Dear List-Friends:
For your consideration, a traveling exhibition is available for the 2006
Thanksgiving-Christmas hoildays that's a crowd-pleaser, a media-getter, and
a family-grabber. Good for art museums, children's museums, history
museums, technology museums and more. Thanks!
"THE ART OF WARNER BROS. CARTOONS”
The most popular cartoon characters in the United States -- and the
recipients of a major four-month tribute at New York's Museum of Modern Art
-- are the subject of an educational art exhibition now available.
"The Art of Warner Bros. Cartoons" is a comprehensive overview of a
legendary Hollywood animation studio, the rambunctious birthplace of
characters who have become part of American folklore.
As The New York Times noted in its review of the exhibition's catalogue:
"Life in these United States would be inconceivable without the shared
referent of Bugs Bunny, Daffy Duck, Porky Pig, Wile E. Coyote, the Road
Runner, The Tasmanian Devil, Tweety, Sylvester, Pepe Le Pew and Yosemite
Sam."
Since 1930, the "Looney Tunes" and "Merrie Melodies" of Warner Bros. have
delighted audiences young and old with their wit and surprising
sophistication. Such Warner phrases as "What's up, Doc?," “That’s All
Folks!,” "I Taut I Taw a Putty-Tat," "Sufferin' Succotash!," and "Acme" have
become part of the national vocabulary.
Indeed, the pre-eminence of the Warner studio was certified by a People
Magazine poll, which named Bugs Bunny as "Best puppet or cartoon character."
Just two Warner characters -- Bugs and the Road Runner -- captured 24% of
the vote.
And this was repeated in a recent TV Guide survey, which named Bugs
“Greatest Cartoon Character of All Time.”
Further, in recent years the seven-minute cartoons have earned both critical
and popular acclaim as America's finest, funniest and most inventive
animated shorts. Evidence of this came when Warner Bros. became the first
cartoon-makers of any kind to be given a full-scale retrospective by New
York's Museum of Modern Art.
The four-month exhibition proved extremely popular, generating more press
response for MoMA's film department than any other show it has undertaken.
-------------------------
Originally shown in theaters, the Warner shorts developed new audiences with
the rise of television in the 1950's. Many people under the age of 45 have
seen these cartoons literally hundreds of times as they were growing up.
Yet most of these viewers are unfamiliar with the actual artwork from which
these films were created.
The educational exhibition "The Art of Warner Bros. Cartoons" is a greatly
expanded version of the Museum of Modern Art show, and consists of over 160
drawings, paintings, "cels" and related art objects used in the making of
Warner's classic cartoons, from the 1930's through 1960.
Works by all of the studio's directors -- including Chuck Jones, Tex Avery,
Friz Freleng and Bob Clampett, now considered the giants of American
animated filmmakers -- are richly represented.
Vivacious, colorful and highly enjoyable, the exhibition traces the
development of all of Warner's cartoon stars. It also gives a step-by-step
breakdown of how classic “cel” animation was produced.
A video component can make the exhibition vastly lively and fun.
The show’s size is flexible, requiring from 2,000 to 4,000 square feet.
For more information, please call (212) 353-6042, or angle an e-mail to
[log in to unmask]
That’s All, Folks!
From: The Dara Group, Inc.
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
|
