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From:
"Museums Australia (Vic)" <[log in to unmask]>
Reply To:
Museum discussion list <[log in to unmask]>
Date:
Tue, 9 Jan 2001 16:05:27 +1100
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Dear Sir/Madam

Our Organisation really enjoys receiving Museum digest however we a
changing email address
could you please send your information to  [log in to unmask]
Thank you for a great Museum resource

Helen Thorn
Administration Officer
Museums Australia(Victoria)

>There are 7 messages totalling 435 lines in this issue.
>
>Topics of the day:
>
>  1. Who was Professor Cameron
>  2. Student request for information
>  3. Historical Maps of Pennsylvania
>  4. Careers
>  5. Education
>  6. Lipstick on a quilt
>  7. Corporate art collections
>
>=========================================================
>Important Subscriber Information:
>
>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail
>message to [log in to unmask] . The body of the message should
>read "help" (without the quotes).
>
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>[log in to unmask] . The body of the message should read
>"Signoff Museum-L" (without the quotes).
>
>----------------------------------------------------------------------
>
>Date:    Sat, 6 Jan 2001 09:40:12 -0500
>From:    Jarrod Diels-Roll <[log in to unmask]>
>Subject: Who was Professor Cameron
>
>Hello Listers.
>
>I have a document-identification question for those of you interested in
>such things:
>
>Our historical society in Brunswick, ME has a one-sheet broadside printed to
>look like a newspaper.  At the top of this sheet is printed "Prof. Cameron's
>Receipts.  1865".  Under that, in
>smaller letters, is "Grocers, Merchants, Manufacturers, Mechanics, Farmers,
>&c."  The body of the paper consists of several "receipts" or recipes for
>oil, vinegar, candy, etc.  There is no publisher information included.
>
>Using our archives, we researched the name/business "Cameron" and could not
>find any info about it, so I don't think he was a "local" (from the
>greater-Brunswick area).  I suspect that this was a regional or national
>publication sent to appropriate businesses to post on their walls.
>
>Does anyone know anything about this document or have any ideas about what
>it could be?
>
>Jarrod Diels-Roll
>Curator
>Pejepscot Historical Society
>Joshua L. Chamberlain Museum
>Skolfield-Whittier House Museum
>
>------------------------------
>
>Date:    Sat, 6 Jan 2001 14:49:27 -0500
>From:    lk0717 <[log in to unmask]>
>Subject: Student request for information
>
>This is a multi-part message in MIME format.
>
>------=_NextPart_000_000B_01C077EF.DE13C2E0
>Content-Type: text/plain;
>        charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>Hello fellow listers:
>
>I have been investigating graduate programs around the country and have =
>identified three that suit my needs and interests.  My interests are in =
>the curation of American or European decorative arts. I have identified =
>the programs at Parsons School of Design and Bard College.  These two =
>have specific programs in decorative arts and have  MA & Ph.D. =
>components.  Only programs with a Ph.D. component are being considered. =
>I am aware of the recent discussion on the list about the need for a =
>doctoral degree--I have decided for now that I will pursue the advanced =
>degree. =20
>
>The other program is at Case Western Reserve University in Ohio.  This =
>program has a MA/Ph.D. (combined) in Art History and Museum Studies.  =
>Would this type of program also be appropriate for decorative arts?
>
>All the programs have different admission requirements.  Some require =
>the GRE exam, some reading proficiency in two additional languages, so =
>just acquiring the admissions prerequisites is tough.  I don't want to =
>waste my time if I hear from the museum community that a particular =
>program in not useful.
>
>I have a strong academic record, great academic and professional letters =
>of recommendation,  and three semesters to go to finish my BA degree.=20
>
>I am seeking input from people who know about these schools or programs, =
>comments about the track I am proposing, and overall recommendations.  =
>Also suggestions for internships.
>
>Your professional opinions and recommendations would be greatly =
>appreciated!
>
>My e-mail address is [log in to unmask] if you whish to respond =
>confidentially.
>
>Thanks for your time.
>
>Michael Katzberg
>Student
>School of Architecture, Art and Historic Preservation
>Roger Williams University
>Bristol, RI
>
>
>------=_NextPart_000_000B_01C077EF.DE13C2E0
>Content-Type: text/html;
>        charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Hello fellow listers:</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>I have been investigating graduate =
>programs around=20
>the country and have identified three that suit my needs and =
>interests.&nbsp; My=20
>interests are in the curation of American or European decorative arts. I =
>have=20
>identified the programs at Parsons School of Design and Bard =
>College.&nbsp;=20
>These two have specific programs in decorative arts and have&nbsp; MA =
>&amp;=20
>Ph.D. components.&nbsp; Only programs with a Ph.D. component are being=20
>considered. I am aware of the recent&nbsp;discussion on the list about =
>the need=20
>for a doctoral degree--I have decided for now that I will pursue the =
>advanced=20
>degree.&nbsp; </FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>The other program is at Case Western =
>Reserve=20
>University in Ohio.&nbsp; This program has a MA/Ph.D. (combined) in Art =
>History=20
>and Museum Studies.&nbsp; Would this type of program also be appropriate =
>for=20
>decorative arts?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>All the programs have different =
>admission=20
>requirements.&nbsp; Some require the GRE exam, some =
>reading&nbsp;proficiency in=20
>two additional languages, so just acquiring the admissions prerequisites =
>is=20
>tough.&nbsp; I don't want to waste my time if I hear from the museum =
>community=20
>that a particular program in not useful.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>I have a strong academic record, great=20
>academic&nbsp;and professional letters of recommendation, &nbsp;and =
>three=20
>semesters to go to finish my BA degree.&nbsp;</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>I am seeking input from people who know =
>about these=20
>schools or programs, comments about the track I am proposing, and =
>overall=20
>recommendations.&nbsp; Also suggestions for internships.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>Your professional opinions and =
>recommendations=20
>would be greatly appreciated!</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
><DIV>
><DIV><FONT face=3DArial size=3D2>My e-mail address is <A=20
>href=3D"mailto:[log in to unmask]">[log in to unmask]</A> if you =
>whish to=20
>respond confidentially.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>Thanks for your =
>time.</FONT></DIV></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>Michael Katzberg</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Student</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>School of Architecture, Art and =
>Historic=20
>Preservation</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Roger Williams University</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Bristol, RI</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>
>
>------=_NextPart_000_000B_01C077EF.DE13C2E0--
>
>------------------------------
>
>Date:    Sat, 6 Jan 2001 12:06:22 -0500
>From:    Harold Cramer <[log in to unmask]>
>Subject: Historical Maps of Pennsylvania
>
>Hello:
>
>The web site Historical Maps of Pennsylvania has been greatly expanded and
>now has its own domain and a new web address at http://mapsofpa.com .
>
>Anyone interested in Pennsylvania history may want to take a look.
>
>Yours truly,
>Harold Cramer
>
>------------------------------
>
>Date:    Sat, 6 Jan 2001 17:06:28 -0500
>From:    Stephen <[log in to unmask]>
>Subject: Careers
>
>I am a MBA student who works full time in a National Science Center. My
>question is this what are some things that I could do to make it easier for
>me to get a job once I get out of grad school. I enjoy working in a museum
>as I would imagine all of you do. I just need some pointers on what kind of
>things I could do to make my resume look better there by furthering my
>career.
>
>------------------------------
>
>Date:    Thu, 4 Jan 2001 23:40:20 -0500
>From:    N & A POWELL <[log in to unmask]>
>Subject: Re: Education
>
>I believe a similar discussion re what could be termed "academia vs applied
>studies" appeared within the last few months and might accessed in the
>lists' archives.
>
>I have an MA in history museum studies and 25 years museum experience,
>including some with modern & contemporary art.  It seems that most history
>museum professionals don't have my "double" background which includes art
>and art history, as well as history/material culture. For what it's worth,
>this is my opinion, based on my experience and observations.
>
>If Sienna wants to work as a curator in an art museum with contemporary art,
>she definitely needs an MA and most probably a PhD in art history/theory,
>get real used to using slide libraries, and get some experience working in a
>university art gallery or other art museum along the way. If she wants to be
>print maker, get a MA in studio arts. If she wants to work in a history
>museum, an MA is sufficient. If she wants to work in a historical society, a
>PhD will be preferred.
>
>On another note, I have seen a perfectly good, or fine, collection of
>material culture/art related items designated to be deaccessioned and the
>collection reformed because the administrator, who no doubt is a fine person
>and well trained, saw it through art & design eyes, and apparently didn't
>have the training or knowledge to understand it as a historical/material
>culture collection. Unfortunately, there doesn't seem to be much "cross
>training" for reasons of academic territory, etc. This discussion could go
>on endlessly, so I will end here.
>
>Nancy Powell
>Executive Director
>Ebenezer Maxwell Mansion
>Philadelphia, PA
>
>-----Original Message-----
>From: Sienna Brown <[log in to unmask]>
>To: [log in to unmask] <[log in to unmask]>
>Date: Wednesday, December 27, 2000 11:29 PM
>Subject: Education
>
>
>>Hi,
>>
>>This may have been discussed into the ground so I apologize if you are all
>>sick of this question, I'm new to the list. I am a recent grad with a BA in
>>Art History. I currently have a good museum job. Despite my good job now I
>>know I need to go to grad school but I don't know if its better to get my
>MA
>>or my Ph.D. My ultimate goal is to be a curator and my interests are in
>>modern and contemporary (mostly contemporary) art and print making. Do any
>>of you have any ideas at to whether an MA or a PhD is better for my career.
>>
>>Thanks,
>>Sienna Brown
>>_________________________________________________________________
>>Get your FREE download of MSN Explorer at http://explorer.msn.com
>>
>>=========================================================
>>Important Subscriber Information:
>>
>>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail message
>to [log in to unmask] . The body of the message should read "help"
>(without the quotes).
>>
>>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read "Signoff
>Museum-L" (without the quotes).
>>
>
>------------------------------
>
>Date:    Sat, 6 Jan 2001 22:18:07 -0500
>From:    N & A POWELL <[log in to unmask]>
>Subject: Re: Lipstick on a quilt
>
>This is a multi-part message in MIME format.
>
>------=_NextPart_000_0061_01C0782E.8B7FA140
>Content-Type: text/plain;
>        charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>Try calling the conservation department at the Philadelphia Museum of =
>Art.
>
>Nancy Powell
>Executive Director
>Ebenezer Maxwell Mansion
>Philadelphia, PA=20
>    -----Original Message-----
>    From: schwenkfelder library & heritage center =
><[log in to unmask]>
>    To: [log in to unmask] <[log in to unmask]>
>    Date: Wednesday, January 03, 2001 12:56 PM
>    Subject: Lipstick on a quilt
>   =20
>   =20
>    Greetings...
>   =20
>    A board member has asked a safe way of removing lipstick from a =
>1920s cotton quilt (a family possession).  Any suggestions would be most =
>welcome.
>   =20
>    Thanks, listers
>    Candace Perry
>    Schwenkfelder Library & Heritage Center
>
>------=_NextPart_000_0061_01C0782E.8B7FA140
>Content-Type: text/html;
>        charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
><HTML>
><HEAD>
>
><META content=3Dtext/html;charset=3Diso-8859-1 =
>http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
>Transitional//EN">
><META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
><STYLE></STYLE>
>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT size=3D2>Try calling the conservation department at the =
>Philadelphia=20
>Museum of Art.</FONT></DIV>
><DIV><FONT size=3D2></FONT>&nbsp;</DIV>
><DIV><FONT size=3D2>Nancy Powell</FONT></DIV>
><DIV><FONT size=3D2>Executive Director</FONT></DIV>
><DIV><FONT size=3D2>Ebenezer Maxwell Mansion</FONT></DIV>
><DIV><FONT size=3D2>Philadelphia, PA </FONT></DIV>
><BLOCKQUOTE=20
>style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
>5px">
>    <DIV><FONT face=3DArial size=3D2><B>-----Original =
>Message-----</B><BR><B>From:=20
>    </B>schwenkfelder library &amp; heritage center &lt;<A=20
>    =
>href=3D"mailto:[log in to unmask]">[log in to unmask]</A>=
>&gt;<BR><B>To:=20
>    </B><A=20
>    =
>href=3D"mailto:[log in to unmask]">[log in to unmask]
></A>=20
>    &lt;<A=20
>    =
>href=3D"mailto:[log in to unmask]">[log in to unmask]
></A>&gt;<BR><B>Date:=20
>    </B>Wednesday, January 03, 2001 12:56 PM<BR><B>Subject: </B>Lipstick =
>on a=20
>    quilt<BR><BR></DIV></FONT>
>    <DIV><FONT face=3DArial size=3D2>Greetings...</FONT></DIV>
>    <DIV>&nbsp;</DIV>
>    <DIV><FONT face=3DArial size=3D2>A board member has asked a safe way =
>of removing=20
>    lipstick from a 1920s cotton quilt (a family possession).&nbsp; Any=20
>    suggestions would be most welcome.</FONT></DIV>
>    <DIV>&nbsp;</DIV>
>    <DIV><FONT face=3DArial size=3D2>Thanks, listers</FONT></DIV>
>    <DIV><FONT face=3DArial size=3D2>Candace Perry</FONT></DIV>
>    <DIV><FONT face=3DArial size=3D2>Schwenkfelder Library &amp; =
>Heritage=20
>    Center</FONT></DIV></BLOCKQUOTE></BODY></HTML>
>
>------=_NextPart_000_0061_01C0782E.8B7FA140--
>
>------------------------------
>
>Date:    Sat, 6 Jan 2001 22:15:50 -0500
>From:    N & A POWELL <[log in to unmask]>
>Subject: Re: Corporate art collections
>
>NACAM is the National Association of Corporate Art Managers. The curators at
>Seagram's in New York City could put you in touch with the organization.
>There is a directory which is available either on-line or on CD. It is no
>longer issued in hard copy.
>
>Nancy Powell
>
>-----Original Message-----
>From: Barbara Brooker <[log in to unmask]>
>To: [log in to unmask] <[log in to unmask]>
>Date: Friday, January 05, 2001 12:30 PM
>Subject: Corporate art collections
>
>
>>I am interested in investigating career opportunities in corporate art
>>collections. If anyone has any tips, experiences, or pointers to
>>information sources about this area I would appreciate any info.
>>Specifically is there a directory or similar source listing corporations
>>with art collections?
>>
>>Thanks,
>>Barbara Brooker
>>
>>=========================================================
>>Important Subscriber Information:
>>
>>The Museum-L FAQ file is located at
>http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed
>information about the listserv commands by sending a one line e-mail message
>to [log in to unmask] . The body of the message should read "help"
>(without the quotes).
>>
>>If you decide to leave Museum-L, please send a one line e-mail message to
>[log in to unmask] . The body of the message should read "Signoff
>Museum-L" (without the quotes).
>>
>
>------------------------------
>
>End of MUSEUM-L Digest - 5 Jan 2001 to 6 Jan 2001 (#2001-7)
>***********************************************************


Museums Australia (Vic)
Carlton Gardens
Rathdowne St
Carlton  VIC   3053
Tel: (03) 8341 7344
Fax: (03) 8341 7333

=========================================================
Important Subscriber Information:

The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).

If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).

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