This is in response to the discussion among Stephen Nowlin and others who
wrote about fabrications and refabrications.
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If there is a doubt, maybe what matters is that the museum lets the visitor
know how the piece was fabricated (e.g., after the artist's death; without
the artist's over seeing the fabrication, etc.)? ...unless the curatorial
point is to fool or confuse (and I could imagine that being the point, I am
not intending to be nasty).

Mindy Lehrman Cameron
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