pt;font-family:Perpetua'>A
> complete wish list can be found at <a
> =
> href=3D"http://nleomf.com/TheMuseum/MuseumArtifactsWishList.pdf">http://=
> nleomf.com/TheMuseum/MuseumArtifactsWishList.pdf</a>.<o:p></o:p></span><=
> /font></p>
> <p><font size=3D3 face=3DPerpetua><span =
> style=3D'font-size:12.0pt;font-family:Perpetua'>Items
> accessioned into the NLEM's collection will receive the highest =
> standards of
> care, and will enable the general public and generations to come to =
> have a
> greater understanding of the law enforcement profession and its =
> relationship
> with American society. All items accepted into the NLEM collection =
> will be
> properly acknowledged and will be tax deductible to the full extent =
> allowed
> by law.<o:p></o:p></span></font></p>
> <p><font size=3D3 face=3DPerpetua><span =
> style=3D'font-size:12.0pt;font-family:Perpetua'>Please
> feel free to share this with any potential donors you know of, or if =
> you have
> something you would like to discuss, please don't hesitate to contact
> me via one of the methods listed below. Donation and loan forms =
> are
> available at <a =
> href=3D"http://nleomf.com/TheMuseum/donations.htm">http://nleomf.com/The=
> Museum/donations.htm</a>.
> <o:p></o:p></span></font></p>
> </td>
> </tr>
> </table>
>
> <p class=3DMsoNormal><font size=3D3 face=3DPerpetua><span =
> style=3D'font-size:12.0pt;
> font-family:Perpetua'>Thank you, <o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3DPerpetua><span =
> style=3D'font-size:12.0pt;
> font-family:Perpetua'><o:p> </o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3D"#000040" =
> face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua;color:#000040'>Kimberly =
> Nelson
> Hanser<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3D"#000040" =
> face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua;color:#000040'>Exhibition=
> s
> Coordinator<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3DPerpetua><span =
> style=3D'font-size:12.0pt;
> font-family:Perpetua'><a =
> href=3D"http://nleomf.com/TheMuseum/museum.htm"><font
> color=3Dblack><span style=3D'color:black'>National Law Enforcement =
> Museum</span></font></a><font
> color=3Dblack><span =
> style=3D'color:black'><o:p></o:p></span></font></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua;color:black'><a
> href=3D"http://nleomf.com"><font color=3D"#000040"><span =
> style=3D'color:#000040'>National
> Law Enforcement Officers Memorial =
> Fund</span></font></a></span></font><span
> class=3DMsoHyperlink><u><font color=3D"#000040"><span =
> style=3D'color:#000040'><o:p></o:p></span></font></u></span></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3D"#000040" =
> face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua;color:#000040'>P: =
> 703.278.0791</span></font><o:p></o:p></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3D"#000040" =
> face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua;color:#000040'>F: =
> 703.832.0483<o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DPerpetua><span
> style=3D'font-size:12.0pt;font-family:Perpetua;color:black'><a
> href=3D"mailto:[log in to unmask]" title=3D"mailto:[log in to unmask]"><font =
> color=3D"#000040"><span
> style=3D'color:#000040'><span =
> title=3D"mailto:[log in to unmask]">[log in to unmask]</span></span></font></a><=
> o:p></o:p></span></font></p>
>
> <p class=3DMsoNormal><font size=3D3 face=3DPerpetua><span =
> style=3D'font-size:12.0pt;
> font-family:Perpetua'><o:p> </o:p></span></font></p>
>
> </div>
>
> </body>
>
> </html>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at =
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
> information about the listserv commands by sending a one line e-mail =
> message to [log in to unmask] . The body of the message =
> should read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to [log in to unmask] . The body of the message should read =
> "Signoff Museum-L" (without the quotes).<FONT SIZE=3D2 =
> FACE=3D"Arial">Confidentiality Notice: This e-mail message, including =
> any attachments, is for the sole use of the intended recipient(s) and =
> may contain confidential and privileged information. Any unauthorized =
> review, use, disclosure, forwarding or distribution is prohibited. If =
> you are not the intended recipient, please contact the sender by reply =
> e-mail and destroy all copies of the original message.</FONT>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> ------_=_NextPart_001_01C592D5.575959D0--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 14:12:30 -0400
> From: Lisa Renken <[log in to unmask]>
> Subject: Window Shades For A 1910 Structure
>
> Our small cultural history museum is housed in a former Carnegie Library
> building built in 1910. Sometime in the last 20 - 30 years someone
> replaced the original white shades with dark brown miniblinds. The effect
> is to make the windows look like dark holes from the outside and hide much
> of the beautiful original window framing on the inside. Although the
> entire building is in need of refurbishment (a project we hope to take on
> in the near future in conjunction with the city who owns the building), we
> think changing the miniblinds with white shades appropriate to the
> buiding's 1910 period of construction would go along way toward improving
> the appearance and authenticity of the building.
> I am asking for help in my research for the appropriate shades. I would
> like to minimize the amount of harmful uv rays coming into the building
> while maximizing the light. Any references or sources as to all
> conservation considerations and vendors will be greatly appreciated.
> Thanks in advance.
>
>
>
> Lisa Renken
> Director
> Lompoc Museum
> 805-736-3888 (Phone)
> 805-736-2840 (FAX)
>
> 200 South H Street
> Lompoc, CA 93436
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 14:22:14 -0400
> From: Elizabeth Moore <[log in to unmask]>
> Subject: Re: Window Shades For A 1910 Structure
>
> What about reducing the UV with window film then you don't have to worry
> about the shades doing the job for you. Check out Llumar films which
> claim "Depending on the film selected, LLumar can cut from 12 to 93
> percent of incoming light, eliminate 99% of the harmful ultraviolet
> radiation
> to protect fabrics and finishes, block 92% of glare and cut up to 76% of
> solar heat gain through the glass." The web address for US
> architectural films is
> http://www.llumar.com/na-eng/Architectural/building.html. The plant is
> in our town and the CEO has told me that they feel they block 100% of UV
> but they don't claim it because it is possible to have tiny holes in the
> film that render it 99%. He said they sell quite a bit of it for people
> who cannot be exposed to UV at all and have to have their windows
> filmed, can only go out at night in the dark, etc.
>
> Elizabeth
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]] On
> Behalf Of Lisa Renken
> Sent: Wednesday, July 27, 2005 2:13 PM
> To: [log in to unmask]
> Subject: Window Shades For A 1910 Structure
>
> Our small cultural history museum is housed in a former Carnegie Library
>
> building built in 1910. Sometime in the last 20 - 30 years someone=20
> replaced the original white shades with dark brown miniblinds. The
> effect=20
> is to make the windows look like dark holes from the outside and hide
> much=20
> of the beautiful original window framing on the inside. Although the=20
> entire building is in need of refurbishment (a project we hope to take
> on=20
> in the near future in conjunction with the city who owns the building),
> we=20
> think changing the miniblinds with white shades appropriate to the=20
> buiding's 1910 period of construction would go along way toward
> improving=20
> the appearance and authenticity of the building. =20
> I am asking for help in my research for the appropriate shades. I would=20
> like to minimize the amount of harmful uv rays coming into the building=20
> while maximizing the light. Any references or sources as to all=20
> conservation considerations and vendors will be greatly appreciated.=20
> Thanks in advance.
>
>
>
> Lisa Renken
> Director
> Lompoc Museum
> 805-736-3888 (Phone)
> 805-736-2840 (FAX)
>
> 200 South H Street
> Lompoc, CA 93436
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message
> to [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 13:30:35 -0500
> From: Cindy Stanford <[log in to unmask]>
> Subject: CPB Grant for American History and Civics Content
>
> The Corporation for Public Broadcasting has recently launched the American
> History and Civics Initiative "to address critical shortfalls in middle
and
> high school students' knowledge of American history, our political system,
> and their roles as citizens."
>
> This initiative will award $20 million in grants to "forge unique and
> sustainable partnerships between public television producers and broadcast
> outlets, the educational community, curriculum developers, the high tech
> industry and other appropriate partners, to design, test and create
> integrated interactive multimedia platforms that improve learning."
>
> For information on the initiative and the RFP, go here:
> http://www.cpb.org/grants/historyandcivics/
>
> I know a high tech company and television producer in Los Angeles looking
> for partners in submitting a proposal. If your organization is interested
in
> applying for the grant and need partners, let me know and I'll give you
the
> contact information.
>
> I have personally seen this sort of effort work out very well for all
> involved. The American Film Institute has a Digital Content Lab which
> "incubates new forms of entertainment programming on digital platforms
from
> idea to audience" by pairing "design and technology experts with
> professionals from TV, film, games and an array of programming initiators
in
> an R&D environment to adapt new and existing concepts to digital creation
> and distribution."
>
> Every July AFI rolls out the results of the teams for that year and
> announces the teams for the next year. I've attended the presentation
twice
> and it's very impressive. Long-time sponsors include Microsoft, Intel,
> and... CPB. I'm guessing the idea for the American History and Civics
> Initiative was germinated in the rich experiences of the AFI Digital
Content
> Lab. Info here: http://www.afi.com/education/dcl/
>
> I wish our museum was in a position to develop a proposal, but we're not.
> I'm hoping the info falls in the hands of another organization who is able
> to seize the opportunity.
>
> Cindy Stanford
> Content Developer
> Exploration Place
> ~^~^~^~^~^~^~^~^~^~
> 300 North McLean Blvd.
> Wichita, KS 67203 USA
> ~^~^~^~^~^~^~^~^~^~
> (316) 266-4208 Phone
> (316) 263-4545 Fax
> ~^~^~^~^~^~^~^~^~^~
> [log in to unmask]
> www.exploration.org
>
> ~^~^~^~^~^~^~^~^~^~
> CONFIDENTIALITY NOTICE:
> This message from Exploration Place, Inc. contains information which is
> privileged and confidential and is solely for the use of the intended
> recipient. If you are not the intended recipient, be aware that any
review,
> disclosure, copying, distribution, or use of the contents of this message
is
> strictly prohibited. If you have received this in error, please destroy it
> immediately and please notify us immediately at 316-263-3373. Thank you.
> ~^~^~^~^~^~^~^~^~^~
>
>
>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 12:05:13 +0200
> From: Deb Fuller <[log in to unmask]>
> Subject: Re: A flap in Gettysburg?
>
> On 7/25/05, Cindy Stanford <[log in to unmask]> wrote:
>
> > By recoloring the Confederate flag, or even lynching it, Sims says, he
wants
> > to create a dialogue about it.
>
> I took a look at his site and the recoloring project sounds pretty
> interesting. But on the flip side, when has anything relating to
> lynching opened up a dialogue? Seems to me that it is a blatant
> attempt to cause controversey in a non-dialogue sort of way - like
> someone wanting to start a conversation by punching you in the face.
>
> Deb
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 13:50:37 -0500
> From: Stephanie Turnham <[log in to unmask]>
> Subject: Re: Window Shades For A 1910 Structure
>
> We have a 1905 Carnegie building. We placed UV filters on the windows and
> then placed cream colored hand-sewn high quality muslin curtains on them.
> The curtains are gathered at the top and the bottom and stay in place with
a
> tension rod. The curtains look classy from the outside.
>
> Hope this helps.
> Stephanie Turnham
> Director
> Bell County Museum
> PO Box 1381
> Belton, TX 76513
> 254.933.5243
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]]On
> Behalf Of Lisa Renken
> Sent: Wednesday, July 27, 2005 12:13 PM
> To: [log in to unmask]
> Subject: Window Shades For A 1910 Structure
>
>
> Our small cultural history museum is housed in a former Carnegie Library
> building built in 1910. Sometime in the last 20 - 30 years someone
> replaced the original white shades with dark brown miniblinds. The effect
> is to make the windows look like dark holes from the outside and hide much
> of the beautiful original window framing on the inside. Although the
> entire building is in need of refurbishment (a project we hope to take on
> in the near future in conjunction with the city who owns the building), we
> think changing the miniblinds with white shades appropriate to the
> buiding's 1910 period of construction would go along way toward improving
> the appearance and authenticity of the building.
> I am asking for help in my research for the appropriate shades. I would
> like to minimize the amount of harmful uv rays coming into the building
> while maximizing the light. Any references or sources as to all
> conservation considerations and vendors will be greatly appreciated.
> Thanks in advance.
>
>
>
> Lisa Renken
> Director
> Lompoc Museum
> 805-736-3888 (Phone)
> 805-736-2840 (FAX)
>
> 200 South H Street
> Lompoc, CA 93436
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
message
> to [log in to unmask] . The body of the message should read
"help"
> (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
"Signoff
> Museum-L" (without the quotes).
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 14:14:52 EDT
> From: Kyle McQuilkin <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> -------------------------------1122488092
> Content-Type: text/plain; charset="US-ASCII"
> Content-Transfer-Encoding: 7bit
>
> I found Carol Ely's message to be very well said, and I agree
> whole-heartedly. But I can't help but add my two cents with the desire to
turn the
> discussion toward museological issues.
>
> As pointed out by several authors, it is difficult for the 21st Century
> paradigm to digest the level of state allegience proclaimed by 19th
Century
> soldiers, particularly in the South. The fact that we now self-identify
as Americans
> first, and Texans or New Yorkers second, is largely a result of the Civil
> War. Gettysburg stands in sobering testimony to that reality, for both
sides.
> It is hallowed ground.
>
> I am not defending either position. Rather, to suggest, as has been
pointed
> out, that the Civil War was an American trajedy, not just a division
between
> the North and the South. As such, it seems somewhat unfair to choose
sides at
> a national battlefield. For me, the biggest issue here comes to one of
chosen
> venue for the exhibition.
>
> I recognize the value in on-site exhibits, such as Wounded Knee and
> Auschwitz, among many. And I won't comment on the artistic value of the
work in
> question, although certainly it deserved an audience. Just look at all of
the
> dialogue it has inspired here. But I think a more sensitive institution
would have
> moved the exhibit down the street a ways. Maybe nobody would have fussed
> much then.
>
> Is there value in fuss? Sure. But there's also value in respect and
dignity.
>
> Perhaps, I gibber.
>
> Cheers,
> Kyle McQuilkin
> Texas Tech University
> School of Art
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> -------------------------------1122488092
> Content-Type: text/html; charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> <HTML><HEAD>
> <META charset=3DUS-ASCII http-equiv=3DContent-Type content=3D"text/html;
cha=
> rset=3DUS-ASCII">
> <META content=3D"MSHTML 6.00.2900.2668" name=3DGENERATOR></HEAD>
> <BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR:
#fffff=
> f">
> <DIV>I found Carol Ely's message to be very well said, and I agree
whole-hea=
> rtedly. But I can't help but add my two cents with the desire to
turn=20=
> the discussion toward museological issues.</DIV>
> <DIV> </DIV>
> <DIV>As pointed out by several authors, it is difficult for the 21st
Century=
> paradigm to digest the level of state allegience proclaimed by 19th
Century=
> soldiers, particularly in the South. The fact that we now
self-identi=
> fy as Americans first, and Texans or New Yorkers second, is largely a
result=
> of the Civil War. Gettysburg stands in sobering testimony to that
rea=
> lity, for both sides. It is hallowed ground.</DIV>
> <DIV> </DIV>
> <DIV>I am not defending either position. Rather, to suggest, as has
be=
> en pointed out, that the Civil War was an <EM>American</EM> trajedy, not
jus=
> t a division between the North and the South. As such, it seems
somewh=
> at unfair to choose sides at a <EM>national</EM> battlefield. For
me,=20=
> the biggest issue here comes to one of chosen venue for the
exhibition. =
> ; </DIV>
> <DIV> </DIV>
> <DIV>I recognize the value in on-site exhibits, such as Wounded Knee and
Aus=
> chwitz, among many. And I won't comment on the artistic value of the
w=
> ork in question, although certainly it deserved an
audience.  =
> ;Just look at all of the dialogue it has inspired here. But I think
a=20=
> more sensitive institution would have moved the exhibit down the street a
wa=
> ys. Maybe nobody would have fussed much then. </DIV>
> <DIV> </DIV>
> <DIV>Is there value in fuss? Sure. But there's also value in
res=
> pect and dignity.</DIV>
> <DIV> </DIV>
> <DIV>Perhaps, I gibber.</DIV>
> <DIV> </DIV>
> <DIV>Cheers,</DIV>
> <DIV>Kyle McQuilkin</DIV>
> <DIV>Texas Tech University</DIV>
> <DIV>School of Art</DIV>
> <DIV> </DIV>
> <DIV> </DIV></BODY></HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> -------------------------------1122488092--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 14:24:50 -0500
> From: George Garner <[log in to unmask]>
> Subject: Re: corporate inducement to donate to exhibit
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_0FA0_01C592B6.F2A37930
> Content-Type: text/plain;
> charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> Hi Erica,
>
> Have you considered free or discounted admission tickets for some or all =
> of their employees? Or, if you don't charge admission, discounted or =
> maybe buy-one get-one free memberships? The business would be able to =
> tie their donation to a perk for their employees, and you get access to =
> a new audience who may turn into regular visitors/members.=20
>
> Special previews of the new exhibition a day or two before it opens are =
> also beneficial. It also doubles as a way to build an audience and =
> generate buzz about the show.
>
> Also, think of places other than the exhibition you can put signage. =
> Perhaps a sign for the exhibition in the lobby can include logos? What =
> about your website? Signage at special events? The more places you can =
> plaster the business' logo, the more exposure and bang for their buck =
> they get. You might be able to bump up your range of donations above =
> $1,000 too. :)
>
> Those are just a few of many great ways to offer incentives. I'm sure a =
> dedicated development person can offer more.=20
>
> Best,
>
> George Garner
> Director of Exhibitions
> Center for History
> 808 West Washington, South Bend, IN 46601
> www.centerforhistory.org // (574) 235-9664
>
>
> --------
> Celebrate Historic Architecture Month in July at the Center for History =
> with a tour of Copshaholm, the 38-room mansion once home to the Oliver =
> family.
>
>
> ----- Original Message -----=20
> From: Erica Maniez=20
> To: [log in to unmask]
> Sent: Saturday, July 23, 2005 12:06 PM
> Subject: corporate inducement to donate to exhibit
>
>
> Hello, folks,
>
> =20
>
> We are currently raising funds for a new exhibit. We are thinking =
> about approaching local businesses to see if they would be willing to =
> donate $500 - $1,000 each for the project. Other than a sign or plaque =
> acknowledging their donation, I=92m not sure what other =93rewards=94 we =
> could offer them for contributing. We are a small museum, and the =
> project budget is about $17,500. Most of that is the construction of new =
> exhibit cases. The idea of naming each case after a business is =
> distasteful to me.
>
> =20
>
> How has your museum acknowledged corporate donors in the past?
>
> =20
>
> Thanks!
>
> Erica
>
> =20
>
> Erica S. Maniez
>
> Museum Director, Issaquah Historical Society
>
> 425/392-3500
>
> [log in to unmask]
>
> www.issaquahhistory.org
>
> =20
>
> =
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D Important Subscriber Information:=20
> The Museum-L FAQ file is located at =
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
> information about the listserv commands by sending a one line e-mail =
> message to [log in to unmask] . The body of the message should =
> read "help" (without the quotes).=20
>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to [log in to unmask] . The body of the message should read =
> "Signoff Museum-L" (without the quotes).=20
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_0FA0_01C592B6.F2A37930
> Content-Type: text/html;
> charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML xmlns=3D"http://www.w3.org/TR/REC-html40" xmlns:o =3D=20
> "urn:schemas-microsoft-com:office:office" xmlns:w =3D=20
> "urn:schemas-microsoft-com:office:word"><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dwindows-1252">
> <META content=3D"MSHTML 6.00.2800.1476" name=3DGENERATOR>
> <STYLE>@page Section1 {size: 8.5in 11.0in; margin: 1.0in 1.0in 1.0in =
> 1.0in; }
> P.MsoNormal {
> FONT-SIZE: 11pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: Arial
> }
> LI.MsoNormal {
> FONT-SIZE: 11pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: Arial
> }
> DIV.MsoNormal {
> FONT-SIZE: 11pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: Arial
> }
> A:link {
> COLOR: blue; TEXT-DECORATION: underline
> }
> SPAN.MsoHyperlink {
> COLOR: blue; TEXT-DECORATION: underline
> }
> A:visited {
> COLOR: purple; TEXT-DECORATION: underline
> }
> SPAN.MsoHyperlinkFollowed {
> COLOR: purple; TEXT-DECORATION: underline
> }
> SPAN.EmailStyle17 {
> COLOR: windowtext; FONT-FAMILY: Arial; mso-style-type: personal-compose
> }
> DIV.Section1 {
> page: Section1
> }
> </STYLE>
> </HEAD>
> <BODY lang=3DEN-US vLink=3Dpurple link=3Dblue bgColor=3D#ffffff>
> <DIV><FONT size=3D2>Hi Erica,</FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>Have you considered free or discounted admission =
> tickets for=20
> some or all of their employees? Or, if you don't charge admission, =
> discounted or=20
> maybe buy-one get-one free memberships? The business would be able to =
> tie their=20
> donation to a perk for their employees, and you get access to a new =
> audience who=20
> may turn into regular visitors/members. </FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>Special previews of the new exhibition a day or two =
> before it=20
> opens are also beneficial. It also doubles as a way to build an audience =
> and=20
> generate buzz about the show.</FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>Also, think of places other than the exhibition you =
> can put=20
> signage. Perhaps a sign for the exhibition in the lobby can include =
> logos? What=20
> about your website? Signage at special events? The more places you can =
> plaster=20
> the business' logo, the more exposure and bang for their buck they get. =
> You=20
> might be able to bump up your range of donations above $1,000 too.=20
> :)</FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>Those are just a few of many great ways to offer =
> incentives.=20
> I'm sure a dedicated development person can offer more. </FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>Best,</FONT></DIV><FONT size=3D2>
> <DIV><BR>George Garner<BR>Director of Exhibitions<BR>Center for =
> History<BR>808=20
> West Washington, South Bend, IN 46601<BR><A=20
> href=3D"http://www.centerforhistory.org">www.centerforhistory.org</A> // =
> (574)=20
> 235-9664</DIV>
> <DIV> </DIV></FONT><FONT size=3D2>
> <DIV><BR>--------<BR>Celebrate Historic Architecture Month in July at =
> the Center=20
> for History with a tour of Copshaholm, the 38-room mansion once home to =
> the=20
> Oliver family.<BR></DIV>
> <DIV> </DIV></FONT>
> <BLOCKQUOTE dir=3Dltr=20
> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
> <DIV=20
> style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
> black"><B>From:</B>=20
> <A [log in to unmask] =
> href=3D"mailto:[log in to unmask]">Erica=20
> Maniez</A> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
> [log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> </A>=20
> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 23, 2005 =
> 12:06=20
> PM</DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> corporate inducement =
> to donate=20
> to exhibit</DIV>
> <DIV><BR></DIV>
> <DIV class=3DSection1>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt">Hello, folks,<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt"><o:p> </o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN =
> style=3D"FONT-SIZE: 10pt">We=20
> are currently raising funds for a new exhibit. We are thinking about=20
> approaching local businesses to see if they would be willing to donate =
> $500 -=20
> $1,000 each for the project. Other than a sign or plaque acknowledging =
> their=20
> donation, I=92m not sure what other =93rewards=94 we could offer them =
> for=20
> contributing. We are a small museum, and the project budget is about =
> $17,500.=20
> Most of that is the construction of new exhibit cases. The idea of =
> naming each=20
> case after a business is distasteful to =
> me.<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt"><o:p> </o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN =
> style=3D"FONT-SIZE: 10pt">How=20
> has your museum acknowledged corporate donors in the=20
> past?<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt"><o:p> </o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt">Thanks!<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt">Erica<o:p></o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt"><o:p> </o:p></SPAN></FONT></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN =
> style=3D"FONT-SIZE: 10pt">Erica=20
> S. Maniez</SPAN></FONT><o:p></o:p></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt">Museum Director, Issaquah Historical=20
> Society</SPAN></FONT><o:p></o:p></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: 10pt">425/392-3500</SPAN></FONT><o:p></o:p></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN =
> style=3D"FONT-SIZE: 10pt"><A=20
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A></SP=
> AN></FONT><o:p></o:p></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: =
> 10pt">www.issaquahhistory.org</SPAN></FONT><o:p></o:p></P>
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20
> style=3D"FONT-SIZE: =
>
11pt"><o:p> </o:p></SPAN></FONT></P></DIV>=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=20
> Important Subscriber Information:=20
> <P>The Museum-L FAQ file is located at=20
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed=20
> information about the listserv commands by sending a one line e-mail =
> message=20
> to [log in to unmask] . The body of the message should read =
> "help"=20
> (without the quotes).=20
> <P>If you decide to leave Museum-L, please send a one line e-mail =
> message to=20
> [log in to unmask] . The body of the message should read =
> "Signoff=20
> Museum-L" (without the quotes). </P></BLOCKQUOTE></BODY></HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_0FA0_01C592B6.F2A37930--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 15:31:35 -0400
> From: Kristen Miller Zohn <[log in to unmask]>
> Subject: Job Opening Columbus Georgia
>
> The Columbus Museum, an 86,000 sq. ft. museum of American Art and =
> regional
> cultural history in Georgia, is seeking a School and Educator Programs
> Coordinator. This position has responsibility over various
> curriculum-related services and outreach efforts, including building and
> maintaining relationships between the Museum and area students and =
> teachers.
> Major duties include developing curriculum tours, staff development =
> courses,
> and exhibition-related educational materials. The position requires a
> minimum of 3 years experience teaching art and/or humanities in an =
> academic
> setting or working in a museum environment. The incumbent should possess
> excellent teamwork skills and strong communication skills, be
> well-organized, creative, computer literate, and able to handle multiple
> tasks. Bachelor's degree in museum studies, art education, archaeology,
> history or related field required, M.A. preferred. Salary: low to mid
> thirties. For more information, contact Kristen Miller Zohn, Curator of
> Education, at [log in to unmask]
>
> =A0
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 15:32:50 -0400
> From: Travis Bowman <[log in to unmask]>
> Subject: Museum Educator Opening
>
> This is a multi-part message in MIME format.
>
> ------_=_NextPart_001_01C592E1.FAA366D0
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> Clermont State Historic Site is seeking a highly-motivated professional
> who enjoys working with children and the public, and who has an academic
> background in history education or museum studies for the Curator of
> Education position at the site. A vacancy in this position in
> anticipated in mid- August 2005.
> =20
> Duties & Responsibilities include, but are not limited to:
> =20
> Develops, supervises and conducts educational programs for children and
> adults and special interpretive events;
> Supervises the museum's guided tour program of the Livingston home and
> landscape;
> Develops and implements marketing and public relations strategies;
> Identifies funding sources and applies for grants from corporate giving
> programs, private foundations and public granting agencies;
> Assists in coordinating the museum's volunteer program;
> Assists in the creation of museum publications, including the newsletter
> of the Friends of Clermont.
> =20
> =20
> Qualifications
> Bachelor's Degree and two years museum education experience at a museum
> or historic site OR
> Master's Degree in history, museum studies, historic preservation or a
> related field. Preference may be given to candidates with teaching
> experience.
> =20
> Compensation
> This full-time position is compensated at the rate of $16.07 per hour
> ($31,500 per annum approx.). New York State Health and Dental insurance,
> as well as prescription and eyeglass benefits are provided.
> =20
> =20
> Applications will be accepted through August 7, 2005. Interviews will be
> held between August 1 and August 15. Candidates must be available to
> start on or before September 1, 2005.
> =20
> =20
> =20
> Persons interested in being considered for this position should mail or
> fax a letter of interest and resume to:
> Bruce Naramore - Historic Site Manager
> Clermont State Historic Site
> One Clermont Avenue
> Germantown, New York 12526
> Tel: 518/ 537-4240 Fax: 518/ 537-6240
> E-Mail: [log in to unmask]
> =20
> =20
> Clermont State Historic Site, which is administered by the New York
> State Office of Parks, Recreation and Historic Preservation - Taconic
> Region, is an Equal Opportunity/Affirmative Action employer
>
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C592E1.FAA366D0
> Content-Type: text/html;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <META content=3D"MSHTML 6.00.2800.1505" name=3DGENERATOR></HEAD>
> <BODY>
> <DIV><FONT face=3DArial>Clermont State Historic Site is seeking a =
> highly-motivated=20
> professional who enjoys working with children and the public, and who =
> has an=20
> academic background in history education or museum studies for the =
> Curator of=20
> Education position at the site. A vacancy in this position in =
> anticipated in=20
> mid- August 2005.</FONT></DIV>
> <DIV><FONT face=3DArial></FONT> </DIV>
> <DIV><FONT face=3DArial>Duties & Responsibilities include, but are =
> not limited=20
> to:</FONT></DIV>
> <DIV><FONT face=3DArial></FONT> </DIV>
> <DIV><FONT face=3DArial>Develops, supervises and conducts educational =
> programs for=20
> children and adults and special interpretive events;<BR></FONT><FONT=20
> face=3DArial>Supervises the museum’s guided tour program of the =
> Livingston home=20
> and landscape;<BR></FONT><FONT face=3DArial>Develops and implements =
> marketing and=20
> public relations strategies;<BR></FONT><FONT face=3DArial>Identifies =
> funding=20
> sources and applies for grants from corporate giving programs, private=20
> foundations and public granting agencies;<BR></FONT><FONT =
> face=3DArial>Assists in=20
> coordinating the museum’s volunteer program;<BR></FONT><FONT =
> face=3DArial>Assists=20
> in the creation of museum publications, including the newsletter of the =
> Friends=20
> of Clermont.<BR> </FONT></DIV>
> <DIV><FONT face=3DArial></FONT> </DIV>
> <DIV><FONT face=3DArial>Qualifications</FONT></DIV>
> <DIV><FONT face=3DArial>Bachelor’s Degree and two years museum =
> education=20
> experience at a museum or historic site OR</FONT></DIV>
> <DIV><FONT face=3DArial>Master’s Degree in history, museum =
> studies, historic=20
> preservation or a related field. Preference may be given to candidates =
> with=20
> teaching experience.</FONT></DIV>
> <DIV><FONT face=3DArial></FONT> </DIV>
> <DIV><FONT face=3DArial>Compensation</FONT></DIV>
> <DIV><FONT face=3DArial>This full-time position is compensated at the =
> rate of=20
> $16.07 per hour ($31,500 per annum approx.). New York State Health and =
> Dental=20
> insurance, as well as prescription and eyeglass benefits are=20
> provided.</FONT></DIV>
> <DIV><FONT face=3DArial></FONT> </DIV>
> <DIV> </DIV>
> <DIV><FONT face=3DArial>Applications will be accepted through August 7, =
> 2005.=20
> Interviews will be held between August 1 and August 15. Candidates must =
> be=20
> available to start on or before September 1, 2005.</FONT></DIV>
> <DIV> </DIV>
> <DIV><FONT face=3DArial> </FONT></DIV>
> <DIV> </DIV>
> <DIV><FONT face=3DArial>Persons interested in being considered for this =
> position=20
> should mail or fax a letter of interest and resume to:</FONT></DIV>
> <DIV><FONT face=3DArial>Bruce Naramore – Historic Site =
> Manager</FONT></DIV>
> <DIV><FONT face=3DArial>Clermont State Historic Site</FONT></DIV>
> <DIV><FONT face=3DArial>One Clermont Avenue</FONT></DIV>
> <DIV><FONT face=3DArial>Germantown, New York 12526</FONT></DIV>
> <DIV><FONT face=3DArial>Tel: 518/ 537-4240 Fax: 518/ =
> 537-6240</FONT></DIV>
> <DIV><FONT face=3DArial>E-Mail: <A=20
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> te.ny.us</A></FONT></DIV>
> <DIV><FONT face=3DArial></FONT> </DIV>
> <DIV> </DIV>
> <DIV><FONT face=3DArial>Clermont State Historic Site, which is =
> administered by the=20
> New York State Office of Parks, Recreation and Historic Preservation =
> – Taconic=20
> Region, is an Equal Opportunity/Affirmative Action=20
> employer<BR></FONT></DIV></BODY></HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C592E1.FAA366D0--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 15:38:02 -0400
> From: Lois Brynes <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> --Apple-Mail-2-304478177
> Content-Transfer-Encoding: 7bit
> Content-Type: text/plain;
> charset=US-ASCII;
> delsp=yes;
> format=flowed
>
> Yeah,,, like the air & space Museum and the Enola Gay exhibit. It is
> called lying.
> On Jul 27, 2005, at 2:14 PM, Kyle McQuilkin wrote:
>
> > But I think a more sensitive institution would have moved the
> > exhibit down the street a ways. Maybe nobody would have fussed
> > much then.
>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> --Apple-Mail-2-304478177
> Content-Transfer-Encoding: quoted-printable
> Content-Type: text/html;
> charset=ISO-8859-1
>
> <HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
> -khtml-line-break: after-white-space; ">Yeah,,, like the air & space =
> Museum and the Enola Gay exhibit. It is called lying.<BR><DIV><DIV>On =
> Jul 27, 2005, at 2:14 PM, Kyle McQuilkin wrote:</DIV><BR =
> class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
> class=3D"Apple-style-span" style=3D"border-collapse: separate; =
> border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
> font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
> normal; letter-spacing: normal; line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
> class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: =
> 13.3333px; ">But I think a more sensitive institution would have moved =
> the exhibit down the street a ways.=A0 Maybe nobody would have fussed =
> much then.=A0</SPAN></SPAN></BLOCKQUOTE></DIV><BR></BODY></HTML>=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> --Apple-Mail-2-304478177--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 16:15:00 -0400
> From: Rebecca Fitzgerald <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_00A7_01C592C6.577A2610
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: 7bit
>
> > Is there value in fuss? Sure. But there's also value in respect and
> dignity.
>
>
>
> Kyle is a very wise man! He has managed to hit the nail on the head. I
> believe that so often folks see showing respect and dignity as somehow
> depriving them of "freedom." The older I get the more I see it as a matter
> of maturity. I believe that the artist is definitely aiming for fuss. But
> fuss alone is not a positive outcome. You don't get to meaningful dialog
by
> poking the other guy in the eye with a stick.all of his focus is going to
be
> on the injured eye. If the artist is looking to educate viewers he needs
to
> start designing backwards.what will get to the desired effect and then
> planning to that effect.
>
>
>
> As far as soldiers' state loyalty, there are parallels in our modern
> military. As a previous writer expressed, we now see ourselves as
Americans
> first. Both of my children are serving in the US military. One is
enlisted,
> the other an officer. Both joined pre-2001, and their motivation was to
> defend our country, and make the world a better place. One child is
U.S.C.G.
> and has a wall full of commendations and a chest full of medals - mostly
for
> search and rescue heroics, and drug interdiction. The other child is
> U.S.N.R. and manages oil spills/ship collisions as a civilian job. Neither
> young person is aggressive, anti-anyone, etc. When it became apparent that
> War with Iraq was imminent, both kids (without consulting each other or
> their parents) volunteered to go to Iraq. As it turns out, both possess
> skills and training that make them more valuable in other areas. They have
> nothing against Iraq, but everything FOR the U.S.A. I suspect that my
> children are far from unique - and it is the same mentality that has
> motivated soldiers/sailors throughout history, worldwide. Once you
> understand the motivation of individual troops it is far more difficult to
> vilify them. And this is exactly what the re-enactors are trying to get
> across.
>
>
>
> Becky Fitzgerald
>
> Executive Director
>
> Susquehanna Museum
>
>
>
> ========================================================= Important
> Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
message
> to [log in to unmask] . The body of the message should read
"help"
> (without the quotes).
>
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
"Signoff
> Museum-L" (without the quotes).
>
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_00A7_01C592C6.577A2610
> Content-Type: text/html;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> <html>
>
> <head>
> <meta http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Dus-ascii">
> <meta name=3DGenerator content=3D"Microsoft Word 11 (filtered)">
>
> <style>
> <!--
> /* Font Definitions */
> @font-face
> {font-family:Verdana;
> panose-1:2 11 6 4 3 5 4 4 2 4;}
> /* Style Definitions */
> p.MsoNormal, li.MsoNormal, div.MsoNormal
> {margin:0in;
> margin-bottom:.0001pt;
> font-size:12.0pt;
> font-family:"Times New Roman";}
> a:link, span.MsoHyperlink
> {color:blue;
> text-decoration:underline;}
> a:visited, span.MsoHyperlinkFollowed
> {color:purple;
> text-decoration:underline;}
> span.EmailStyle18
> {font-family:Verdana;
> color:blue;
> font-weight:normal;
> font-style:normal;
> text-decoration:none none;}
> @page Section1
> {size:8.5in 11.0in;
> margin:1.0in 1.25in 1.0in 1.25in;}
> div.Section1
> {page:Section1;}
> -->
> </style>
>
> </head>
>
> <body bgcolor=3Dwhite lang=3DEN-US link=3Dblue vlink=3Dpurple>
>
> <div class=3DSection1>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:blue'>></span></font><font size=3D2 =
> face=3DArial><span
> style=3D'font-size:10.0pt;font-family:Arial'> Is there value in =
> fuss?
> Sure. But there's also value in respect and =
> dignity.</span></font></p>
>
> </div>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'> </span></font></p>
>
> </div>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'> </span></font><font size=3D2 color=3Dblue =
> face=3DVerdana><span
> style=3D'font-size:10.0pt;font-family:Verdana;color:blue'>Kyle is a very =
> wise
> man! He has managed to hit the nail on the head. I believe that so often =
> folks
> see showing respect and dignity as somehow depriving them of =
> “freedom.”
> The older I get the more I see it as a matter of maturity. I =
> believe that
> the artist is definitely aiming for fuss. But fuss alone is not a =
> positive
> outcome. You don’t get to meaningful dialog by poking the other =
> guy in
> the eye with a stick…all of his focus is going to be on the =
> injured eye.
> If the artist is looking to educate viewers he needs to start designing
> backwards…what will get to the desired effect and then planning to =
> that
> effect. </span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:blue'> </span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:blue'>As far as soldiers’ state =
> loyalty,
> there are parallels in our modern military. As a previous writer =
> expressed, we
> now see ourselves as Americans first. Both of my children are serving in =
> the US military. One is enlisted, the other an officer. Both joined =
> pre-2001, and their
> motivation was to defend our country, and make the world a better place. =
> One
> child is U.S.C.G. and has a wall full of commendations and a chest full =
> of
> medals – mostly for search and rescue heroics, and drug =
> interdiction. The
> other child is U.S.N.R. and manages oil spills/ship collisions as a =
> civilian
> job. Neither young person is aggressive, anti-anyone, etc. When it =
> became
> apparent that War with Iraq was imminent, both kids (without consulting =
> each
> other or their parents) volunteered to go to Iraq. As it turns out, both
> possess skills and training that make them more valuable in other areas. =
> They
> have nothing against Iraq, but everything FOR the U.S.A. I suspect that =
> my
> children are far from unique – and it is the same mentality that =
> has
> motivated soldiers/sailors throughout history, worldwide. Once you =
> understand
> the motivation of individual troops it is far more difficult to vilify =
> them.
> And this is exactly what the re-enactors are trying to get across. =
> </span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:blue'> </span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:blue'>Becky =
> Fitzgerald</span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DArial><span =
> style=3D'font-size:
> 10.0pt;font-family:Arial;color:blue'>Executive =
> Director</span></font></p>
>
> <p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DVerdana><span =
> style=3D'font-size:
> 10.0pt;font-family:Verdana;color:blue'>Susquehanna</span></font><font =
> size=3D2
> color=3Dblue face=3DVerdana><span =
> style=3D'font-size:10.0pt;font-family:Verdana;
> color:blue'> Museum</span></font></p>
>
> </div>
>
> <div>
>
> <p class=3DMsoNormal><font size=3D2 face=3DArial><span =
> style=3D'font-size:10.0pt;
> font-family:Arial'> </span></font></p>
>
> </div>
>
> </div>
>
> </body>
>
> </html>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at =
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
> information about the listserv commands by sending a one line e-mail =
> message to [log in to unmask] . The body of the message should =
> read "help" (without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to [log in to unmask] . The body of the message should read =
> "Signoff Museum-L" (without the quotes).
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> ------=_NextPart_000_00A7_01C592C6.577A2610--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 15:25:06 -0400
> From: Matthew White <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> <HEAD>
> <META content="MSHTML 6.00.2900.2668" name=GENERATOR></HEAD>
> <BODY>
> <DIV>It seems to me a couple of misconceptions have seeped into this
discusion, which I have been enjoying I might add.</DIV>
> <DIV> </DIV>
> <DIV>1. The exhibition was not at the Gettysburg National Battlefield
(pardon me if I got that name wrong) but at an art at Gettysburg College
which is near the Battlefield, but not part of it. That may or may not make
a difference to any of you, but if we speak about the appropriateness of
certain exhibitions at certain venues, the correct venue should be
identified. It also looks like a private college from a quick glance at
their website. Does this matter? That would be part of this discussion,
no?</DIV>
> <DIV> </DIV>
> <DIV>2. From the link provided earlier in this thread, this exhibition is
long closed. Many comments seem to reflect the belief that the exhibition
opens next month or at least in the future. According to the link <A
href="http://www.gettysburg.edu/academics/visual_arts/art/04-05Calendar.htm"
>http://www.gettysburg.edu/academics/visual_arts/art/04-05Calendar.htm</A>&n
bsp;this exhibition opened and closed in September of 2004. Unless the run
got extended or it traveled, it is all gone. I would be interested to hear
if anyone knows how the whole thing turned out in the end.</DIV>
> <DIV> </DIV>
> <DIV>Matt White<BR><BR><BR>-----Original Message----- <BR>From: Kyle
McQuilkin <[log in to unmask]><BR>Sent: Jul 27, 2005 2:14 PM <BR>To:
[log in to unmask] <BR>Subject: Re: [MUSEUM-L] Gettysburg and the
Sons of Confederate Veterans <BR><BR></DIV><ZZZHTML><ZZZHEAD><ZZZMETA
content="text/html; charset=US-ASCII" http-equiv="Content-Type"
charset="US-ASCII"><ZZZMETA content="MSHTML 6.00.2900.2668"
name="GENERATOR"></ZZZHEAD><ZZZBODY style="FONT-SIZE: 10pt; FONT-FAMILY:
Arial; BACKGROUND-COLOR: #ffffff">
> <DIV>I found Carol Ely's message to be very well said, and I agree
whole-heartedly. But I can't help but add my two cents with the desire
to turn the discussion toward museological issues.</DIV>
> <DIV> </DIV>
> <DIV>As pointed out by several authors, it is difficult for the 21st
Century paradigm to digest the level of state allegience proclaimed by 19th
Century soldiers, particularly in the South. The fact that we now
self-identify as Americans first, and Texans or New Yorkers second, is
largely a result of the Civil War. Gettysburg stands in sobering
testimony to that reality, for both sides. It is hallowed
ground.</DIV>
> <DIV> </DIV>
> <DIV>I am not defending either position. Rather, to suggest, as has
been pointed out, that the Civil War was an <EM>American</EM> trajedy, not
just a division between the North and the South. As such, it seems
somewhat unfair to choose sides at a <EM>national</EM> battlefield.
For me, the biggest issue here comes to one of chosen venue for the
exhibition. </DIV>
> <DIV> </DIV>
> <DIV>I recognize the value in on-site exhibits, such as Wounded Knee and
Auschwitz, among many. And I won't comment on the artistic value of
the work in question, although certainly it deserved an
audience. Just look at all of the dialogue it has inspired
here. But I think a more sensitive institution would have moved the
exhibit down the street a ways. Maybe nobody would have fussed much
then. </DIV>
> <DIV> </DIV>
> <DIV>Is there value in fuss? Sure. But there's also value in
respect and dignity.</DIV>
> <DIV> </DIV>
> <DIV>Perhaps, I gibber.</DIV>
> <DIV> </DIV>
> <DIV>Cheers,</DIV>
> <DIV>Kyle McQuilkin</DIV>
> <DIV>Texas Tech University</DIV>
> <DIV>School of Art</DIV>
> <DIV> </DIV>
> <DIV> </DIV>
>
<DIV></ZZZBODY></ZZZHTML>===================================================
====== Important Subscriber Information: </DIV>
> <P>The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <P>If you decide to leave Museum-L, please send a one line e-mail message
to [log in to unmask] . The body of the message should read
"Signoff Museum-L" (without the quotes). </P></BODY>
> =========================================================
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 14:52:32 -0400
> From: "Simons, Michael A. (Contr)" <[log in to unmask]>
> Subject: Appraisers
>
> This is a multi-part message in MIME format.
>
> ------_=_NextPart_001_01C592DC.58BF1B2A
> Content-Type: text/plain;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> I would like to include a link on my website directing would be donors
> to a nationwide association of appraisers. After explaining that I
> cannot appraise donations. A quick web search found four groups that
> claim "American" in their titles. Is there one nationwide association
> that trumps the others?
>
> Michael Aurele Simons
> Director
> Historical Electronics Museum
> 1745 West Nursery Road
> Linthicum, Maryland 21090
> (410) 765-3803
> [log in to unmask]
>
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------_=_NextPart_001_01C592DC.58BF1B2A
> Content-Type: text/html;
> charset="us-ascii"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
> <HTML>
> <HEAD>
> <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
> charset=3Dus-ascii">
> <META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
> 6.0.6603.0">
> <TITLE>Appraisers</TITLE>
> </HEAD>
> <BODY>
> <!-- Converted from text/rtf format -->
>
> <P><FONT SIZE=3D2 FACE=3D"Arial">I would like to include a link on my =
> website directing would be donors to a nationwide association of =
> appraisers. After explaining that I cannot appraise =
> donations. A quick web search found four groups that claim =
> "American" in their titles. Is there one nationwide =
> association that trumps the others?</FONT></P>
>
> <P><FONT SIZE=3D2 FACE=3D"Arial">Michael Aurele Simons</FONT>
>
> <BR><FONT SIZE=3D2 FACE=3D"Arial">Director</FONT>
>
> <BR><FONT SIZE=3D2 FACE=3D"Arial">Historical Electronics Museum</FONT>
>
> <BR><FONT SIZE=3D1 FACE=3D"Arial">1745 West Nursery Road</FONT>
>
> <BR><FONT SIZE=3D1 FACE=3D"Arial">Linthicum, Maryland 21090</FONT>
>
> <BR><FONT SIZE=3D1 FACE=3D"Arial">(410) 765-3803</FONT>
>
> <BR><FONT SIZE=3D1 FACE=3D"Arial">[log in to unmask]</FONT>
> </P>
>
> </BODY>
> </HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> ------_=_NextPart_001_01C592DC.58BF1B2A--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 13:27:10 -0700
> From: Lucy Sperlin <[log in to unmask]>
> Subject: Re: Window Shades For A 1910 Structure
>
> My story is more along the lines of what NOT to do...
>
> We also have a Carnegie Library building of about the same vintage, though
> the exterior was remodeled to a Mediterranean style in the 1930s. It
became
> a museum in 1982, and to block the light, the windows were covered over on
> the inside, but the Venetian blinds were left in place so it would look
good
> from the outside. (Seemed like a good idea at the time, I guess.) So 20+
> years go by and the UV light in the west facing window has rotted the
cords
> holding the blinds together and they have fallen at strange angles
> sandwiched between walls and huge windows where no one can get at them.
> After years of struggling with what to do about the problem short of
tearing
> out walls, we are going to have a mural painted on the windows in such a
way
> that will it appear that they still have blinds and are reflecting
> University buildings nearby. Time will tell whether that is a good
solution
> or not.
>
> Lucy Sperlin
> Chico Museum Association
> Chico, CA
>
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]] On
Behalf
> Of Lisa Renken
> Sent: Wednesday, July 27, 2005 11:13 AM
> To: [log in to unmask]
> Subject: Window Shades For A 1910 Structure
>
> Our small cultural history museum is housed in a former Carnegie Library
> building built in 1910. Sometime in the last 20 - 30 years someone
> replaced the original white shades with dark brown miniblinds. The effect
> is to make the windows look like dark holes from the outside and hide much
> of the beautiful original window framing on the inside. Although the
> entire building is in need of refurbishment (a project we hope to take on
> in the near future in conjunction with the city who owns the building), we
> think changing the miniblinds with white shades appropriate to the
> buiding's 1910 period of construction would go along way toward improving
> the appearance and authenticity of the building.
> I am asking for help in my research for the appropriate shades. I would
> like to minimize the amount of harmful uv rays coming into the building
> while maximizing the light. Any references or sources as to all
> conservation considerations and vendors will be greatly appreciated.
> Thanks in advance.
>
>
>
> Lisa Renken
> Director
> Lompoc Museum
> 805-736-3888 (Phone)
> 805-736-2840 (FAX)
>
> 200 South H Street
> Lompoc, CA 93436
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
message
> to [log in to unmask] . The body of the message should read
"help"
> (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
"Signoff
> Museum-L" (without the quotes).
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 15:31:42 -0400
> From: "Brian D. Joyner" <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> Not to belabor the point but consider the State of Mississippi's (the
> second state to secede) own words as to reasons for secession,
> http://mshistory.k12.ms.us/features/feature16/letter_01.html. States
right
> ultimately addressed its ability to succeed economically, which for a
state
> like Mississippi nearly 60% black, meant slavery.
>
> Brian D. Joyner
> National Register of Historic Places/National Historic Landmarks
> 202.354.2276
>
>
>
> Kyle McQuilkin
> <[log in to unmask] To:
[log in to unmask]
> > cc: (bcc: Brian
Joyner/WASO/NPS)
> Sent by: Museum Subject: Re: Gettysburg
and the Sons of Confederate Veterans
> discussion list
> <[log in to unmask]
> .LSOFT.COM>
>
>
> 07/27/2005 02:14 PM
> EDT
> Please respond to
> Museum discussion
> list
>
>
>
>
>
> I found Carol Ely's message to be very well said, and I agree
> whole-heartedly. But I can't help but add my two cents with the desire to
> turn the discussion toward museological issues.
>
> As pointed out by several authors, it is difficult for the 21st Century
> paradigm to digest the level of state allegience proclaimed by 19th
Century
> soldiers, particularly in the South. The fact that we now self-identify
as
> Americans first, and Texans or New Yorkers second, is largely a result of
> the Civil War. Gettysburg stands in sobering testimony to that reality,
> for both sides. It is hallowed ground.
>
> I am not defending either position. Rather, to suggest, as has been
> pointed out, that the Civil War was an American trajedy, not just a
> division between the North and the South. As such, it seems somewhat
> unfair to choose sides at a national battlefield. For me, the biggest
> issue here comes to one of chosen venue for the exhibition.
>
> I recognize the value in on-site exhibits, such as Wounded Knee and
> Auschwitz, among many. And I won't comment on the artistic value of the
> work in question, although certainly it deserved an audience. Just look
at
> all of the dialogue it has inspired here. But I think a more sensitive
> institution would have moved the exhibit down the street a ways. Maybe
> nobody would have fussed much then.
>
> Is there value in fuss? Sure. But there's also value in respect and
> dignity.
>
> Perhaps, I gibber.
>
> Cheers,
> Kyle McQuilkin
> Texas Tech University
> School of Art
>
>
> ========================================================= Important
> Subscriber Information:
>
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
>
> If you decide to leave Museum-L, please send a one line e-mail message to
> [log in to unmask] . The body of the message should read
"Signoff
> Museum-L" (without the quotes).
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 21:29:23 +0200
> From: George Garner <[log in to unmask]>
> Subject: [SPAM] Re: corporate inducement to donate to exhibit
>
> Have you considered free or discounted admission tic=
>
> This is a multi-part message in MIME format.
>
>
>
>
>
>
> ------=_NextPart_000_0FA0_01C592B6.F2A37930
> Content-Type: text/plain; charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> Hi Erica,=0D=0A=0D=0AHave you considered free or discounted admission tic=
> kets for some or all of their employees? Or, if you don't charge admissio=
> n, discounted or maybe buy-one get-one free memberships? The business wou=
> ld be able to tie their donation to a perk for their employees, and you g=
> et access to a new audience who may turn into regular
visitors/members.=20=
> =0D=0A=0D=0ASpecial previews of the new exhibition a day or two before it=
> opens are also beneficial. It also doubles as a way to build an audience=
> and generate buzz about the show.=0D=0A=0D=0AAlso, think of places other=
> than the exhibition you can put signage. Perhaps a sign for the exhibiti=
> on in the lobby can include logos? What about your website? Signage at sp=
> ecial events? The more places you can plaster the business' logo, the mor=
> e exposure and bang for their buck they get. You might be able to bump up=
> your range of donations above =241,000 too. :)=0D=0A=0D=0AThose are just=
> a few of many great ways to offer incentives. I'm sure a dedicated devel=
> opment person can offer more.=20=0D=0A=0D=0ABest,=0D=0A=0D=0AGeorge Garne=
> r=0D=0ADirector of Exhibitions=0D=0ACenter for History=0D=0A808 West Wash=
> ington, South Bend, IN 46601=0D=0Awww.centerforhistory.org // (574) 235-9=
> 664=0D=0A=0D=0A--------=0D=0ACelebrate Historic Architecture Month in Jul=
> y at the Center for History with a tour of Copshaholm, the 38-room mansio=
> n once home to the Oliver family.=0D=0A=0D=0A ----- Original Message ---=
> --=20=0D=0A From: Erica Maniez=20=0D=0A To: MUSEUM-L=40HOME.EASE.LSOFT.=
> COM=20=0D=0A Sent: Saturday, July 23, 2005 12:06 PM=0D=0A Subject: corp=
> orate inducement to donate to exhibit=0D=0A=0D=0A Hello, folks,=0D=0A=0D=
> =0A =20=0D=0A=0D=0A We are currently raising funds for a new exhibit. W=
> e are thinking about approaching local businesses to see if they would be=
> willing to donate =24500 - =241,000 each for the project. Other than a s=
> ign or plaque acknowledging their donation, I=92m not sure what other =93=
> rewards=94 we could offer them for contributing. We are a small museum, a=
> nd the project budget is about =2417,500. Most of that is the constructio=
> n of new exhibit cases. The idea of naming each case after a business is =
> distasteful to me.=0D=0A=0D=0A =20=0D=0A=0D=0A How has your museum ackn=
> owledged corporate donors in the past?=0D=0A=0D=0A =20=0D=0A=0D=0A Than=
> ks=21=0D=0A=0D=0A Erica=0D=0A=0D=0A =20=0D=0A=0D=0A Erica S. Maniez=0D=
> =0A=0D=0A Museum Director, Issaquah Historical Society=0D=0A=0D=0A 425/=
> 392-3500=0D=0A=0D=0A info=40issaquahhistory.org=0D=0A=0D=0A www.issaqua=
> hhistory.org=0D=0A=0D=0A =20=0D=0A=0D=0A =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D Import=
> ant Subscriber Information:=20=0D=0A The Museum-L FAQ file is located at=
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed info=
> rmation about the listserv commands by sending a one line e-mail message =
> to listserv=40home.ease.lsoft.com . The body of the message should read
=22=
> help=22 (without the quotes).=20=0D=0A=0D=0A If you decide to leave Muse=
> um-L, please send a one line e-mail message to listserv=40home.ease.lsoft=
> com . The body of the message should read =22Signoff Museum-L=22 (withou=
> t the
quotes).=20=0D=0A=0D=0A=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=0D=0AImportant Subscr=
> iber Information:=0D=0A=0D=0AThe Museum-L FAQ file is located at http://w=
> ww.finalchapter.com/museum-l-faq/ . You may obtain detailed information a=
> bout the listserv commands by sending a one line e-mail message to listse=
> rv=40home.ease.lsoft.com . The body of the message should read =22help=22=
> (without the quotes).=0D=0A=0D=0AIf you decide to leave Museum-L, please=
> send a one line e-mail message to listserv=40home.ease.lsoft.com . The b=
> ody of the message should read =22Signoff Museum-L=22 (without the quotes=
> ).=0D=0A=0D=0A=0D=0A
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> ------=_NextPart_000_0FA0_01C592B6.F2A37930
> Content-Type: text/html; charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> <=21DOCTYPE HTML PUBLIC =22-//W3C//DTD HTML 4.0
Transitional//EN=22>=0D=0A=
> <HTML xmlns=3D=22http://www.w3.org/TR/REC-html40=22 xmlns:o
=3D=20=0D=0A=22=
> urn:schemas-microsoft-com:office:office=22 xmlns:w =3D=20=0D=0A=22urn:sch=
> emas-microsoft-com:office:word=22><HEAD>=0D=0A<META http-equiv=3DContent-=
> Type content=3D=22text/html; charset=3Dwindows-1252=22>=0D=0A<META conten=
> t=3D=22MSHTML 6.00.2800.1476=22 name=3DGENERATOR>=0D=0A<STYLE>=40page Sec=
> tion1 =7Bsize: 8.5in 11.0in; margin: 1.0in 1.0in 1.0in 1.0in; =7D=0D=0AP.=
> MsoNormal =7B=0D=0A=09FONT-SIZE: 11pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: =
> Arial=0D=0A=7D=0D=0ALI.MsoNormal =7B=0D=0A=09FONT-SIZE: 11pt; MARGIN: 0in=
> 0in 0pt; FONT-FAMILY: Arial=0D=0A=7D=0D=0ADIV.MsoNormal =7B=0D=0A=09FONT=
> -SIZE: 11pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: Arial=0D=0A=7D=0D=0AA:link=
> =7B=0D=0A=09COLOR: blue; TEXT-DECORATION: underline=0D=0A=7D=0D=0ASPAN.M=
> soHyperlink =7B=0D=0A=09COLOR: blue; TEXT-DECORATION:
underline=0D=0A=7D=0D=
> =0AA:visited =7B=0D=0A=09COLOR: purple; TEXT-DECORATION:
underline=0D=0A=7D=
> =0D=0ASPAN.MsoHyperlinkFollowed =7B=0D=0A=09COLOR: purple; TEXT-DECORATIO=
> N: underline=0D=0A=7D=0D=0ASPAN.EmailStyle17 =7B=0D=0A=09COLOR: windowtex=
> t; FONT-FAMILY: Arial; mso-style-type: personal-compose=0D=0A=7D=0D=0ADIV=
> Section1 =7B=0D=0A=09page:
Section1=0D=0A=7D=0D=0A</STYLE>=0D=0A</HEAD>=0D=
> =0A<BODY lang=3DEN-US vLink=3Dpurple link=3Dblue
bgColor=3D=23ffffff>=0D=0A=
> <DIV><FONT size=3D2>Hi Erica,</FONT></DIV>=0D=0A<DIV><FONT size=3D2></FON=
> T> </DIV>=0D=0A<DIV><FONT size=3D2>Have you considered free or disco=
> unted admission tickets for=20=0D=0Asome or all of their employees? Or, i=
> f you don't charge admission, discounted or=20=0D=0Amaybe buy-one get-one=
> free memberships? The business would be able to tie their=20=0D=0Adonati=
> on to a perk for their employees, and you get access to a new audience wh=
> o=20=0D=0Amay turn into regular visitors/members. </FONT></DIV>=0D=0A<DIV=
> ><FONT size=3D2></FONT> </DIV>=0D=0A<DIV><FONT size=3D2>Special prev=
> iews of the new exhibition a day or two before it=20=0D=0Aopens are also =
> beneficial. It also doubles as a way to build an audience and=20=0D=0Agen=
> erate buzz about the show.</FONT></DIV>=0D=0A<DIV><FONT size=3D2></FONT>&=
> nbsp;</DIV>=0D=0A<DIV><FONT size=3D2>Also, think of places other than the=
> exhibition you can put=20=0D=0Asignage. Perhaps a sign for the exhibitio=
> n in the lobby can include logos? What=20=0D=0Aabout your website? Signag=
> e at special events? The more places you can plaster=20=0D=0Athe business=
> ' logo, the more exposure and bang for their buck they get. You=20=0D=0Am=
> ight be able to bump up your range of donations above
=241,000 too.=20=
> =0D=0A:)</FONT></DIV>=0D=0A<DIV><FONT size=3D2></FONT> </DIV>=0D=0A<=
> DIV><FONT size=3D2>Those are just a few of many great ways to offer incen=
> tives.=20=0D=0AI'm sure a dedicated development person can offer more. </=
> FONT></DIV>=0D=0A<DIV><FONT size=3D2></FONT> </DIV>=0D=0A<DIV><FONT =
> size=3D2>Best,</FONT></DIV><FONT size=3D2>=0D=0A<DIV><BR>George Garner<BR=
> >Director of Exhibitions<BR>Center for History<BR>808=20=0D=0AWest Washin=
> gton, South Bend, IN 46601<BR><A=20=0D=0Ahref=3D=22http://www.centerforhi=
> story.org=22>www.centerforhistory.org</A> // (574)=20=0D=0A235-9664</DIV>=
> =0D=0A<DIV> </DIV></FONT><FONT size=3D2>=0D=0A<DIV><BR>--------<BR>C=
> elebrate Historic Architecture Month in July at the Center=20=0D=0Afor Hi=
> story with a tour of Copshaholm, the 38-room mansion once home to
the=20=0D=
> =0AOliver family.<BR></DIV>=0D=0A<DIV> </DIV></FONT>=0D=0A<BLOCKQUOT=
> E dir=3Dltr=20=0D=0Astyle=3D=22PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MAR=
> GIN-LEFT: 5px; BORDER-LEFT: =23000000 2px solid; MARGIN-RIGHT: 0px=22>=0D=
> =0A <DIV style=3D=22FONT: 10pt arial=22>----- Original Message ----- </D=
> IV>=0D=0A <DIV=20=0D=0A style=3D=22BACKGROUND: =23e4e4e4; FONT: 10pt ar=
> ial; font-color: black=22><B>From:</B>=20=0D=0A <A title=3Dinfo=40ISSAQU=
> AHHISTORY.ORG
href=3D=22mailto:info=40ISSAQUAHHISTORY.ORG=22>Erica=20=0D=0A=
> Maniez</A> </DIV>=0D=0A <DIV style=3D=22FONT: 10pt arial=22><B>To:</B>=
> <A title=3DMUSEUM-L=40HOME.EASE.LSOFT.COM=20=0D=0A href=3D=22mailto:MUS=
>
EUM-L=40HOME.EASE.LSOFT.COM=22>MUSEUM-L=40HOME.EASE.LSOFT.COM</A>=20=0D=0A=
> </DIV>=0D=0A <DIV style=3D=22FONT: 10pt arial=22><B>Sent:</B> Saturday=
> , July 23, 2005 12:06=20=0D=0A PM</DIV>=0D=0A <DIV style=3D=22FONT: 10p=
> t arial=22><B>Subject:</B> corporate inducement to donate=20=0D=0A to ex=
> hibit</DIV>=0D=0A <DIV><BR></DIV>=0D=0A <DIV class=3DSection1>=0D=0A <=
> P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20=0D=0A
style=3D=22=
> FONT-SIZE: 10pt=22>Hello, folks,<o:p></o:p></SPAN></FONT></P>=0D=0A <P c=
> lass=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20=0D=0A style=3D=22F=
> ONT-SIZE: 10pt=22><o:p> </o:p></SPAN></FONT></P>=0D=0A <P class=3DM=
> soNormal><FONT face=3DArial size=3D2><SPAN style=3D=22FONT-SIZE: 10pt=22>=
> We=20=0D=0A are currently raising funds for a new exhibit. We are thinki=
> ng about=20=0D=0A approaching local businesses to see if they would be w=
> illing to donate =24500 -=20=0D=0A =241,000 each for the project. Other =
> than a sign or plaque acknowledging their=20=0D=0A donation, I=92m not s=
> ure what other =93rewards=94 we could offer them for=20=0D=0A contributi=
> ng. We are a small museum, and the project budget is about
=2417,500.=20=0D=
> =0A Most of that is the construction of new exhibit cases. The idea of n=
> aming each=20=0D=0A case after a business is distasteful to me.<o:p></o:=
> p></SPAN></FONT></P>=0D=0A <P class=3DMsoNormal><FONT face=3DArial
size=3D=
> 2><SPAN=20=0D=0A style=3D=22FONT-SIZE: 10pt=22><o:p> </o:p></SPAN><=
> /FONT></P>=0D=0A <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN =
> style=3D=22FONT-SIZE: 10pt=22>How=20=0D=0A has your museum acknowledged =
> corporate donors in the=20=0D=0A
past?<o:p></o:p></SPAN></FONT></P>=0D=0A=
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20=0D=0A
style=3D=
> =22FONT-SIZE: 10pt=22><o:p> </o:p></SPAN></FONT></P>=0D=0A <P class=
> =3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20=0D=0A style=3D=22FONT-=
> SIZE: 10pt=22>Thanks=21<o:p></o:p></SPAN></FONT></P>=0D=0A <P class=3DMs=
> oNormal><FONT face=3DArial size=3D2><SPAN=20=0D=0A style=3D=22FONT-SIZE:=
> 10pt=22>Erica<o:p></o:p></SPAN></FONT></P>=0D=0A <P class=3DMsoNormal><=
> FONT face=3DArial size=3D2><SPAN=20=0D=0A style=3D=22FONT-SIZE: 10pt=22>=
> <o:p> </o:p></SPAN></FONT></P>=0D=0A <P class=3DMsoNormal><FONT fac=
> e=3DArial size=3D2><SPAN style=3D=22FONT-SIZE: 10pt=22>Erica=20=0D=0A S.=
> Maniez</SPAN></FONT><o:p></o:p></P>=0D=0A <P class=3DMsoNormal><FONT fa=
> ce=3DArial size=3D2><SPAN=20=0D=0A style=3D=22FONT-SIZE: 10pt=22>Museum =
> Director, Issaquah Historical=20=0D=0A Society</SPAN></FONT><o:p></o:p><=
> /P>=0D=0A <P class=3DMsoNormal><FONT face=3DArial
size=3D2><SPAN=20=0D=0A=
> style=3D=22FONT-SIZE: 10pt=22>425/392-3500</SPAN></FONT><o:p></o:p></P>=
> =0D=0A <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN
style=3D=22=
> FONT-SIZE: 10pt=22><A=20=0D=0A href=3D=22mailto:info=40issaquahhistory.o=
> rg=22>info=40issaquahhistory.org</A></SPAN></FONT><o:p></o:p></P>=0D=0A =
> <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20=0D=0A style=3D=
> =22FONT-SIZE: 10pt=22>www.issaquahhistory.org</SPAN></FONT><o:p></o:p></P=
> >=0D=0A <P class=3DMsoNormal><FONT face=3DArial size=3D2><SPAN=20=0D=0A =
> style=3D=22FONT-SIZE:
11pt=22><o:p> </o:p></SPAN></FONT></P></DIV>=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=20=0D=0A Important Subscriber Information:=20=0D=0A =
> <P>The Museum-L FAQ file is located at=20=0D=0A http://www.finalchapter.=
> com/museum-l-faq/ . You may obtain detailed=20=0D=0A information about t=
> he listserv commands by sending a one line e-mail message=20=0D=0A to li=
> stserv=40home.ease.lsoft.com . The body of the message should read =22hel=
> p=22=20=0D=0A (without the quotes).=20=0D=0A <P>If you decide to leave =
> Museum-L, please send a one line e-mail message to=20=0D=0A listserv=40h=
> ome.ease.lsoft.com . The body of the message should read =22Signoff=20=0D=
> =0A Museum-L=22 (without the quotes). </P></BLOCKQUOTE></BODY></HTML>=0D=
>
=0A=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=0D=0AImportant Subscriber
Information:=0D=0A<p>=0D=
> =0AThe Museum-L FAQ file is located at http://www.finalchapter.com/museum=
> -l-faq/ . You may obtain detailed information about the listserv commands=
> by sending a one line e-mail message to listserv=40home.ease.lsoft.com .=
> The body of the message should read =22help=22 (without the
quotes).=0D=0A=
> <p>=0D=0AIf you decide to leave Museum-L, please send a one line e-mail m=
> essage to listserv=40home.ease.lsoft.com . The body of the message should=
> read =22Signoff Museum-L=22 (without the quotes).=0D=0A=0D=0A=0D=0A
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> ------=_NextPart_000_0FA0_01C592B6.F2A37930--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 17:29:54 -0400
> From: Martha Battle Jackson <[log in to unmask]>
> Subject: Re: Appraisers
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_000F_01C592D0.CD4018F0
> Content-Type: text/plain;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> AppraisersMy favorite site is maintained by Maine Antique Digest; it =
> provides links to 3 appraiser groups:
>
> http://www.maineantiquedigest.com/appraise/appraise.htm
>
> This site has proved beneficial to quite a few potential donors.
>
> Martha Battle Jackson, Curator of Technology
> North Carolina State Historic Sites
> Mailing Address: 4621 Mail Service Center, Raleigh, NC 27699-4621
> Street Address: 532 North Wilmington Street, Raleigh, NC 27604
> 919/733-3877; ext. 236; FAX: 919/733-9515
> [log in to unmask]
>
> E-mail correspondence to and from this sender may be subject to the
> North Carolina Public Records Law and may be disclosed to third parties.
> The views expressed by the sender may not reflect those of my agency.
> ----- Original Message -----=20
> From: Simons, Michael A. (Contr)=20
> To: [log in to unmask]
> Sent: Wednesday, July 27, 2005 2:52 PM
> Subject: Appraisers
>
>
> I would like to include a link on my website directing would be donors =
> to a nationwide association of appraisers. After explaining that I =
> cannot appraise donations. A quick web search found four groups that =
> claim "American" in their titles. Is there one nationwide association =
> that trumps the others?
>
> Michael Aurele Simons=20
> Director=20
> Historical Electronics Museum=20
> 1745 West Nursery Road=20
> Linthicum, Maryland 21090=20
> (410) 765-3803=20
> [log in to unmask]
>
> =
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D Important Subscriber Information:=20
> The Museum-L FAQ file is located at =
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
> information about the listserv commands by sending a one line e-mail =
> message to [log in to unmask] . The body of the message should =
> read "help" (without the quotes).=20
>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to [log in to unmask] . The body of the message should read =
> "Signoff Museum-L" (without the quotes).
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_000F_01C592D0.CD4018F0
> Content-Type: text/html;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD><TITLE>Appraisers</TITLE>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Diso-8859-1">
> <META content=3D"MSHTML 6.00.2900.2668" name=3DGENERATOR>
> <STYLE></STYLE>
> </HEAD>
> <BODY bgColor=3D#ffffff>
> <DIV>My favorite site is maintained by Maine Antique Digest; it provides =
> links=20
> to 3 appraiser groups:</DIV>
> <DIV> </DIV>
> <DIV><A=20
> href=3D"http://www.maineantiquedigest.com/appraise/appraise.htm">http://w=
> ww.maineantiquedigest.com/appraise/appraise.htm</A></DIV>
> <DIV> </DIV>
> <DIV>This site has proved beneficial to quite a few potential =
> donors.</DIV>
> <DIV> </DIV>
> <DIV>Martha Battle Jackson, Curator of Technology<BR>North Carolina =
> State=20
> Historic Sites<BR>Mailing Address: 4621 Mail Service Center, Raleigh, =
> NC =20
> 27699-4621<BR>Street Address: 532 North Wilmington Street, =
> Raleigh,=20
> NC 27604<BR>919/733-3877; ext. 236; FAX: 919/733-9515<BR><A=20
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A></=
> DIV>
> <DIV> </DIV>
> <DIV>E-mail correspondence to and from this sender may be subject to=20
> the<BR>North Carolina Public Records Law and may be disclosed to third=20
> parties.<BR>The views expressed by the sender may not reflect those of =
> my=20
> agency.</DIV>
> <BLOCKQUOTE dir=3Dltr=20
> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
> <DIV=20
> style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
> black"><B>From:</B>=20
> <A [log in to unmask] =
> href=3D"mailto:[log in to unmask]">Simons,=20
> Michael A. (Contr)</A> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
> [log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> </A>=20
> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 27, 2005 =
> 2:52=20
> PM</DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Appraisers</DIV>
> <DIV><BR></DIV><!-- Converted from text/rtf format -->
> <P><FONT face=3DArial size=3D2>I would like to include a link on my =
> website=20
> directing would be donors to a nationwide association of =
> appraisers. =20
> After explaining that I cannot appraise donations. A quick web =
> search=20
> found four groups that claim "American" in their titles. Is =
> there one=20
> nationwide association that trumps the others?</FONT></P>
> <P><FONT face=3DArial size=3D2>Michael Aurele Simons</FONT> <BR><FONT =
> face=3DArial=20
> size=3D2>Director</FONT> <BR><FONT face=3DArial size=3D2>Historical =
> Electronics=20
> Museum</FONT> <BR><FONT face=3DArial size=3D1>1745 West Nursery =
> Road</FONT>=20
> <BR><FONT face=3DArial size=3D1>Linthicum, Maryland 21090</FONT> =
> <BR><FONT=20
> face=3DArial size=3D1>(410) 765-3803</FONT> <BR><FONT face=3DArial=20
> size=3D1>[log in to unmask]</FONT>=20
> =
> </P>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D Important=20
> Subscriber Information:=20
> <P>The Museum-L FAQ file is located at=20
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed=20
> information about the listserv commands by sending a one line e-mail =
> message=20
> to [log in to unmask] . The body of the message should read =
> "help"=20
> (without the quotes).=20
> <P>If you decide to leave Museum-L, please send a one line e-mail =
> message to=20
> [log in to unmask] . The body of the message should read =
> "Signoff=20
> Museum-L" (without the quotes).</P></BLOCKQUOTE></BODY></HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_000F_01C592D0.CD4018F0--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 17:41:05 -0400
> From: Eric Johnson <[log in to unmask]>
> Subject: Re: Appraisers
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_00A9_01C592D2.5D625500
> Content-Type: text/plain;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> AppraisersAnd building on Martha's message, I found the same three =
> groups in a search of the Associations Unlimited database, along with a =
> mention of the size of their membership (if you want to consider that as =
> a part of "trumping," though I guess quantity doesn't necessarily beat =
> quality):
>
> American Society of Appraisers (ASA)
> http://www.appraisers.org=20
> 6000 members
>
> International Society of Appraisers (ISA)
> http://www.isa-appraisers.org=20
> 1400 members
>
> Appraisers Association of America (AAA)
> http://www.appraisersassoc.org=20
> 600 members
>
> Cheers,
>
> --Eric
>
>
> Eric D. M. Johnson
> Proprietor
> The Village Factsmith Historical Research & Consulting
> http://www.factsmith.com/
> [log in to unmask]
> ----- Original Message -----=20
> From: Martha Battle Jackson=20
> To: [log in to unmask]
> Sent: Wednesday, July 27, 2005 5:29 PM
> Subject: Re: [MUSEUM-L] Appraisers
>
>
> My favorite site is maintained by Maine Antique Digest; it provides =
> links to 3 appraiser groups:
>
> http://www.maineantiquedigest.com/appraise/appraise.htm
>
> This site has proved beneficial to quite a few potential donors.
>
> Martha Battle Jackson, Curator of Technology
> North Carolina State Historic Sites
> Mailing Address: 4621 Mail Service Center, Raleigh, NC 27699-4621
> Street Address: 532 North Wilmington Street, Raleigh, NC 27604
> 919/733-3877; ext. 236; FAX: 919/733-9515
> [log in to unmask]
>
> E-mail correspondence to and from this sender may be subject to the
> North Carolina Public Records Law and may be disclosed to third =
> parties.
> The views expressed by the sender may not reflect those of my agency.
> ----- Original Message -----=20
> From: Simons, Michael A. (Contr)=20
> To: [log in to unmask]
> Sent: Wednesday, July 27, 2005 2:52 PM
> Subject: Appraisers
>
>
> I would like to include a link on my website directing would be =
> donors to a nationwide association of appraisers. After explaining that =
> I cannot appraise donations. A quick web search found four groups that =
> claim "American" in their titles. Is there one nationwide association =
> that trumps the others?
>
> Michael Aurele Simons=20
> Director=20
> Historical Electronics Museum=20
> 1745 West Nursery Road=20
> Linthicum, Maryland 21090=20
> (410) 765-3803=20
> [log in to unmask]
>
> =
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D Important Subscriber Information:=20
> The Museum-L FAQ file is located at =
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
> information about the listserv commands by sending a one line e-mail =
> message to [log in to unmask] . The body of the message should =
> read "help" (without the quotes).=20
>
> If you decide to leave Museum-L, please send a one line e-mail =
> message to [log in to unmask] . The body of the message should =
> read "Signoff Museum-L" (without the quotes).
>
> =
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D Important Subscriber Information:=20
> The Museum-L FAQ file is located at =
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed =
> information about the listserv commands by sending a one line e-mail =
> message to [log in to unmask] . The body of the message should =
> read "help" (without the quotes).=20
>
> If you decide to leave Museum-L, please send a one line e-mail message =
> to [log in to unmask] . The body of the message should read =
> "Signoff Museum-L" (without the quotes).=20
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_00A9_01C592D2.5D625500
> Content-Type: text/html;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD><TITLE>Appraisers</TITLE>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Diso-8859-1">
> <META content=3D"MSHTML 6.00.2900.2668" name=3DGENERATOR>
> <STYLE></STYLE>
> </HEAD>
> <BODY bgColor=3D#ffffff>
> <DIV><FONT face=3DArial size=3D2>And building on Martha's message, I =
> found the same=20
> three groups in a search of the Associations Unlimited database, along =
> with a=20
> mention of the size of their membership (if you want to consider that as =
> a part=20
> of "trumping," though I guess quantity doesn't necessarily beat=20
> quality):</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>American Society of Appraisers =
> (ASA)<BR><A=20
> href=3D"http://www.appraisers.org">http://www.appraisers.org</A> =
> <BR>6000=20
> members</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>International Society of Appraisers =
> (ISA)<BR><A=20
> href=3D"http://www.isa-appraisers.org">http://www.isa-appraisers.org</A> =
> <BR>1400=20
> members</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>Appraisers Association of America =
> (AAA)<BR><A=20
> href=3D"http://www.appraisersassoc.org">http://www.appraisersassoc.org</A=
> > <BR>600=20
> members</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>--Eric</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV> </DIV>
> <DIV><FONT face=3DArial size=3D2>Eric D. M. Johnson<BR>Proprietor<BR>The =
> Village=20
> Factsmith Historical Research & Consulting<BR><A=20
> href=3D"http://www.factsmith.com/">http://www.factsmith.com/</A><BR><A=20
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A></FONT><=
> /DIV>
> <BLOCKQUOTE dir=3Dltr=20
> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
> <DIV=20
> style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
> black"><B>From:</B>=20
> <A [log in to unmask]
> href=3D"mailto:[log in to unmask]">Martha Battle Jackson</A> =
> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
> [log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> </A>=20
> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 27, 2005 =
> 5:29=20
> PM</DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: [MUSEUM-L] =
> Appraisers</DIV>
> <DIV><BR></DIV>
> <DIV>My favorite site is maintained by Maine Antique Digest; it =
> provides links=20
> to 3 appraiser groups:</DIV>
> <DIV> </DIV>
> <DIV><A=20
> =
> href=3D"http://www.maineantiquedigest.com/appraise/appraise.htm">http://w=
> ww.maineantiquedigest.com/appraise/appraise.htm</A></DIV>
> <DIV> </DIV>
> <DIV>This site has proved beneficial to quite a few potential =
> donors.</DIV>
> <DIV> </DIV>
> <DIV>Martha Battle Jackson, Curator of Technology<BR>North Carolina =
> State=20
> Historic Sites<BR>Mailing Address: 4621 Mail Service Center, Raleigh, =
> NC =20
> 27699-4621<BR>Street Address: 532 North Wilmington Street, =
> Raleigh,=20
> NC 27604<BR>919/733-3877; ext. 236; FAX: 919/733-9515<BR><A=20
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A></=
> DIV>
> <DIV> </DIV>
> <DIV>E-mail correspondence to and from this sender may be subject to=20
> the<BR>North Carolina Public Records Law and may be disclosed to third =
>
> parties.<BR>The views expressed by the sender may not reflect those of =
> my=20
> agency.</DIV>
> <BLOCKQUOTE dir=3Dltr=20
> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
> <DIV=20
> style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
> black"><B>From:</B>=20
> <A [log in to unmask] =
> href=3D"mailto:[log in to unmask]">Simons,=20
> Michael A. (Contr)</A> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
> [log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> </A>=20
> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 27, =
> 2005 2:52=20
> PM</DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Appraisers</DIV>
> <DIV><BR></DIV><!-- Converted from text/rtf format -->
> <P><FONT face=3DArial size=3D2>I would like to include a link on my =
> website=20
> directing would be donors to a nationwide association of =
> appraisers. =20
> After explaining that I cannot appraise donations. A quick web =
> search=20
> found four groups that claim "American" in their titles. Is =
> there one=20
> nationwide association that trumps the others?</FONT></P>
> <P><FONT face=3DArial size=3D2>Michael Aurele Simons</FONT> =
> <BR><FONT face=3DArial=20
> size=3D2>Director</FONT> <BR><FONT face=3DArial size=3D2>Historical =
> Electronics=20
> Museum</FONT> <BR><FONT face=3DArial size=3D1>1745 West Nursery =
> Road</FONT>=20
> <BR><FONT face=3DArial size=3D1>Linthicum, Maryland 21090</FONT> =
> <BR><FONT=20
> face=3DArial size=3D1>(410) 765-3803</FONT> <BR><FONT face=3DArial=20
> size=3D1>[log in to unmask]</FONT>=20
> =
> </P>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D Important=20
> Subscriber Information:=20
> <P>The Museum-L FAQ file is located at=20
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed=20
> information about the listserv commands by sending a one line e-mail =
> message=20
> to [log in to unmask] . The body of the message should =
> read "help"=20
> (without the quotes).=20
> <P>If you decide to leave Museum-L, please send a one line e-mail =
> message to=20
> [log in to unmask] . The body of the message should read =
> "Signoff=20
> Museum-L" (without the=20
> =
> quotes).</P></BLOCKQUOTE>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=20
> Important Subscriber Information:=20
> <P>The Museum-L FAQ file is located at=20
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed=20
> information about the listserv commands by sending a one line e-mail =
> message=20
> to [log in to unmask] . The body of the message should read =
> "help"=20
> (without the quotes).=20
> <P>If you decide to leave Museum-L, please send a one line e-mail =
> message to=20
> [log in to unmask] . The body of the message should read =
> "Signoff=20
> Museum-L" (without the quotes). </P></BLOCKQUOTE></BODY></HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_00A9_01C592D2.5D625500--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 13:00:02 -0400
> From: Margaret Carlini <[log in to unmask]>
> Subject: Re: [CHILDMUS] Education program facilities
>
> Different museums I have worked in use quieter floor space (if such =
> exists) to teach or use an exhibit area itself (perhaps roped off) to =
> teach, using the exhibit as a backdrop or interactive teaching area. =
> You can also do public rolling cart programs when you have school groups =
> coming.
>
> We have also been very creative when in need of school room areas -- we =
> have roped off our Inventor's Lab, ARt Studio, exhibit cafe, and even =
> the coat room when needed. We have even taught a caving program inside =
> of our "limestone cave" for specific pre-booked groups.
>
> You can contact me offline if you would like to talk out some other =
> ideas. [log in to unmask]
>
>
> -----Original Message-----
> From: [log in to unmask]
> [mailto:[log in to unmask]]On Behalf Of Aaron Goldblatt
> Sent: Wednesday, July 27, 2005 11:53 AM
> To: Museum discussion list; [log in to unmask]
> Cc: [log in to unmask]
> Subject: [CHILDMUS] Education program facilities
>
>
> Hello All,
>
> Please forgive cross posting.
>
> Does anyone know of museums with thriving school visit programs using
> little or no classroom space? In developing the space program for a new
> museum with difficult space limitations we are looking at alternative
> means to deliver high quality school group activities with little to no
> dependency on classrooms - for both orientation and programs. Ideas
> (pro and con) and contact information would be most helpful.
>
> Thanks in advance for your help!
>
> Aaron
>
> Aaron Goldblatt
> Metcalfe Architecture & Design
> 211 North 13th Street, Suite 503
> Philadelphia, PA 19107-1610
> 215-557-9200 p
> 215-557-8383 f
> [log in to unmask]
> www.metarchdesign.com=20
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 17:22:01 -0500
> From: Richard Urban <[log in to unmask]>
> Subject: Slate Audio Tours
>
> Hi all,
>
> I stumbled across today. I've seen discussion about "alternative" tour
companies before, curious to see what reaction this gets. With the growth
of personal digital music players, blogging, podcasting, etc. I curious
about whether we'll see more of this kind of "unofficial" audio guides to
our collections.
>
> Introducing Slate Audio Tours
> http://slate.msn.com/id/2123266/
> "....Museums, historical sites, and the companies that produce their audio
tours aren't completely honest with you. They can't very well say things
like "critics think this work is terrifically overrated, but we keep it on
the wall because we sell a thousand posters of it a day," or "we know this
sketch looks profoundly boring, but here's why it's the most interesting
thing you'll see all day," or "we only hang this painting here because old
Mrs. Dimbledumble wouldn't have donated the new East Wing otherwise...."
>
> -Richard Urban
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 17:49:07 -0500
> From: "Mary L. Kirby" <[log in to unmask]>
> Subject: Re: Gettysburg and the Sons of Confederate Veterans
>
> --=======AVGMAIL-42E80F631FBF=======
> Content-Type: multipart/alternative;
boundary="----=_NextPart_000_0020_01C592D3.7CB998E0"
>
> ------=_NextPart_000_0020_01C592D3.7CB998E0
> Content-Type: text/plain; charset=iso-8859-1
> Content-Transfer-Encoding: quoted-printable
>
> Rebecca Fitzgerald wrote:
>
> The older I get the more I see it as a matter of maturity. I believe =
> that the artist is definitely aiming for fuss.
>
>
> Now that you mention it Becky, I am remineded of the artist in Nick =
> Hornsby' Nipple Madonna. I was caught off guard (pun intended) by the =
> twist in the plot, but found it all too plausible.
>
> For anyone in the museum business who has not read it, and who does not =
> get too put off by the language of the museum guard in the early part of =
> the story, it is an insightful story on the nature of people we face in =
> our museum work.
>
> Mary Kirby
> [log in to unmask]
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
> ------=_NextPart_000_0020_01C592D3.7CB998E0
> Content-Type: text/html; charset=iso-8859-1
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; =
> charset=3Diso-8859-1">
> <META content=3D"MSHTML 6.00.2900.2668" name=3DGENERATOR>
> <STYLE>@font-face {
> font-family: Verdana;
> }
> @page Section1 {size: 8.5in 11.0in; margin: 1.0in 1.25in 1.0in 1.25in; }
> P.MsoNormal {
> FONT-SIZE: 12pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: "Times New Roman"
> }
> LI.MsoNormal {
> FONT-SIZE: 12pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: "Times New Roman"
> }
> DIV.MsoNormal {
> FONT-SIZE: 12pt; MARGIN: 0in 0in 0pt; FONT-FAMILY: "Times New Roman"
> }
> A:link {
> COLOR: blue; TEXT-DECORATION: underline
> }
> SPAN.MsoHyperlink {
> COLOR: blue; TEXT-DECORATION: underline
> }
> A:visited {
> COLOR: purple; TEXT-DECORATION: underline
> }
> SPAN.MsoHyperlinkFollowed {
> COLOR: purple; TEXT-DECORATION: underline
> }
> SPAN.EmailStyle18 {
> FONT-WEIGHT: normal; COLOR: blue; FONT-STYLE: normal; FONT-FAMILY: =
> Verdana; TEXT-DECORATION: none
> }
> DIV.Section1 {
> page: Section1
> }
> </STYLE>
> </HEAD>
> <BODY lang=3DEN-US vLink=3Dpurple link=3Dblue bgColor=3Dwhite>
> <DIV><FONT face=3DArial size=3D2>Rebecca Fitzgerald wrote:</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DVerdana color=3D#0000ff size=3D2>The older I get the =
> more I see it=20
> as a matter of maturity. I believe that the artist is definitely =
> aiming=20
> for fuss.</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>Now that you mention it Becky, I am =
> remineded of=20
> the artist in Nick Hornsby' Nipple Madonna. I was caught off guard (pun=20
> intended) by the twist in the plot, but found it all too =
> plausible.</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>For anyone in the museum business who =
> has not read=20
> it, and who does not get too put off by the language of the museum guard =
> in the=20
> early part of the story, it is an insightful story on the nature of =
> people we=20
> face in our museum work.</FONT></DIV>
> <DIV> </DIV>
> <DIV><FONT face=3DArial size=3D2>Mary Kirby</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2><A=20
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></BODY>=
> </HTML>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
> <p>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
> <p>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------=_NextPart_000_0020_01C592D3.7CB998E0--
> --=======AVGMAIL-42E80F631FBF=======
> Content-Type: text/plain; x-avg=cert; charset=us-ascii
> Content-Transfer-Encoding: quoted-printable
> Content-Disposition: inline
> Content-Description: "AVG certification"
>
> No virus found in this outgoing message.
> Checked by AVG Anti-Virus.
> Version: 7.0.323 / Virus Database: 267.9.2/54 - Release Date: 7/21/2005
>
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3
D=3D=3D=3D=3D=3D=3D
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> --=======AVGMAIL-42E80F631FBF=======--
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 16:56:37 -0600
> From: Timothy McShane <[log in to unmask]>
> Subject: Re: Window Shades For A 1910 Structure
>
> Lisa;
>
> Don't forget, even with 99% UV protection, any light will cause damage,
> and the damage is both cumulative and irreversible. Visible light will
> bleach, yellow or darken just about any pigment; visible light and the
> associated heat will also provide energy to the chemical reactions that
> cause deterioration, speeding up the break-down of anything the light
> falls on.
>
> This is not to say that blocking out the UV is a bad idea--it just
> isn't all that you need to consider, and that "maximizing the light" may
> not be appropriate if you are using that space for artefact exhibition.
>
> Here's some websites on the harmful nature of any light;
>
> Northeast Document Conservation Center
> http://www.nedcc.org/plam3/tleaf24.htm
>
> U.S. National Park Service Technical Preservation Services for Historic
> Buildings
> http://www.cr.nps.gov/hps/tps/technotes/PTN30/introduction.htm
>
> The McMichaeal Canadian Art Collection
> http://www.mcmichael.com/artlight1.htm
>
> The Northern States Conservation Centre
> http://www.collectioncare.org/cci/cciel.html
>
> The Science Museum of Minnesota
> http://www.smm.org/research/Conservation/agents/light.php
>
> Cheers,
>
>
> ------------------------------------------------------------
> Tim McShane, Assistant--Cultural History
> Medicine Hat Museum and Art Gallery
> 1302 Bomford Crescent S.W.
> Medicine Hat, AB T1A 5E6
> Tel: (403) 502-8587
> [log in to unmask]
>
> >>> [log in to unmask] 07/27/05 12:22 PM >>>
> What about reducing the UV with window film then you don't have to
> worry
> about the shades doing the job for you. Check out Llumar films which
> claim "Depending on the film selected, LLumar can cut from 12 to 93
> percent of incoming light, eliminate 99% of the harmful ultraviolet
> radiation
> to protect fabrics and finishes, block 92% of glare and cut up to 76%
> of
> solar heat gain through the glass." The web address for US
> architectural films is
> http://www.llumar.com/na-eng/Architectural/building.html. The plant
> is
> in our town and the CEO has told me that they feel they block 100% of
> UV
> but they don't claim it because it is possible to have tiny holes in
> the
> film that render it 99%. He said they sell quite a bit of it for
> people
> who cannot be exposed to UV at all and have to have their windows
> filmed, can only go out at night in the dark, etc.
>
> Elizabeth
>
> -----Original Message-----
> From: Museum discussion list [mailto:[log in to unmask]] On
> Behalf Of Lisa Renken
> Sent: Wednesday, July 27, 2005 2:13 PM
> To: [log in to unmask]
> Subject: Window Shades For A 1910 Structure
>
> Our small cultural history museum is housed in a former Carnegie
> Library
>
> building built in 1910. Sometime in the last 20 - 30 years someone
> replaced the original white shades with dark brown miniblinds. The
> effect
> is to make the windows look like dark holes from the outside and hide
> much
> of the beautiful original window framing on the inside. Although the
> entire building is in need of refurbishment (a project we hope to take
> on
> in the near future in conjunction with the city who owns the
> building),
> we
> think changing the miniblinds with white shades appropriate to the
> buiding's 1910 period of construction would go along way toward
> improving
> the appearance and authenticity of the building.
> I am asking for help in my research for the appropriate shades. I
> would
> like to minimize the amount of harmful uv rays coming into the
> building
> while maximizing the light. Any references or sources as to all
> conservation considerations and vendors will be greatly appreciated.
> Thanks in advance.
>
>
>
> Lisa Renken
> Director
> Lompoc Museum
> 805-736-3888 (Phone)
> 805-736-2840 (FAX)
>
> 200 South H Street
> Lompoc, CA 93436
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message
> should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message
> to [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
> http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
> information about the listserv commands by sending a one line e-mail
> message to [log in to unmask] . The body of the message should
> read "help" (without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message
> to [log in to unmask] . The body of the message should read
> "Signoff Museum-L" (without the quotes).
>
> Disclaimer: The information transmitted is intended only for the
> addressee and may contain confidential, proprietary and/or privileged
> material. Any unauthorized review, distribution or other use of or
> the taking of any action in reliance upon this information is
> prohibited. If you received this in error, please contact the sender
> and delete or destroy this message and any copies
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> Date: Wed, 27 Jul 2005 20:50:06 -0400
> From: "Liz N." <[log in to unmask]>
> Subject: Decision Making Responsibilities of Board Committtees
>
> Hello all! I am in need of some serious advice. I am going to be specific
> about my question rather than general--and most of you will agree that
this
> is a sticky situation. I am the Director of a new children's museum in
Ohio.
> We opened last August and I started in September. Our Board, until that
> time, was extremely hands-on. Many were personally involved in the
> development of the museum. After I was hired, they took a more formal
role.
> Actually, it was not until November when they developed board committtees.
> From November on, many of the committtees have been fairly active, but
none
> as active as the Marketing Committee. They have had a tall order and have
> done their job well, making great decisions that for the most part, the
> Board has supported. In April the Board voted to approve a new
> organizational logo. In June, the Marketing Committee reported that it
would
> run a logo naming contest locally for children. Our Marketing Chair, who
is
> in management at a local television station, helped us by developing PSAs
> for their station and others. A local parenting magazine gave us a half
page
> ad in their publication for free (they were going to be promoted in the
> PSA.) Needless to say, the deal was great because this magazine has given
> us 6 months free for the publicity they got. This past week, the committee
> reviewed close to 100 names. The editor of the magazine (who has since
> joined our committee as she has great knowledge of family audiences in the
> area), artist who created the logo, and our extremely talented committee
> found a name they liked. We called the young lady, gave her her prizes,
and
> in August the winner's name will appear in our ad that the magazine
created
> for us (and as a special gift is giving us in color at no charge.) We've
> also asked her to appear at our one-year anniversary during a
presentation.
> This morning, I read an email (sent to the entire Board) from my Board
Chair
> that the name is something the entire board should vote on, and that the
> Committee needs to make a recommendation. Umm, it seems what is done is
> done. My Marketing Chair sent her an email back, and later called her to
say
> that no one raised any concern at the June Board meeting when we mentioned
> the contest, and it concerns him that the Board is micromanaging the
> committees. She has asked him to draft an argument to the Board of
Trustees
> and have them decide if we should give naming responsibilities to the
Board.
> This minor argument has bloomed into an ugly situation. I am trying to
stay
> on the outside of it, obviously. While our bylaws state that the
committtees
> cannot commit the museum to "any program" it seems to me that this is
> micromanagement. The problem here lies in the fact that we are still very
> new, these are growing pains, and the Board has never really developed
> policy regarding the decision making responsibilities of the committees.
Am
> I blowing this way out of proportion? Do your board committees have some
> decision making authority? Please let me know. It seems to me that if the
> Board will have to decide on every little "recommendation" the committees
> make then not only will they micromanage, but our monthly meetings will
> become three-hours long. Any thoughts? Any words of comfort? Am I
> overreacting? I feel that this could get us into serious trouble with the
> family of the winner, the parent magazine, and my wonderful marketing
> committee. Thanks.
>
> Liz
>
> =========================================================
> Important Subscriber Information:
>
> The Museum-L FAQ file is located at
http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
information about the listserv commands by sending a one line e-mail message
to [log in to unmask] . The body of the message should read "help"
(without the quotes).
>
> If you decide to leave Museum-L, please send a one line e-mail message to
[log in to unmask] . The body of the message should read "Signoff
Museum-L" (without the quotes).
>
> ------------------------------
>
> End of MUSEUM-L Digest - 26 Jul 2005 to 27 Jul 2005 (#2005-204)
> ***************************************************************
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
|
