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Subject:
From:
Timothy McShane <[log in to unmask]>
Reply To:
Museum discussion list <[log in to unmask]>
Date:
Wed, 21 Sep 2005 11:02:30 -0600
Content-Type:
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------------------------------------------------------------
Tim McShane, Assistant--Cultural History
Medicine Hat Museum and Art Gallery
1302 Bomford Crescent S.W.
Medicine Hat, AB   T1A 5E6
Tel: (403) 502-8587
[log in to unmask]

>>> [log in to unmask] 09/21/05 9:33 AM >>>
 I can't tell you how  many times I've stood at an art museum
exhibition reception for which I've 
dedicated tons of my time and money and effort and emotion, and thought
to myself, 
"I'm the only one here that is not being paid." 
>snip<
Only twice in my 35-year career have I ever been paid for participating
in an art 
exhibition.

Without trying to sound snarky, may I ask how many times artists have
to >pay< to have their work exhibited?  After all, gallery space needs
to be heated/air conditioned, lit, cleaned, maintained, insured, and
guarded; these represent real dollars spent by the institution.  Gallery
space in major centres is often prime real-estate that may carry a
burden to the institution in rent/taxes.  Galleries often provide
publicity and promotional materials and valuable exposure for the
exhibiting artists, and if a gallery should broker sales of works during
the run of an exhibit, there's considerable costs involved with retail
staff and overhead of a sales operations as well.  These are all
concerns and costs for artists operating High Street commercial
galleries that generally aren't (at least, in my experience) passed on
to artists exhibiting at public galleries.

Money is always tight for cultural institutions, regardless of their
size.  I've always thought of exhibits as a partnership between the
institution and the artist, not as an adversarial relationship of the
gallery exploiting the artist.



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