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Subject:
From:
Josephine Ihrke <[log in to unmask]>
Reply To:
Museum discussion list <[log in to unmask]>
Date:
Wed, 13 Sep 2006 09:31:25 -0700
Content-Type:
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Parts/Attachments:
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Focus on Collections Care Workshop Series--A workshop series designed for
institutions with material-based collections.
DATES:  September 27-29, 2006
LOCATION:  University of Oregon at Eugene
PRESENTED BY:  Balboa Art Conservation Center

SPACES ARE STILL AVAILABLE.  Please visit our website at
http://www.bacc.org, to view the complete workshop brochure and registration
information.

ABOUT:  
This three-day workshop series is designed for institutions with
material-based collections and provides an intensive training experience
with a programmatic approach.  The series focuses on basic preservation
themes of planning and management, policies and procedures, and care of
collections.  

WHO SHOULD ATTEND: 
The workshop series is directed towards staff involved in collections care
stewardship, institutional development and policy making, and exhibition
development and installation. Students in degree-related programs are also
encouraged to attend.

WORKSHOPS:  
Nine full-day workshops will be offered to allow participants to select the
training topics appropriate to their specific needs and experience levels.
Participants may select one workshop per day from the following:
Day 1 September 27: 
	*Care of Collections-Photographic Materials****
	*Emergency Preparedness & Response****
	*Handling & Housekeeping for Collections****
Day 2 September 28: 
	*Care of Collections- Paintings & Painted Surfaces****
	*Collection Care Planning & Fundraising for Implementation****
	*Making Material Choices for Storage & Exhibit Materials****
Day 3 September 29: 
	*Care of Collections- Paper-Based Materials**** 
	*Practical Strategies & New Tools for Evaluating the Museum
Environment****
	*Surveying & Assessing Collection Needs****

QUESTIONS?:  Please contact Josephine Ihrke, [log in to unmask], or call
619-236-9702.

Focus on Collections Care is made possible by a grant from the National
Endowment for the Humanities, with additional support from the Andrew W.
Mellon Foundation.  

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